Ammon Hillman argues core Christian concepts like 'Christing' arose from Greek pharmacology, serpent veneration, venom rites and ecstatic ritual—offering controversial readings of early sources and personal demonic claims. #EarlyChurch #AncientMed #Classics
Read this thought-provoking and timely essay by @armanddangour.bsky.social for @engelsbergideas.bsky.social
"The sense of belonging that comes with following a multitude can blind crowds to reason and debate."
🗃️🏛️🏺 #AncientBluesky #EduSky #AncientMed #History
engelsbergideas.com/notebook/the...
#MosaicMonday Mosaic floor of stone & glass tesserae w/ an Egyptianizing scene while the geometric & floral designs are typically Roman. Egypt held a special fascination for the Romans as a land of great wealth & antiquity.
🏛️ Prima Porta, just north of Rome,
🏺🗃️ #art #AncientMed #History
130/150 CE
Description from the museum: “The central tondo shows a winged deity of Assyrian type felling a rampant lion with a sword. The surrounding frieze presents a variety of animal and narrative motifs, including two specifically Egyptian subjects: a sphinx wearing the Egyptian double crown and a lion treading over a dead man, symbolizing the pharaoh dominating his enemies. The broad outer band features a variety of combats. Of greatest importance, however, are two inscriptions. At the top, above an Assyrianizing figure killing a lion, a Cypriot syllabic inscription reads, "I am [the bowl] of Akestor, king of Paphos." It was partly obliterated and replaced by "I am [the bowl] of Timokretes," presumably the next owner. The bowl is exceptionally significant for its excellent condition, high quality, and amalgam of Egyptian, Assyrian, an d Phoenician features.”
Cypriot silver-gilt bowl ~ c. 725–675 BCE
This piece shows a range of cultural influences. Assyrian style in the central tondo with Egyptian motifs surrounding it. The Cypriot inscription reads: “I am [the bowl] of Akestor, king of Paphos.”
🏛 The Met
#AncientMed #History
🏺AncientBluesky