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Poking at Western stereotypes, Coe’s painting depicts a woman in cowboy gear on a powerful horse pulling a 1950’s pink Cadillac on a dirt road with mountains behind her. There is a black and white cow print border creating a 3D effect that the woman and her horse are leaving the edge of the painting.

Arizonan artist Coe shows the American cowgirl as a heroic figure, expertly and humorously lassoing a pink Cadillac in the background. While spoofing many Western tropes, the landscape uses a representational palette and the car offers a splash of pop pink.

Poking at Western stereotypes, Coe’s painting depicts a woman in cowboy gear on a powerful horse pulling a 1950’s pink Cadillac on a dirt road with mountains behind her. There is a black and white cow print border creating a 3D effect that the woman and her horse are leaving the edge of the painting. Arizonan artist Coe shows the American cowgirl as a heroic figure, expertly and humorously lassoing a pink Cadillac in the background. While spoofing many Western tropes, the landscape uses a representational palette and the car offers a splash of pop pink.

"At the End of Her Rope” by Anne Coe (American) - Acrylic on canvas / 1992 - Whitney Western Art Museum (Cody, Wyoming) #womeninart #art #womensart #acrylicpainting #womanartist #femaleartist #WhitneyWesternArtMuseum #AnneCoe #westernart #cowgirl #artwork #americanartist #pinkcadillac #stereotypes

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