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"Death" 2014 💀
Pencil sketch and shade

-Mat ✏️
#art #death #skull #artofbluesky #matsart #PencilSketch #PencilDrawing #Graphite #GraphiteDrawing #Sketch #shade

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A digital pencil sketch of a Rooster

A digital pencil sketch of a Rooster

Kikiriki
.
.
.
#art #digitalart #sketch #rooster #artofbluesky

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Today, this Tamil New Year Day, two older men share a moment drinking tea as they sit closely together on plastic stools at a small roadside stall in Tiruvannamalai, Tamil Nadu, India.

The man on the right is dressed in traditional attire, including a dhoti (blue lower garment) and a rudraksha mala (prayer beads) around his neck, whilst the man on the left wears a light-coloured shirt and a similar blue dhoti.

A sign in the background reads 'ROOMS RENT'.

Today, this Tamil New Year Day, two older men share a moment drinking tea as they sit closely together on plastic stools at a small roadside stall in Tiruvannamalai, Tamil Nadu, India. The man on the right is dressed in traditional attire, including a dhoti (blue lower garment) and a rudraksha mala (prayer beads) around his neck, whilst the man on the left wears a light-coloured shirt and a similar blue dhoti. A sign in the background reads 'ROOMS RENT'.

You are here and so am I
Maybe millions of people go by
But they all disappear from view
And I only have eyes for You

The Flamingos, 20th century

#Photography #Poetry #India #SpéirGhorm #SpeirGorm #StreetPhotography #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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Next to a notice promoting a Sri Ramanasramam Commemorative Centenary Coin, minted in 99.9% pure silver, weighing 40 grams and having a diameter of 44 mm, a woman wearing a traditional Indian printed sari featuring animal motifs wipes down a black board with a green cloth dampened from the white plastic bucket at her feet.

The Fifth Patriarch of Chan Buddhism, Hongren, wishing to pass on his robe and bowl to a successor, asked his disciples to write a poem to show their understanding, 

Shen Hsiu, a learned senior monk experienced in meditation, wrote the above verse advocating a gradual process of achieving and maintaining the purity and clarity of the mirror-like mind. The emphasis was on a form of practice which involved cleaning the mind (mirror) from ignorance (dust) to attain purity.

Hui Neng, an illiterate woodcutter, challenged this by arguing that in ultimate reality the mind was already pure and enlightened. The mirror was not a physical item to be polished, but inherently empty. He advocated the sudden awakening to emptiness beyond form all-at-once, instantaneously, in the here-and-now:

Originally Bodhi has no tree,
The mirror has no stand. 
Fundamentally, nothing exists,
so where can dust alight?

Hui Neng's poem demonstrated a direct, intuitive grasp of non-duality and secured his position as the Sixth Patriarch of Chan Buddhism.

Next to a notice promoting a Sri Ramanasramam Commemorative Centenary Coin, minted in 99.9% pure silver, weighing 40 grams and having a diameter of 44 mm, a woman wearing a traditional Indian printed sari featuring animal motifs wipes down a black board with a green cloth dampened from the white plastic bucket at her feet. The Fifth Patriarch of Chan Buddhism, Hongren, wishing to pass on his robe and bowl to a successor, asked his disciples to write a poem to show their understanding, Shen Hsiu, a learned senior monk experienced in meditation, wrote the above verse advocating a gradual process of achieving and maintaining the purity and clarity of the mirror-like mind. The emphasis was on a form of practice which involved cleaning the mind (mirror) from ignorance (dust) to attain purity. Hui Neng, an illiterate woodcutter, challenged this by arguing that in ultimate reality the mind was already pure and enlightened. The mirror was not a physical item to be polished, but inherently empty. He advocated the sudden awakening to emptiness beyond form all-at-once, instantaneously, in the here-and-now: Originally Bodhi has no tree, The mirror has no stand. Fundamentally, nothing exists, so where can dust alight? Hui Neng's poem demonstrated a direct, intuitive grasp of non-duality and secured his position as the Sixth Patriarch of Chan Buddhism.

The body is a bodhi tree,
the mind a bright mirror stand.
Always diligently clean it,
and let no dust alight.

Shen Hsiu, 7th century

#Photography #India #Buddhism #Chan #Enlightenment #SpéirGhorm #SpeirGorm #StreetPhotography #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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"Pencil drawing of Tintin I did when I was a kid" (2000's) ✏️
#art #dog #Tintin #snowy #captainhaddock #artofbluesky #matsart #PencilSketch
#PencilDrawing #Graphite #GraphiteDrawing #Sketch

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A man sleeps in an unconventional position at V.I.P. Gardens, Ramana Nagar, Tiruvannamalai, Tamil Nadu, India, using a blue TVS Jupiter with a grab rail and underseat storage parked against a weathered wall as a makeshift bed.

Despite its relaxing tone, Easy (Like Sunday Morning) is actually about a breakup, with lyrics reflecting a man’s relief at the joy and ease of leaving a stagnant relationship and finding freedom.

A man sleeps in an unconventional position at V.I.P. Gardens, Ramana Nagar, Tiruvannamalai, Tamil Nadu, India, using a blue TVS Jupiter with a grab rail and underseat storage parked against a weathered wall as a makeshift bed. Despite its relaxing tone, Easy (Like Sunday Morning) is actually about a breakup, with lyrics reflecting a man’s relief at the joy and ease of leaving a stagnant relationship and finding freedom.

Everybody wants me to be
What they want me to be
That's why I'm easy
I'm easy like Sunday morning
That's why I'm easy
I'm easy like Sunday morning

Commodores, 20th century

#Photography #Stunday #India #SpéirGhorm #SpeirGorm #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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Working on this piece for an art trade and I just wanna show it off some as im loving it and it took surprisingly a LOOOOONG time to do up. #wip #art #artofbluesky #mermaid #mermaidart #fantasy #fantasyart #abandonedstructure #sunkenruins #ruins #underwater #underwaterruins #oceanart #ocean

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Perhaps anticipating the rigours of a successful modelling career, Pushkin, the domestic shorthair Ashram cat with a distinctive black and white (tuxedo) coat pattern and piercing green eyes, rests on top of a metal box labelled 'MODEL:1465'. This is the secured back-up electricity generator facility for Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India.

'Macavity', from T.S. Eliot's 'Old Possum's Book of Practical Cats' (1939), by contrast, describes a cat who is a master criminal that vanishes from every crime scene, defies laws of nature and masterminds other criminal cats!!!

Perhaps anticipating the rigours of a successful modelling career, Pushkin, the domestic shorthair Ashram cat with a distinctive black and white (tuxedo) coat pattern and piercing green eyes, rests on top of a metal box labelled 'MODEL:1465'. This is the secured back-up electricity generator facility for Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India. 'Macavity', from T.S. Eliot's 'Old Possum's Book of Practical Cats' (1939), by contrast, describes a cat who is a master criminal that vanishes from every crime scene, defies laws of nature and masterminds other criminal cats!!!

His brow is deeply lined with thought,
his head is highly domed;
His coat is dust from neglect,
his whiskers are uncombed.

T.S. Eliot, 20th century

#Photography #Poetry #Caturday #India #SpéirGhorm #SpeirGorm #StreetPhotography #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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I have finished my third sketchbook. The next one has a bit weird format, but is smaller and better for the trips I guess. #sketching #watercolor #art #artofbluesky

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Finished!
“Fall Beach Kelp”
Emily Duffy©️2026

#watercolor #painting #aquarelle #artsky #fineart #artofbluesky #artistsofbluesky #artgallery #art #abstract #pattern #coloredpencil #artistsonbluesky #blueskyartshow #abstractart #abstractexpressionism #painter #womensartbluesky #blueskyart #artist

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Two women are bending over to clean those brass, copper and clay pots and pans on the ground used for the daily temple rituals at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India.

The woman on the right wears a red and white sari with a distinct green apple motif pattern, whilst the other with her back completely to the camera is wearing an orange patterned sari.

The window features traditional green-painted wooden shutters and white security bars. Various colorful cloths and towels are draped over the window frame and railing to dry.

Two women are bending over to clean those brass, copper and clay pots and pans on the ground used for the daily temple rituals at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India. The woman on the right wears a red and white sari with a distinct green apple motif pattern, whilst the other with her back completely to the camera is wearing an orange patterned sari. The window features traditional green-painted wooden shutters and white security bars. Various colorful cloths and towels are draped over the window frame and railing to dry.

I got brass in a pocket
I got bottle, I'm gonna use it.
Gonna use my arms,
gonna use my legs,
gonna use my fingers,
gonna use my, my imagination

The Pretenders, 20th century

#Photography #Poetry #SpéirGhorm #SpeirGorm #India #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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Random doodle sheet

#art #artofbluesky #smallartist #invincible #MarkImadeasteak #ASTEAK #Yes #UncleGrandpa #idkwhattotagthisanymorehelp #memeart

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Three flies rest without threat on the traditional cotton-blend white dhoti with coloured border of a man sitting outdoors on a red plastic chair. He is holding 'Dinamalar' (தின மலர்), a Tamil daily newspaper, in his hands. 

On 6 April 2026, India’s most advanced nuclear reactor reached a self-sustaining stage that marks a major leap for the country’s atomic energy programme, and takes it a step closer to cutting dependence on uranium.

The prototype fast breeder reactor (PFBR) at Kalpakkam in the southern Indian state of Tamil Nadu reached criticality – the stage at which a nuclear chain reaction can continue on its own.

https://www.aljazeera.com/news/2026/4/7/indias-nuclear-leap-why-its-fast-breeder-reactor-success-matters

Three flies rest without threat on the traditional cotton-blend white dhoti with coloured border of a man sitting outdoors on a red plastic chair. He is holding 'Dinamalar' (தின மலர்), a Tamil daily newspaper, in his hands. On 6 April 2026, India’s most advanced nuclear reactor reached a self-sustaining stage that marks a major leap for the country’s atomic energy programme, and takes it a step closer to cutting dependence on uranium. The prototype fast breeder reactor (PFBR) at Kalpakkam in the southern Indian state of Tamil Nadu reached criticality – the stage at which a nuclear chain reaction can continue on its own. https://www.aljazeera.com/news/2026/4/7/indias-nuclear-leap-why-its-fast-breeder-reactor-success-matters

There ain’t no flies on us
There ain’t no flies on us
There might be flies on some of you guys
But there ain’t no flies on us

Traditional, 20th century

#Photography #Poetry #India #SpéirGhorm #SpeirGorm #StreetPhotography #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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Oh no! Who let Lil Guy drive??? Now available on my ACGGoods store as stickers and this slick lookin' keychain. Put him everywhere because he IS everywhere. #stickershop #keychains #stickers #chibiart #chibi #art #artofbluesky

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AVENIDA DE LA PAZ, 2026 / leaf, board, paint / 5.5” x 9” x 0.5”

The leaf included in this work was picked up from the pavement of Avenida de la Paz in Guadalajara, Mexico.

#acrylic #painting #acrylicpainting #art #metaphor #visualmetaphor #creativity #artofbluesky #Guadalajara #Mexico #delapaz

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Pradakshina (circumambulation) along the walkway around the samadhi shrine where the mortal remains of Ramana Maharshi (1879-1950) are entombed at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India is a highly revered spiritual practice.

The sanctified body is enshrined here in a sitting position facing Arunachala, with a sacred Shiva lingam positioned directly over his head. Devotees often walk around the shrine in a clockwise direction—commonly 3, 5, or more times—usually in silence, meditation or chanting to experience peace, reflection and connection with the sage. 

Before being discontinued recently by the new management, it was particularly popular during the daily chanting of the Vedas and Tamil Parayana, during which many devotees walked continuously around Sri Ramana's samadhi shrine.

The lyrics come from Johnny Cash's first number-one hit which remained on the American charts for over 43 weeks. Bob Dylan described it as "... a song I'd always considered to be up there at the top, one of the most mysterious and revolutionary of all time, a song that makes an attack on your most vulnerable spots, sharp words from a Master."

Pradakshina (circumambulation) along the walkway around the samadhi shrine where the mortal remains of Ramana Maharshi (1879-1950) are entombed at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India is a highly revered spiritual practice. The sanctified body is enshrined here in a sitting position facing Arunachala, with a sacred Shiva lingam positioned directly over his head. Devotees often walk around the shrine in a clockwise direction—commonly 3, 5, or more times—usually in silence, meditation or chanting to experience peace, reflection and connection with the sage. Before being discontinued recently by the new management, it was particularly popular during the daily chanting of the Vedas and Tamil Parayana, during which many devotees walked continuously around Sri Ramana's samadhi shrine. The lyrics come from Johnny Cash's first number-one hit which remained on the American charts for over 43 weeks. Bob Dylan described it as "... a song I'd always considered to be up there at the top, one of the most mysterious and revolutionary of all time, a song that makes an attack on your most vulnerable spots, sharp words from a Master."

I keep a close watch
on this Heart of mine
I keep my eyes wide
open all the time
I keep the ends out
for the tie that binds
Because You're mine,
I walk the line.

Johnny Cash, 20th century

#Photography #Poetry #SpéirGhorm #SpeirGorm #ImageAndVerse #ArtOfBlueSky #PhotographersOfBluesky #EastCoastKin

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Looking for work 💩…at least art is always ❤️

#affordableart #mixedmediaart #oilpaintings #collageart #artforsalebyartist #abstractstructuralism #buyrealart #paintingoftheday #abstractartist #abstractartwork #abstractpainter #abstractmixedmediaart #abstractoilpainting
#heidispringart #artofbluesky

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You must remain
your own witness,
marking well everything
that happens, never shutting your eyes to reality.
You must come to grips
with these terrible times.

Etty Hillesum, 20th century

#Photography #SpéirGhorm #SpéirGorm #India #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

A cowherder with her colourful traditional sari hitched up over her knee stands in a luscious waterlogged field with palm trees in the background. Never once does she take her eyes off the buffalos who have wandered aimlessly into the distance, prepared to retrieve them in due course with the wooden staff in her hand.

Etty Hillesum was murdered in Auschwitz in 1943 at the age of 29, but not before she attained remarkable spiritual maturity. Her astonishingly revealing personal diaries and letters record that, over only about thirty months, her life was completely transformed. These valuable documents were eventually published, almost forty years after her death.

In her first diary entry she wrote, "Deep down something like a tightly wound ball of twine binds me relentlessly, and at times I am nothing more or less than a miserable, frightened creature."

https://www.psychologytoday.com/ie/blog/spiritual-wisdom-secular-times/201109/spiritual-maturity-the-case-etty-hillesum-1

You must remain your own witness, marking well everything that happens, never shutting your eyes to reality. You must come to grips with these terrible times. Etty Hillesum, 20th century #Photography #SpéirGhorm #SpéirGorm #India #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin A cowherder with her colourful traditional sari hitched up over her knee stands in a luscious waterlogged field with palm trees in the background. Never once does she take her eyes off the buffalos who have wandered aimlessly into the distance, prepared to retrieve them in due course with the wooden staff in her hand. Etty Hillesum was murdered in Auschwitz in 1943 at the age of 29, but not before she attained remarkable spiritual maturity. Her astonishingly revealing personal diaries and letters record that, over only about thirty months, her life was completely transformed. These valuable documents were eventually published, almost forty years after her death. In her first diary entry she wrote, "Deep down something like a tightly wound ball of twine binds me relentlessly, and at times I am nothing more or less than a miserable, frightened creature." https://www.psychologytoday.com/ie/blog/spiritual-wisdom-secular-times/201109/spiritual-maturity-the-case-etty-hillesum-1

You must remain
your own witness,
marking well everything
that happens, never shutting
your eyes to reality.
You must come to grips
with these terrible times.

Etty Hillesum, 20th century

#Photography #SpéirGhorm #SpéirGorm #India #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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OPEN-MINDED (SCHOLAR), 2026 / deep matte giclée print / 30”x 45”

#openmind #openminded #scholar #artist #conceptualphotography #contemporaryart #art #sculpture #cornchips #tostitos #artofbluesky

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4 pages left in this notebook. I got used to the square format, pity the next one is of a regular Moleskin shape. And I still don’t have a theme for the new one #watercolor #sketch #art #artofbluesky

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A man wearing a saffron dhoti (unstitched loincloth) and angavastram (shoulder cloth) sashays past a large busstop billboard advertising 'Saravana Stores Super Jewellery' and featuring four women displaying the retail outlet's gold and diamond selections.

The juxtaposition between these ostentatious displays of wealth and the large pile of tender coconuts in the background is jarring. 

These humble fruits are consumed by pilgrims for their nutrient-rich natural water and delicious soft pulp as they walk barefoot the 14 km girivalam around Mount Arunachala, Tiruvannamalai, Tamil Nadu, India.

A man wearing a saffron dhoti (unstitched loincloth) and angavastram (shoulder cloth) sashays past a large busstop billboard advertising 'Saravana Stores Super Jewellery' and featuring four women displaying the retail outlet's gold and diamond selections. The juxtaposition between these ostentatious displays of wealth and the large pile of tender coconuts in the background is jarring. These humble fruits are consumed by pilgrims for their nutrient-rich natural water and delicious soft pulp as they walk barefoot the 14 km girivalam around Mount Arunachala, Tiruvannamalai, Tamil Nadu, India.

I'm too sexy for my shirt
too sexy for my shirt
so sexy it hurts
I'm a model
you know what I mean
and I do my turn
on the catwalk
yeah on the catwalk

Right Said Fred, 20th century

#Photography #SpéirGhorm #SpeirGorm #SpéirGorm #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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New watercolor finished. Which wY does it go?

#watercolor #painting #artsky #fineart #artofbluesky #artistsofbluesky #artgallery #art #abstract #coloredpencil #blueskyartshow #abstractart #abstractexpressionism #painter #womensartbluesky #abstractartist #blueskyart #artist

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A collage I made at work during Teens Create…I’ll call it Tunes of Rebirth.
#library #collage #art #artofbluesky

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Two vibrant Bougainvillea trees grow together at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India, featuring both brilliant pink and warm orange bracts and producing thorns which help them climb and cling to a beige wall. 

Trees growing together over a grave is a natural phenomenon known as inosculation. The trunks, branches, or roots of two or more trees touch, graze and eventually graft or merge to form a single intertwined structure. They often represent a living memorial, symbolising the continuation of life and the bonding of the departed. 

The Celts believed trees held souls and planted them on graves so the tree could protect the deceased and provide a new vessel for their spirit.

Two vibrant Bougainvillea trees grow together at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India, featuring both brilliant pink and warm orange bracts and producing thorns which help them climb and cling to a beige wall. Trees growing together over a grave is a natural phenomenon known as inosculation. The trunks, branches, or roots of two or more trees touch, graze and eventually graft or merge to form a single intertwined structure. They often represent a living memorial, symbolising the continuation of life and the bonding of the departed. The Celts believed trees held souls and planted them on graves so the tree could protect the deceased and provide a new vessel for their spirit.

Die while you’re alive
and be absolutely dead.
Then do whatever you want:
it’s all good.

Zen Master Bunan, 17th century

#Photography #India #Stunday #StreetPhotography #SpeirGorm #SpéirGhorm #ImageAndVerse #ArtOfBlueSky #HumansOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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Silly little piece I did for a friend on Insta :3

#digitalart #furryart #sparkly #diva #artofbluesky

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A grey-haired devotee wearing traditional orange headscarf and dhoti, as well as a contemporary blue shirt, looks out behind a a closed collapsible channel (scissors) gate. It is constructed from stainless steel for corrosion resistance and strength and operates on a horizontal sliding mechanism to expand and contract like an accordion.

There are five frangipani flowers resting on a textured concrete surface on the other side of the gate, recognisable by their waxy, five-petaled structure with a white outer edge and yellow centre. Here too a sign on the wall reads: 

OM SRI ARUNACHALAM
SRI RAMANASRAMAM
SRI MATHRUBHUTESWARA MAHASANNIDHANAM FOUNDATION LAID BY BHAGAVAN SRI RAMANA MAHARSHI ON THURSDAY THE 15TH DAY OF AVANI IN THE YEAR PRAMADI(1-9-1939) AND CONSECRATED ON THURSDAY THE 4TH DAY OF PANGUNI IN THE YEAR SARVADHARI (17-3-1949)
NIRANJANANDA SWAMY SARVADHIKARI.

This is the New Hall at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India the centerpiece of which is a statue of Sri Ramana Maharshi on a throne-like sofa carved out of a single block of green stone surrounded by railings, and on the wall is an old Victorian-style clock. When Bhagavan was told that this new carved, granite sofa was for him, he remarked, "Let the stone swami sit on the stone sofa. If we look for our comfort, is it not at the expense of the sufferings of others? Squirrels, monkeys, cows and others have no chance of coming here." Reluctantly, he eventually agreed to be taken out of the Old Hall (Meditation Room) and made to sit on the stone couch covered with red velvet cushions.

A grey-haired devotee wearing traditional orange headscarf and dhoti, as well as a contemporary blue shirt, looks out behind a a closed collapsible channel (scissors) gate. It is constructed from stainless steel for corrosion resistance and strength and operates on a horizontal sliding mechanism to expand and contract like an accordion. There are five frangipani flowers resting on a textured concrete surface on the other side of the gate, recognisable by their waxy, five-petaled structure with a white outer edge and yellow centre. Here too a sign on the wall reads: OM SRI ARUNACHALAM SRI RAMANASRAMAM SRI MATHRUBHUTESWARA MAHASANNIDHANAM FOUNDATION LAID BY BHAGAVAN SRI RAMANA MAHARSHI ON THURSDAY THE 15TH DAY OF AVANI IN THE YEAR PRAMADI(1-9-1939) AND CONSECRATED ON THURSDAY THE 4TH DAY OF PANGUNI IN THE YEAR SARVADHARI (17-3-1949) NIRANJANANDA SWAMY SARVADHIKARI. This is the New Hall at Sri Ramanasramam, Tiruvannamalai, Tamil Nadu, India the centerpiece of which is a statue of Sri Ramana Maharshi on a throne-like sofa carved out of a single block of green stone surrounded by railings, and on the wall is an old Victorian-style clock. When Bhagavan was told that this new carved, granite sofa was for him, he remarked, "Let the stone swami sit on the stone sofa. If we look for our comfort, is it not at the expense of the sufferings of others? Squirrels, monkeys, cows and others have no chance of coming here." Reluctantly, he eventually agreed to be taken out of the Old Hall (Meditation Room) and made to sit on the stone couch covered with red velvet cushions.

I have lived on the lip of insanity,
wanting to know reasons,
knocking on a door. It opens.
I've been knocking from the inside.

Rumi, 13th century

#Photography #Poetry #India #SpéirGhorm #SpeirGorm #India #StreetPhotography #ImageAndVerse #ArtOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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New watercolor in work.

#watercolor #painting #aquarelle #artsky #fineart #artofbluesky #artistsofbluesky #artgallery #art #abstract #pattern #coloredpencil #artistsonbluesky #blueskyartshow #abstractart #abstractexpressionism #painter #womensartbluesky #abstractartist #blueskyart #artist

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A tall, narrow multi-story concrete frame construction is surrounded by traditional bamboo scaffolding for exterior finishing. The building features small, repetitive square ventilation grilles and circular decorative concrete panels on its facade. A set of bright yellow pipes runs down the exterior of the adjacent building.

The ironic lyrics of 'The Tower of Song' are a self-reflective enquiry into the songwriting craft which Leonard viewed as a form of imprisonment where he is "tied to this table" by "twenty-seven angels". Originally titled 'Raise My Voice in Song', this is considered a keynote work that captures the blend of pain, passion and wit that characterised his career.

https://youtu.be/nceRfJJZcP4

A tall, narrow multi-story concrete frame construction is surrounded by traditional bamboo scaffolding for exterior finishing. The building features small, repetitive square ventilation grilles and circular decorative concrete panels on its facade. A set of bright yellow pipes runs down the exterior of the adjacent building. The ironic lyrics of 'The Tower of Song' are a self-reflective enquiry into the songwriting craft which Leonard viewed as a form of imprisonment where he is "tied to this table" by "twenty-seven angels". Originally titled 'Raise My Voice in Song', this is considered a keynote work that captures the blend of pain, passion and wit that characterised his career. https://youtu.be/nceRfJJZcP4

Yeah, my friends are gone
and my head is gray
I ache in the places
where I used to play
I'm just paying
my rent every day
in the tower of song

Leonard Cohen, 20th century

#Photography #India #SpeirGorm #SpéirGhorm #ImageAndVerse #ArtOfBlueSky #HumansOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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With works by Anneke Timmerman - Astrid de Pauw - Jan Theun Van Rees - Baukje Spaltro -Julius Stibbe - Marius van Zandwijk 

Curator Marianne Roodenburg

With works by Anneke Timmerman - Astrid de Pauw - Jan Theun Van Rees - Baukje Spaltro -Julius Stibbe - Marius van Zandwijk Curator Marianne Roodenburg

𝘍𝘰𝘶𝘯𝘵𝘢𝘪𝘯𝘩𝘦𝘢𝘥 - my work
20 x 25 cm
oil on canvas

On view until May 10 in the group exhibition: 𝘈𝘭𝘭𝘦𝘴 𝘎𝘳𝘰𝘦𝘯
at Kunstuitleen Alkmaar

I’m showing 29 small paintings and 2 larger works

#beeldendekunst #artofbluesky #greenart #blueskyartshow #kunstuitleenalkmaar #artcontemporain

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A sari-clad street vendor walks house-to-house through the bylanes of Ramana Nagar, Tiruvannamalai, Tamil Nadu, India, balancing on her head a large stainless steel bowl filled with fresh leafy greens and other garden vegetables such as 'keerai' for sale. 

On 3 August 1929 at Ommen, Holland, Jiddu Krishnamurti dissolved the Order of the Star in the East, a global organisation of 75,000 members founded to support him as the 'World Teacher', marking his break from the Theosophical Society. He rejected the role of messiah and returned all associated money and property, including a castle in the Netherlands, declaring:

"I maintain that Truth is a pathless land, and you cannot approach it by any path whatsoever, by any religion, by any sect. That is my point of view, and I adhere to that absolutely and unconditionally. Truth, being limitless, unconditioned, unapproachable by any path whatsoever, cannot be organised; nor should any organisation be formed to lead or to coerce people along any particular path."

https://youtu.be/E6DZUsIBt4A

https://youtu.be/oYLei31eEB0

A sari-clad street vendor walks house-to-house through the bylanes of Ramana Nagar, Tiruvannamalai, Tamil Nadu, India, balancing on her head a large stainless steel bowl filled with fresh leafy greens and other garden vegetables such as 'keerai' for sale. On 3 August 1929 at Ommen, Holland, Jiddu Krishnamurti dissolved the Order of the Star in the East, a global organisation of 75,000 members founded to support him as the 'World Teacher', marking his break from the Theosophical Society. He rejected the role of messiah and returned all associated money and property, including a castle in the Netherlands, declaring: "I maintain that Truth is a pathless land, and you cannot approach it by any path whatsoever, by any religion, by any sect. That is my point of view, and I adhere to that absolutely and unconditionally. Truth, being limitless, unconditioned, unapproachable by any path whatsoever, cannot be organised; nor should any organisation be formed to lead or to coerce people along any particular path." https://youtu.be/E6DZUsIBt4A https://youtu.be/oYLei31eEB0

I maintain that Truth is
a pathless land,
and you cannot approach it
by any path whatsoever,
by any religion, by any sect.

J. Krishnamurti, 20th century

#Photography #India #StreetPhotography #SpeirGorm #SpéirGhorm #ImageAndVerse #ArtOfBlueSky #HumansOfBlueSky #PhotographersOfBlueSky #EastCoastKin

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