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Seven women stand in a solemn gathering within a deep blue interior that feels at once architectural and sacred. At the center, a Black woman with medium-brown skin faces outward in a long white gown whose broad sleeves open like wings. She wears a tall white headwrap, gold earrings, and layered necklaces, while her expression is calm, direct, and authoritative. Around her are six other women, also dressed in flowing white dresses and white headwraps, are arranged in a balanced semicircle. Two women in the foreground hold green palm fronds. One holds a beaded ritual rattle. Their bodies are upright and still, their faces attentive, as if listening or preparing for a shared invocation. Small candles burn near their feet, and pale vevè ritual markings are drawn across the dark floor. The glowing whites of the garments and headwraps stand out against the indigo background, giving the whole scene a hushed, luminous gravity.

Haitian artist Pierre Augustin’s painting presents Haitian Vodou not as exotic or mysterious in a sensationalized sense. Instead, he gives the ceremony discipline, dignity, and female spiritual authority. The central figure reads as a mambo, or priestess, leading a group of women through a sacred rite. The white garments suggest ritual purity, initiation, and collective devotion, while the chalked symbols and candles mark the space as one of invitation, protection, and presence. The ceremony is linked to the calling of Ezili, a lwa spirit associated with femininity, beauty, love, power, and emotional depth. That association deepens the painting’s meaning: this is not simply a gathering of women, but a vision of women as guardians of spiritual continuity.

Augustin, born in Haiti in 1945, became known for highly ordered, symbolic images rooted in Haitian life and belief. Here, in 1979, he offers not performance for an outside viewer, but a threshold of reverence. The women seem gathered in mutual witnessing, sacred labor, and calm command.

Seven women stand in a solemn gathering within a deep blue interior that feels at once architectural and sacred. At the center, a Black woman with medium-brown skin faces outward in a long white gown whose broad sleeves open like wings. She wears a tall white headwrap, gold earrings, and layered necklaces, while her expression is calm, direct, and authoritative. Around her are six other women, also dressed in flowing white dresses and white headwraps, are arranged in a balanced semicircle. Two women in the foreground hold green palm fronds. One holds a beaded ritual rattle. Their bodies are upright and still, their faces attentive, as if listening or preparing for a shared invocation. Small candles burn near their feet, and pale vevè ritual markings are drawn across the dark floor. The glowing whites of the garments and headwraps stand out against the indigo background, giving the whole scene a hushed, luminous gravity. Haitian artist Pierre Augustin’s painting presents Haitian Vodou not as exotic or mysterious in a sensationalized sense. Instead, he gives the ceremony discipline, dignity, and female spiritual authority. The central figure reads as a mambo, or priestess, leading a group of women through a sacred rite. The white garments suggest ritual purity, initiation, and collective devotion, while the chalked symbols and candles mark the space as one of invitation, protection, and presence. The ceremony is linked to the calling of Ezili, a lwa spirit associated with femininity, beauty, love, power, and emotional depth. That association deepens the painting’s meaning: this is not simply a gathering of women, but a vision of women as guardians of spiritual continuity. Augustin, born in Haiti in 1945, became known for highly ordered, symbolic images rooted in Haitian life and belief. Here, in 1979, he offers not performance for an outside viewer, but a threshold of reverence. The women seem gathered in mutual witnessing, sacred labor, and calm command.

"Vodou Ceremony" by Pierre Augustin (Haitian) - Oil on canvas / 1979 - Waterloo Center for the Arts (Waterloo, Iowa) #WomenInArt #PierreAugustin #Augustin #WaterlooCenterForTheArts #HaitianArt #VodouArt #art #arte #arttext #blueskyart #oilpainting #CeremonialPainting #WomenInRitual #HaitianArtist

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#Augustin

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#EWIGKEITSGASSE: In Erinnerung an den viel zu früh verstorbenen #Augustin​​-Verkäufer und #WienerSportClub-Fan Gerri Geiger hat Redakteur Chris Haderer ein Interview mit ihm aus dem Archiv geholt. Dienstag um 21:05 Uhr auf OKTO und dann in der OKTOTHEK

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Viano and I at the Volkstheater station with a copy of the Augustin

Viano and I at the Volkstheater station with a copy of the Augustin

Exhibition at the Wien Museum featuring Viano.

Exhibition at the Wien Museum featuring Viano.

Thanks to dear friend Alina, who leads a non-profit, I learned so much about the history of the #Augustin street paper, the spirit of the content it carries & the people behind it at the Wien Museum. Viano, a cheerful & kind constant at the Volkstheater Ubahn entrance, is prominently featured!

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#Classical #Music #New #York #Philharmonic #Barber, #Samuel #Benedetti, #Nicola #Hadelich, #Augustin

Origin | Interest | Match

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Original post on mastodon.social

Meine private These ist ja, dass Peter Thiel selber der Antichrist ist. Aber das müsst Ihr mir natürlich nicht glauben. Ich bin selber eine überaus fragwürdige Gestalt. 😁

https://www.youtube.com/watch?v=v8CWfDhNX7g

#DerAntichrist #DasBöse #DerTeufel #USA #DonaldTrump #Politics #Evil #Mani […]

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Start mit Tafel der Ausstellung über den Augustin

Start mit Tafel der Ausstellung über den Augustin

Eine Wand mit unzähligen Covers des Augustin

Eine Wand mit unzähligen Covers des Augustin

Die Ausstellung zu 30 Jahre Strassenzeitung Augustin im Wien Museum find ich ganz famos und sehenswert. Lasst euch die nicht entgehen - sie ist übrigens bei freiem Entritt!
Danke @augustinzeitung.bsky.social ❤️

#Augustin #Strassenzeitung

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Foto der Leuchtreklame für den Kinofilm mit einem Porträt Hannah Arendts und dem Filmtitel "Denken ist gefährlich"

Foto der Leuchtreklame für den Kinofilm mit einem Porträt Hannah Arendts und dem Filmtitel "Denken ist gefährlich"

Zu #verstehen wofür es eigentlich keine #Worte gibt.

Auch die Arbeit zum #Liebesbegriff bei #Augustin scheint ihr dabei geholfen zu haben.

Jedenfalls nahm ich das aus dem sehr sehenswerten #Film über Hannah #Arendt mit.

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Bonne fête de saint #Augustin !

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La dépression #Augustin (Méditerranée) sera associée à des eaux précipitables avoisinant 50 mm et à des quantités dangereuses de pluie en Suisse italienne : loc. 200-260 mm.

Cette animation du Met Office permet de se figurer que des cumuls de pluie sont d'abord des *hauteurs* d'eau 1 mm = 1 L/m2

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🎉 Happy Augustin Day! 🎉
天上の声を持つ魅惑の天使、アウグースティンがVOX Factoryで初めての誕生日を迎えました!🎂

コメントやファンアートで、アウグースティンの誕生日を一緒にお祝いしましょう!🎊
#Augustin #AugustinBirthday #VOXFactory_Augustin #アウグースティン誕生祭

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🎉 Happy Augustin Day! 🎉
천상의 목소리를 가진 매혹적인 천사 어거스틴이 복스 팩토리에서 첫번째 생일을 맞이했습니다! 🎂

댓글과 팬아트로 어거스틴의 생일을 함께 축하해 주세요! 🎊

#Augustin #AugustinBirthday #VOXFactory_Augustin #어거스틴생일

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🎉 Happy Augustin Day! 🎉
The enchanting angel Augustin, blessed with a heavenly voice, is celebrating his very first birthday at VOX Factory! 🎂

Join us in celebrating Augustin's birthday by leaving comments and sharing fan art! 🎊

#Augustin #AugustinBirthday #VOXFactory_Augustin

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Augustin de la chatte

Augustin est un prénom masculin d'origine latine, symbolisant une personne noble ou vénérable. Il est souvent associé à des figures qui ont marqué l'histoire, notamment Saint Augustin, un philosophe et théologien influent. #Augustin #prenom #noble #theologien #historique

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𝘓𝘢 𝘨𝘳𝘢𝘯𝘥𝘦 𝘥𝘢𝘤𝘵𝘺𝘭𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘦, "Signification" 9 #Augustin
"N’est-ce pas ainsi que nous incitons l’enfant à attribuer un sens aux mots, sans leur substituer d’autres signes, ni exprimer ce sens d’une autre manière?
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Im aktuellen #Augustin findet sich ein Artikel über IM FLUSS

#Grazie #EvaSchörkhuber #AndreasPavlic #imfluss #influx #danube #donau #schiff #nautik #schiffsreise #nautik #vernetzung #demokratie #kunst #freiemedien

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𝘓𝘢 𝘨𝘳𝘢𝘯𝘥𝘦 𝘥𝘢𝘤𝘵𝘺𝘭𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘦, "Signification" 9 "La signification d’un mot est ce qu’explique l’explication de la signification"
#Augustin
"On dit à l’enfant: ‘Non, plus aucun morceau de sucre!’, et il repousse le morceau de sucre. C’est ainsi qu’il apprend la signification du mot ‘aucun’.
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💙💙💙💙 Die Crew 💙💙💙💙

(Die Bilder stammen von #AndreasPavlic und zeigen uns in Wien während einer Fotosession für eine Reportage vom #Augustin.)

#imfluss #influx #danube #donau #matjopo #boattrip #schiffsreise @christinepavlic.bsky.social @stephanroiss.bsky.social @markusluger.bsky.social #GigiGratt

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