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Jafar Panahi gana la Palma de Oro en Cannes 2025.

Jafar Panahi gana la Palma de Oro en Cannes 2025.

Oliver Laxe gana el Premio del Jurado de Cannes 2025.

Oliver Laxe gana el Premio del Jurado de Cannes 2025.

🏆 Palmarés #Cannes2025 | #ItWasJustAnAccident 🇮🇷 de Jafar Panahi, Palma de Oro, y #Sirat 🇪🇸 de Oliver Laxe, Premio del Jurado en el 78º #FestivalDeCannes 📽️🌿🇫🇷 www.festival-cannes.com/presse/commu...

#cannes78 #cannes #festival

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the biggest takeaway from my #cannes2025 #cannes78 trip was the fact that canadians are just as capable of boorish behavior as the americans

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i won’t miss this

#cannes2025 #cannes78

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#Cannes2025 #Cannes78
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Photos Jour 11 -Samedi 24 mai 2025
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78e/th #FestivalDeCannes
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**Ceremonie Clôture & Palmares / Closing Ceremony & Awards
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**Film ayant obyenu la Palme d'Or ---> YET TASADEF SADEH (UN SIMPLE ACCIDENT) de/by Jafar Panahi
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Informe a cámara: Cannes respalda la lucha del iraní Panahi y premia el cine de Laxe y Mendonça Filh
Informe a cámara: Cannes respalda la lucha del iraní Panahi y premia el cine de Laxe y Mendonça Filh YouTube video by AGENCIA EFE

El #FestivalDeCannes2025 respalda la lucha del iraní Panahi y premia el cine de Laxe y Mendonça Filho.

Así termina el #Cannes78 👇
www.youtube.com/watch?v=hKng...

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Preview
Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker Panahi has endured years of harassment from the Iranian authorities but has created a tremendous body of work; his Palme d’Or is richly deserved

Some thoughts on the prizes at #Cannes www.theguardian.com/film/2025/ma... #Cannes2025 #cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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I KNEW IT

#cannes2025 #cannes78 #filmsky

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78º Festival International de Cine de Cannes 2025 – Palmarés - A por el Oscar El 24 de mayo se ha celebrado la ceremonia de clausura del Festival de Cannes, cerrando el palmarés de premios de las distintas secciones. SECCIÓN OFICIAL EN COMPETICIÓN - LARGOMETRAJES Jurado - Presi...

78º Festival International de Cine de Cannes 2025 – Palmarés
aporeloscar.com/78o-festival...
#Cannes2025 #Cannes78

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Festival de Cannes 2025: crítica de “Un simple accident” (“It Was Just an Accident”), película del iraní Jafar Panahi (Competencia Oficial) Festival de Cannes 2025: crítica de “Un simple accident” (“It Was Just an Accident”), película del iraní Jafar Panahi (Competencia Oficial) Tras salir de su segundo período en prisión y ...

Palma de Oro: "Un simple accident" / "It Was Just an Accident", del iraní Jafar Panahi. Premio tan cantado como totalmente merecido. Se lo entregó Cate Blanchett.
#Cannes2025
Crítica de la ganadora de #Cannes78
www.otroscines.com/post/festiva...

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Preview
Le pagelle di Cannes 78: ecco il TotoPalma. Dall’Iran al Brasile anni ’70, trionfa l’arte della denuncia Il Concorso dominato dalle opere di Jafar Panahi e Kleber Mendonça Filho. Da premi Dardenne, il giapponese “Renoir“, Loznitsa, Símon. E Wes Anderson

➡️ Leggi l'articolo: #Cannes78 #Cinema #FilmFestival #ArteDellaDenuncia #JafarPanahi

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very last minute because i am a glutton for punishment

#cannes2025 #cannes78 #filmsky

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#Cannes2025 #Cannes78
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Photos Jour 11 -Vendredi 23 mai 2025
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78e/th #FestivalDeCannes
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**Film JEUNES MERES - JEAN-PIERRE & LUC DARDENNE
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**Film THE MASTERMIND - KELLY REICHARDT
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**Film HONEY DON’T! - ETHAN COEN
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**Palmares UN CERTAIN REGARD
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Preview
The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery

My review of The Mastermind (dir. Kelly Reichardt) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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The Young Mother’s Home review – outstanding return to form for the Dardenne brothers Teen mums are taught how to take care of their babies or prepare them for adoption amid drug addiction, mental illness and family conflict in this poignant, compassionate work of unforced social reali...

My review of The Young Mother’s Home (dirs. Jean-Pierre Dardenne, Luc Dardenne) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix

Here are my #Cannes prize predictions - an absolutely infallible guide to who is going to win what www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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PETER BRADSHAW at the CANNES FILM FESTIVAL 2025 Day Ten
PETER BRADSHAW at the CANNES FILM FESTIVAL 2025 Day Ten YouTube video by Peter Bradshaw

My new vlog from #Cannes is up here, in which I return to the unedifying subject of food youtu.be/66PB7pZ_Sro?... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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#Cannes2025 #Cannes78
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Photos Jour 10 -Jeudi 22 mai 2025
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78e/th #FestivalDeCannes
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**Film LA VENUE DE L’AVENIR (COLOURS OF TIME) by CÉDRIC KLAPISCH
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**Gala amfAR : 31th #amfAR Gala Cannes #Chopard
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**Film RESURRECTION (RÉSURRECTION) by BI GAN
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Sentimental Value review – Stellan Skarsgård is an egomaniac director in act of ancestor worship Joachim Trier’s entertaining drama sees Norwegian auteur-on-the-slide Skarsgård putting his showbiz family through the wringer in the service of his fading career

My review of Sentimental Value (dir. Joachim Trier) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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Romería review – Carla Simón’s gripping pilgrimage tackles Aids, parents and the legacy of secrets A young woman arrives in a Spanish coastal city to meet the family of her dead father, who are hiding information about his life and death, in Simón’s distinctive drama

My review of Romería (dir. Carla Simón) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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Yes review – a fierce satire of Israel’s ruling classes, radioactive with political pain Nadav Lapid’s brilliant, showy set-pieces present a caricature of decadence and heartlessness in a society haunted by 7 October

My review of Yes (dir. Nadiv Lapid) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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Woman and Child review – drama of rage and pain in the Iranian marriage market Saeed Roustaee’s new film takes aim at a slippery, entitled male who thinks he can lord it over a widow he plans to marry

My review of Woman And Child (dir. Saeed Roustaee) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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not wearing this again after tonight until 2026

#cannes2025 #cannes78

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Sossai: «I miei cannibali tra le montagne» Un western in bianco e nero sulle Dolomiti Due uomini che si conoscono appena complottano qualcosa di misterioso. Un mondo in bianco e nero sospeso sulle Dolomiti, tra paesaggi vuoti che fanno sognare fughe impossibili in luoghi lontanissimi.....

Sulle tracce di quanto raccontava Vitaliano Trevisan che mi ha illuminato, e poi Zanzotto, altro mio mito, e Parise, Bugaro, Maino, Scarpa - Francesco Sossai - #SuperVeneto #Cannes2025 #CannesFilmFestival2025 #CannesFilmFestival #Cannes78 - www.ilgazzettino.it/nordest/bell...

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Our Nicholas Bell reviews the Directors' Fortnight gift that is YES - 🇮🇱 "Lapid’s latest is an admonition of almost shocking import, an increasingly rare example of modern art speaking truth to power.” #NadavLapid #Cannes78 #Cannes2025
bit.ly/4ksN2Y7

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c'est le menu de five guys en francais

#cannes2025 #cannes78

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It received a 19 minute standing ovation - but how did our 2025 Cannes Critics’ Panel assess the new 🇳🇴 Joachim Trier film? A NEON project, #SentimentalValue is currently sitting in the number 4 spot of the best of competition.


#JoachimTrier #Cannes78 #Cannes2025
bit.ly/4dpkNHs

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#Cannes2025 #Cannes78
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Photos Jour 09 -Mercredi 21 mai 2025
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78e/th #FestivalDeCannes
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**Film THE HISTORY OF SOUND by Oliver HERMANUS
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**Film ROMERÍA by Carla SIMON
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**Film AFFEKSJONSVERDI (SENTIMENTAL VALUE/ VALEUR SENTIMENTALE) by Joachim TRIER
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Informe a cámara: Buena recepción para 'Sirat' en Cannes que es vista como "brillante" y "muy arries
Informe a cámara: Buena recepción para 'Sirat' en Cannes que es vista como "brillante" y "muy arries YouTube video by AGENCIA EFE

Después de 'Sirât', de Oliver Laxe, fue el turno de 'Romería', de la catalana Carla Simón. Ambas películas españolas compiten por la Palma de Oro del #FestivaldeCannes2025.

Aquí mi resumen de la jornada del miércoles en #Cannes78 👇
youtu.be/0FOuzoIqdDk?...

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The History of Sound review – Paul Mescal and Josh O’Connor romance is full-bodied but tin-eared A love story of two folk song aficionados in the early days of recorded music is told with tiresomely mournful awe at its own sadness

My review of The History Of Sound (dir. Oliver Hermanus) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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A Private Life review – Jodie Foster is a sleuthing shrink in French-language Hitchcockian mystery Foster plays a psychoanalyst who suspects her client may not have killed herself, and sets out to investigate with ex-husband Daniel Auteuil

My review of Vie Privée (dir. Rebecca Zlotowski) is up here: www.theguardian.com/film/2025/ma... #Cannes2025 #Cannes #CannesFilmFestival2025 #CannesFilmFestival #Cannes78

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