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Conjunction of the Pink Moon and Peach Tree Bloom

Acrylic on paper

2026

#moonart #springart #contemporaryartwork #colorfieldpainting #londonartist

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Die aktuelle Ausstellung in der Galerie Wittenbrink – eine retrospektive Schau zum 10. Todesjahr Rolf-Gunter Diensts mit Werken aus dem Nachlass, die im Museum Küppersmühle in Duisburg aufbewahrt sind.

#rolfgunterdienst #museumkueppersmuehle #abstrakt #abstract #colorfieldpainting #farbfeldmalerei

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Im Laufe seines Lebens hat der Maler Rolf-Gunter Dienst sich mit Farbflächen auseinandergesetzt. Bei aller Nähe zur abstrakten Malerei des 20. Jhs. ist der Künstler seinem Weg gefolgt und hat einen selbstständigen malerischen Ausdruck erreicht.
#abstract #colorfieldpainting #farbfeldmalerei

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EINLADUNG ZUR ERÖFFNUNG DER AUSSTELLUNG

ROLF-GUNTER DIENST

“WEIL ES NICHTS MEHR ZU MALEN GIBT”

1942 - 2016

AUSSTELLUNGSDAUER · 13. März - 25. April 2026

Wir freuen uns auf Ihren Besuch!

#rolfgunterdienst #ausstellungseröffnung #abstraktemalerei #colorfieldpainting #museumkueppersmuehle

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Ocean Park is the name of the area of Santa Monica where Diebenkorn had his studio; in fact, the views in the paintings may have been based on the view from the studio window. If both his Abstract Expressionist paintings and his Ocean Park represent aerial landscapes, the former are intuitive and impulsive, while the latter are coldly delineated and rational spaces. A comparison of the two shows just how far Diebenkorn's abstract vocabulary had evolved throughout his career. The painting marks a sharp contrast with the organic forms of his Abstract Expressionist work of the 1950s, showing a much more geometric and planned approach. This painting also shows his appreciation for the teachings of modernism and, in this case, the work of Piet Mondrian specifically.

Here, Diebenkorn worked within Mondrian's conceptual grid framework and applied lighter washes of predominantly pastel colors to his squared-off composition. His inspiration still comes from the landscape, but now it is specifically the light-filled southern California landscape. Like the Impressionist painters who also worked in series, Diebenkorn based his 140 Ocean Park paintings on the changing atmospheric effects and conditions that he perceived. There is elegance in the design and palette of this painting that only comes of being a mature painter. Although composed of flat, neat, and rectilinear planes that evoke a sense of space, the emphasis is still on the process of painting itself, with evidence of the artist's thoughts, as he scored and reworked the surface many times.

Ocean Park is the name of the area of Santa Monica where Diebenkorn had his studio; in fact, the views in the paintings may have been based on the view from the studio window. If both his Abstract Expressionist paintings and his Ocean Park represent aerial landscapes, the former are intuitive and impulsive, while the latter are coldly delineated and rational spaces. A comparison of the two shows just how far Diebenkorn's abstract vocabulary had evolved throughout his career. The painting marks a sharp contrast with the organic forms of his Abstract Expressionist work of the 1950s, showing a much more geometric and planned approach. This painting also shows his appreciation for the teachings of modernism and, in this case, the work of Piet Mondrian specifically. Here, Diebenkorn worked within Mondrian's conceptual grid framework and applied lighter washes of predominantly pastel colors to his squared-off composition. His inspiration still comes from the landscape, but now it is specifically the light-filled southern California landscape. Like the Impressionist painters who also worked in series, Diebenkorn based his 140 Ocean Park paintings on the changing atmospheric effects and conditions that he perceived. There is elegance in the design and palette of this painting that only comes of being a mature painter. Although composed of flat, neat, and rectilinear planes that evoke a sense of space, the emphasis is still on the process of painting itself, with evidence of the artist's thoughts, as he scored and reworked the surface many times.

Ocean Park #54 by Richard Diebenkorn, 1972, SFMOMA - San Francisco Museum of Modern Art (San Francisco, CA)

#ArtHistory #ContemporaryArt #ColorFieldPainting

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Original abstract painting - Winter Morning Twilight - A Monday

Acrylic on canvas

#art #abstract #colorfieldpainting #winterart #pointilism

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The Pros and Cons of Hitchhiking

Acrylic on canvas

2026

#abstract #art #Painting #colorfieldpainting #artist

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Original abstract painting - Lunar Rainbow

#abstract #abstractpainting #painting #moonart #rainbowart #fullmoonart #winterpainting #colorfield #colorfieldpainting #ukart #londonartist

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Original abstract painting - Blue shadow cast over a full snow moon

#abstract #abstractpainting #painting #moonart #snowmoon #fullmoonart #winterpainting #colorfield #colorfieldpainting #ukart #londonartist

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Acrylzeichnung. 2 übereinander angelegte schwarze Rechtecke auf leuchtend rotem Hintergrund. Rechts schmiegt sich eine graue angedeutete Katzensilhouette an die schwarzen Rechtecken.

Acrylzeichnung. 2 übereinander angelegte schwarze Rechtecke auf leuchtend rotem Hintergrund. Rechts schmiegt sich eine graue angedeutete Katzensilhouette an die schwarzen Rechtecken.

Ölpastel-Zeichnung. Die untere Bildhälfte ist rot, die obere gelb-orange. In der Mitte liegt eine graue Katze, wie auf einer Mauer.

Ölpastel-Zeichnung. Die untere Bildhälfte ist rot, die obere gelb-orange. In der Mitte liegt eine graue Katze, wie auf einer Mauer.

No 13 #klassekunst NOV/2020
|25.-26.| Mark Rothko

'Red, black & a grey Cat'

Es geht weiter. War ganz schön tricky, mein Thema 'Katze' mit #markrothko zu kombinieren. 2 Varianten – was passt am besten?

#colorfieldpainting #art #cat #abstract #artyear #kleinekunstklasse @dienail.bsky.social

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For The First Time Today

Acrylic and graphite on canvas

2025

#londonart #abstractart #artwork #colorfieldpainting #sunart #sunrise #wintersun #wintersunrise #sunriseart

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Dalet Zayin is one of a group of paintings known as 'Veils' which Louis began in 1954, when experimenting with the technique of staining unprimed canvas, and then continued between 1957 and 1960. The later 'Veils', of which there are approximately 130, were begun in the winter of 1957-58, soon after his exhibition at the Jackson Gallery in November 1957. The series was effectively concluded after his show at French and Company, held in April 1959, but occasional 'Veil' paintings were still painted until the winter of 1959-60. The exact dating of Louis' 'Veil' paintings within this sequence is problematic as most were not dated by the artist and remained unstretched and unexhibited for some time after his death.

Louis expressed little interest in the titles of his works at least from 1954 onwards. The paintings were only given titles when it became necessary, for example when a work left the studio for an exhibition. Most paintings were therefore named posthumously. After Louis' death it was decided to title the 'Veils' with transliterations of names of the letters of the Hebrew alphabet. The pictures were titled arbitrarily, in order of being stretched. The title Dalet Zayin combines the fourth and seventh letters of the Hebrew alphabet.

Dalet Zayin is one of a group of paintings known as 'Veils' which Louis began in 1954, when experimenting with the technique of staining unprimed canvas, and then continued between 1957 and 1960. The later 'Veils', of which there are approximately 130, were begun in the winter of 1957-58, soon after his exhibition at the Jackson Gallery in November 1957. The series was effectively concluded after his show at French and Company, held in April 1959, but occasional 'Veil' paintings were still painted until the winter of 1959-60. The exact dating of Louis' 'Veil' paintings within this sequence is problematic as most were not dated by the artist and remained unstretched and unexhibited for some time after his death. Louis expressed little interest in the titles of his works at least from 1954 onwards. The paintings were only given titles when it became necessary, for example when a work left the studio for an exhibition. Most paintings were therefore named posthumously. After Louis' death it was decided to title the 'Veils' with transliterations of names of the letters of the Hebrew alphabet. The pictures were titled arbitrarily, in order of being stretched. The title Dalet Zayin combines the fourth and seventh letters of the Hebrew alphabet.

Dalet Zayin by Morris Louis, 1959, National Gallery of Australia (Canberra, Australia )

#ArtHistory #ContemporaryArt #ColorFieldPainting

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36” by 24” #colorfieldpainting on repurposed cardboard. #contemporaryabstract #art #abstractexpressionism #costamesa Artist #modernart #museumofmodernart #contemporaryart #abstractart #stilgenbauerart #newportbeach #lagunabeach #cdm #surfcity

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Three new mini canvases finished. Oil & cold wax layering. On display at Trackside Studios Asheville NC. #tracksidestudios375art #abstractart #abstractpainting #colorfieldpainting #ashevilleriverartsdistrict #ashevilleartist #ashevillerad #ashevillerada #ashevilleart #ashevilleartscene

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Coloured Wall | Sean Scully
2003
#ColorFieldPainting #Neo-Minimalism

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This is a piece made from antique silk velvet and yellow tipped straight pins. It’s my version of “Starry Night”, shooting stars, fireworks, fireflies.
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#domenicabrockman #abstractart #colorfieldpainting #postmodern #abstractpainting #colorstudy #collage #abstract #nightpainting

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I’ve been making these color studies of stacked painted paper and canvas held together with grommets as an alternative to collage. I really love how they look hanging on the wall.

#colorstudy #domenicabrockman #abstractgeometric #geometricart #colorfieldpainting #postmodern #abstractart

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I’ve been making these color studies of stacked painted paper and canvas held together with grommets as an alternative to collage.

#colorstudy #domenicabrockman #abstractgeometric #geometricart #colorfieldpainting #postmodern #abstractart #paintings #collage

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“Conversations with Friends”
Painted canvas collage
30”x40”

www.domenicabrockman.com/portfolio-vi...

#domenicabrockman #abstractgeometric #geometricart #abstractart #colorfieldpainting #paintings #abstractpainting #collage #arteveryday #colorstudy #abstract #matisse

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Recently completed montage
“My Friend Matisse”, painted collage on canvas, 30”x40”
See more here:
www.domenicabrockman.com/viewcollecti...

#domenicabrockman #abstractgeometric #geometricart #abstractart #colorfieldpainting #postmodern #paintings #collage #arteveryday #colorstudy #matisse

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I’ve been making these color studies of stacked painted paper and canvas held together with grommets as an alternative to collage. I really love how they look hanging on the wall.

#colorstudy #domenicabrockman #abstractgeometric #geometricart #colorfieldpainting #postmodern #abstractart #collage

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I’ve been making these color studies of stacked painted paper and canvas held together with grommets as an alternative to collage. I really love how they look hanging on the wall.
#colorstudy #abstractgeometric #geometricart #colorfieldpainting #postmodern #abstractart #paintings #collage

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When one color seems to dominate the day…

#domenicabrockman #abstractgeometric #geometricart #colorfieldpainting #abstractart #postmodern #paintings #abstractpainting #postmodernist #collage

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Three hard-edge artists:

Josef Albers
Homage to the Square: "Wait", 1967

Ellsworth Kelly
Blue and Yellow and Red-Orange, 1964-1965

Ad Reinhardt
Untitled, 1940

#hardedgepainting #colortheory #geometricabstraction #colorfieldpainting #arthistory

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The Other Side of the Moon
Helen Frankenthaler, 1995

“You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once.”

#abstractexpressionism #colorfieldpainting #arthistory #womenartists

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Day 8 of a ten day art marathon with NY Studio School
#art #nystudioschool

#domenicabrockman #abstractgeometric #abstractart #colorfieldpainting #tonalism #paintings #nocturnalpainting #arteveryday

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I am excited and pleased to announce that my painting “Pennington Street” has been selected for the State of the Art 2025 exhibition at the Studio Montclair Gallery in Montclair NJ. Show dates June 27th - July 25th. #roxcraft #art #painting #cityscape #landscape #colorfieldpainting #colorfield

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