Ara feia dies que no m'ho passava tant bé al cine com avui.
"La Venue de l'avenir" és original, sentimental, emocional. Fotografia excel·lent i recreació impressionant (impressionista) del París del XIX.
Bons personatges i bons actors.
#LaVeniedelavenir #Coloursoftime

When the past and future collide🇫🇷📽️

From the great Cédric Klapisch, the director of Rise and Call My Agent!, comes the beautiful and heartfelt #ColoursofTime, presented at the #FrenchFilmFestivalLondon.

🗓️From 13 Nov at Ciné Lumière
🎟️ www.institut-francais.org.uk/cinema/colou...

Watch the past and future collide 🇫🇷📽️

From Cédric Klapisch, the director of Rise, Call My Agent! and Pot Luck, comes #ColoursofTime presented exclusively at the #FrenchFilmFestivalLondon.

🗓️From 14 Nov at Ciné Lumière + Q&A with director 23 Nov (TBC)
🎟️ www.institut-francais.org.uk/cinema/colou...

A woman in a red dress from the 18th century, with long puffed sleeves, and a matching hat, walks through the crowded streets of Paris carrying a suitcase.

#LaVenueDeLAvenir (called #ColoursOfTime in English, unfortunately) is the perfect movie for anyone who liked #MidnightInParis, and wondered what a deeper-cutting French version would look like.

Full of art, heart, humor, and the timelessness of humanity.

colours of time Some thoughts on > La venue de l'avenir > Cédric Klapisch > France 2025 > starring Suzanne Lindon, Cécile de France ... > released in Germany 14.8.2025 I was lucky to catch a subtitled preview of this latest oeuvre by Klapisch in a Düsseldorf cinema this week. The advance info wasn't very clear so I was expecting something family-heavy like Ce qui nous lie (Back to Burgundy). It turned out to be a much broader and more ambitious film that serves an astonishing number of my obsessions including family history,old photos, the handover of visual guide culture from sculpture and painting to photography and film (see the biographies of Renoir father and son), Paris in the Belle Epoque, as well as the music of Pomme (who plays a very cute supporting role that has nothing whatsoever to do with the story). So the central and ancestral character is Adele (Suzanne Lindon), born in 1873 (which places her in the generation of my great-grandparents, six of whom were born before and two after that year). Her house in rural Normandy hasn't been opened since 1944, but now the local council wants to put up a shopping centre and a massive parking lot in its place, so Adele's 30 or so living descendants are convened to come to an agreement regarding the property. The four family delegates sent to the location discover lots of old photos inside as well as letters and an impressionist painting, so are able to piece together the life story of Adele, which is very cleverly (and very Klapisch-ly) interspersed with the present day lives of the descendants. (There are probably similarities with Woody Allen's Midnight in Paris, which I need to rewatch some time, to compare and contrast.) Although I prefer the untranslatable word play of the original title (literally: the arrival of the future, which reflects all that excitement about modernity in the period), the German and English titles (Colours of time / Farben der Zeit) have a justification in referring to the colours, as those are obviously of prime importance in impressionist art, and the flashbacks are remarkably colourful even when they are pegged to monochrome photos. There is a lot of art in the film, with the Musée d'orsay at Paris, the Musée d'art moderne André Malraux at Le Havre and Monet's garden all playing significant parts. Official poster design. The red dress serves as a reminder that Paris in 1894 was just as colourful as today's world. Monet's painting Impression, Soleil levant plays a role in the film. PS: I have been following Klapisch's films on and off ever since Chacun cherche son chat (When the cat's away) was shown at the Phoenix Picturehouse in Oxford, back in 1996 - those were the days when weird little French films still got a UK release! Strangely, I haven't reviewed any of those that I saw since then, so I should at least list them if only to jog my memory: * 1996 Chacun cherche son chat * 1996 Un air de famille (I hated that one, and I have avoided the Jaoui/Bacri comedies ever since) * 2002 L'auberge espagnole (I rewatch this at least once every 10 years when a sequel comes out) * 2005 Poupees russes (sequel to Auberge espagnole) * 2008 Paris * 2011 Ma part du gateau * 2013 Casse-tetes chinois (Auberge part 3) * 2017 Ce qui nous lie * 2025 La venue de l'avenir

My impressions of Cedric Klapisch's new film #LaVenueDeLAvenir (#ColoursOfTime) - showing in #cinema in #Germany from tomorrow, but I don't have much hope for UK cinemas proseandpassion.blogspot.com/2025/08/colours-of-time.... #FrenchCinema #filmsNotShown #film

Colours of Time, 2025 - ★★★

🇫🇷 La venue de l'avenir
🎬 Vu : "Colours of Time, 2025 - ★★★"
#ColoursofTime #Lavenuedelavenir
J'y suis allé un peu sur le tard, mais c'était pas mal du tout ! Le plus inétressant se niche bien sûr dans la reconstitution d'époque et ce qu'elle en dit, plutôt que par la partie présente qui...

A modern masterpiece of France past and present from acclaimed director Cédric Klapisch. #ColoursOfTime is in cinemas across 🇫🇷 now and coming soon internationally, including 🇩🇪 from August 14 and 🇬🇧 from August 29.

The new film from acclaimed director Cédric Klapisch. #ColoursOfTime premieres at #Cannes2025 and is in cinemas across 🇫🇷 on May 22 - and coming soon internationally.

More impressions from the historical part of #ColoursOfTime premiering these days at #Cannes

via 👉 en.unifrance.org/movie/60429/...