Advertisement · 728 × 90
#
Hashtag
#DerMond
Advertisement · 728 × 90
I wanted to give a better impression of what it looked like without the high glare and  spaceman. 

I feel rather impressed by the level of details the photo holds at 24in x 24in 
( approximately 61cm x 61cm )

I wanted to give a better impression of what it looked like without the high glare and spaceman. I feel rather impressed by the level of details the photo holds at 24in x 24in ( approximately 61cm x 61cm )

Post image

The spot that was chosen on the wall is pretty poor when it comes to taking “minimalist” photos — so I moved it to the counter, for a moment.

www.warlockphotography.net/products/the...

#WarlockPhotography #Photography #Photographer #FramedPrints #Astrophotography #LaLuna #TheMoon #DerMond

8 0 0 0
Post image Post image

Jan 9th, 3:38am 2026
ISO 400 600mm 0ev f/11 @ 1/250s
Cropped in.

Sony a7 III
Philosy EF-E Adapter
Canon 75-300mm Lens
Viltrox 2x Converter

#WarlockPhotography #Photography #Photographer #Astrophotography #Moon #LaLuna #DerMond

4 0 0 0
Description:

This joint presentation of still and motion photography documents the Full Wolf Moon at its peak illumination on the night of January 3, 2025. To achieve this perspective, the artist utilized a simple 1600mm configuration, stacking a telephoto lens with a 2x converter. This extreme focal reach allows for an intimate look at the lunar rays and the high-contrast textures of the craters.

The included video serves as a transparent look at the photographer's process, capturing the "atmospheric boil"—the shimmering heat waves that create a constant, fluid movement across the lens. While the still images freeze this motion into a detailed topographical map, the video highlights the raw, living nature of long-range astrophotography. Together, these pieces offer a professional and honest record of a celestial event, captured through the lens of patience and technical precision.

Technical Breakdown for the Series:

• Optics: Commander Optics 420-800mm with Vivitar 2x Converter.

• Exposure: Balanced with an ND4 filter to manage the 7:13 PM brilliance.

• Format: High-resolution digital stills and 4K observational video.

Description: This joint presentation of still and motion photography documents the Full Wolf Moon at its peak illumination on the night of January 3, 2025. To achieve this perspective, the artist utilized a simple 1600mm configuration, stacking a telephoto lens with a 2x converter. This extreme focal reach allows for an intimate look at the lunar rays and the high-contrast textures of the craters. The included video serves as a transparent look at the photographer's process, capturing the "atmospheric boil"—the shimmering heat waves that create a constant, fluid movement across the lens. While the still images freeze this motion into a detailed topographical map, the video highlights the raw, living nature of long-range astrophotography. Together, these pieces offer a professional and honest record of a celestial event, captured through the lens of patience and technical precision. Technical Breakdown for the Series: • Optics: Commander Optics 420-800mm with Vivitar 2x Converter. • Exposure: Balanced with an ND4 filter to manage the 7:13 PM brilliance. • Format: High-resolution digital stills and 4K observational video.

Title: Sixteen Hundred Millimeters; The 7:13 Lunar Study
Artist: Warlock Photography
Date: January 3, 2025 | 19:13
Technical: Sony a7 III
1600mm f/13 1/80s ISO 1000

See description in the Alt Text

#WarlockPhotography #Astrophotography #Photographer #Photography #Moon #DerMond
#LaLuna

9 0 2 0
Title: The Ascendant Gibbous: New Year’s Eve

Artist: Warlock Photography
Series Date: December 31, 2025
Technical: Sony a7 III 1600mm f/13 1/13s 
ISO 500 & 600

Description:

This series documents the waxing gibbous moon in its final transition toward the first full moon of the new year. Captured during the late afternoon of December 31, 2025, these images utilize a 1600mm focal reach to examine the expanding illumination of the lunar disk.

The composition emphasizes the prominent ray systems and the "seas" of the lunar maria, which are rendered with striking clarity as the sun reaches a higher angle over the moon’s near side.
By meticulously adjusting the ISO between 500 and 600 at a consistent 1/13s shutter speed, the artist captures the increasing luminosity of the phase while preserving the delicate textures along the western limb.

Title: The Ascendant Gibbous: New Year’s Eve Artist: Warlock Photography Series Date: December 31, 2025 Technical: Sony a7 III 1600mm f/13 1/13s ISO 500 & 600 Description: This series documents the waxing gibbous moon in its final transition toward the first full moon of the new year. Captured during the late afternoon of December 31, 2025, these images utilize a 1600mm focal reach to examine the expanding illumination of the lunar disk. The composition emphasizes the prominent ray systems and the "seas" of the lunar maria, which are rendered with striking clarity as the sun reaches a higher angle over the moon’s near side. By meticulously adjusting the ISO between 500 and 600 at a consistent 1/13s shutter speed, the artist captures the increasing luminosity of the phase while preserving the delicate textures along the western limb.

This collection serves as a study of celestial progression, capturing the moon in its penultimate stage of fullness—a visual representation of anticipation and the cyclical nature of time.

Key Features for Your Gallery Label:
• Subject: Waxing Gibbous Moon (approx. 90-95% illumination).
• Optics: Achieved via a Vivitar 2x Converter on a 420-800mm telephoto lens.
• Timeframe: A temporal study with captures at 4:20 PM and 4:31 PM.

This collection serves as a study of celestial progression, capturing the moon in its penultimate stage of fullness—a visual representation of anticipation and the cyclical nature of time. Key Features for Your Gallery Label: • Subject: Waxing Gibbous Moon (approx. 90-95% illumination). • Optics: Achieved via a Vivitar 2x Converter on a 420-800mm telephoto lens. • Timeframe: A temporal study with captures at 4:20 PM and 4:31 PM.

Taken December 31st, 2025
4:20pm & 4:31pm

Sony a7 III
Commander Optics 420-800mm
Vivitar 2x Converter
ND4 Filter

#WarlockPhotography #Photography #Astrophotography #Photographer #LaLuna #DerMond #Postcards #Coasters #Sonya7III

6 0 0 0
Title: Orbital Textures No. 1231
Artist: Warlock Photography

Description:
This minimalist work strips away the context of the night sky to focus entirely on the moon as a textural object. The artist employs an ISO 320 setting to ensure a clean, grain-free transition between the illuminated lunar dust and the shadowed craters.

Through careful exposure and the specialized use of a 2x converter, the image invites the viewer to examine the moon not as a distant light, but as a tangible, weathered landscape—ancient, scarred, and perpetually in motion.

Photo Taken December 31st, 2025 at 12:09am

Title: Orbital Textures No. 1231 Artist: Warlock Photography Description: This minimalist work strips away the context of the night sky to focus entirely on the moon as a textural object. The artist employs an ISO 320 setting to ensure a clean, grain-free transition between the illuminated lunar dust and the shadowed craters. Through careful exposure and the specialized use of a 2x converter, the image invites the viewer to examine the moon not as a distant light, but as a tangible, weathered landscape—ancient, scarred, and perpetually in motion. Photo Taken December 31st, 2025 at 12:09am

Title and description below… Yes I’m tooting my own horn. 😅

Sony A7 III
Commander Optics 420-800mm Lens
Vivitar 2x Convert
ND4 Filter

ISO 320 1600mm 0ev f/11 1/13s

#WarlockPhotography #Photography #Photographer #Astrophotography #LaLuna #Moon #DerMond

6 0 0 0

Title: The Terminator at 1600mm
Artist Note: This image, captured on December 28th at 4:20 PM, demonstrates the power of extreme telephoto compression in lunar photography. By pairing a Sony A7 III with a Jintu 420-800mm lens and a Viltrox 2x Converter, the moon is rendered at an effective focal length of 1600mm. 

The photograph focuses on the lunar “terminator”—the line dividing the illuminated and dark sides of the moon—where the low-angle sunlight provides maximum texture and depth to the cratered surface. Despite the use of an ND4 filter to manage light intensity, a steady 1/5s exposure was utilized to pull fine detail from the lunar Maria. The resulting image offers a professional-grade look into the geological complexity of our nearest celestial neighbor.

Shutter Speed (1/5s): This is quite slow for 1600mm. At such an extreme focal length, even minor vibrations or the moon’s own movement can cause slight blurring. The minor softening in the image is a common result of a 1/5s shutter speed at that magnification, likely requiring a very sturdy tripod and a remote shutter or timer. 
( EQ & Star Tracker have been assembled. )

Title: The Terminator at 1600mm Artist Note: This image, captured on December 28th at 4:20 PM, demonstrates the power of extreme telephoto compression in lunar photography. By pairing a Sony A7 III with a Jintu 420-800mm lens and a Viltrox 2x Converter, the moon is rendered at an effective focal length of 1600mm. The photograph focuses on the lunar “terminator”—the line dividing the illuminated and dark sides of the moon—where the low-angle sunlight provides maximum texture and depth to the cratered surface. Despite the use of an ND4 filter to manage light intensity, a steady 1/5s exposure was utilized to pull fine detail from the lunar Maria. The resulting image offers a professional-grade look into the geological complexity of our nearest celestial neighbor. Shutter Speed (1/5s): This is quite slow for 1600mm. At such an extreme focal length, even minor vibrations or the moon’s own movement can cause slight blurring. The minor softening in the image is a common result of a 1/5s shutter speed at that magnification, likely requiring a very sturdy tripod and a remote shutter or timer. ( EQ & Star Tracker have been assembled. )

“The Terminator” 😂

Sony A7 III
420-800mm Jintu Lens
Viltrox 2x Converter
Philosy EF-E Adapater
UV & ND4 Filter

ISO 500 1600mm 0ev f/11 1/5s

I used Alt text “correctly” this time.

#WarlockPhotography #Astrophotography #LunarSurface #Photographer #Postcards #FramedPrints #Coasters #DerMond #Moon

3 0 0 0
Sony a7 III
Jintu 420-800mm Lens
Viltrox x2 Converter
Pholsy EF-E Adapter 
UV Filter & ND4

( Still going through my shots. )

Sony a7 III Jintu 420-800mm Lens Viltrox x2 Converter Pholsy EF-E Adapter UV Filter & ND4 ( Still going through my shots. )

Some motion blur in the lower corner, but now I know it’s going to work well. Clear sky’s for Jan 3rd… So far.

The Star Tracker & EQ, should help with stability and allow for longer shutter speeds. ( Alt Text )

#WarlockPhotography #Photography #Photographer #Moon #DerMond #Astrophotography

7 0 2 0
Post image

"Sister Moon, will be my guide,
In your blue, blue shadows,
I would hide,
All good people, asleep tonight
I'm all by myself, in your silver light
I would gaze at your face the whole night through,
I'd go out of my mind, but for you..."
- Sting
#Moon #Night #Peace #Sky #Sting #LaLuna #DerMond

11 1 0 0

🌕

#NASA #Moon #Mond #derMond

0 0 0 0
Preview
Ep. 25- The Lake Oconee Murders: The Case of Russell and Shirley Dermond In May 2014, an upscale lakeside home in Georgia became the scene of one of the most baffling and brutal crimes in recent history. 88-year-old Russell Dermond was found decapitated in his garage. His wife, Shirley, was missing—until her body was discovered days later, floating in Lake Oconee, weighed down by concrete blocks. There were no signs of forced entry. No known enemies. No clear motive.In this chilling episode of The Paranoid Perspective, we unravel the eerie details of the Dermond murders: a case that stumped seasoned investigators, haunted a quiet retirement community, and remains unsolved to this day. Was it a robbery gone wrong? A targeted hit? Or something even darker? Join us as we examine the facts, theories, and lingering questions behind this Southern Gothic mystery.If you have any information, you can contact the FBI’s Atlanta Field Office at 770-216-3000, or the Putnam County Sheriff's Office at 706-485-8557. You can also contact the nearest American Embassy or Consulate, or submit a tip online at https://tips.fbi.gov/home. Extra Intel: https://en.wikipedia.org/wiki/Killings_of_Russell_and_Shirley_Dermond https://www.11alive.com/article/news/crime/cold-cases/fbi-new-leads-cellphone-data-dna-evidence-brutal-killings-elderly-georgia-couple-lake-oconee/85-9de921b0-385c-4305-9ebe-615ab3031eb4 https://www.13wmaz.com/article/news/local/where-you-live/dermond-family-established-in-restaurant-business/93-299102252https://www.11alive.com/article/news/investigations/gone-cold/gone-cold-a-lake-with-no-leads-who-killed-the-dermonds/85-550562935 Surveillance Feed: Facebook Page: https://www.facebook.com/profile.php?id=61571915435705Instagram: https://www.instagram.com/the_paranoid_perspective/Tiktok: https://www.tiktok.com/@theparanoidperspeBluesky: https://bsky.app/profile/paraperspective.bsky.socialYouTube: https://www.youtube.com/@TheParanoidPerspective https://www.youtube.com/@TheParanoidPerspectivePatreon: https://patreon.com/TheParanoidPerspective?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

📣 New Podcast! "Ep. 25- The Lake Oconee Murders: The Case of Russell and Shirley Dermond" on @Spreaker #bizarre #community #crime #dermond #forensic #georgia #homicide #investigation #kidnapping #lake #murder #mystery #oconee #retirement #russell #security #shirley #unknown #unsolved #violence

0 0 0 0
Post image Post image Post image Post image

Full moon, May 12th 2025.
Paired with Antares but I had to crop the pics because of chromatic aberration...
📷 Canon 80D
🔭 70-300mm
#moon #fullmoon #dermond #lune #astrophotography

1 0 0 0
Post image

#Samstagmorgen, kurz vor zehn und #derMond ist noch deutlich zu sehen. Leute #wachtendlichauf, #dieEliten verarschen uns. Alle #Geimpften werden am 15.09. sterben!!!!!1!!!q!¡

(um auf Nummer sicher zu gehen) /s

0 0 0 0