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“The Truth Behind the Artifice”: ‘Crumb’ Filmmaker Terry Zwigoff Looks Back on Learning to be a Director on the Fly In this interview, Crumb director Terry Zwigoff looks back on his documentary films and how he turned production obstacles into creative opportunities

In this interview, ‘Crumb’ director Terry Zwigoff looks back on his documentary films and how he turned production obstacles into creative opportunities. Read more at #DocumentaryMag.
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My Desirable Friends: At CPH:DOX 2026, Industry Hopes for a “European Netflix” and More Coproductions At CPH:DOX 2026, the creative doc industry bands together for a “European Netflix” and more coproductions

At CPH:DOX 2026, the creative doc industry bands together for a “European Netflix” and more coproductions. Read more at #DocumentaryMag. By @antkaufman.bsky.social.

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Making It: Pietra Brettkelly and The Critics Break Down ‘Crocodile,’ A Collaborative Portrait of the Nigerian Filmmaking Collective With their DIY sci-fi shorts, The Critics built a film career from scratch in Kaduna. Co-directed by Pietra Brettkelly, their documentary portrait Crocodile is reintroducing the Nigerian collective to...

With their DIY sci-fi shorts, The Critics built a film career from scratch in Kaduna. Co-directed by Pietra Brettkelly, their documentary portrait ‘Crocodile’ is reintroducing the Nigerian collective to the world. Read more at #DocumentaryMag.
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Rock Star: Matty Wishnow Talks About ‘The Last Critic,’ His Portrait of Trailblazing Music Writer Robert Christgau In this interview, first-time doc filmmaker Matty Wishnow talks about directing The Last Critic, a portrait of trailblazing music writer Robert Christgau

In this interview, first-time doc filmmaker Matty Wishnow talks about directing The Last Critic, a portrait of trailblazing music writer Robert Christgau. Read more at #DocumentaryMag. documentary.org/online-featu...

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Unsigned Gems: Amid an Overwhelming Lineup, SXSW 2026 Offered a Number of American Docs Worth Seeking Out Even amid a program that felt overwhelmed by consumer-friendly “content,” the Austin fest still offered some documentaries worth seeking out

Even amid a program that felt overwhelmed by consumer-friendly “content,” the Austin fest still offered some documentaries worth seeking out. Read more at #DocumentaryMag. documentary.org/online-featu...

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Small Wonders: Lucas Paleocrassas on ‘Bugboy’ and the Fragile Beauty of Growing Up In this interview, Lucas Paleocrassas discusses what drew him to craft the coming-of-age tale that doubles as a nature doc alongside his protagonist, the titular Bugboy

In this interview, Paleocrassas discusses what drew him to craft the coming-of-age tale that doubles as a nature doc alongside his protagonist, the titular Bugboy. Read more at #DocumentaryMag. documentary.org/online-featu...

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Fungal Cinema: Otilia Portillo Padua on Profiling Two Indigenous Mycologists in her SXSW And CPH:DOX Doc ‘Daughters of the Forest’ In this interview, Otilia Portillo Padua talks about having a mycological (and sci-fi) approach to her SXSW and CPH:DOX film, Daughters of the Forest

In this interview, Otilia Portillo Padua talks about having a mycological (and sci-fi) approach to her SXSW and CPH:DOX film, ‘Daughters of the Forest.’ Read more at #DocumentaryMag. documentary.org/online-featu...

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Sofia Coppola Unwittingly Goes Back to Her 90s Scrapbook Sensibility in Her Feature Doc, ‘Marc by Sofia’ In this interview, Sofia Coppola looks back at her scrappy ’90s TV project, Hi Octane, and portraying friend Marc Jacobs in her first doc, Marc by Sofia

In this interview, Sofia Coppola looks back at her scrappy ’90s TV project, 'Hi Octane,' and portraying friend Marc Jacobs in her first doc, 'Marc by Sofia.' Read more at #DocumentaryMag. documentary.org/online-featu...

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Against History: Robinson Devor and Charles Mudede’s ‘Suburban Fury’ Continues Their Fascination With the Glare of the Spotlight The decades-long collaboration between Robinson Devor and Charles Mudede is marked by mining real-life stories in the borderlands of American history

The decades-long collaboration between Robinson Devor and Charles Mudede is marked by mining real-life stories in the borderlands of American history. Read more on #DocumentaryMag. documentary.org/online-featu...

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Personal Effects: Berlinale 2026 Prizes Personal Docs With a Hands-on or Handmade Form The 76th edition of the European festival prized personal docs as well as projects that put accountability front and center

The 76th edition of the European festival prized personal docs, as well as projects that put accountability front and center. By @nicolasrapold.bsky.social. Read more on #DocumentaryMag. documentary.org/online-featu...

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IDA Members Mixer - Hosted by DOCUMENTARY magazine in celebration of the launch of the print Spring 2026 issue On March 12, 2026, join IDA to celebrate the arrival of Documentary magazine’s latest issue. We will gather at All Season Brewing Company for a casual mixer where IDA members can get to know the folks...

Calling all IDA Members! Join us on March 12, 2026, to celebrate the arrival of Documentary magazine’s latest issue. We will gather for a casual mixer where IDA members can get to know the folks behind #DocumentaryMag. RSVP for this members-only event today! www.documentary.org/event/ida-me...

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The Synthesis: AI Enhancement Isn’t Assistance—It’s Reconstruction, And That Changes Everything As the distinction between AI’s use as an assistant and as a creative tool blurs, what this means for AI enhancement demands close scrutiny

As the distinction between AI’s use as an assistant and as a creative tool blurs, what this means for AI enhancement demands close scrutiny. Read more at #DocumentaryMag.
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“Some Have Called This a Documentary”: How ‘Melania’ Bends Documentary to Serve the Rich and Powerful How Melania serves its titular subject, its filmmakers, and its financier by invoking documentary’s authenticity but not its accountability

How ‘Melania’ serves its titular subject, its filmmakers, and its financier is by invoking documentary’s authenticity but not its accountability. Read more at #DocumentaryMag. www.documentary.org/feature/some...

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Market Notes: FIPADOC Coproduction Forum 2026 Daily diaries from the French documentary coproduction market in Biarritz

Daily diaries from the French documentary coproduction market in Biarritz. Read more at #DocumentaryMag.
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The Feedback: Kimberlee Bassford Describes the Unexpected Developments that Continue to Shift the Structure of ‘Before the Moon Falls’ Kimberlee Bassford looks back on the unexpected developments that continue to shift the structure of her Sia Figiel doc Before the Moon Falls

Kimberlee Bassford looks back on the unexpected developments that continue to shift the structure of her Sia Figiel doc ‘Before the Moon Falls.’ Read more on #DocumentaryMag.
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The APA Sits Down With Getty to Discuss the Role of the Archive in the Age of AI In this interview, Getty Images execs discuss media trust, licensing fee structures, and generative AI tools at the storied archive

In this interview, Getty Images execs discuss media trust, licensing fee structures, and generative AI tools at the storied archive. Read more at #DocumentaryMag. www.documentary.org/online-featu...

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Atomic Light: How the Bomb Became Documentary Seven decades of nuclear documentaries oscillate between state propaganda and radical witness, revealing more about power than atoms

Seven decades of nuclear documentaries oscillate between state propaganda and radical witness, revealing more about power than atoms. Read more on #DocumentaryMag.
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An Eye for Portraiture: A New Raymond Depardon Retrospective Makes a Case for the Humanism Inherent in the French Filmmaker’s Oeuvre A new Raymond Depardon retrospective presents the full breadth of the French filmmaker and photojournalist’s keen-eyed documentary impulses

A new Raymond Depardon retrospective presents the full breadth of the French filmmaker and photojournalist’s keen-eyed documentary impulses. Read more #DocumentaryMag. www.documentary.org/online-featu...

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Remembering Frederick Wiseman, A Filmmaker Known for His Long Epics Anchored by a Deep Humanity Documentary editor Abby Sun pays tribute to the renowned filmmaker who championed a vision of uncompromising artistic independence

‘Documentary’ editor Abby Sun pays tribute to the renowned filmmaker who championed a vision of uncompromising artistic independence. A week ago, Frederick Wiseman passed away. As a filmmaker, his work is indelible. Read more at #DocumentaryMag. documentary.org/online-featu...

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In Construction: Madhusree Dutta Talks Bridging History and Memory in Her Berlinale-Premiering ‘Flying Tigers’ Madhusree Dutta discusses Flying Tigers, her decades-spanning Berlinale doc about memories and histories reclaimed

Madhusree Dutta discusses ‘Flying Tigers,’ her decades-spanning Berlinale doc about memories and histories reclaimed. Read more on #DocumentaryMag. documentary.org/online-featu...

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“A New Way to Care”: Kevin B. Lee on Expanding the Desktop Documentary With His Feature Debut ‘Afterlives’ In this interview, Kevin B. Lee discusses why he needed to expand the desktop documentary to craft his feature debut, Afterlives

In this interview, Kevin B. Lee discusses why he expanded the desktop documentary to craft his feature debut, ‘Afterlives.’ Read more at #DocumentaryMag. documentary.org/online-featu...

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When East Meets West 2026: What Boutique Coproduction Forums Reveal About the Future of Documentary Markets This year’s When East Meets West market at Trieste framed its program not in terms of scale or prestige, but of precision

This year’s When East Meets West market at Trieste framed its program not in terms of scale or prestige, but of precision. Read more at #DocumentaryMag.
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“It Seems to Be the Time to Consider Bridges”: James Benning on ‘EIGHT BRIDGES’ This essay and interview examines how James Benning’s EIGHT BRIDGES builds on his decades-long approach to extended observation, personal geography, and political engagement

This essay and interview examine how James Benning’s EIGHT BRIDGES builds on his decades-long approach to extended observation, personal geography, and political engagement. Read more at #DocumentaryMag. www.documentary.org/online-featu...

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“In Order to Change Things”: Tracing Caribbean Documentary’s Liberation Struggle Newly restored documentaries from the 1950s–1980s reveal how Caribbean filmmakers forged a liberation cinema and why its practices matter now

Newly restored documentaries from the 1950s–1980s reveal how Caribbean filmmakers forged a liberation cinema and why its practices matter now. Read more on #DocumentaryMag. www.documentary.org/feature/orde...

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Exclusive: Theatrical Trailer for ‘A Body to Live In’ Ahead of U.S. Theatrical Release Debuting the theatrical trailer for Angelo Madsen’s feature documentary A Body to Live In, an exploration of body modification and the life of performance artist Fakir Musafar

Watch the theatrical trailer for Angelo Madsen’s feature documentary ‘A Body to Live In,’ an exploration of body modification and the life of performance artist Fakir Musafar. #DocumentaryMag
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Making a Production: Sugar Studios Post house Sugar Studios offers filmmakers with mid-tier budgets a lifeline in an era of contraction, enabling projects that might otherwise collapse in the expensive patchwork of L.A. post

Post house Sugar Studios offers filmmakers with mid-tier budgets a lifeline in an era of contraction, enabling projects that might otherwise collapse in the expensive patchwork of L.A. post. Read more at #DocumentaryMag. www.documentary.org/feature/maki...

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Don’t Panic: Doc Industry Looks for Upsides Amid Decimation at Sundance 2026 The documentary industry looks for upsides amid decimation at Sundance 2026

The documentary industry looks for upsides amid decimation at Sundance 2026. Read more at #DocumentaryMag. www.documentary.org/online-featu...

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On Being the #2 Documentary in America in 2026 In this op-ed, filmmakers Lance Kramer and Brandon Kramer provide an accounting of what achieving #2 at the U.S. box office actually requires for self-distributed films, and the political danger in th...

Filmmakers Lance and Brandon Kramer provide an accounting of what achieving #2 at the U.S. box office actually requires for self-distributed films, and the political danger in the industrial preference for high-budget celeb projects. #DocumentaryMag #OpEd
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A Place Like Home: Founder Judy Kibinge Looks Back on Her 13-Year Tenure Running Kenyan-based Fund DocuBox After stepping down from running DocuBox, founder Judy Kibinge reflects back on her 13-year tenure at the Kenya-based East Africa documentary fund

After stepping down from running DocuBox, founder Judy Kibinge reflects back on her 13-year tenure at the Kenya-based East Africa documentary fund. Read more at #DocumentaryMag. documentary.org/online-featu...

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Exclusive: Catapult Introduces Technology & Society Project Accelerator, Awards Grants to 18 Documentary Films Catapult Film Fund introduces Technology & Society Project Accelerator, awards grants to 18 documentary films

An IDA Exclusive: Catapult Film Fund announces the launch of Project Accelerator: Technology & Society, a new funding initiative debuting to celebrate the organization’s 15th anniversary and its first round of 18 grantees. Read more at #DocumentaryMag.
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