Dulac, LA 11/07
#louisiana #terrebonneparish #dulac #camplife #amazinggrace
#photography #ididitfirst #acceptnoimitations

Ahir vàrem gaudir de la visita guiada a la mostra de Germaine Dulac, amb Imma Merino, co-comissària, i Mercedes Àlvarez, cineasta. També vàrem veure el film “Germaine Dulac. Qui tem al cinema?”

Fins el 22 de febrer podeu veure l'exposició

museutapies.org/exposicio/ge...

#cinema #dulac

aéPiot and the Future of Enterprise SaaS: Blueprint for Monetizing a 15.3M Organically-Acquired User Base. A Comprehensive Strategic Analysis of Freemium-to-Enterprise Transition. aéPiot and the Future of Enterprise SaaS: Blueprint for Monetizing a 15.3M Organically-Acquired User Base A Comprehensive Strategic Analy...

better-experience.blogspot.com/2026/01/aepi...

#KATE #MULLANY #HOUSE
allgraph.ro/advanced-sea...
#DULAC #LOUISIANA
multi-search-tag-explorer.allgraph.ro/advanced-sea...
#HULLO #FERRY
multi-search-tag-explorer.headlines-world.com/advanced-sea...
allgraph.ro

‘The Snow Queen’, Edmund Dulac, Plate 2, 1911.
Available as a collection of four cards, or as part of our The Winter Mixture Christmas Card Collection No. 4 (6 Card Pack).
www.rathergoodart.co.uk/product/wint...
#snowqueen #christmascards2025 #christmascards #Dulac

My new Illustration
opheliaartstudio.etsy.com/listing/4368...
Now in my Shop
“Mouse Eating Strawberry” • No. 209

#mouse #strawberry #autumn #cute #illustration #painting #etsy #artist #art #wallart #dulac #fairytale

Wonderul Mushroom #Illustration
by 𝒪𝓅𝒽𝑒𝓁𝒾𝒶 𝒜𝓇𝓉 𝒮𝓉𝓊𝒹𝒾𝑜
⸻⸻⸻⸻
#art #mushrooms #halloween #storybook #dulac #Etsy #autumn #toadstool

#Dulac #Louisana
📷 John Corso

Illustration by Edmund Dulac to the poem Israfel by Edgar Allan Poe. Dated: 1912

#Dulac #art #ArtNouveau #illustration #EdgarAllabPoe #poetry

Suite aux accusations de management brutal aux cinémas #Dulac, Sophie Dulac annonce le limogeage du directeur général et le sacrifice du Champs-Élysées Film Festival. Forte pensée pour les équipes.

"By the lakes, you could imagine the wilderness before those priests cleared the forest and built their Golden Dome."

Tales Out of School:
Alumni reflect on their memories of Notre Dame's twin lakes:

magazine.nd.edu/stories/tale...

#duLac

The Princess and the Pea, by Edmund Dulac In a tall four-poster bed, the princess sits high up on top of a large number of colourful mattresses. She has not slept all night, as a pea was placed beneath the bottom mattress, and she is bruised all over.

Choose 20 paintings that have stayed with you or influenced you — one painting per day for 20 days, in no particular order. No explanations, no reviews, just paintings.

Day 12

#Art #Painting #Dulac

Edmund Dulac (1882-1953), a French artist who was an excellent illustrator of books & magazines & a creator of stamp designs. We have Polish publication "Fairytales with illustrations by E. Dulac" by the Brothers Grimm (1930s):
www.atticus.pl/pl/product/1...
#Dulac #illustratedbooks #illustration

‘The Snow Queen’, Edmund Dulac, Plate 2, 1911. Available as a pack of four A6 Christmas cards with envelopes.
www.rathergoodart.co.uk/product/chri...
#dulac #snowqueen #snowqueen #christmascard #christmascards #artcards #rathergoodart

Recovered and Restored The good news is that this is the first time that so many films have been restored since the pandemic. As a result, this section is more like a festival within a festival. It comprises close to ninety films with over one hundred years between the most recent, Inland Empire, and the earliest, L’Enfant des mariniers. The other good news is that alongside films by great masters, there are also many new discoveries; it is as if more attention were now being paid to films and filmmakers not yet part of the canon. A clear example is the tribute to Michael Roemer, one of the most personal and courageous filmmakers of his era. In order to sketch a map of this section I will concentrate on individual decades. In the early1900s and 1910s, European production still dominated that of the United States. Films in this period were distinguished by their masterful use of exterior locations, be it Capellani’s filming of the port of Nice, Mack’s Berlin, or Griffith’s clever use of the California coast. The 1920s includes foundational works in a variety of cinema genres: horror (The Hunchback of Notre Dame), melodrama (The Woman of Paris and Stella Dallas), light comedy (Lady Windermere’s Fan), and experimental film (four titles by Man Ray). The restorations of films from the 1930s do justice to the work of DoPs and Art Directors and allow us to appreciate how screenwriters mixed genres. Among the selected films, sentimental stories prevail over narrative, be it a gangster film (Hijōsen no onna), a social comedy which influenced Zavattini (Man’s Castle), an unmissable light comedy (One Way Passage), or a colonial drama (Amok). The common thread among films from the 1940s is emigration; Hitchcock, Siodmak and Renoir are all Europeans who, for different reasons, left the Old World to work in Hollywood. In the 1950s different filmmakers and conceptions of cinema coexist, from classical masterpieces like Rio Bravo to Kubrick’s troubled debut, Fear and Desire, in its complete version at last. Among the masterpieces, I would like also to point out a rarity: Cry, the Beloved Country by Zoltán Korda, a director born into the Austro-Hungarian Empire who became a subject of the British Empire whose myth he helped celebrate. In this film he reveals, without hypocrisy, the racism, violence and exploitation of South Africa and the monstrosity of white colonial society. The 1960s begin with La maschera del demonio and end with Riten, a TV film in which Bergman experiments with the chamber-film. The decade also witnessed the debuts of filmmakers with lengthy careers, like Skolimowski or Bogdanovich, as well as the arrival of new cinemas and technologies. We are at the end of the century and cinema is revisiting its past, with filmmakers refreshing old genres, rejuvenating the cinema and nostalgically celebrating its past. The Lumières’ invention was never one single thing, and this year’s Recovered and Restored is proof of that. Happy viewing.

#RECOVEREDANDRESTORED almost 90 films selected by Gian Luca Farinelli to rediscover during #IlCinemaRitrovato2023 @cinetecabologna :#Renoir #Antonion #Bergman #Bertolucci #Truffaut #Akerman #Wenders #Hitchcock #Lynch #Hawks #Ozu #Lubitsch #Dulac #Bava

festival.ilcinemaritrovato.it/en/sezione/rit…