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Detail from plate. Full description on next image.

Detail from plate. Full description on next image.

Magasin des Modes Nouvelles Françaises et Anglaises, 10 juin 1788, 3e Année, 21e cahier. Planche II.

The coat worn by the young man depicted in this plate is of taffeta with distinct medium-width crimson and white (vertical) stripes.
	Beneath this coat, the young man wears a white ribbed basin waistcoat, forming stripes, known as ‘English basin’, trimmed with white piping;
	A pair of sky blue breeches, with a drawstring waist, buttonholes and garters embroidered in white thread. The garters taper at the ends;
	Silk stockings with broad blue and white (vertical) stripes blending into one another. On his shoes he wears long rectangular buckles.
	The frill and cuffs of his shirt are of plain batiste, hemmed with medium-width hems.
	Around his collar, a very wide muslin cravat, the ends of which first form a large bow at the front and then fall very low over the frill.
	His hair is curled into two ringlets, one above the other, very thick and very long, forming pigeon’s wings on either side, and into a Greek-style donkey’s back, split at the back in a horseshoe shape. His hair is tied low into a long, thin queue.
	On his head, a hat à l’Androsmane.
    In his right hand, a medium-sized bamboo cane, topped with a small golden knob. 

Rijksmuseum object number RP-P-2009-1669A
Description from BnF Gallica: https://gallica.bnf.fr/ark:/12148/bpt6k1527903f/f3.item.zoom#

Magasin des Modes Nouvelles Françaises et Anglaises, 10 juin 1788, 3e Année, 21e cahier. Planche II. The coat worn by the young man depicted in this plate is of taffeta with distinct medium-width crimson and white (vertical) stripes. Beneath this coat, the young man wears a white ribbed basin waistcoat, forming stripes, known as ‘English basin’, trimmed with white piping; A pair of sky blue breeches, with a drawstring waist, buttonholes and garters embroidered in white thread. The garters taper at the ends; Silk stockings with broad blue and white (vertical) stripes blending into one another. On his shoes he wears long rectangular buckles. The frill and cuffs of his shirt are of plain batiste, hemmed with medium-width hems. Around his collar, a very wide muslin cravat, the ends of which first form a large bow at the front and then fall very low over the frill. His hair is curled into two ringlets, one above the other, very thick and very long, forming pigeon’s wings on either side, and into a Greek-style donkey’s back, split at the back in a horseshoe shape. His hair is tied low into a long, thin queue. On his head, a hat à l’Androsmane. In his right hand, a medium-sized bamboo cane, topped with a small golden knob. Rijksmuseum object number RP-P-2009-1669A Description from BnF Gallica: https://gallica.bnf.fr/ark:/12148/bpt6k1527903f/f3.item.zoom#

Young man wearing a crimson and white striped coat, sky blue breeches, blue and white striped stockings. On his head a hat à l'Androsmane. Magasin des Modes Nouvelles Françaises et Anglaises, 10 juin 1788. #FashionPlateFriday #dresshistory #18thc

25 7 0 4
Source: Bibliothèque nationale de France, gallica.bnf.fr
https://gallica.bnf.fr/ark:/12148/bpt6k1527863c/f18.item

Magasin des modes nouvelles, françaises et anglaises, décrites d'une manière claire & précise, & représentées par des planches en taille-douce, enluminées, 20 novembre 1787. 

Description of plate translated into English:

It is only fair that, having announced the English fashions, and given each of our issues a title bearing this announcement, we should occasionally provide some examples of these fashions. We realise that they will not seem very new to our subscribers, since they are actually our fashions that the English are now wearing in London; but we must give them, whatever they may be, if only to show our attention to fulfilling our duties.
	The Englishman depicted in Plate II is dressed in a sky blue coat with a very high collar, trimmed with scarlet piping, lined with scarlet cloth, and adorned with large white cloth buttons embroidered with scarlet silk.
	Under this coat, he wears a waistcoat with wide white and scarlet stripes forming large checks, edged with a long scarlet and white trim.
His breeches are made of yellow (lit. serin tail colour/couleur queue de serin) cashmere cloth, with sky blue silk stitching on the garters, buttonholes and drawstring.
	Gaiters-boots, made of very shiny black leather from the foot to the calf, and natural-coloured leather from the calf to just below the knee, which they cover, these gaiters-boots being buttoned from bottom to top with small shiny black buttons. 

[Description continues on next image]

Source: Bibliothèque nationale de France, gallica.bnf.fr https://gallica.bnf.fr/ark:/12148/bpt6k1527863c/f18.item Magasin des modes nouvelles, françaises et anglaises, décrites d'une manière claire & précise, & représentées par des planches en taille-douce, enluminées, 20 novembre 1787. Description of plate translated into English: It is only fair that, having announced the English fashions, and given each of our issues a title bearing this announcement, we should occasionally provide some examples of these fashions. We realise that they will not seem very new to our subscribers, since they are actually our fashions that the English are now wearing in London; but we must give them, whatever they may be, if only to show our attention to fulfilling our duties. The Englishman depicted in Plate II is dressed in a sky blue coat with a very high collar, trimmed with scarlet piping, lined with scarlet cloth, and adorned with large white cloth buttons embroidered with scarlet silk. Under this coat, he wears a waistcoat with wide white and scarlet stripes forming large checks, edged with a long scarlet and white trim. His breeches are made of yellow (lit. serin tail colour/couleur queue de serin) cashmere cloth, with sky blue silk stitching on the garters, buttonholes and drawstring. Gaiters-boots, made of very shiny black leather from the foot to the calf, and natural-coloured leather from the calf to just below the knee, which they cover, these gaiters-boots being buttoned from bottom to top with small shiny black buttons. [Description continues on next image]

Detail from plate

[Continuation of description translated into English]:

For about a fortnight now, our young Franco-Anglomaniac masters have adopted this fashion for gaiter boots. Many, instead of these gaiters, have taken up soft boots in two colours, yellow from below the calf to the tip of the foot. This fashion, which has long reigned in Paris and is now returning, has always been due to the English, and is still due to them. They must be predestined to adorn the legs of many of our young gentlemen, just as they are to adorn their heads, these young gentlemen adopting all their styles of hats, such as jockey hats, refurbished hats à l'Angloise, hats à la Androsmane, etc.
The Englishman depicted is wearing a hat à la Androsmane, on the left side of which is placed a very large black ribbon cockade.
	His hair is curled on each side into a single very long and very low curl. His hair at the back is tied very low in a long, thin queue. 
His hands are covered with yellow (peau couleur queue de serin) leather gloves. In his right hand he holds a light bamboo stick, and in his left he keeps his handkerchief in his pocket.

Detail from plate [Continuation of description translated into English]: For about a fortnight now, our young Franco-Anglomaniac masters have adopted this fashion for gaiter boots. Many, instead of these gaiters, have taken up soft boots in two colours, yellow from below the calf to the tip of the foot. This fashion, which has long reigned in Paris and is now returning, has always been due to the English, and is still due to them. They must be predestined to adorn the legs of many of our young gentlemen, just as they are to adorn their heads, these young gentlemen adopting all their styles of hats, such as jockey hats, refurbished hats à l'Angloise, hats à la Androsmane, etc. The Englishman depicted is wearing a hat à la Androsmane, on the left side of which is placed a very large black ribbon cockade. His hair is curled on each side into a single very long and very low curl. His hair at the back is tied very low in a long, thin queue. His hands are covered with yellow (peau couleur queue de serin) leather gloves. In his right hand he holds a light bamboo stick, and in his left he keeps his handkerchief in his pocket.

Man dressed in a sky-blue coat with high collar, trimmed with scarlet piping and lined with scarlet cloth, yellow breeches, gaiter-boots of brown and black leather. Hat à l’Androsmane with black cockade. Magasin des modes nouvelles, françaises et anglaises 1787. BnF #dresshistory #FashionPlateFriday

12 3 0 0
18th century fashion plate that is a picture within a picture: an image of a fashionably dressed man in a frame and surrounded by garlands of greenery and dark pink draped fabric. The man is wearing: a black hat, a long, dark pink coat with green lapels, a waistcoat with colourful horizontal stripes, white trousers, black and yellow boots.  The image is surrounded by various male fashion accessoires. At the top: the hilt of a sword, a black hat decorated with a black cockade, and whip (I think it is??). At the bottom: another black hat, a pair of black boots, and another sword hilt peaking out from behind the boots.

The caption at the bottom of the plate reads:
Jeune Elégant du Palais Roïalen lévite Angloise à revers garnie de boutons ovales eu acier avec les poches garnies de la même façon; il est coeffé d'un chapeau rond à la Jacquet avec un noeud de ruban en cocarde, et en bottes anglaises.

Provenance
The Elizabeth Day McCormick Collection, to MFA 1944.

Accession Number
44.1652

Link: https://collections.mfa.org/objects/354873/gallerie-des-modes-et-costumes-francais-50e-cahier-de-costu?ctx=5c957ed5-9916-4b81-9e01-5b0bf65271ed&idx=3

18th century fashion plate that is a picture within a picture: an image of a fashionably dressed man in a frame and surrounded by garlands of greenery and dark pink draped fabric. The man is wearing: a black hat, a long, dark pink coat with green lapels, a waistcoat with colourful horizontal stripes, white trousers, black and yellow boots. The image is surrounded by various male fashion accessoires. At the top: the hilt of a sword, a black hat decorated with a black cockade, and whip (I think it is??). At the bottom: another black hat, a pair of black boots, and another sword hilt peaking out from behind the boots. The caption at the bottom of the plate reads: Jeune Elégant du Palais Roïalen lévite Angloise à revers garnie de boutons ovales eu acier avec les poches garnies de la même façon; il est coeffé d'un chapeau rond à la Jacquet avec un noeud de ruban en cocarde, et en bottes anglaises. Provenance The Elizabeth Day McCormick Collection, to MFA 1944. Accession Number 44.1652 Link: https://collections.mfa.org/objects/354873/gallerie-des-modes-et-costumes-francais-50e-cahier-de-costu?ctx=5c957ed5-9916-4b81-9e01-5b0bf65271ed&idx=3

Elegant young man from the Palais-Royal in an English style coat, round hat à la Jacquet and English boots. Galerie des Modes et Costumes Français, 1786. From the collection of the Museum of Fine Arts, Boston. #FashionPlateFriday #dresshistory #18thc

16 7 0 0
Text at top of plate:
An 11. Costumes Parisiens. (496)
Text at bottom of plate, numbers corresponding with different hairstyles and accessoires depicted on plate:
1.	Capotes en taffetas et Rubans de Paille
2.	Coeffure ornée de Perles
3.	Turban
4.	Corsages
5.	Garnitures rabattues en demi Voile
6.	Capote d’Organdie
7.	Voile sur une Tête Fondue
8.	Coeffures de fantaisie

Text at top of plate: An 11. Costumes Parisiens. (496) Text at bottom of plate, numbers corresponding with different hairstyles and accessoires depicted on plate: 1. Capotes en taffetas et Rubans de Paille 2. Coeffure ornée de Perles 3. Turban 4. Corsages 5. Garnitures rabattues en demi Voile 6. Capote d’Organdie 7. Voile sur une Tête Fondue 8. Coeffures de fantaisie

Plate from Journal des Dames et des Modes, Costume Parisien, 2 septembre 1803 (Year 11), showing various hairstyles, bonnets and other fashion accessoires. #FashionPlateFriday #dresshistory #19thc

12 4 0 0
Magasin des Modes Nouvelles Françaises et Anglaises, 30 septembre 1787, 32e cahier, 2e année, Pl. 1.

Original description translated into English:

The young man, on whom we have depicted the current fashion, is dressed in a Louviers cloth coat with broad dark green stripes and broad dark red stripes, which are clear and pronounced.
Many different colours of cloth with two very broad faded stripes are worn. Some even wear cloth with three stripes, but in these cases the middle stripe is smaller than the other two, blending into each side and, so to speak, merely linking and nuancing the other two stripes.
The two blended stripes are usually pale yellow; purple and red; purple and pink; blue and yellow; etc.
The three stripes are purple, pink and sky blue: the pink stripe in the middle; grey, white and blue: the white stripe in the middle; scarlet, yellow and purple: the yellow stripe in the middle; etc.
The young man's coat is lined with red twill and trimmed with dark purple piping.
Under his coat, the young man wears a white waistcoat, edged with a long white silk trim;
Casimir cloth breeches, where the seams of the garters, buttonholes, and drawstring, now narrow, are made of green silk and form delicate embroidery.
We may recall that two months ago, we said that this fashion for seams of various colours was beginning to catch on; it is almost the only one accepted today.
The young man wears white silk stockings.
His shoes have large oval buckles.

[Text continues on next image]

Magasin des Modes Nouvelles Françaises et Anglaises, 30 septembre 1787, 32e cahier, 2e année, Pl. 1. Original description translated into English: The young man, on whom we have depicted the current fashion, is dressed in a Louviers cloth coat with broad dark green stripes and broad dark red stripes, which are clear and pronounced. Many different colours of cloth with two very broad faded stripes are worn. Some even wear cloth with three stripes, but in these cases the middle stripe is smaller than the other two, blending into each side and, so to speak, merely linking and nuancing the other two stripes. The two blended stripes are usually pale yellow; purple and red; purple and pink; blue and yellow; etc. The three stripes are purple, pink and sky blue: the pink stripe in the middle; grey, white and blue: the white stripe in the middle; scarlet, yellow and purple: the yellow stripe in the middle; etc. The young man's coat is lined with red twill and trimmed with dark purple piping. Under his coat, the young man wears a white waistcoat, edged with a long white silk trim; Casimir cloth breeches, where the seams of the garters, buttonholes, and drawstring, now narrow, are made of green silk and form delicate embroidery. We may recall that two months ago, we said that this fashion for seams of various colours was beginning to catch on; it is almost the only one accepted today. The young man wears white silk stockings. His shoes have large oval buckles. [Text continues on next image]

[Detail from plate]

Continuation of the original description translated into English:

In his pockets, he has two watches, one of which has a gold chain adorned with gold charms, and the other a simple blue silk cord adorned with a very large key, either in gold, silver, or crystal surrounded by a gold circle, or in agate similarly surrounded by a gold circle.
His hair is curled into two very long curls on each side, and in a Greek style at the back, parted in a horseshoe shape at the back and falling slightly in a shell shape on his forehead. At the back his hair is tied in a long plait à la Panurge.
His shirt is trimmed with cuffs and a jabot of fine batiste, all plain.
Around his neck is a wide cravat, which is wrapped three times and forms a medium-sized bow at the front.
He holds his hat in his hand, refurbished in the Androsmane style.
He is depicted bowing in greeting as he walks along a public promenade.

Rijksmuseum object number RP-P-2009-1659A

[Detail from plate] Continuation of the original description translated into English: In his pockets, he has two watches, one of which has a gold chain adorned with gold charms, and the other a simple blue silk cord adorned with a very large key, either in gold, silver, or crystal surrounded by a gold circle, or in agate similarly surrounded by a gold circle. His hair is curled into two very long curls on each side, and in a Greek style at the back, parted in a horseshoe shape at the back and falling slightly in a shell shape on his forehead. At the back his hair is tied in a long plait à la Panurge. His shirt is trimmed with cuffs and a jabot of fine batiste, all plain. Around his neck is a wide cravat, which is wrapped three times and forms a medium-sized bow at the front. He holds his hat in his hand, refurbished in the Androsmane style. He is depicted bowing in greeting as he walks along a public promenade. Rijksmuseum object number RP-P-2009-1659A

Young man in a green coat with red stripes, white waistcoat and yellow breeches with green embroidery. Magasin des Modes Nouvelles Françaises et Anglaises, 1787. #FashionPlateFriday #dresshistory #18thc

62 16 4 3
Magasin des Modes Nouvelles Françaises et Anglaises, 30 octobre 1787, 35e cahier, 2e année, Pl. 1.

Original description translated into English:
The young man depicted in the plate is dressed in a dark green redingote, trimmed with red piping and decorated with buttons in shades of green with red stripes. Underneath this coat, he wears a waistcoat with large pink and purple stripes forming large checks, trimmed with a length of pink, purple and white fringe.
He wears light purple senardine breeches with garters, buttonholes and drawstrings embroidered with white silk. His watches are tucked into his pockets.
He wears stockings with wide crimson and white stripes across them.
Large oval buckles on his shoes and garters.
Around his neck, a wide cravat, which forms a medium-sized bow at the front.
On his hands, canary yellow leather gloves. In one of his hands, he holds a medium-sized bamboo walking stick. 
His hair is dressed in two very long and very thick curls on each side; his hair is tied back in a queue and knotted low; and he wears a men's hat ‘à la Tarare’, very tall in shape, with narrow brims turned up at the sides.
The cuffs and jabot of his shirt are made of batiste, with plain hems. 

Rijksmuseum object number RP-P-2009-1662A

Magasin des Modes Nouvelles Françaises et Anglaises, 30 octobre 1787, 35e cahier, 2e année, Pl. 1. Original description translated into English: The young man depicted in the plate is dressed in a dark green redingote, trimmed with red piping and decorated with buttons in shades of green with red stripes. Underneath this coat, he wears a waistcoat with large pink and purple stripes forming large checks, trimmed with a length of pink, purple and white fringe. He wears light purple senardine breeches with garters, buttonholes and drawstrings embroidered with white silk. His watches are tucked into his pockets. He wears stockings with wide crimson and white stripes across them. Large oval buckles on his shoes and garters. Around his neck, a wide cravat, which forms a medium-sized bow at the front. On his hands, canary yellow leather gloves. In one of his hands, he holds a medium-sized bamboo walking stick. His hair is dressed in two very long and very thick curls on each side; his hair is tied back in a queue and knotted low; and he wears a men's hat ‘à la Tarare’, very tall in shape, with narrow brims turned up at the sides. The cuffs and jabot of his shirt are made of batiste, with plain hems. Rijksmuseum object number RP-P-2009-1662A

Detail from plate

Detail from plate

Young man dressed in a dark green redingote with red piping, purple breeches, striped stockings and shoes with oval buckles. His accessories include yellow leather gloves and a hat 'à la Tarare'. Magasin des Modes Nouvelles Françaises et Anglaises, 1787. #FashionPlateFriday #dresshistory #18thc

27 7 0 2
The young man's coat is made of purple cloth, lined with scarlet twill, and trimmed with polished, domed steel buttons on the front and on the sailor-style slit sleeves.

Under this coat, the young man wears a white waistcoat of English basin cloth, with small stripes, trimmed with a narrow band of white silk. He wears tight black silk breeches, white stockings, and hussar boots made of shiny black goatskin, trimmed on each side with drooping leather tassels.

He is wearing a jockey hat, tied with a gold and green silk cord, passing through a steel buckle at the front.

His hair is curled in four locks on each side, three below and one above, and in a Greek style at the back, split at the rear, tied low in a long, flowing queue.

The cuffs and jabot of his shirt are made of batiste with medium flat hems.

Around his neck is a wide muslin cravat, wrapped three times, the ends of which, trimmed with wide, beautiful lace, form a large bow at the front.

In his right hand a cane. In his left hand he holds his watch, where he checks the time.

Magasin des Modes Nouvelles Françaises et Anglaises, 30 septembre 1788, 3e Année, 32e cahier, Pl. 1

Rijksmuseum, object number RP-P-2009-2231

The young man's coat is made of purple cloth, lined with scarlet twill, and trimmed with polished, domed steel buttons on the front and on the sailor-style slit sleeves. Under this coat, the young man wears a white waistcoat of English basin cloth, with small stripes, trimmed with a narrow band of white silk. He wears tight black silk breeches, white stockings, and hussar boots made of shiny black goatskin, trimmed on each side with drooping leather tassels. He is wearing a jockey hat, tied with a gold and green silk cord, passing through a steel buckle at the front. His hair is curled in four locks on each side, three below and one above, and in a Greek style at the back, split at the rear, tied low in a long, flowing queue. The cuffs and jabot of his shirt are made of batiste with medium flat hems. Around his neck is a wide muslin cravat, wrapped three times, the ends of which, trimmed with wide, beautiful lace, form a large bow at the front. In his right hand a cane. In his left hand he holds his watch, where he checks the time. Magasin des Modes Nouvelles Françaises et Anglaises, 30 septembre 1788, 3e Année, 32e cahier, Pl. 1 Rijksmuseum, object number RP-P-2009-2231

Detail from plate

Detail from plate

Young man wearing a purple coat with scarlet lining, white waistcoat, black silk breeches with white stockings and Hussar boots made of shiny black goatskin with leather tassels. From the Magasin des Modes Nouvelles Françaises et Anglaises, 1788. #FashionPlateFriday #dresshistory #18thc

41 12 0 2
Young man dressed in a striped coat and waistcoat. Apple-green breeches. Vertically striped stockings. Accessories: hat, walking stick, breloque, shoes with decorated buckles. Woman dressed in a white redingote and apple-green petticoat with white silk fringe. On her head a cornet a la Paysanne, on top of which a 'chapeau au bateau renversé'. Fan in hand. This print is part of the 19th Cahier, 3rd year, from the series "Magasin des Modes Nouvelles Françaises et Anglaises." The series consists of 172 fashion prints, published by Buisson, Paris, 20 November 1786 - 21 December 1789.
Rijksmuseum. Object number P-P-2009-1668A

Young man dressed in a striped coat and waistcoat. Apple-green breeches. Vertically striped stockings. Accessories: hat, walking stick, breloque, shoes with decorated buckles. Woman dressed in a white redingote and apple-green petticoat with white silk fringe. On her head a cornet a la Paysanne, on top of which a 'chapeau au bateau renversé'. Fan in hand. This print is part of the 19th Cahier, 3rd year, from the series "Magasin des Modes Nouvelles Françaises et Anglaises." The series consists of 172 fashion prints, published by Buisson, Paris, 20 November 1786 - 21 December 1789. Rijksmuseum. Object number P-P-2009-1668A

Fashion plate from 1788 showing a man dressed in a green, yellow and crimson striped coat, moiré waistcoat with wide stripes, apple green breeches and striped stockings. Woman dressed in a redingote of white Pékin with green Pékin petticoat, hat 'au bateau renversé' #FashionPlateFriday #dresshistory

19 7 1 0
Left: Young man wearing a pink and white striped jacket, an embroidered waistcoat, and knee-breeches. Ruffled jabot and cuffs. Accessories: hat, walking stick, and breeches. Right: Woman wearing a pink Pierrot, a white skirt trimmed with ruffled strips, and a black and white fichu. On her head, a hat decorated with ribbon and hanging tails. This print is part of the 19th Cahier, 4th year, from the series "Magasin des Modes Nouvelles Françaises et Anglaises." The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 – December 21, 1789.

Collection Rijksmuseum. Object number RP-P-2009-2235

Left: Young man wearing a pink and white striped jacket, an embroidered waistcoat, and knee-breeches. Ruffled jabot and cuffs. Accessories: hat, walking stick, and breeches. Right: Woman wearing a pink Pierrot, a white skirt trimmed with ruffled strips, and a black and white fichu. On her head, a hat decorated with ribbon and hanging tails. This print is part of the 19th Cahier, 4th year, from the series "Magasin des Modes Nouvelles Françaises et Anglaises." The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 – December 21, 1789. Collection Rijksmuseum. Object number RP-P-2009-2235

Fashion plate from 1789 showing a man wearing a pink and white striped jacket, embroidered waistcoat and yellow breeches. Woman wearing a pink Pierrot, white skirt and pink hat. From the Magasin des Modes Nouvelles Françaises et Anglaises. #FashionPlateFriday #dresshistory #18thc

31 10 2 2
No. 1 (top right): 'Bonnet à la Captif'. Satin toque 'nakara', decorated with a green ribbon with white stripes. Two bias bands of white crepe. A heron feather on the crown of the bonnet. Pearl earrings. Linen fichu, adorned with a collarette. White ribbon bow. No. 2 (top left): Capote of white satin with blue stripes, decorated with purple ribbon trimmed with white (green and white in the print). The ribbon forms two points at the front and a bow at the back (bow at the front in the print), the ends of which hang down by about three to four centimeters. Two white feathers (green) on the crown. The capote is usually worn over a round bonnet or a "coëffure négligée." Here, it is presented with a ribbon "nakara" hatband. The earrings are pearl rings. Linen bonnet with a collar. Hairdo with a chignon at the nape of the neck. No. 3 (bottom right): "Grand bonnet" for the morning, with a large bun, in "gaze d'italie"; decorated with a purple ribbon trimmed with green. The ribbon forms a bow at the front, the ends of which hang down two or three centimeters at the back. Linen bonnet with a collar, decorated with two black ribbons "à la Jeannette." Hairdo with a chignon (bun) at the nape of the neck. No. 4 (bottom left): Cap or "bonnet au bandeau," without a bun, in "gaze d'italie," decorated with a ribbon in "nakara," with large loops at the front; a rosette at the back. Earrings: pearl rings. "Camisole en colinette," tied with a blue ribbon. The text further states that ribbons in purple; purple trimmed with white; green; green trimmed with white; lilac; lilac trimmed with white; and "nakara" are always fashionable. The print is part of the 6th Cahier in the series "Cabinet des Modes ou les Modes Nouvelles." The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785, - November 1, 1786.
Object number Rijksmuseum RP-P-2009-1271

No. 1 (top right): 'Bonnet à la Captif'. Satin toque 'nakara', decorated with a green ribbon with white stripes. Two bias bands of white crepe. A heron feather on the crown of the bonnet. Pearl earrings. Linen fichu, adorned with a collarette. White ribbon bow. No. 2 (top left): Capote of white satin with blue stripes, decorated with purple ribbon trimmed with white (green and white in the print). The ribbon forms two points at the front and a bow at the back (bow at the front in the print), the ends of which hang down by about three to four centimeters. Two white feathers (green) on the crown. The capote is usually worn over a round bonnet or a "coëffure négligée." Here, it is presented with a ribbon "nakara" hatband. The earrings are pearl rings. Linen bonnet with a collar. Hairdo with a chignon at the nape of the neck. No. 3 (bottom right): "Grand bonnet" for the morning, with a large bun, in "gaze d'italie"; decorated with a purple ribbon trimmed with green. The ribbon forms a bow at the front, the ends of which hang down two or three centimeters at the back. Linen bonnet with a collar, decorated with two black ribbons "à la Jeannette." Hairdo with a chignon (bun) at the nape of the neck. No. 4 (bottom left): Cap or "bonnet au bandeau," without a bun, in "gaze d'italie," decorated with a ribbon in "nakara," with large loops at the front; a rosette at the back. Earrings: pearl rings. "Camisole en colinette," tied with a blue ribbon. The text further states that ribbons in purple; purple trimmed with white; green; green trimmed with white; lilac; lilac trimmed with white; and "nakara" are always fashionable. The print is part of the 6th Cahier in the series "Cabinet des Modes ou les Modes Nouvelles." The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785, - November 1, 1786. Object number Rijksmuseum RP-P-2009-1271

Cabinet des Modes ou les Modes Nouvelles, 1 février 1786, pl. II
Fashion plate showing four headdresses for women:
1. Bonnet à la Captif
2. Capot de satin blanc rayé de bleu
3. Grand Bonnet du Matin
4. Bonnet au Bandeau
Collection @rijksmuseum.bsky.social
#FashionPlateFriday #dresshistory #18thc

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Standing woman wearing a satin capote adorned with spades and two ostrich feathers. Garland at the side. Velvet ribbons cross to form a belt. Dress with long sleeves and a train. Other accessories: earring in the right ear, polka-dot scarf tied around the neck, gloves, pointed flat shoes with a bow. Beside her is a chair, an open book in her hand. This print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839.

Caption: ‘Capote en Satin, ornée de trèfles et de deux plumes, guirlande découpée sur le coté. Velours croisé, formant Ceinture.’

Collection Rijksmuseum, object number RP-P-2009-2258

Standing woman wearing a satin capote adorned with spades and two ostrich feathers. Garland at the side. Velvet ribbons cross to form a belt. Dress with long sleeves and a train. Other accessories: earring in the right ear, polka-dot scarf tied around the neck, gloves, pointed flat shoes with a bow. Beside her is a chair, an open book in her hand. This print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. Caption: ‘Capote en Satin, ornée de trèfles et de deux plumes, guirlande découpée sur le coté. Velours croisé, formant Ceinture.’ Collection Rijksmuseum, object number RP-P-2009-2258

Detail from plate

Detail from plate

Fashion plate from 1798 showing a woman in a yellow gown with a v-neck and long sleeves. On her head a pink 'capote' of satin, decorated with clubs and two ostrich feathers. Around the neck a white neckerchief with red dots. #FashionPlateFriday #18thc #dresshistory

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Woman dressed in a pink silk “robe à la Polonaise” decorated with a border of “indienne” (painted or printed cotton). Over this, a small brown hooded cape. On her head, a round cap with pink and green ribbon, over which a “Thérèse”: a transparent cap made of knitted gauze to protect the hairstyle. In her left hand she holds a walking stick. She wears two-coloured shoes with heels and buckles. Print from series V. 21e Cahier de Costumes Français, 15e Suite d'Habillemens à la mode en 1779, Gallerie des Modes et Costumes Français.

Caption on the bottom of the plate:
‘Polonoise de taffetas garnie en bordures d'indienne, therèse de gaze mouchetée par dessus un bonnet rond ceint d'un serre-tête noué négligemment.’

From the collection of the Rijksmuseum. Object number RP-P-2009-1165

Woman dressed in a pink silk “robe à la Polonaise” decorated with a border of “indienne” (painted or printed cotton). Over this, a small brown hooded cape. On her head, a round cap with pink and green ribbon, over which a “Thérèse”: a transparent cap made of knitted gauze to protect the hairstyle. In her left hand she holds a walking stick. She wears two-coloured shoes with heels and buckles. Print from series V. 21e Cahier de Costumes Français, 15e Suite d'Habillemens à la mode en 1779, Gallerie des Modes et Costumes Français. Caption on the bottom of the plate: ‘Polonoise de taffetas garnie en bordures d'indienne, therèse de gaze mouchetée par dessus un bonnet rond ceint d'un serre-tête noué négligemment.’ From the collection of the Rijksmuseum. Object number RP-P-2009-1165

Detail from plate

Detail from plate

Fashion plate from 1779 showing a woman wearing robe à la Polonaise of silk taffeta, the skirt decorated with a border of indienne (painted or printed cotton). A 'therèse' (transparant mesh hood) is worn to protect the hairstyle. #FashionPlateFriday #dresshistory #18thc

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Detail of fashion plate. Full description in next picture.

Detail of fashion plate. Full description in next picture.

Description from the Rijksmuseum (with additions by me): Man in a stippled brown coat, unbuttoned, showing a white waistcoat with blue embroidery underneath, and wearing stippled beige trousers and brown boots. Accessories: breloque, gloves, hat and walking stick in hand. Two women stand beside him. Woman on the left: white gown with green and yellow floral motif (looks like printed cotton). A polka-dotted black fichu around the neck. On her head: a pink hat decorated with green ribbon and sheer veil covering half the face. In her hand: a walking stick that can also be used as a parasol. Woman on the right: red and yellow striped redingote on a pointed green bodice with red laces and white skirt, white fichu tucked into the neckline of the bodice. Wearing a black stippled yellow hat decorated with purple ribbon. Print from the fashion magazine "Journal des Luxus und der Moden," published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Description from the Rijksmuseum (with additions by me): Man in a stippled brown coat, unbuttoned, showing a white waistcoat with blue embroidery underneath, and wearing stippled beige trousers and brown boots. Accessories: breloque, gloves, hat and walking stick in hand. Two women stand beside him. Woman on the left: white gown with green and yellow floral motif (looks like printed cotton). A polka-dotted black fichu around the neck. On her head: a pink hat decorated with green ribbon and sheer veil covering half the face. In her hand: a walking stick that can also be used as a parasol. Woman on the right: red and yellow striped redingote on a pointed green bodice with red laces and white skirt, white fichu tucked into the neckline of the bodice. Wearing a black stippled yellow hat decorated with purple ribbon. Print from the fashion magazine "Journal des Luxus und der Moden," published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Journal des Luxus und der Moden, 1792-1793. Fashion plate showing late 18th century female and male fashions. One woman in a white gown, another in a redingote, and a man wearing a jacket and waistcoat with trousers. Collection @rijksmuseum.bsky.social #FashionPlateFriday #dresshistory #18thcentury

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Fashion plate from 1790 showing a woman wearing a white, slightly loose fitting gown, gathered at the waist with a sash, with long sleeves up to her wrists. The neckline of the gown is filled up by a fichu with frills. She's holding a green parasol. The hair around her face is short and curly, but long and straight down her back. From the collection of the Rijksmuseum, object number BI-1967-1159C-24

Fashion plate from 1790 showing a woman wearing a white, slightly loose fitting gown, gathered at the waist with a sash, with long sleeves up to her wrists. The neckline of the gown is filled up by a fichu with frills. She's holding a green parasol. The hair around her face is short and curly, but long and straight down her back. From the collection of the Rijksmuseum, object number BI-1967-1159C-24

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Journal des Luxus und der Moden, 1790. No description for this plate. I wonder what other dress historians think the type of gown portrayed is? Looks like a robe en chemise, but the open skirt of the gown showing the petticoat underneath is throwing me off. #FashionPlateFriday #dresshistory #18thc

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Close up of the fashion zoomed in on the (amazing!) pink jacket and hat. Can't remember seeing an 18th century jacket like this in a plate before. Seems like reverted v-shape open front? And then that row of bows, seen on gowns, but on jackets??? Full description from the Rijksmuseum website in second picture.

Close up of the fashion zoomed in on the (amazing!) pink jacket and hat. Can't remember seeing an 18th century jacket like this in a plate before. Seems like reverted v-shape open front? And then that row of bows, seen on gowns, but on jackets??? Full description from the Rijksmuseum website in second picture.

Woman facing right, wearing a pink Peking caraco, with a white Peking skirt and bodice. Caraco in a new form: cut out at the bottom and trimmed with white ribbon. Skirt and bodice trimmed with pink ribbon. On her head is a straw hat with a thick black crepe soubise around the crown. Decorated with five white feathers. Fichu and chemise. Accessories: elongated earrings, white gloves, and a walking stick. Print from the fashion magazine "Journal des Luxus und der Moden," published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Object number: BI-1967-1159A-29

Woman facing right, wearing a pink Peking caraco, with a white Peking skirt and bodice. Caraco in a new form: cut out at the bottom and trimmed with white ribbon. Skirt and bodice trimmed with pink ribbon. On her head is a straw hat with a thick black crepe soubise around the crown. Decorated with five white feathers. Fichu and chemise. Accessories: elongated earrings, white gloves, and a walking stick. Print from the fashion magazine "Journal des Luxus und der Moden," published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Object number: BI-1967-1159A-29

Fashion plate from 1786 showing a woman in a pink Peking caraco with white Peking skirt and bodice. The light coloured ensemble is contrasted by a large black hat topped with white ostrich feathers. From the collection of the Rijksmuseum. #FashionPlateFriday #18thc #dresshistory

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Four women's hairstyles with hats or caps in a frame, numbered one through four: 1. A l'Egyptienne, 2. Palestine, 3. Modeste, 4. Outrageant. The print is part of the Almanac de Gotha pour l'année 1782. The title of the print is cut off, but reads: Coëffures Berlinoises. Printmaker: Daniel Nikolaus Chodowiecki . Object number: RP-P-2009-2144

Four women's hairstyles with hats or caps in a frame, numbered one through four: 1. A l'Egyptienne, 2. Palestine, 3. Modeste, 4. Outrageant. The print is part of the Almanac de Gotha pour l'année 1782. The title of the print is cut off, but reads: Coëffures Berlinoises. Printmaker: Daniel Nikolaus Chodowiecki . Object number: RP-P-2009-2144

Fashion plate from 1782 showing four women's hairstyles with had or cap:
1. A l' Egiptienne 2. Palestine 3. Modeste 4. Outrageant
From the collection of the Rijksmuseum. #FashionPlateFriday #18thc #dresshistory

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The fashion plate was sold in a cheap ugly frame, but I simultaneously found this large vintage photo frame in which the plate perfectly fit!

The fashion plate was sold in a cheap ugly frame, but I simultaneously found this large vintage photo frame in which the plate perfectly fit!

Fashion plate depicting two women by a garden vase. They’re wearing a lilac and a turquoise dress with long sleeves and very wide skirts. According to the caption: ‘toilettes’ and fabrics for dresses by Maison Gagelin. ‘Modes’ by Alexandrine. Below are a few lines of advertising text for various products. Print from the fashion magazine Moniteur des Dames et des Demoisselles (1854-1902).
Collection Rijksmuseum. Object number RP-P-2009-1575.

Fashion plate depicting two women by a garden vase. They’re wearing a lilac and a turquoise dress with long sleeves and very wide skirts. According to the caption: ‘toilettes’ and fabrics for dresses by Maison Gagelin. ‘Modes’ by Alexandrine. Below are a few lines of advertising text for various products. Print from the fashion magazine Moniteur des Dames et des Demoisselles (1854-1902). Collection Rijksmuseum. Object number RP-P-2009-1575.

For this #FashionPlateFriday, a €2,50 thrift store find! Fashion plate from ca. 1863. Also in the collection of the Rijksmuseum, the only difference being that one’s titled ‘Le Moniteur des Dames et des Demoiselles’, and mine ‘Le Journal (…) Edition Belge’. #FashionHistory

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Woman holding a girl by the hand, both with hair 'à la Caracalla'. The woman wears a dress with a cord around the high waist, to which is attached an embroidered bag, called 'Balantine'. Further accessories: sandals, earrings and matching necklace, brooch (?). Girl: dress with short puffed sleeves, the hem decorated with a meander motif. Sandals. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839.

Title, top center in the margin, engraved: ‘Costume Parisien.’
Caption, bottom center in the margin, engraved: ‘Cheveux à la Caracalla. Sac à ouvrage, appellé Balantine. Sandals.’

Object number RP-P-2009-1346

Woman holding a girl by the hand, both with hair 'à la Caracalla'. The woman wears a dress with a cord around the high waist, to which is attached an embroidered bag, called 'Balantine'. Further accessories: sandals, earrings and matching necklace, brooch (?). Girl: dress with short puffed sleeves, the hem decorated with a meander motif. Sandals. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. Title, top center in the margin, engraved: ‘Costume Parisien.’ Caption, bottom center in the margin, engraved: ‘Cheveux à la Caracalla. Sac à ouvrage, appellé Balantine. Sandals.’ Object number RP-P-2009-1346

Woman and child in neoclassical dress. Both have their hair cut 'à la Caracalla' in short curls. Fashion plate from the sixth year of the French Republican calender (1797/1798). From Journal des Dames et des Modes. Collection Rijksmuseum. #FashionPlateFriday #FashionHistory #18thc #FrenchRevolution

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Woman playing with a diabolo. She wears a dress of 'gros de Naples', decorated with 'rubans zébrés'. Accessories: hat decorated with flowers, five necklaces with pendant, long gloves, flat shoes with bows. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.

Title, top center in the margin, engraved: ‘Costume Parisien.’
Caption, bottom center in the margin, engraved: ‘Robe de gros de Naples, ornée de Rubans zébrés. Jeu du Diable.’

Object number RP-P-2009-2421

Woman playing with a diabolo. She wears a dress of 'gros de Naples', decorated with 'rubans zébrés'. Accessories: hat decorated with flowers, five necklaces with pendant, long gloves, flat shoes with bows. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. Title, top center in the margin, engraved: ‘Costume Parisien.’ Caption, bottom center in the margin, engraved: ‘Robe de gros de Naples, ornée de Rubans zébrés. Jeu du Diable.’ Object number RP-P-2009-2421

Fashion plate from 1812. Woman playing with a diabolo. She wears a dress of 'gros de Naples', decorated with 'rubans zébrés'. From the fashion magazine Journal des Dames et des Modes. Collection Rijksmuseum. #FashionPlateFriday #FashionHistory #RegencyFashion #19th

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My wonderful husband gave me this beautiful fashion plate for Christmas! Isn’t it lovely? Featuring Morning Dresses from 1842 (& bonnets & mantles). He knows that the crinoline period is my favourite!
The year is significant too - but I can’t say why yet🤫🤐😉
#FashionPlateFriday

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I had to share a Christmas plate for this #FashionPlateFriday! This is from 1874, a period of ruffles & bustles & flared sleeves. I love the rich colours, and could see myself in the ochre and blue. Which would you choose to wear this Christmas season?

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Inscription, top left / top right / bottom left / bottom right, engraved:
La Caleche ordinaire / Hérisson couvert d'une Caleche retroussée / La Therese / Espece de Pouf couvert d'un voile de gaze trans-parent.’

Object number RP-P-2009-2096

Inscription, top left / top right / bottom left / bottom right, engraved: La Caleche ordinaire / Hérisson couvert d'une Caleche retroussée / La Therese / Espece de Pouf couvert d'un voile de gaze trans-parent.’ Object number RP-P-2009-2096

Fashion plate from 1777 showing four different options for women to protect their tall hairstyles: two types of caleches, a hood, and a transparent gauze veil. Rijksmuseum Amsterdam. #FashionPlateFriday #FashionHistory #18thc

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Four hairstyles and head coverings, divided into frames. From top left to bottom right:

- Coiffure à trois boucles en arrière avec un très petit Bonnet
- Chapeau en Clabeau retroussé par derrière avec la perruque en hérisson
- La Voluptueuse en coeffure de nuit
- Chapeau de gout, le Chignon lache, surmonté de deux boucles en coeur

Object number BK-1967-114-H

Four hairstyles and head coverings, divided into frames. From top left to bottom right: - Coiffure à trois boucles en arrière avec un très petit Bonnet - Chapeau en Clabeau retroussé par derrière avec la perruque en hérisson - La Voluptueuse en coeffure de nuit - Chapeau de gout, le Chignon lache, surmonté de deux boucles en coeur Object number BK-1967-114-H

Fashion plate from Gallerie des Modes et Costumes Français showing four different hairstyles and headwear, ca. 1776-1777. Rijksmuseum Amsterdam. #FashionPlateFriday #FashionHistory #18thc

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Woman in a dress with a floral pattern decorated with checked bows. Shawl with a floral pattern, trimmed with fringes. Other accessories: a hood decorated with flowers, gloves, a handkerchief, a parasol, shoes with square toes. Around her are ten women's heads with different hairstyles and headdresses. Print from the fashion magazine The World of Fashion (1824-1891).
Object number RP-P-2009-2619

Woman in a dress with a floral pattern decorated with checked bows. Shawl with a floral pattern, trimmed with fringes. Other accessories: a hood decorated with flowers, gloves, a handkerchief, a parasol, shoes with square toes. Around her are ten women's heads with different hairstyles and headdresses. Print from the fashion magazine The World of Fashion (1824-1891). Object number RP-P-2009-2619

Fashion plate from 1833: woman in a fashionable gown with characteristic leg-of-mutton sleeves. Surrounding her are ten female heads depicting different hairstyles and headwear. From the fashion magazine The World of Fashion (1824-1891). Rijksmuseum Amsterdam. #FashionPlateFriday #FashionHistory

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Edwardian evening gown with floral details in Art Nouveau style, fashion plate from “The Queen” magazine, 4/7/1900 issue.

Edwardian evening gown with floral details in Art Nouveau style, fashion plate from “The Queen” magazine, 4/7/1900 issue.

Opulent Art Nouveau-themed evening dress featured in “The Queen”, 4/7/1900, from “Fashion Illustration in Britain”, Amber Jane Butchart. #fashionhistory #fashionplatefriday #edwardianfashion #edwardiancostume #edwardian #artnouveau

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Costume Parisien, nr. 2091: Chapeau de bois blanc, garni d'un chiffon de gaze lisse. Redingote-Blouse en toile lustrée garnie de galons de soie. Gibecière de lacets de soie tressés. Object number A 55988.

Costume Parisien, nr. 2091: Chapeau de bois blanc, garni d'un chiffon de gaze lisse. Redingote-Blouse en toile lustrée garnie de galons de soie. Gibecière de lacets de soie tressés. Object number A 55988.

Fashion plate from 1822 depicting a woman wearing a blue redingnote with red trimmings. Costume Parisien. From the collection of Willet-Holthuysen. #FashionHistory #19thc #FashionPlateFriday

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Costume Parisien, nr. 1868: 1.Chapeau de pluche. 2.Chapeau de velours simulé, garni en rubans de satin. 3.Chapeaux de satin, garnis en duvet. 4.Chapeau de velours simulé, garni en étoffe chenillée. 5.Chapeau de velours natté. Object number 
A 55850.

Costume Parisien, nr. 1868: 1.Chapeau de pluche. 2.Chapeau de velours simulé, garni en rubans de satin. 3.Chapeaux de satin, garnis en duvet. 4.Chapeau de velours simulé, garni en étoffe chenillée. 5.Chapeau de velours natté. Object number A 55850.

Fashionable bonnets depicted in Costume Parisien, 1819. From the collection of Willet-Holthuysen. #FashionHistory #19thc #FashionPlateFriday

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Young woman dressed in the latest Viennese fashion. She wears a dress with a scalloped hem, striped bodice and skirt. Fichu. Accessories: feathered hat, earrings, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Object number RP-P-2009-2698.

Young woman dressed in the latest Viennese fashion. She wears a dress with a scalloped hem, striped bodice and skirt. Fichu. Accessories: feathered hat, earrings, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Object number RP-P-2009-2698.

Fashion plate from 1787 depicting the latest Viennese fashion. Journal des Luxes under der Moden. From the collection of the Rijksmuseum. #FashionHistory #18thc #FashionPlateFriday

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Repost for #FashionPlateFriday

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This plate is from 1892. These ladies could easily be Clemmie & Celia conversing in the dahabeeyah’s saloon as they sail up the Nile.
After sharing the yellow spredge indie edition yesterday, the yellow dress is very fitting. Which do you prefer?
#Nephthys #FashionPlateFriday

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