A drawing of a woman from about the waist up, contained in a pale colored circle of paper. She has a halo and flowers in her hair. Her hands are in front of her; the left hand is slightly above the right, and holds a martyr's palm. The description in the book informs the reader that it is a drawing of, “Thomas Ball’s wife Ellen Louisa Wild in the guise of Saint Cecilia, in three-quarter view from the waist up; she holds the palm of martyrdom and wears a floral wreath, a simple halo around her head and a view of a landscape with a church and belltower behind her. In her usual style, Fanny [Francesca Alexander, the artist] only outlined the body but focused attention on her sitter’s head with precisely rendered eyelashes, hair and wreath.”The circular artwork is mounted on a darker brown vertical rectangle of paper, on which appears two lines of handwritten text. The top line is "Santa Cecilia Martire"; the text of the 2nd line is not entirely legible.
#SaintCecilia, 1854, by #FrancescaAlexander (American, 1837-1917). @wellesley.edu Special Collections; reproduced in "The Art and Life of Francesca Alexander: 1837-1917," by Jacqueline Marie Musacchio,
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#artherstory #womenartists #FeastofStCecilia #StCecilia