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Title: Poems from a Very Long Prayerbook (Trademark).
Image: a tab and some sketchy 16th c script, a bit of a complicated spreadsheet, and "Limerick, Cinquain, Tanka, and Garden" as the take-away.

Title: Poems from a Very Long Prayerbook (Trademark). Image: a tab and some sketchy 16th c script, a bit of a complicated spreadsheet, and "Limerick, Cinquain, Tanka, and Garden" as the take-away.

What happens when you spend too long cataloging lines, rubrics, crosses, and prayer structures in a 16th-century prayerbook? Apparently I default to poetry. Send help.

silencesandsounds.blogspot.com

#ManuscriptStudies #Nuntastic #Kalamazoo2026 #scribes #blog #research #BreakTime

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Two weeks today, on 10 April @durhamtheology.bsky.social’s James Kelly will be talking at the Ó Cléirigh seminar in UCD Belfield on 'Fighting for the Future: the survival and revival of English religious orders in 17thC Europe'. #skystorians #CathHist #history #Catholicism #nuntastic

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Title: Seven Times a Day: Prayer as Humane Practice; image: a grotty 16th century prayerbook, an image of the photographer's finger in the margin and a couple of tabs showing along the edge of the prayerbook

Title: Seven Times a Day: Prayer as Humane Practice; image: a grotty 16th century prayerbook, an image of the photographer's finger in the margin and a couple of tabs showing along the edge of the prayerbook

A prayer said once is an event. Repeated across the day, it becomes a practice that holds.

silencesandsounds.blogspot.com

#medievalstudies #religion #nuntastic #blog #research #repetition #prayer #Catholic #16thc

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The Journal of Religious History is seeking expressions of interest in the role of co-editor of the Journal to work alongside Dr Celeste McNamara. ... The position would run for three years, subject to a one-year probationary period, with potential for renewal for a second term, if so desired. The JRH is published by Wiley and engages an Editorial Manager (Professor Paul Watt) to work on practical matters relating to the Journal, as well as benefiting from support from Wiley staff and an international editorial board.

While the position is a voluntary one, the agreement between Wiley and the Religious History Association may allow for limited travel support each year to promote the journal, subject to the approval of the RHA executive committee.

The tasks involved in editing JRH vary considerably from week to week – some weeks we are only required to answer a few emails, other weeks require a full day’s work making decisions on articles and proofreading. On average, each editor probably spends 4-6 hours per fortnight on the role. The main tasks involved are:

- representing the Journal at appropriate events
- attending committee meetings of the Religious History Association to report on the JRH
- working with the Editorial Manager to make initial decisions about sending articles for review
- keeping the database of reviewers updated
- making decisions on each article based on reviewers’ recommendations
- corresponding with authors about these decisions
- checking revisions made by authors
- proofreading articles for Early View
- proofreading and approving each issue (which has been copyedited by a professional copyeditor)
- approving the table of contents
- selecting an image for the cover
- shortlisting articles for the annual prize

Applications (a letter outlining qualifications, experience and fit with the Journal and Association’s general remit, and a brief CV) should be submitted by May 1, 2026, to: Professor Megan Cassidy-Welch mcassidywelch@divinity.edu.au

The Journal of Religious History is seeking expressions of interest in the role of co-editor of the Journal to work alongside Dr Celeste McNamara. ... The position would run for three years, subject to a one-year probationary period, with potential for renewal for a second term, if so desired. The JRH is published by Wiley and engages an Editorial Manager (Professor Paul Watt) to work on practical matters relating to the Journal, as well as benefiting from support from Wiley staff and an international editorial board. While the position is a voluntary one, the agreement between Wiley and the Religious History Association may allow for limited travel support each year to promote the journal, subject to the approval of the RHA executive committee. The tasks involved in editing JRH vary considerably from week to week – some weeks we are only required to answer a few emails, other weeks require a full day’s work making decisions on articles and proofreading. On average, each editor probably spends 4-6 hours per fortnight on the role. The main tasks involved are: - representing the Journal at appropriate events - attending committee meetings of the Religious History Association to report on the JRH - working with the Editorial Manager to make initial decisions about sending articles for review - keeping the database of reviewers updated - making decisions on each article based on reviewers’ recommendations - corresponding with authors about these decisions - checking revisions made by authors - proofreading articles for Early View - proofreading and approving each issue (which has been copyedited by a professional copyeditor) - approving the table of contents - selecting an image for the cover - shortlisting articles for the annual prize Applications (a letter outlining qualifications, experience and fit with the Journal and Association’s general remit, and a brief CV) should be submitted by May 1, 2026, to: Professor Megan Cassidy-Welch mcassidywelch@divinity.edu.au

@j-religioushist.bsky.social is looking for a new co-editor!

Applications are due to @megancw.bsky.social by 1 May 2026.

#ReligiousHistory #skystorians #EarlyModern #nuntastic #Reformazing

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24 Mar 1381: d. St Catherine of Vadstena #nuntastic daughter of the #nuntastic St. Bridget of #Sweden #otd

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Check out this #nuntastic lady.

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Favorite story in the obituary of Paula Doress-Worters (R.I.P.) — OBO’s #nuntastic connections 🙏www.nytimes.com/2026/03/15/books/paula-d... h/t @marie259.bsky.social

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What a lovely #nuntastic image!

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In order to maintain aging monasteries, Spanish nuns are becoming entrepreneurs Sisters have had to think of new ways to generate income in the face of skyrocketing maintenance costs for their historic buildings, coupled with a decline in people choosing religious vocations.

#nuntastic story about convents getting creative in the modern era.

That said, this historian of #earlymodern Spanish convents is here to tell you that they have *always* been financially savvy and enterprising. Trust me. I've seen the account books.

www.globalsistersreport.org/order-mainta...

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Blog title: Discovering Johannes Nider on the fly: A binding fragment from Thalbach 
Image: Gothic typeface in two columns, heavily abbreviated; one section effaced, the whole thing looking a bit worse for the wear

Blog title: Discovering Johannes Nider on the fly: A binding fragment from Thalbach Image: Gothic typeface in two columns, heavily abbreviated; one section effaced, the whole thing looking a bit worse for the wear

I deciphered some heavily abbreviated scholastic Latin pasted in a binding and found Johannes Nider’s Praeceptorium divinae legis hiding in the flyleaves of a Thalbach devotional book.

silencesandsounds.blogspot.com

#fragmentology #bookhistory #incunabula #medievalists #blog #research #nuntastic

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The fifth Early Modern British and Irish Catholicism conference - EMBIC V - Durham University

We are delighted to announce that booking is now open for the fifth Early Modern British and Irish Catholicism conference - details and a draft programme can be found here: www.durham.ac.uk/research/ins... #skystorians #EMHistory #nuntastic #recusantsbaby #history #Catholicism

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13 Mar 1590: Sir Toby [Tobie] Matthew, future #Catholic convert, writer & courtier, patron of #nuntastic Carmelites at #Antwerp, translator of Teresa of Avila to #English, son of the Archbishop of #York, matriculated #otd at Christchurch #Oxford (BM/eebo)

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An opulently dressed white woman with long curly reddish-brown hair, seated and gazing upward, her face tilted slightly so that her right cheek rests on her right hand. Her left hand is open face down in her lap, loosely covering two white rose stems. Behind her left shoulder there are loose flower stems on a windowsill, including a red rose and a daffodil among other blooms. Through the window, a mountain and a city are visible in the distance. A beam of light emits from the upper right corner of the painting, angling down through the window to touch the Magdalene's left shoulder.

An opulently dressed white woman with long curly reddish-brown hair, seated and gazing upward, her face tilted slightly so that her right cheek rests on her right hand. Her left hand is open face down in her lap, loosely covering two white rose stems. Behind her left shoulder there are loose flower stems on a windowsill, including a red rose and a daffodil among other blooms. Through the window, a mountain and a city are visible in the distance. A beam of light emits from the upper right corner of the painting, angling down through the window to touch the Magdalene's left shoulder.

Penitent #MaryMagdalene, c. 1620s, by #OrsolaMaddalenaCaccia (Italian, c. 1596-c. 1676). Private collection; source, artherstory.net/portrayals-o... #artherstory #womenartists #SuorOrsolaMaddelenaCaccia #nuntastic

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(not quite) #Nuntastic! but totally #nuntastic!

May the impact of this book be that we #BringBackBeguinages. (so pretty. so quiet. so kickass.)

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#Nuntastic #reformazing #EarlyModern #16thC #17thC #18thC

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The virtuous virtuose of Cremona
The virtuous virtuose of Cremona YouTube video by Laurie Stras

Ever wondered why singing nuns were always criticised for vanity? When I realised I wasn't going to be able to go to Florence 😭😭 I made a video of my conference paper. Here it is, in all its #nuntastic wild-sources-strung-together-with-gossamer-threads-of-musicology glory.
youtu.be/N6O2qFQZ3G8

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A vertically narrow rectangular print, at the top of which a Madonna and Child with a male saint are depicted within an oval. The frame of the oval is decorated at the top left with a flower and a ribbon, and at top right with a few stalks of wheat tied with a ribbon. Below the oval, in the lower portion of the rectangle, are lines of text.

A vertically narrow rectangular print, at the top of which a Madonna and Child with a male saint are depicted within an oval. The frame of the oval is decorated at the top left with a flower and a ribbon, and at top right with a few stalks of wheat tied with a ribbon. Below the oval, in the lower portion of the rectangle, are lines of text.

Madonna & Child with Saint, C16th, engraved by Suor #IsabellaPiccini (#ElisabettaPiccini; Italian, active c. 1665-92). Held by Harvard Art Museums, harvardartmuseums.org/collections/... #womenartists #artherstory #nuntastic

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Sign at a shop called El Torno. It sells cookies and pastries made by nuns.

Sign at a shop called El Torno. It sells cookies and pastries made by nuns.

Entrance to a shop, El Torno, which sells pastries made by nuns.

Entrance to a shop, El Torno, which sells pastries made by nuns.

#nuntastic research in Seville 😉

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A medieval artwork depicting the Madonna and Child; the Madonna holds her left hand up toward her chest, holding a peach between her thumb and forefinger. The Madonna is painted half-length, wearing a red dress with a gold collar, and a bright blue head covering. Over the head covering is a gold crown, surrounded by a halo. All around the circumference of the halo are gold stars. The Child is portrayed upright, with his mother's right arm curving around behind him to hold him at the front. He reaches across her with his right hand to grasp her veil. His right hand is lifted in benediction. He wears a carmine-colored necklace of beads from which dangles a cross of the same material. He too has a gold crown and halo. He is swaddled in a cloth of orange or gold with red trim.

A medieval artwork depicting the Madonna and Child; the Madonna holds her left hand up toward her chest, holding a peach between her thumb and forefinger. The Madonna is painted half-length, wearing a red dress with a gold collar, and a bright blue head covering. Over the head covering is a gold crown, surrounded by a halo. All around the circumference of the halo are gold stars. The Child is portrayed upright, with his mother's right arm curving around behind him to hold him at the front. He reaches across her with his right hand to grasp her veil. His right hand is lifted in benediction. He wears a carmine-colored necklace of beads from which dangles a cross of the same material. He too has a gold crown and halo. He is swaddled in a cloth of orange or gold with red trim.

The Virgin Mary with Christ Child and Fruit / Madonna of the Peach, c. 1440?, by #CaterinadeVigri (or #CaterinaVigri, #StCatherineofBologna; Italian, 1413-1463). Location unknown; source, commons.wikimedia.org/wiki/File:Ca... #nuntastic #artherstory #womenartists

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Finally it's publishable (if not perfect - spot the mistakes!). Open access until March 17 #nuntastic #earlymodern #womeninmusic #skystorians #earlymusic

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Video

What day is it today? It's
* Bandcamp Friday AND
* nearly International Women's Day
so to celebrate #GirlsGotPolyphony it's time to go to our Bandcamp page and grab lots of #nuntastic music
It's also time for a big, HUGE announcement! Sneak a peak at our Linktree for a clue
linktr.ee/musicasecreta

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Illustration of a nun standing on the left-hand corner of a blue border. She is wearing a grey habit, black veil and a white linen crown forming a cross over her head, with five red spots that represent the five wounds of Christ. She is holding a book bound in brown leather in front of her, which she appears completely engrossed in. To her right are words in Latin.

Illustration of a nun standing on the left-hand corner of a blue border. She is wearing a grey habit, black veil and a white linen crown forming a cross over her head, with five red spots that represent the five wounds of Christ. She is holding a book bound in brown leather in front of her, which she appears completely engrossed in. To her right are words in Latin.

We love this tiny illustration of a Bridgettine nun engrossed in a book!

She can be found in the border of Sister Mary Dominic's vow in the Syon Abbey archive.

📷 EUL MS 389/COM/2/2/3/4 (date: 1924-27)

#WorldBookDay #SyonAbbey #Nuntastic

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Title: Counting Drop Caps: What a Prayerbook’s Initials Reveal about the Divine Office; Image: a manuscript detail, showing a red Genre label, "Psalm," the Latin incipit in abbreviated form, and the3-line  drop-cap "H" for "herr" (spelled "her" by this scribe) for the start of the psalm

Title: Counting Drop Caps: What a Prayerbook’s Initials Reveal about the Divine Office; Image: a manuscript detail, showing a red Genre label, "Psalm," the Latin incipit in abbreviated form, and the3-line drop-cap "H" for "herr" (spelled "her" by this scribe) for the start of the psalm

Musicologists love antiphons. But a 16th-century prayerbook suggests the real center of gravity in the Divine Office was the psalms. The evidence? Counting drop caps.

silencesandsounds.blogspot.com

#codicology #manuscripts #DivineOffice #chant #musicology #Catholic #nuntastic #blog #research

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Drawing of 7 migrating Poor Clare nuns in a wagon, one being sick over the side. Inspired by the Chronicle of Rouen (which includes the letter from the first Abbess, Mary Taylor, back to the mother house in Gravelines which is copied into the chronicle and describes their difficult journey)!

Drawing of 7 migrating Poor Clare nuns in a wagon, one being sick over the side. Inspired by the Chronicle of Rouen (which includes the letter from the first Abbess, Mary Taylor, back to the mother house in Gravelines which is copied into the chronicle and describes their difficult journey)!

Another image to represent the migrating Poor Clare - a wagon being driven by a nun (! Lol) pulled by two horses. Inspired by the Chronicle of Rouen (which includes the letter from the first Abbess, Mary Taylor, back to the mother house in Gravelines which is copied into the chronicle and describes their difficult journey)!

Another image to represent the migrating Poor Clare - a wagon being driven by a nun (! Lol) pulled by two horses. Inspired by the Chronicle of Rouen (which includes the letter from the first Abbess, Mary Taylor, back to the mother house in Gravelines which is copied into the chronicle and describes their difficult journey)!

Image of a cedar tree with five roots to represent the five Benedictine houses for English women on the continent. Inspires by Abbess Mary Neville's Annals.

Image of a cedar tree with five roots to represent the five Benedictine houses for English women on the continent. Inspires by Abbess Mary Neville's Annals.

Another image inspired by the experience of the Poor Clares establishing their convent in Rouen. This is an image imagined to be their first house, with broken windows and religious graffiti on the walls left by the previous occupant who was trying to ward off plague. The room was described by the nuns as having "nothing but two naked bedsteeds all ruin'd, the windows especially, so as the wind blew in on all sides, the walls were all adorn'd with... divine names... for a preservation from the plague... every one embrac'd their cobwebs, their dust, their ruines, & the wind whistling in every crevisse with thanks that yet He had given us a lodging, who had left none for himself.

Another image inspired by the experience of the Poor Clares establishing their convent in Rouen. This is an image imagined to be their first house, with broken windows and religious graffiti on the walls left by the previous occupant who was trying to ward off plague. The room was described by the nuns as having "nothing but two naked bedsteeds all ruin'd, the windows especially, so as the wind blew in on all sides, the walls were all adorn'd with... divine names... for a preservation from the plague... every one embrac'd their cobwebs, their dust, their ruines, & the wind whistling in every crevisse with thanks that yet He had given us a lodging, who had left none for himself.

My special subject is on #earlymodern English nuns in Catholic Europe (it rocks!) This semester I handover to students to come up with a short activity for each seminar. Today we had to make front covers for chronicles! Thought I'd share some of my #nuntastic favourites here. See alt text for deets

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#nuntastic 😀

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Post title: "Sooner or Later it All Gets Done: How History Emerges from Small Details"; image of a 16th c prayerbook manuscript page with a tab in the margin, VLB HS 17 fol. 216

Post title: "Sooner or Later it All Gets Done: How History Emerges from Small Details"; image of a 16th c prayerbook manuscript page with a tab in the margin, VLB HS 17 fol. 216

History is sometimes an act of accumulation: 397 folios. Hundreds of candles. Countless tiny details.

Today’s blog post discusses reading for details that earlier editors thought didn’t matter.

#AcademicLife #MedievalStudies #nuntastic #SlowScholarship #blog

silencesandsounds.blogspot.com

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Sacred Networks: New Perspectives on Hagiography and Saints’ Cults Sacred Networks: New Perspectives on Hagiography and Saints’ Cults in the Celtic and Norse Worlds

Forthcoming conference in Dublin 'Sacred Networks: New Perspectives on Hagiography and Saints’ Cults' great line up including @natashaamberjo.bsky.social #medievalsky #nuntastic www.eventbrite.com/e/sacred-net...

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Congratulations to the newly-minted Dr Helen Knight on defending her @durhamtheology.bsky.social thesis, 'Forgotten leaders - English and Irish women religious and the development of secondary education for all Catholic girls in the opening decades of the 20thC' #skystorians #nuntastic #catholicism

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#rarebooks #medievalsky #nuntastic (see engraver upthread!👆)

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3 candles: "Threefold Illumination: A Nun's Prayer After Communion"

3 candles: "Threefold Illumination: A Nun's Prayer After Communion"

Blog post: Threefold illumination, one determined nun: first despise yourself, then fall in love with God, then surrender everything. Medieval spiritual growth, step by step.

silencesandsounds.blogspot.com

#nuntastic #Prayer #EarlyModern #DevotionalLife #blog #Research #Prayerbook

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