#peoplematchingartworks #georgegrosz #glassesmatchingartworks #couplesmatching #kupferstichkabinett #stefandraschan #photography #contemporaryart #berlin
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#GeorgeGrosz
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#peoplematchingartworks #georgegrosz #neuenationalgalerie #stefandraschan #photography #contemporaryart #berlin
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I'm probably in the company of many here in being familiar with this pictorial indictment of the capitalist Germany of the mid twenties.
I can't make up my mind whether the unforgettable imagery is or was politically effective as a powerful agent and sustainer of […]
[Original post on c.im]
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My drawings and paintings were done as an act of protest; I was trying by means of my work to convince the world that it is ugly, sick and hypocritical. — George Grosz
image: The Grey Man Dances (1949)
© Estate of George Grosz, Princeton
#georgegrosz
#artbymen #artonbluesky
#stopthewars
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#peoplematchingartworks #georgegrosz #daskleinegroszmuseum #stefandraschan #photography #contemporaryart #berlin
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Frontcover von WerkstattGeschichte 10/1995 mit einem Ausschnitt eines S/W-Fotos vom Nachtasyl der Heilsarmee in London-Blackfriars (1902): In einem hallenartigen großen Raum, in dem in dichten Reihen Holzbänke stehen, die als Lehne lediglich eine sichtbare Latte haben, sitzen zahlreiche Männer, von denen die meisten Hüte oder Mützen tragen.
Inhaltsverzeichnis (Auszug) von WerkstattGeschichte 10/1995
Am Welttag der sozialen Gerechtigkeit verweisen wir auf unser Heft »Armut«, im Thementeil mit Artikeln über das Aushandeln von #Armut in der #Frühneuzeit, die Bitt- und Bettelkultur in #Berlin um 1800, #Langzeitarbeitslosigkeit von #Akademiker*innen in den […]
[Original post on openbiblio.social]
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#peoplematchingartworks #georgegrosz
#daskleinegroszmuseum #stefandraschan
#photography #contemporaryart #berlin
#glassesmatchingartworks
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He stood outside the gates of Tegel Penitentiary, a free man. Only yesterday, he had been on the allotments with the others, hoeing potatoes in his convict stripes, and now he was wearing his summer duster, and they were hoeing and he was free.
— Berlin Alexanderplatz
— Alfred Döblin
#GeorgeGrosz
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#peoplematchingartworks #glassesmatchingartworks #georgegrosz #daskleinegroszmuseum #stefandraschan
#photography #contemporaryart #berlin
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#peoplematchingartworks #georgegrosz #daskleinegroszmuseum #stefandraschan #photography #contemporaryart #berlin
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#peoplematchingartworks #georgegrosz #neuenationalgalerie #stefandraschan #photography #contemporaryart #berlin
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Der Agitator George Grosz 1928 #GeorgeGrosz #Painting
☠️
Der Agitator
George Grosz, 1928
#GeorgeGrosz #Painting
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アート気分の在宅勤務👩🏻🎨
WFH in my art gallery
Georg Groz mood🎨👨🏻🎨
今週で2025年最後の勤務。
去って行く同僚に感謝🥲
Last working week of 2025.
Much gratitude to my colleagues who are leaving🫂
#georgegrosz #georggroß
#desktopgallery
#お家ギャリー
#船小屋生活
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1/6 The Pastors of Power
Every power system,no matter its mask,breeds the same pattern: collaboration,moral compromise, and exploitation dressed as order. Whether it calls itself empire,ICE, or free market,it needs its pastors the ones who preach obedience and keep the gears grinding.
#GeorgeGrosz
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Chroniques de l'an 18 : et autres chroniques, 1916 Isaac Babel Les Chroniques de l'an 18 rassemblent de courts textes qui tous évoquent la situation de Pétrograd pendant les quelques mois d'état d'urgence de l'an 18, alors que la guerre civile faisait rage. Babel, observateur attentif et chroniqueur minutieux, rend compte, sans transformation aucune et sans avoir recours à la fiction, d'une réalité terrifiante. Et de souligner, dans l'un des récits, Premiers secours (qui évoque l'organisation - ou plutôt sa cruelle absence - de soins d'urgence pour les blessés), que "Chez nous, il n'y a rien, ni secours, ni urgence. Ce qu'il y a - c'est une ville de trois millions d'habitants, sous-alimentée, violemment ébranlée dans la base même de son existence. Il y a beaucoup de sang qui coule dans les rues et les maisons." cf révisionnisme de Poutine + 1921
#livre Chroniques de l'an 18 d' #IsaacBabel
#year1916
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“…I considered any art pointless if it did not put itself at the disposal of political struggle… my art was to be a gun and a sword.” - George Grosz
#Banksy #Art #ArtAndPolitics #Guernica #Picasso #GeorgeGrosz
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Take a trip into the inner wardrobes of the mind of Today’s Decay
#georgegrosz #elsanto #gazboniface #thevibes #garyboniface #thepurplethings #terminalcheesecake #peeweesbigadventure #peeweeherman #rerun #fouryearsagoscontentbutimcontentwithit #todaysdecay
youtube.com/shorts/5TqNA...
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Georg Ehrenfried Groß "George Grosz" 🎂🇩🇪🇺🇸👨🏻🎨
nace #26Julio de 1893
Visionario del arte del siglo XX. Su obra, que transita del dadaismo a la Nueva Objetividad, es un poderoso reflejo de la crítica política y social 🖼 #FelizSábado
#GeorgeGrosz #Pintura #Arte #OtrebordmXCultura
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"I don't even like to talk about it. I hated being a number and not merely because I was a very small one. I let them bellow at me for just as long as it took me to find enough pluck to bellow back at them."
🎨 #GeorgeGrosz, German painter, was #BOTD 26 July 1893. #Art #Painting
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"It is not immaterial where you stand in this business... Are you on the side of the exploiters or on that of the masses, who want to wring the exploiters' necks?"
🎨 #GeorgeGrosz, German painter and illustrator, passed away #OTD 6 July 1959. #Art #Painting #Illustration
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George Grosz
(1893-1959)
Orgie
1922 👇
#Painting #GeorgeGrosz
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I'd love to see this. Particularly relevant today, especially in the US. I have a reproduction of 'Sonja' hanging in my living room 😀✊🖌️ #ChristianSchad #OttoDix #GeorgeGrosz
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