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elinnesjevestli.bsky.social
elinnesjevestli.bsky.social
@elinnesjevestli.bsky.social
2 months ago
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Tolles Museum! #GermanischesNationalmuseum #Nürnberg

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Daniel Maul
Daniel Maul
@ostrovdoktora.bsky.social
4 months ago
GLOBAL Nuremberg The special exhibition focuses on the internationally operating Nuremberg in the period between 1300 and 1600, on its trade relations at that time and its role as the cultural centre of Europe, withou...

www.gnm.de/your-museum-...

Warmly recommended if you pass my hometown Nürnberg and want more than gingerbread - or eat gingerbread with fuller awareness for its global dimension. #nürnberg #germanischesnationalmuseum

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@quenth-1.bsky.social
5 months ago
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#photography #sculpture #nude #men #man #prisoners #prisonnier #captive #bound #binds #bellumetartes #maisondelhistoireeuropeenne #houseofeuropeanhistory #brussels #bruxelles #nurnberg #germanischesnationalmuseum #museum #case #exhibition #exposition #85mm #dof

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@quenth-1.bsky.social
5 months ago
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#photography #sculpture #prisoners #prisonnier #captive #bound #binds #bellumetartes #maisondelhistoireeuropeenne #houseofeuropeanhistory #brussels #bruxelles #nurnberg #germanischesnationalmuseum #museum #case #exhibition #exposition #85mm #dof

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@quenth-1.bsky.social
5 months ago
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#photography #sculpture #prisoners #prisonnier #captive #bound #binds #bellumetartes #maisondelhistoireeuropeenne #houseofeuropeanhistory #brussels #bruxelles #nurnberg #germanischesnationalmuseum #museum #case #exhibition #exposition #85mm #dof

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@quenth-1.bsky.social
5 months ago
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#photography #sculpture #prisoners #prisonnier #captive #bound #binds #bellumetartes #maisondelhistoireeuropeenne #houseofeuropeanhistory #brussels #bruxelles #nurnberg #germanischesnationalmuseum #museum #case #exhibition #exposition #85mm #dof

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kid37
kid37
@kid37.fnordon.de.ap.brid.gy
7 months ago

So, Leute. Nach der kleinen, aber einträglichen Anselm-Kiefer-Diskussion neulich hier mal ein Beitrag wie ich mir Arbeitsschutz im Kulturbereich vorstelle. #GermanischesNationalmuseum

https://www.instagram.com/p/DNnyvU4MHr2/

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Sabine Lang
Sabine Lang
@sabinelang.bsky.social
9 months ago

I am very excited to share more information about our summer school, 'Data, Gender and Society', which will take place this September at @dhssfau.bsky.social. During the summer school, I will be offering a workshop entitled 'Open Culture: Modelling the #GermanischesNationalmuseum in Wikidata”.

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Michael
Michael
@mdstamper.bsky.social
11 months ago
German artist Albrecht Dürer, sometimes spelled Durer or Duerer, painted his mother (about age 39) and father (around 63) before setting out on his travels as a journeyman artist. Both panels remained the personal property of Dürer until his death. In 1628, the Medici acquired the portrait of the father for their collection. The portrait of the mother, was not identified as such until 1977. Barbara Holper was the daughter of Hieronymus Holper, under whom Albrecht the Elder served his apprenticeship as a goldsmith. The two men became friends, and when she came of age Holper gave his daughter into marriage when Dürer senior was 40 and she was 15. Their son's writings detail their difficult lives and many setbacks; only 3 of their 18 children survived into adulthood – 17 of whom had been born by the time of this portrait. After her husband died Barbara was destitute and went to live with her son. After she in turn died in 1514, her son wrote "This my pious Mother ... often had the plague and many other severe and strange illnesses, and she suffered great poverty, scorn, contempt, mocking words, terrors, and great adversities. Yet she bore no malice. Also she died hard ... I felt so grieved for her that I cannot express it." Barbara wears a red dress and a matte white bonnet, fully covering her hair, indicating her marital status. Her headdress is draped with a long scarf stretching down her neck and across her left shoulder. The lines of her face contain touches of white paint for a highlighting and enlivening effect — especially evident around her eyes, the bridge of her nose, and her upper lip. Barbara was attractive in her youth; her son described her as having been "comely and of erect bearing". However, by the time of this portrait the effects of time and losing so many children weigh heavily on her face. At some point, the panel was cut down on the left side, shifting the compositional balance and removing a portion of her shoulder and headdress.

German artist Albrecht Dürer, sometimes spelled Durer or Duerer, painted his mother (about age 39) and father (around 63) before setting out on his travels as a journeyman artist. Both panels remained the personal property of Dürer until his death. In 1628, the Medici acquired the portrait of the father for their collection. The portrait of the mother, was not identified as such until 1977. Barbara Holper was the daughter of Hieronymus Holper, under whom Albrecht the Elder served his apprenticeship as a goldsmith. The two men became friends, and when she came of age Holper gave his daughter into marriage when Dürer senior was 40 and she was 15. Their son's writings detail their difficult lives and many setbacks; only 3 of their 18 children survived into adulthood – 17 of whom had been born by the time of this portrait. After her husband died Barbara was destitute and went to live with her son. After she in turn died in 1514, her son wrote "This my pious Mother ... often had the plague and many other severe and strange illnesses, and she suffered great poverty, scorn, contempt, mocking words, terrors, and great adversities. Yet she bore no malice. Also she died hard ... I felt so grieved for her that I cannot express it." Barbara wears a red dress and a matte white bonnet, fully covering her hair, indicating her marital status. Her headdress is draped with a long scarf stretching down her neck and across her left shoulder. The lines of her face contain touches of white paint for a highlighting and enlivening effect — especially evident around her eyes, the bridge of her nose, and her upper lip. Barbara was attractive in her youth; her son described her as having been "comely and of erect bearing". However, by the time of this portrait the effects of time and losing so many children weigh heavily on her face. At some point, the panel was cut down on the left side, shifting the compositional balance and removing a portion of her shoulder and headdress.

Bildnis von Barbara Dürer, geb. Holper (Portrait of Dürer’s Mother, née Holper) by Albrecht Dürer (German) - Oil on wood / c. 1490 - Germanisches Nationalmuseum (Nuremberg, Germany) #womeninart #mother #art #AlbrechtDürer #AlbrechtDuerer #mom #GermanischesNationalmuseum #womensart #portraitofawoman

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Kate Strasdin
Kate Strasdin
@katestrasdin.bsky.social
1 year ago
Back view of a blue and silver bodice fitted to the shape of the body with flared panels at the waist and deep elbow cuffs

Back view of a blue and silver bodice fitted to the shape of the body with flared panels at the waist and deep elbow cuffs

All about angles, a surviving #1750s bodice juts out in many directions. Here it follows the line of the body but there, at the cuff and the waist, it takes another direction, following another line in blue and silver floral fancy #germanischesnationalmuseum #FashionHistory 🗃️🪡

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arthistoricum.net
arthistoricum.net
@arthistoricum.bsky.social
1 year ago
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Neu im Blog: Tagung "Fastnacht in Nürnberg: Mehr als der Schembartlauf" 22./23.11.2024 am Germanischen Nationalmuseum Nürnberg
#Fastnacht #Schembartlauf #Quellen #Schembartbüchern #Nürnberg #Rezeption #GNM #GermanischesNationalmuseum

blog.arthistoricum.net/beitrag/2024...

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