Souriez pour la photo ! 📸
Venez découvrir une famille pas comme les autres dans VANILLA, un film chaleureux sur la sororité et l’enfance de Mayra Hermosillo 🇲🇽
Au cinéma le 13 mai 🍿
#VanillaTheFilm #MayraHermosillo
#Mostra2025 #Giornate2025 #MexicanFilm
POV : tu es une petite fille au Mexique dans les années 80 ❤️🩹
Découvrez Roberta dans VANILLA, un film à hauteur d’enfant de Mayra Hermosillo 🇲🇽 primé à Giornate degli Autori et Ventana Sur
Au cinéma le 13 mai 🍿
#VanillaTheFilm #MayraHermosillo
#Mostra2025 #Giornate2025 #MexicanFilm
Une maison, sept femmes 🏠 Découvrez la bande annonce solaire et sucrée de VANILLA !
Un film de Mayra Hermosillo 🇲🇽 primé à Giornate degli Autori et Ventana Sur
Au cinéma le 13 mai 🍿
#VanillaTheFilm #MayraHermosillo #Mostra2025 #Giornate2025 #MexicanFilm
Prêt·e à passer à l’heure d’été ? ☀️
On vous dévoile la belle affiche du très attendu VANILLA, un film de la réalisatrice et actrice Mayra Hermosillo 🇲🇽 primé à Giornate degli autori et Ventana Sur.
Au cinéma le 13 mai 🍿
#VanillaTheFilm #MayraHermosillo #Mostra2025 #Giornate2025 #MexicanFilm
Mexican actress Mayra Hermosillo's debut film, Vanilla, 2024 Cinelatino wip, is being launched at #Giornate2025 for Bandita. Colourful and predictable, the film resembles a mix of popular recipes aimed primarily at Latino audiences. For Spotlight, of course.
Under-exposed with his first two films in Beijing and Warsaw, Iranian director Amir Azizi presents Inside Amir at #Giornate2025. A pleasant surprise, this bicycle trip through Tehran is sometimes captivating – actor Amirhossein Hosseini also contributes greatly to this.
Winner of 2020 IDFA, Iranian Firouzeh Khosrovani presents Past Future Continuous with Morteza Ahmadvand at #Giornate2025 for Taskovski. An experimental family film, sometimes surprising in its approach, moving in its use of archive footage, but a little disappointing in its long voiceovers.
"A SAD AND BEAUTIFUL WORLD is exactly that: a film of contrasts."
Cyril Aris' "sweeping love story that spans three decades of passion, heartbreak & hope" has just premiered at the Venice Film Festival's Giornate degli Autori! 🔥
Read Roberto's review!
#Giornate2025 #Venezia82
After two documentaries, Germany-based Russian filmmaker Nastia Korkia presents her first fiction film, Short Summer, at #Giornate2025 for Totem. A tiny, contemplative essay, purely suggestive, which unfortunately resembles a montage of research elements prior to the shooting of the actual film.
After a documentary in Seville in 2016, Spanish Gabriel Azorín presents his first fiction, Last Night I Conquered the City of Thebes, at #Giornate2025 for More than films. Beautiful, highly literary, reminiscent of Oliveira, this is a demanding proposition for a niche audience.
Discovered in Tallinn with his first two films, Swiss-Kenyan Damien Hauser presents Memory of Princess Mumbi at #Giornate2025 for Paradise City - wip in Tarifa last May. An exhausting curiosity, this short futuristic mockumentary never manages to break free from its music video and AI mash-up roots.
After two documentaries launched at Karlovy Vary, Lebanese Cyril Aris presents his first fiction, A Sad and Beautiful World, at #Giornate2025 for Paradise City. A sweet manichean scenario in two opposing parts, with charming actors but rather flat direction - an honourable local melodrama.
After two personal short films in Rotterdam 2017 and 2018, Ukrainian Vladlena Sandu launched a final short at Doclisboa 2022 after 8 episodes of her Russian TV series. Her debut Memory is launched at #Giornate2025 for Loco. A clumsily experimental home movie, constantly on the verge of caricature.
Bearcave, awarded at the Agora in Thessaloniki last November, is the feature-length version of the short by Greek Krysianna B. Papadakis & Stergios Dinopoulos launched in #Giornate2025. A fragile but not unpleasant Greek lesbian countryside melodrama, inspired by Balkan musical and dance folklore.
After his first two star-studded films launched at Rome, Italian director Nicolangelo Gelormini presents La Gioia in #Giornate2025 for Vision. A strange bisexual reinterpretation of 1980s cinema, particularly Claude Pinoteau, with French actress Valeria Golino playing an abused older Sophie Marceau.
