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La sonda Juno della NASA ha sorvolato l’atmosfera di Giove da nord a sud (traccia gialla) nell’agosto 2022, rilevando un gruppo di impulsi radio prodotti dai fulmini (cerchi turchesi). Una mappa di sfondo del Telescopio Spaziale Hubble ha identificato la sorgente dei fulmini come una “supertempesta stealth” isolata. Il riquadro mostra un pennacchio di una precedente supertempesta stealth dai dati di JunoCam.

La sonda Juno della NASA ha sorvolato l’atmosfera di Giove da nord a sud (traccia gialla) nell’agosto 2022, rilevando un gruppo di impulsi radio prodotti dai fulmini (cerchi turchesi). Una mappa di sfondo del Telescopio Spaziale Hubble ha identificato la sorgente dei fulmini come una “supertempesta stealth” isolata. Il riquadro mostra un pennacchio di una precedente supertempesta stealth dai dati di JunoCam.

Le supertempeste invisibili rivelano i fulmini su Giove

#giove @astronomia

I fulmini su Giove sono da tempo di grande interesse per gli scienziati planetari, poiché indicano regioni tempestose in cui i ricercatori possono studiare meglio la convezione […]

[Original post on mastodon.uno]

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SARCOPHAGUS FRONT WITH SCENES FROM THE MYTH OF PERSEPHONE, 200-230 CE. PALAZZO MATTEI DI GIOVE

A confusion of figures fills this sarcophagus front, with parallel scenes of movement in chariots at both sides and a scene of static flower-picking at centre left. Starting at centre is the small kneeling figure of Persephone, with an Eros pulling up her velificatio while another is steadying her vase. She's oriented toward the left but is looking anxiously to the right. The most dramatic scene is at right, where she is being abducted by Hades in a chariot heading rightward, preceded by Hermes, a clear reference to the soul's passage to the Underworld. Three goddesses, Athena, Artemis, and Hera, seem to be trying to rescue her, but she can't escape the clutches of Hades, who is ominously facing outward at the viewer. At left is the poignant scene of her mother Demeter searching for her. The winged figure preceding Demeter's chariot is Trepidatio, Fear.

SARCOPHAGUS FRONT WITH SCENES FROM THE MYTH OF PERSEPHONE, 200-230 CE. PALAZZO MATTEI DI GIOVE A confusion of figures fills this sarcophagus front, with parallel scenes of movement in chariots at both sides and a scene of static flower-picking at centre left. Starting at centre is the small kneeling figure of Persephone, with an Eros pulling up her velificatio while another is steadying her vase. She's oriented toward the left but is looking anxiously to the right. The most dramatic scene is at right, where she is being abducted by Hades in a chariot heading rightward, preceded by Hermes, a clear reference to the soul's passage to the Underworld. Three goddesses, Athena, Artemis, and Hera, seem to be trying to rescue her, but she can't escape the clutches of Hades, who is ominously facing outward at the viewer. At left is the poignant scene of her mother Demeter searching for her. The winged figure preceding Demeter's chariot is Trepidatio, Fear.

#SarcophagusSaturday at #palazzoMattei di #Giove in #Rome offers us a chaotic scene of the abduction of #Persephone in three moments, starting at centre with the maiden innocently picking flowers, then at right where she's abducted by #Hades, and at left where #Demeter seeks her. #AncientBluesky 🏺

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SARCOPHAGUS FRONT, 210-220 CE, AND FAKE SARCOPHAGUS FRONT, 1607. PALAZZO MATTEI DI GIOVE

This is fun. At top we have a relief with Erotes holding not one but three separate clipei. The two central Erotes are actually holding a heavy garland of fruit which has the clipeus wedged between its ends. The two side Erotes are aided by two tritons with double tails who support the clipei from below. The sarcophagus would be far too small to contain three bodies, and the three-clipeus design is totally aberrant. This is a fake from when the courtyard was built in around 1607. The lower, more crowded sarcophagus front shows Mars striding toward the sexy sleeping Vestal Rhea Silvia, an altogether superior work in design and execution. A bevy of other gods are all watching intently. They are in attendance because the sex act about to take place will result in the birth of Romulus and Remus, the founders of Rome.

SARCOPHAGUS FRONT, 210-220 CE, AND FAKE SARCOPHAGUS FRONT, 1607. PALAZZO MATTEI DI GIOVE This is fun. At top we have a relief with Erotes holding not one but three separate clipei. The two central Erotes are actually holding a heavy garland of fruit which has the clipeus wedged between its ends. The two side Erotes are aided by two tritons with double tails who support the clipei from below. The sarcophagus would be far too small to contain three bodies, and the three-clipeus design is totally aberrant. This is a fake from when the courtyard was built in around 1607. The lower, more crowded sarcophagus front shows Mars striding toward the sexy sleeping Vestal Rhea Silvia, an altogether superior work in design and execution. A bevy of other gods are all watching intently. They are in attendance because the sex act about to take place will result in the birth of Romulus and Remus, the founders of Rome.

At #palazzoMattei di #Giove in #Rome, we have *two* #sarcophagus fronts but only *one* is real. The other is a C17 fake. Our #SarcophagusSaturday challenge is to decide which is which. Before I tell you the answer in the ALT text, try and guess. #AncientBluesky 🏺

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CHILD'S SARCOPHAGUS WITH EROTES, 175-200 CE. PALAZZO MATTEI DI GIOVE

This beautiful little sarcophagus was given pride of place in the disposition of Asdrubale Mattei's antiquities collection in the courtyard of his palace. It sits atop two little lion-headed trapezophoroi (carved supports) and has a lid much too small for it, with a reclining child on it. The front is framed on both ends with spiral-fluted columns, and four internal pilasters create five square panels in which five delightful Erotes with wings and chlamys dance. The first at left is holding up a string from which hangs a drum and the second brandishes a baton tied with a ribbon. The central Eros is a sort of Orpheus, holding a lyre in one hand and a plectrum in the other. The fourth bears a thyrsus and the last Eros, or the first if they are in procession, is carrying a reversed torch, symbolising death.

CHILD'S SARCOPHAGUS WITH EROTES, 175-200 CE. PALAZZO MATTEI DI GIOVE This beautiful little sarcophagus was given pride of place in the disposition of Asdrubale Mattei's antiquities collection in the courtyard of his palace. It sits atop two little lion-headed trapezophoroi (carved supports) and has a lid much too small for it, with a reclining child on it. The front is framed on both ends with spiral-fluted columns, and four internal pilasters create five square panels in which five delightful Erotes with wings and chlamys dance. The first at left is holding up a string from which hangs a drum and the second brandishes a baton tied with a ribbon. The central Eros is a sort of Orpheus, holding a lyre in one hand and a plectrum in the other. The fourth bears a thyrsus and the last Eros, or the first if they are in procession, is carrying a reversed torch, symbolising death.

A child's #sarcophagus is always sad, even when it's part of a gigantic #spolia centrepiece at the back of the courtyard of #palazzoMattei di #Giove in #Rome. This one, from 175-200 CE, has #Erotes dancing between pilasters, evoking the innocent joys of a childhood cut short. #AncientBluesky 🏺

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Credo siano Giove e Sirio, credo.
Lancio uno #starabocchi e vediamo se sono loro.
C'era ancora molta luce, ma se ingrandite la foto, vedrete i due brillanti.

#Giove
#Sirio

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Giove è più "piccolo" e più schiacciato ai poli del previsto, secondo i dati della sonda Juno Grazie ai dati della missione Juno, è stata ridefinita con maggiore precisione la forma di Giove, rivelando un pianeta più schiaccia...

A partire dai dati della missione #Juno della #NASA, gli scienziati hanno mostrato che #Giove è in realtà un po' più piccolo e in particolare più schiacciato ai poli di quanto si fosse sempre stimato finora.

www.astrospace.it/2026/02/09/g...

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Giove è leggermente più piccolo di quanto stimato in precedenza — circa 8 chilometri (circa 5 miglia) più stretto all’equatore e 24 chilometri (circa 15 miglia) più schiacciato ai poli.

Giove è leggermente più piccolo di quanto stimato in precedenza — circa 8 chilometri (circa 5 miglia) più stretto all’equatore e 24 chilometri (circa 15 miglia) più schiacciato ai poli.

La missione Juno ridefinisce le dimensioni e la forma di Giove

#giove @astronomia

I dati della missione Juno della NASA hanno rivelato che il pianeta più grande del Sistema Solare è leggermente più piccolo e più “appiattito” di quanto si pensasse […]

[Original post on mastodon.uno]

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Se siete a #Roma affacciatevi a Est e ammirate alto nel cielo #Giove che si erge sull'Urbe, capitolino come non mai.

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Rewind 2025: Diego Turrini e le condrule di Giove
Rewind 2025: Diego Turrini e le condrule di Giove YouTube video by MEDIAINAF TV

Quanto è “vecchio” #Giove? La risposta arriva dalle #condrule, minuscoli granelli presenti nei meteoriti primitivi, veri e propri fossili del Sistema solare. A #Rewind2025, con Diego Turrini (Inaf Torino).

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🌌 Le ultime sere di dicembre ci regalano cieli sempre più scuri e limpidi, ideali per esplorare il cielo invernale.

🗺️ Mappa del cielo realizzata con Stellarium
🎵 Musica: “All More” di Moby

#cieloinpillole #dicembre #luna #giove #pleiadi #inafoar

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SARCOPHAGUS FRONT, C. 250 CE. PALAZZO MATTEI DI GIOVE

This small sarcophagus front is set into the wall above a doorway in the androne or entrance passage of the early C17 palazzo Mattei. Of the five heads of the larger figures here, only two are original. The relief consists of a central group of three figures, Hylas and the two nymphs who are youth-napping him, flanked by two other groups of three figures. Hylas was the lover of Hercules, who is probably the adult male figure at left carrying a large tub. Two Erotes are leading him to the site of Hylas' disappearance. At far right another Argonaut, probably Polyphemus (not the Cyclops) is also being brought to the site by Erotes. Hylas, nude but for a cloak, is holding a jug, but is being grabbed by two nymphs who will drag him underwater and know him biblically. The nymph at left has the face of an old woman, which seems to have come from another sarcophagus, but the nymph at right has an original head, which is of a boy. If Hylas' face is carved to look like the adult version of the occupant of this child's sarcophagus, or possibly to look like the dead boy's father, the nymph has the boy's actual face. This may be because the boy had not yet reached the age of donning the toga virilis and thus his sexual identity was not socially confirmed, or perhaps it was the only way to fit father and son into a scene on a pre-carved sarcophagus.

SARCOPHAGUS FRONT, C. 250 CE. PALAZZO MATTEI DI GIOVE This small sarcophagus front is set into the wall above a doorway in the androne or entrance passage of the early C17 palazzo Mattei. Of the five heads of the larger figures here, only two are original. The relief consists of a central group of three figures, Hylas and the two nymphs who are youth-napping him, flanked by two other groups of three figures. Hylas was the lover of Hercules, who is probably the adult male figure at left carrying a large tub. Two Erotes are leading him to the site of Hylas' disappearance. At far right another Argonaut, probably Polyphemus (not the Cyclops) is also being brought to the site by Erotes. Hylas, nude but for a cloak, is holding a jug, but is being grabbed by two nymphs who will drag him underwater and know him biblically. The nymph at left has the face of an old woman, which seems to have come from another sarcophagus, but the nymph at right has an original head, which is of a boy. If Hylas' face is carved to look like the adult version of the occupant of this child's sarcophagus, or possibly to look like the dead boy's father, the nymph has the boy's actual face. This may be because the boy had not yet reached the age of donning the toga virilis and thus his sexual identity was not socially confirmed, or perhaps it was the only way to fit father and son into a scene on a pre-carved sarcophagus.

#SarcophagusSaturday takes us to #palazzoMattei di #Giove in #Rome, where an unusual #relief shows the rape of #Hylas, an episode from the myth of the #Argonauts, from c. 250 CE. There's something odd about the nymphs: one has the face of a little boy, another of an old woman. #AncientBluesky 🏺+ALT!

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🌌 Dicembre si apre con notti limpide e fredde, ideali per ammirare il cielo d’inverno nella sua veste più profonda e brillante.

🗺️ Mappa del cielo realizzata con Stellarium
🎵 Musica: “All More” di Moby

#cieloinpillole #dicembre #luna #giove #saturno #mercurio #inafoar #stellarium

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SARCOPHAGUS FRONT WITH SCENES OF MARS AND CUPID, C. 200 CE. PALAZZO MATTEI DI GIOVE

This Severan-era sarcophagus front, enclosed within a rich C17 stucco frame including the eagle of the dukes of Giove at bottom centre, has five scenes on it, each in its own pilastered arch. At far left a pair of Erotes on a pedestal are holding the helmet of Mars, and the next scene at right shows Cupid (Eros) and Psyche embracing. At centre, Mars, nude except for his helmet and shield, is chatting with the Vestal Rhea Silvia, who's explaining that she's taken an oath of virginity and can't do nuthin' with no one. Mars looks peeved. In the next scene, he's striding toward her naked sleeping form, being led by Cupid. He's clearly about to fall upon her with lustful intent, and generate Romulus and Remus thereby. The rightmost scene shows a pair of figures on a pedestal. The man, in a very short tunic, seems to be telling the events to an extremely cross Venus.

SARCOPHAGUS FRONT WITH SCENES OF MARS AND CUPID, C. 200 CE. PALAZZO MATTEI DI GIOVE This Severan-era sarcophagus front, enclosed within a rich C17 stucco frame including the eagle of the dukes of Giove at bottom centre, has five scenes on it, each in its own pilastered arch. At far left a pair of Erotes on a pedestal are holding the helmet of Mars, and the next scene at right shows Cupid (Eros) and Psyche embracing. At centre, Mars, nude except for his helmet and shield, is chatting with the Vestal Rhea Silvia, who's explaining that she's taken an oath of virginity and can't do nuthin' with no one. Mars looks peeved. In the next scene, he's striding toward her naked sleeping form, being led by Cupid. He's clearly about to fall upon her with lustful intent, and generate Romulus and Remus thereby. The rightmost scene shows a pair of figures on a pedestal. The man, in a very short tunic, seems to be telling the events to an extremely cross Venus.

For #SarcophagusSaturday we're back at #PalazzoMattei di #Giove in #Rome, where a #sarcophagus front from 200 CE shows five arches with scenes related to #Mars and #Cupid, a strange duo. The man buried in this box wanted us to know he was a lover *and* a fighter. #AncientBluesky 🏺

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Lo so, non siete usciti a vedere la #Luna....
Eccola insieme a
#Castore
#Polluce e
#Giove

Il punto blu vorrei dirvi che sono alieni, ma credo sia colpa della fotocamera.

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$JUP Launches Predictions Market on $SOL

$JUP Launches Predictions Market on $SOL

#JUP lancia il mercato delle previsioni su #SOL

Il mercato delle previsioni su #Giove utilizzerà #Solana.

Leggi di più: blockzhub.io/news/68f9c985a8e70441a3c...

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GARLAND SARCOPHAGUS WITH EROTES, 125-140 CE. PALAZZO MATTEI DI GIOVE

From the vast Mattei collection of sarcophagus fronts comes this finely-carved specimen with three Erotes holding up two garlands laden with autumn fruit. But there's something strange about it: the two scenes above the curves of the garlands seem to have nothing to do with each other. At left is a very delicate relief of Œdipus and the sphinx, the former attended by a servant. At right, the scene is of the lovestruck Cyclops Polyphemus trying to win over the uninterested Nereid Galatea by offering her a sheep, which, dude, come on.

GARLAND SARCOPHAGUS WITH EROTES, 125-140 CE. PALAZZO MATTEI DI GIOVE From the vast Mattei collection of sarcophagus fronts comes this finely-carved specimen with three Erotes holding up two garlands laden with autumn fruit. But there's something strange about it: the two scenes above the curves of the garlands seem to have nothing to do with each other. At left is a very delicate relief of Œdipus and the sphinx, the former attended by a servant. At right, the scene is of the lovestruck Cyclops Polyphemus trying to win over the uninterested Nereid Galatea by offering her a sheep, which, dude, come on.

For #SarcophagusSaturday, what does the story of #Oedipus and the #Sphinx have to do with the story of #Polyphemus and #Galatea? As far as I can tell, nothing! But both stories appear on this #sarcophagus front in the #androne of #PalazzoMattei di #Giove in #Rome. #AncientBluesky 🏺

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È un successo il lancio della sonda spaziale Lucy verso gli asteroidi troiani di Giove Poco fa la missione Lucy della NASA è partita su un razzo vettore Atlas V 401 da Cape Canaveral. Quasi 58 minuti dopo il lancio, la sonda spaziale si è...

#MissioneSpaziale #astronomia #NASA 4 anni fa il lancio della sonda spaziale Lucy verso gli #asteroidi troiani di #Giove tachyonbeam.com/2021/10/16/e...

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Sul sentiero di Emmerico ...i segni che solcano  questo spartiacque  producono una complessa dissonanza, hanno direzioni contrastanti, disegnano nello spazio e nel pensiero  una forma di disordine
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Sul sentiero di Emmerico ...i segni che solcano  questo spartiacque  producono una complessa dissonanza, hanno direzioni contrastanti, disegnano nello spazio e nel pensiero  una forma di disordine
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Sul sentiero di Emmerico ...i segni che solcano  questo spartiacque  producono una complessa dissonanza, hanno direzioni contrastanti, disegnano nello spazio e nel pensiero  una forma di disordine
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Sul sentiero di Emmerico ...i segni che solcano  questo spartiacque  producono una complessa dissonanza, hanno direzioni contrastanti, disegnano nello spazio e nel pensiero  una forma di disordine
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Sul sentiero di Emmerico ...i segni che solcano  questo spartiacque  producono una complessa dissonanza, hanno direzioni contrastanti, disegnano nello spazio e nel pensiero  una forma di disordine
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Il futuro incerto della sonda Juno: la missione NASA verso la conclusione? La sonda Juno, una delle missioni più ambiziose della NASA, potrebbe aver spento definitivamente i motori. Tuttavia, l’agenzia spaziale statunitense non ha ancora rilasciato conferme ufficiali sullo stato del veicolo. Lanciata nel 2011 ed entrata in orbita attorno a Giove nel 2016, Juno era stata concepita per una durata iniziale di soli 20 mesi. Dopo […] L'articolo Il futuro incerto della sonda Juno: la missione NASA verso la conclusione? proviene da Galaxy Addicted.
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Il futuro incerto della sonda Juno: la missione NASA verso la conclusione? La sonda Juno, una delle missioni più ambiziose della NASA, potrebbe aver spento definitivamente i motori. Tuttavia, l’agenzia spaziale statunitense non ha ancora rilasciato conferme ufficiali sullo stato del veicolo. Lanciata nel 2011 ed entrata in orbita attorno a Giove nel 2016, Juno era stata concepita per una durata iniziale di soli 20 mesi. Dopo […] L'articolo Il futuro incerto della sonda Juno: la missione NASA verso la conclusione? proviene da Galaxy Addicted.
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SARCOPHAGUS WITH MUSES, C. 250 CE. PALAZZO MATTEI DI GIOVE

This sarcophagus is one of a type depicting the deceased as a philosopher, poet, or Muse surrounded by the Muses. Sarcophagi with such representations, common between the mid C3 and the early C4 CE, were not intended for professional scholars but for a social class that aspired to immortality through culture. On this version in the entrance hall of palazzo Mattei di Giove, the portrait of the deceased is only sketched in, which deprives us of the details which serve as the primary basis for dating the piece. However, the use of a drill is evident on the heads of the muses and in the folds of the garments. This use, and an examination of the composition, suggest that this dates from about 250 CE. At centre is the deceased, sitting with the muses standing on either side of him, some bearing theatrical masks, one with a lyre, and others with staffs or scrolls. There are actually 10 muses here, for symmetry.

SARCOPHAGUS WITH MUSES, C. 250 CE. PALAZZO MATTEI DI GIOVE This sarcophagus is one of a type depicting the deceased as a philosopher, poet, or Muse surrounded by the Muses. Sarcophagi with such representations, common between the mid C3 and the early C4 CE, were not intended for professional scholars but for a social class that aspired to immortality through culture. On this version in the entrance hall of palazzo Mattei di Giove, the portrait of the deceased is only sketched in, which deprives us of the details which serve as the primary basis for dating the piece. However, the use of a drill is evident on the heads of the muses and in the folds of the garments. This use, and an examination of the composition, suggest that this dates from about 250 CE. At centre is the deceased, sitting with the muses standing on either side of him, some bearing theatrical masks, one with a lyre, and others with staffs or scrolls. There are actually 10 muses here, for symmetry.

#SarcophagusSaturday brings us back to #PalazzoMattei di #Giove in #Rome, where a wonderful collection of #sarcophagus fronts decorates the two androni or entrance corridor. Here we have the deceased as a sort of #Apollo with the #Muses. But who's the extra one? #AncientBluesky 🏺

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JUICE ha eseguito con successo il flyby di Venere, nel corso del suo viaggio verso Giove Il 31 agosto 2025 la sonda JUICE ha effettuato con successo un flyby di Venere, ottenendo un incremento di velocità grazie all'assistenza...

Ieri la sonda #JUICE di @esa.int ha completato con successo il #sorvolo di #Venere, sfruttando la gravità del pianeta per proseguire il suo viaggio verso #Giove, con arrivo previsto per il 2031.

www.astrospace.it/2025/09/01/j...

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Giove si è formato "solo" 1.8 milioni di anni dopo la nascita del Sistema Solare Uno studio sulle condrule ha rivelato che la formazione di Giove avvenne circa 1.8 milioni di anni dopo l’inizio del Sistema Solare, ovver...

Analizzando le #condrule, gocce di roccia fusa solidificate nei meteoriti, un nuovo studio ha stabilito che #Giove si è formato 1.8 milioni di anni dopo la nascita del Sistema Solare, molto prima di quanto si pensasse.

www.astrospace.it/2025/08/25/g...

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CHILD'S SARCOPHAGUS A LENOS WITH TRIUMPH OF DIONYSUS, C. 200 CE. PALAZZO MATTEI DI GIOVE

This a sarcophagus front, one of many decorating the two entrance passages (androni) from the street to the courtyard of palazzo Mattei di Giove. They were in place by 1606 when their stucco frames, enriched with garlands and the eagle emblem of Asdrubale Mattei's mother, the Habsburg-related Costanza Gonzaga, were made by the master stuccoist Donato Mazzi. This is a small sarcophagus meant for a child, but nonetheless lavishly carved. The setting is a lenos or tub, with curved ends and rather stylised lion heads with rings on their mouths at both ends, implying a tub for crushing grapes to make wine. The scene is one of triumph. At left, Dionysus, having conquered the Indians, is on his way back west, in his chariot pulled by panthers. In the background are two Maenads, one blowing a horn, the other listening ecstatically. At centre is a nude boy, possibly the deceased, on whom a drunken Silenus is leaning as his rides a donkey, aided by another male figure on the side. At right an Eros is talking to a satyr who is holding something and has a comic mask at his feet.

CHILD'S SARCOPHAGUS A LENOS WITH TRIUMPH OF DIONYSUS, C. 200 CE. PALAZZO MATTEI DI GIOVE This a sarcophagus front, one of many decorating the two entrance passages (androni) from the street to the courtyard of palazzo Mattei di Giove. They were in place by 1606 when their stucco frames, enriched with garlands and the eagle emblem of Asdrubale Mattei's mother, the Habsburg-related Costanza Gonzaga, were made by the master stuccoist Donato Mazzi. This is a small sarcophagus meant for a child, but nonetheless lavishly carved. The setting is a lenos or tub, with curved ends and rather stylised lion heads with rings on their mouths at both ends, implying a tub for crushing grapes to make wine. The scene is one of triumph. At left, Dionysus, having conquered the Indians, is on his way back west, in his chariot pulled by panthers. In the background are two Maenads, one blowing a horn, the other listening ecstatically. At centre is a nude boy, possibly the deceased, on whom a drunken Silenus is leaning as his rides a donkey, aided by another male figure on the side. At right an Eros is talking to a satyr who is holding something and has a comic mask at his feet.

For #SarcophagusSaturday, let's have a look at one of the terrific examples of #sarcophagus decoration lining the ground floor of the elaborate palazzo #Mattei di #Giove, reused as #spolia and enclosed in splendid #stucco #frames. #AncientBluesky 🏺

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"Il bacio celeste" tra Giove e Venere, la romantica foto sul cielo di Recanati Lo scatto del fotografo e divulgatore astronomico Cristian Fattinanzi

➡️ Leggi l'articolo: #bacioceleste #Giove #Venere #fotografia #astronomia

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Non solo stelle cadenti, in queste notti di metà agosto: ecco la #congiunzione fra #Venere e #Giove fotografata oggi all’alba da #Trieste da Mauro Messerotti.

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