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Sunday Beady Eye Candy: Ancient Beads

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Ancient Beads from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Ancient Beads

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads

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Sunday Beady Eye Candy: Rock Crystal Beads

Sunday Beady Eye Candy: Rock Crystal Beads

Sunday Beady Eye Candy: Rock Crystal Beads

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads

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Sunset Strip, created in 2025 by Kathleen Ryan

The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan

The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan

The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan

The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan The sculpture measures approximately 192cm high x 206cm long x 64cm wide and consists of beads of amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum along with steel pins on coated polystyrene

Sunset Strip, created in 2025 by Kathleen Ryan

amethyst, rose quartz, agate, calcite, chalcedony, kyanite, celestite, stilbite, apophyllite, aquamarine, rhodonite, sodalite, quartz, cherry quartz, glass, acrylic, aluminum, steel pins on coated polystyrene

#BeadSocietyGB #Beads #HistoryOfBeads

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Sunday Beady Eye Candy: Pearly Veg! 

from a selection of pearly pea pods and sweetcorn pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Pearly Veg! from a selection of pearly pea pods and sweetcorn pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Pearly Veg!

from a selection of pearly pea pods and sweetcorn pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #PearlyVeg

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Bead Society of Great Britain AGM 2026

*** STOP PRESS ***

our AGM & Workshop has been moved to

Friday 24th + 25th July 2026

beadsociety.org.uk/society-events

#BeadSocietyGB #Beads #HistoryOfBeads

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Nose ring (nath) from Himachal Pradesh, with a gold crescent-shaped fish design decorated with floral patterned granulation and a fringe of wired-on pearl beads. Weighing 22g, the nose ring measures 6cm high and 5cm wide.

The hinged gold wire loop which completes the circle has a series of decorative elements individually loose-strung along its length with a meandering floral stem connecting the lower part of the two elipses. A pair of gold and pearl danglers with spiky babul work on top hang respectively from the bottom of the ring and from the floral pearl, turquoise and red stones (rubies or garnets) motif next to the closing end where the loop encloses a ring at the end of the crescent. The stones are set on a bed of red lac within a gold wire bezel mounting. The loop originally would have been secured with some kind of pin, now missing, but is now secured with a piece of silver wire twisted through the engaged rings. Further along the loop there is a large red gem-stone with pearls either side strung between two gold babul-work orbs, under which there are two floral-shaped elements with turquoises encircled with silver wire-strung pearls.

From the collection of Dr Waltraud Ganguly, author of Nose Rings of India, published in Delhi, 2015, the nose ring was later acquired by the Victoria and Albert Museum, London, Accession Number IS.391-2019.

Source & Text : Victoria and Albert Museum

Nose ring (nath) from Himachal Pradesh, with a gold crescent-shaped fish design decorated with floral patterned granulation and a fringe of wired-on pearl beads. Weighing 22g, the nose ring measures 6cm high and 5cm wide. The hinged gold wire loop which completes the circle has a series of decorative elements individually loose-strung along its length with a meandering floral stem connecting the lower part of the two elipses. A pair of gold and pearl danglers with spiky babul work on top hang respectively from the bottom of the ring and from the floral pearl, turquoise and red stones (rubies or garnets) motif next to the closing end where the loop encloses a ring at the end of the crescent. The stones are set on a bed of red lac within a gold wire bezel mounting. The loop originally would have been secured with some kind of pin, now missing, but is now secured with a piece of silver wire twisted through the engaged rings. Further along the loop there is a large red gem-stone with pearls either side strung between two gold babul-work orbs, under which there are two floral-shaped elements with turquoises encircled with silver wire-strung pearls. From the collection of Dr Waltraud Ganguly, author of Nose Rings of India, published in Delhi, 2015, the nose ring was later acquired by the Victoria and Albert Museum, London, Accession Number IS.391-2019. Source & Text : Victoria and Albert Museum

Nose ring (nath) from Himachal Pradesh, with a gold crescent-shaped fish design decorated with floral patterned granulation and a fringe of wired-on pearl beads. Weighing 22g, the nose ring measures 6cm high and 5cm wide.

The hinged gold wire loop which completes the circle has a series of decorative elements individually loose-strung along its length with a meandering floral stem connecting the lower part of the two elipses. A pair of gold and pearl danglers with spiky babul work on top hang respectively from the bottom of the ring and from the floral pearl, turquoise and red stones (rubies or garnets) motif next to the closing end where the loop encloses a ring at the end of the crescent. The stones are set on a bed of red lac within a gold wire bezel mounting. The loop originally would have been secured with some kind of pin, now missing, but is now secured with a piece of silver wire twisted through the engaged rings. Further along the loop there is a large red gem-stone with pearls either side strung between two gold babul-work orbs, under which there are two floral-shaped elements with turquoises encircled with silver wire-strung pearls.

From the collection of Dr Waltraud Ganguly, author of Nose Rings of India, published in Delhi, 2015, the nose ring was later acquired by the Victoria and Albert Museum, London, Accession Number IS.391-2019.

Source & Text : Victoria and Albert Museum

Nose ring (nath) from Himachal Pradesh, with a gold crescent-shaped fish design decorated with floral patterned granulation and a fringe of wired-on pearl beads. Weighing 22g, the nose ring measures 6cm high and 5cm wide. The hinged gold wire loop which completes the circle has a series of decorative elements individually loose-strung along its length with a meandering floral stem connecting the lower part of the two elipses. A pair of gold and pearl danglers with spiky babul work on top hang respectively from the bottom of the ring and from the floral pearl, turquoise and red stones (rubies or garnets) motif next to the closing end where the loop encloses a ring at the end of the crescent. The stones are set on a bed of red lac within a gold wire bezel mounting. The loop originally would have been secured with some kind of pin, now missing, but is now secured with a piece of silver wire twisted through the engaged rings. Further along the loop there is a large red gem-stone with pearls either side strung between two gold babul-work orbs, under which there are two floral-shaped elements with turquoises encircled with silver wire-strung pearls. From the collection of Dr Waltraud Ganguly, author of Nose Rings of India, published in Delhi, 2015, the nose ring was later acquired by the Victoria and Albert Museum, London, Accession Number IS.391-2019. Source & Text : Victoria and Albert Museum

Nose Ring (nath) from Himachal Pradesh, with a gold crescent-shaped fish design decorated with floral patterned granulation and a fringe of wired-on pearl beads. Weighing 22g, the nose ring measures 6cm high and 5cm wide.

#BeadSocietyGB #Beads #HistoryOfBeads #WaltraudGanguly #V&A #NoseRing

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Neo-Babylonian hematite bead, dated circa 8th to 7th century BCE

The 2cm long bead is carved In the form of a frog with bulging eyes and has a hand drilled horizontal hole for threading

Neo-Babylonian hematite bead, dated circa 8th to 7th century BCE The 2cm long bead is carved In the form of a frog with bulging eyes and has a hand drilled horizontal hole for threading

Neo-Babylonian hematite bead, dated circa 8th to 7th century BCE

The 2cm long bead is carved In the form of a frog with bulging eyes and has a hand drilled horizontal hole for threading

Sold at auction by Christies, December 2014

#BeadSocietyGB #Beads #HistoryOfBeads #AncientBeads #WorldFrogDay

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Sumerian lapis lazuli and gold bead necklace, dated circa late 3rd to early 2nd millennium BCE

Composed of twenty-seven ribbed melon-shaped lapis lazuli beads, interspersed with smaller gold melon beads; restrung with a modern hook and loop closure

The necklace measures 50.8 cm long and was sold at auction by Christies in December 2014

Sumerian lapis lazuli and gold bead necklace, dated circa late 3rd to early 2nd millennium BCE Composed of twenty-seven ribbed melon-shaped lapis lazuli beads, interspersed with smaller gold melon beads; restrung with a modern hook and loop closure The necklace measures 50.8 cm long and was sold at auction by Christies in December 2014

Sumerian lapis lazuli & gold bead necklace, dated circa late 3rdC to early 2ndC BCE

The necklace measures 50.8 cm long & was sold at auction by Christies in December 2014

#BeadSocietyGB #Beads #HistoryOfBeads #AncientBeads #SumerianBeads

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Sunday Beady Eye Candy : Venetian Cornaline D'Aleppo Beads

Sunday Beady Eye Candy : Venetian Cornaline D'Aleppo Beads

Sunday Beady Eye Candy : Venetian Cornaline D'Aleppo Beads

From a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

Source : www.picardbeads.com/exhibit12.html

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #CornalineDAleppo

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Woman's apron with a geometric pattern made of glass beads on cotton

Created by an unknown Guyanan beadworker, probably Macushi (a Cariban speaking people occupying the region between the headwaters of the Branco and Rupununi rivers, on the border between Brazil and Guyana)

Acquired by the British Museum in 1983, Accession Numbers : 1614322508/Am1983,16.1, there's clickable link in-post to our Sweepings board on Pinterest

Woman's apron with a geometric pattern made of glass beads on cotton Created by an unknown Guyanan beadworker, probably Macushi (a Cariban speaking people occupying the region between the headwaters of the Branco and Rupununi rivers, on the border between Brazil and Guyana) Acquired by the British Museum in 1983, Accession Numbers : 1614322508/Am1983,16.1, there's clickable link in-post to our Sweepings board on Pinterest

Woman's apron with a geometric pattern made of glass beads on cotton

Created by an unknown Guyanan beadworker, probably the Macushi people. Acqquired by the British Museum in 1983

pin.it/7xPqhB69U

#BeadSocietyGB #Beads #HistoryOfBeads #Beadwork #Guyana

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Strand of lentoid beads from Thebes, Upper Egypt discovered at Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III, Egyptian New Kingdom Dynasty 18, circa 1479-1425 BCE

The beads are created from Egyptian Blue and the strand is 47.5cm long

Egyptian Blue is the world's oldest known synthetic pigment, created by the ancient Egyptians around 3100 BCE. It is made from a mixture of silica, lime, copper and an alkali, and was used extensively in art and decoration throughout ancient Egypt and beyond.

Now at the Metropolitan Museum  of Art, Accession Number 26.8.69a

Strand of lentoid beads from Thebes, Upper Egypt discovered at Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III, Egyptian New Kingdom Dynasty 18, circa 1479-1425 BCE The beads are created from Egyptian Blue and the strand is 47.5cm long Egyptian Blue is the world's oldest known synthetic pigment, created by the ancient Egyptians around 3100 BCE. It is made from a mixture of silica, lime, copper and an alkali, and was used extensively in art and decoration throughout ancient Egypt and beyond. Now at the Metropolitan Museum of Art, Accession Number 26.8.69a

Strand of lentoid beads from Thebes, Upper Egypt discovered at Wadi Gabbanat el-Qurud, Wadi D, Tomb of the Three Foreign Wives of Thutmose III, Egyptian New Kingdom Dynasty 18, circa 1479-1425 BCE

#BeadSocietyGB #Beads #HistoryOfBeads

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Sunday Beady Eye Candy : Aquamarine Bead Jewellery 

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post 

source : past auctions, Bonhams Skinner

Sunday Beady Eye Candy : Aquamarine Bead Jewellery from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post source : past auctions, Bonhams Skinner

Sunday Beady Eye Candy : Aquamarine Bead Jewellery

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #AquamarineBeads #MarchBirthstone

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Roman mosaic glass bead necklace, dated circa 1st Century CE

Composed of thirty-two beads in bright colours ~ spherical, disc-shaped, rectangular and drop-shaped, seventeen with faces, three encircled by lotus flowers, two with petalled flowers, two with Nilotic birds in profile, one millefiori bead, and eight with geometric designs, on a green, white, red or blue ground, interspersed with rectangular opaque orange glass beads and small, spherical blue and white millefiori beads

The necklace measures 82cm long and has been restrung with a modern hook-and-loop closure

Sold at auction by Christies, December 2007

Roman mosaic glass bead necklace, dated circa 1st Century CE Composed of thirty-two beads in bright colours ~ spherical, disc-shaped, rectangular and drop-shaped, seventeen with faces, three encircled by lotus flowers, two with petalled flowers, two with Nilotic birds in profile, one millefiori bead, and eight with geometric designs, on a green, white, red or blue ground, interspersed with rectangular opaque orange glass beads and small, spherical blue and white millefiori beads The necklace measures 82cm long and has been restrung with a modern hook-and-loop closure Sold at auction by Christies, December 2007

Roman mosaic glass bead necklace, dated circa 1st Century CE

The necklace measures 82cm long and has been restrung with a modern hook-and-loop closure

Sold at auction by Christies, December 2007

#BeadSocietyGB #Beads #HistoryOfBeads #AncientBeads #RomanGlassBeads

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Sunday Beady Eye Candy : Melo Pearls 

from a selection pinned with provenance to our Sweepings board on Pinterest, including several unmounted specimens, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Melo Pearls from a selection pinned with provenance to our Sweepings board on Pinterest, including several unmounted specimens, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Melo Pearls

from a selection pinned with provenance to our Sweepings board on Pinterest, including several unmounted specimens

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads

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Consecrated hat of Polish King Jan III Sobieski, a gift from Pope Innocent XI.

Richly embroidered with pearls and rubies using silver thread on velvet, satin and grosgrain, the hat is now part of the State Art Collection at Wawel Royal Castle, Krakow

Consecrated hat of Polish King Jan III Sobieski, a gift from Pope Innocent XI. Richly embroidered with pearls and rubies using silver thread on velvet, satin and grosgrain, the hat is now part of the State Art Collection at Wawel Royal Castle, Krakow

Consecrated hat of Polish King Jan III Sobieski, a gift from Pope Innocent XI.

Richly embroidered with pearls and rubies using silver thread on velvet, satin and grosgrain, the hat is now part of the State Art Collection at Wawel Royal Castle, Krakow

#BeadSocietyGB #Beads #HistoryOfBeads

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Sunday Beady Eye Candy: Qing Dynasty Bracelets 

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post 

"Xīnnián hǎo" (新年好) "Gong hei fat choy" (恭喜发财) 

Happy Chinese & Lunar New Year

Sunday Beady Eye Candy: Qing Dynasty Bracelets from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post "Xīnnián hǎo" (新年好) "Gong hei fat choy" (恭喜发财) Happy Chinese & Lunar New Year

Sunday Beady Eye Candy: Qing Dynasty Bracelets

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

"Xīnnián hǎo" (新年好) "Gong hei fat choy" (恭喜发财)

Happy Chinese & Lunar New Year

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads

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Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. 

Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. 

Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. 

Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. 

Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads. Presented to The Metropolitan Museum of Art, in celebration of the museum's 150th birthday, by the House of Balman in 2020, Accession Number: 2020.245.1. The garment was displayed at the museum’s exhibition "About Time : Fashion and Duration," October 2020–February 2021.

Designed by Olivier Rousteing for the House of Balman, Autumn/Winter 2012-2013. The gown is created from synthetic silk embellished with crystal, pearl and metallic beads.

#BeadSocietyGB #Beads #HistoryOfBeads #MetropolitanMuseum #Balman #OlivierRousteing

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Sunday Beady Eye Candy : Multi-Strand Gemstone Bead Bracelets 

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Multi-Strand Gemstone Bead Bracelets from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Multi-Strand Gemstone Bead Bracelets

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #BeadBracelets

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An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, click the link in-post 

A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, click the link in-post A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, tap the link in-post 

A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, tap the link in-post A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, tap the link in-post 

A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members, tap the link in-post A fascinating archive giving an insight into the laborious work of a tambour embroiderer at the atelier of Norman Hartnell, dressmaker to royalty and aristocracy, is coming up for sale on 13th February in the Fashion, Costume and Textiles Sale. The archive relates to Mollie Welch of Sydenham, Kent, who was a much-valued member of Hartnell’s team in the 1930s, 1950s and 1960s, hand-stitching beads onto the elaborate creations made for the likes of Queen Elizabeth II, Queen Elizabeth, the Queen Mother, Princess Margaret, and the Duchess of Gloucester.

An upcoming sale at Tennants Auctions in North Yorkshire may be of interest to BSGB members :

auctions.tennants.co.uk/auction/deta...

#BeadSocietyGB #Beads #HistoryOfBeads #TennantsAuctions #NormanHartnell #MollieWelch

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Sunday Beady Eye Candy : Amethyst Beads 

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Amethyst Beads from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Amethyst Beads

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #AmethystBeads #FebruaryBirthstone

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A group of hanging bobbins, 19thC/20thC

Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post 
Photos and Text by Bonhams

A group of hanging bobbins, 19thC/20thC Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post Photos and Text by Bonhams

A large group of mainly East Midlands spangled bobbins, 19thC/20thC

Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post 
Photos and Text by Bonhams

A large group of mainly East Midlands spangled bobbins, 19thC/20thC Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post Photos and Text by Bonhams

Hanging bobbins were created as souvenirs for the hangings of murderers, including: Joseph Castle who murdered his wife and was hanged at Bedford Gaol in 1860; William Worsley who murdered a man in Luton and was the last man to be publicly hanged at Bedford in 1868; and William Bull who brutally murdered Sarah Marshall, a 'half-witted' old woman, whilst drunk, and was hanged in 1871.

Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link . Photos and Text by Bonhams

Hanging bobbins were created as souvenirs for the hangings of murderers, including: Joseph Castle who murdered his wife and was hanged at Bedford Gaol in 1860; William Worsley who murdered a man in Luton and was the last man to be publicly hanged at Bedford in 1868; and William Bull who brutally murdered Sarah Marshall, a 'half-witted' old woman, whilst drunk, and was hanged in 1871. Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link . Photos and Text by Bonhams

A large group of mainly East Midlands spangled bobbins, 19thC/20thC

Comprised of three bone hanging bobbins, 'Joseph Castle hung 1860', 'William Worsley hung 1868' and 'W. Bull hung 1871'; ten bone bobbins featuring inscriptions, including 'X U are and X U B and doble X U are to me', 'My hart is all ways roveing after the lad I love', 'Love me or leave me alone' and a further six featuring names and dates; fourteen bone bobbins featuring names; twelve decorated bone bobbins, including dyed examples and others decorated with pewter bands, brass wire, spiral bound beads and one with four jingles; a group of 19th century wood bobbins, including spliced examples, tigers, leopards and wire bound bobbins; one loose spangle ring with a Kitty Fisher bead; together with nine ivory bobbins and group of decorated modern wood bobbins; seven Belgian wood bobbins; a group of small East Midlands bobbins; three glass bobbins, one containing a long red bead and one containing pins and needles; a group of modern wood bobbins for metallic lacemaking; and a Brussels Duchesse collar with a Point de Gaze insert and a small Bedfordshire lace mat.

Footnotes
Hanging bobbins were created as souvenirs for the hangings of murderers, including: Joseph Castle who murdered his wife and was hanged at Bedford Gaol in 1860; William Worsley who murdered a man in Luton and was the last man to be publicly hanged at Bedford in 1868; and William Bull who brutally murdered Sarah Marshall, a 'half-witted' old woman, whilst drunk, and was hanged in 1871.

Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post.  Photos and Text by Bonhams

A large group of mainly East Midlands spangled bobbins, 19thC/20thC Comprised of three bone hanging bobbins, 'Joseph Castle hung 1860', 'William Worsley hung 1868' and 'W. Bull hung 1871'; ten bone bobbins featuring inscriptions, including 'X U are and X U B and doble X U are to me', 'My hart is all ways roveing after the lad I love', 'Love me or leave me alone' and a further six featuring names and dates; fourteen bone bobbins featuring names; twelve decorated bone bobbins, including dyed examples and others decorated with pewter bands, brass wire, spiral bound beads and one with four jingles; a group of 19th century wood bobbins, including spliced examples, tigers, leopards and wire bound bobbins; one loose spangle ring with a Kitty Fisher bead; together with nine ivory bobbins and group of decorated modern wood bobbins; seven Belgian wood bobbins; a group of small East Midlands bobbins; three glass bobbins, one containing a long red bead and one containing pins and needles; a group of modern wood bobbins for metallic lacemaking; and a Brussels Duchesse collar with a Point de Gaze insert and a small Bedfordshire lace mat. Footnotes Hanging bobbins were created as souvenirs for the hangings of murderers, including: Joseph Castle who murdered his wife and was hanged at Bedford Gaol in 1860; William Worsley who murdered a man in Luton and was the last man to be publicly hanged at Bedford in 1868; and William Bull who brutally murdered Sarah Marshall, a 'half-witted' old woman, whilst drunk, and was hanged in 1871. Sold at auction by Bonhams, Oxford, 1 July 2015, clickable link in-post. Photos and Text by Bonhams

A large group of mainly East Midlands spangled bobbins, 19thC/20thC1

Sold at auction by Bonhams, Oxford, 1 July 2015
Photos and Text by Bonhams

www.bonhams.com/auction/2268...

#BeadSocietyGB #Beads #HistoryOfBeads #LaceBobbins #Lacemaking

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Sunday Beady Eye Candy: Ancient and Modern Bead Rings

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Ancient and Modern Bead Rings from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy: Ancient and Modern Bead Rings

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #BeadRings

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Sumerian gold earring with faience and lapis-lazuli beads

Dated to the late 4th millenium BCE, Ur

Sold at auction through Invaluable at the Hôtel des Ventes de Monte-Carlo, 
July 17, 2022

Sumerian gold earring with faience and lapis-lazuli beads Dated to the late 4th millenium BCE, Ur Sold at auction through Invaluable at the Hôtel des Ventes de Monte-Carlo, July 17, 2022

Sumerian gold earring with faience and lapis-lazuli beads

Dated to the late 4th millenium BCE, Ur

Sold at auction through Invaluable at the Hôtel des Ventes de Monte-Carlo,
July 17, 2022

#BeadSocietyGB #Beads #HistoryOfBeads #Ur #Sumeria #AncientBeads

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Sunday Beady Eye Candy : Neolithic Beads from China

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Neolithic Beads from China from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Neolithic Beads from China

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #NeolithicBeads #AncientBeads

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Horn Pendant Necklace, Canaanite, circa 1600 BCE 

Gold pendants in the shape of a pair of horns or a crescent moon appear in Canaan during the Late Bronze Age and became popular throughout the ancient world. The Horn Pendant Necklace contains carnelian, red jasper, and gold beads, which are offset by lotus seed vessel and gold tubular beads. This necklace duplicates jewellery elements found in a Late Bronze Age jar from Beth-Shemesh, Israel.

Source : The Michael C. Carlos Museum at Emory University, Atlantic, Georgia, USA. Accession Number 2009.009.004

Horn Pendant Necklace, Canaanite, circa 1600 BCE Gold pendants in the shape of a pair of horns or a crescent moon appear in Canaan during the Late Bronze Age and became popular throughout the ancient world. The Horn Pendant Necklace contains carnelian, red jasper, and gold beads, which are offset by lotus seed vessel and gold tubular beads. This necklace duplicates jewellery elements found in a Late Bronze Age jar from Beth-Shemesh, Israel. Source : The Michael C. Carlos Museum at Emory University, Atlantic, Georgia, USA. Accession Number 2009.009.004

Horn Pendant Necklace, Canaanite, circa 1600 BCE

Source : The Michael C. Carlos Museum at Emory University, Atlantic, Georgia, USA. Accession Number 2009.009.004

#BeadSocietyGB #Beads #HistoryOfBeads #TheHornPendantNecklace

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Sunday Beady Eye Candy : Jorge Mañes Rubio’s Beaded Sculptures

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Jorge Mañes Rubio’s Beaded Sculptures from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Jorge Mañes Rubio’s Beaded Sculptures

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #JorgesMañesRubio

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Hundreds of beaders were expected to gather for Manitoba Museum's Bead-A-Thon fundraiser 

'Beading Buddies' shared expertise at the fundraiser on the 4th of Jan 2026

Text by Lauren Scott of CBC News 
Photo by Tashina Houle-Gaywish 

#BeadSocietyGB #Beads #HistoryOfBeads #ManitobaMuseum #CBCNews

Hundreds of beaders were expected to gather for Manitoba Museum's Bead-A-Thon fundraiser 'Beading Buddies' shared expertise at the fundraiser on the 4th of Jan 2026 Text by Lauren Scott of CBC News Photo by Tashina Houle-Gaywish #BeadSocietyGB #Beads #HistoryOfBeads #ManitobaMuseum #CBCNews

Hundreds of beaders were expected to gather for Manitoba Museum's Bead-A-Thon fundraiser

'Beading Buddies' shared expertise at the fundraiser on the 4th of Jan 2026

Text by Lauren Scott of CBC News
Photo by Tashina Houle-Gaywish

#BeadSocietyGB #Beads #HistoryOfBeads #ManitobaMuseum #CBCNews

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Sunday Beady Eye Candy : Garnet Bead Jewellery 

from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Garnet Bead Jewellery from a selection pinned with provenance to our Sweepings board on Pinterest, tap the Linktree in our profile or the link in-post

Sunday Beady Eye Candy : Garnet Bead Jewellery

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #Garnet #JanuaryBirthstone

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Dear Santa, I've been good all year. Well, most of the time anyway. Okay, once in a while. Never mind, I'll buy my own beads. 

Merry Christmas from the Bead Society of Great Britain 

We're taking a short break for the holidays

Happy New Year to our members ~ if you're not a member yet, please join us in 2026!

Dear Santa, I've been good all year. Well, most of the time anyway. Okay, once in a while. Never mind, I'll buy my own beads. Merry Christmas from the Bead Society of Great Britain We're taking a short break for the holidays Happy New Year to our members ~ if you're not a member yet, please join us in 2026!

Merry Christmas from the Bead Society of Great Britain
We're taking a short break for the holidays
Happy New Year to our members ~ if you're not a member yet, please join us in 2026!
beadsociety.org.uk/how-to-join-...
#BeadSocietyGB #Beads #HistoryOfBeads #MerryChristmas #HappyNewYear #BackIn2026

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Sunday Beady Eye Candy : Gold, Silver and Copper Ojime Beads from Meiji era Japan, late 19thC

Sunday Beady Eye Candy : Gold, Silver and Copper Ojime Beads from Meiji era Japan, late 19thC

Sunday Beady Eye Candy : Gold, Silver and Copper Ojime Beads from Meiji era Japan, late 19thC

from a selection pinned with provenance to our Sweepings board on Pinterest

pin.it/7xPqhB69U

#SundayBeadyEyeCandy #BeadyEyeCandy #BeadSocietyGB #Beads #HistoryOfBeads #OjimeBeads #AntiqueBeads #Japan

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