3 de marzo de 1893, nace en Santiago la artista visual chilena #JudithAlpi, de la "Generación del 13", una de las fundadoras de la Sociedad Nacional de Bellas Artes y quien se desempeñó como profesora de Artes Liceo Nº1 de Niñas en Stgo, en el Inst Pedagógico y la Escuela de Artes Aplicadas 🖌️🎨🖼️✨💜

Quiero destacar hoy a la profesora y pintora chilena #JudithAlpi (1893-1983), reconocida sobretodo por sus trabajos en retrato. Una capa 🖌️🎨🖼️✨💜

Painted around 1919, this portrait shows Chilean artist Judith Alpi’s early command of modern intimacy. In her mid-twenties, freshly trained at Santiago’s Escuela de Bellas Artes and aligned with the Generación del Trece, Alpi balanced academic draftsmanship with a softened, atmospheric palette. A light-skinned woman sits on a low, blue-upholstered daybed. She has a sleek short black bob, red lips, and a calm, watchful gaze turned to our left. Her white kimono is loosely wrapped and dotted with pale pink blossoms as it drops in wide sleeves and opens to show one bare shin. Embroidered slippers repeat the floral tones. A thin bracelet and a ring add small flashes of shine. At her side, a large blue ceramic vase holds flowering branches above a table draped in patterned cloth. The room dissolves into cool gray-blue planes, letting the woman and blossoms be the quiet center of the painting. The kimono and blossoming branch nod to japonisme, an imported visual language that Chilean artists and collectors used to signal cosmopolitan taste, but the scene feels less like costume than chosen self-presentation. The sitter remains unidentified, but her relaxed crossed legs, visible skin, and sidelong look suggest a private room where she can inhabit elegance on her own terms. White cloth can be both refuge and spotlight while the small pink flowers, poised between bud and bloom, hint at transience and becoming. Alpi was also an avid collector of European and Chilean art, and her own practice returned again and again to portraiture … especially images of women artists and intellectuals. She later helped found the Sociedad Nacional de Bellas Artes and taught in several public institutions, shaping the next generation as well as her own. The painting’s early honors (including recognition in the 1919 Salón Oficial and a medal at the 1929 Ibero-American Exposition in Seville) underscore how seriously her contemporaries took women’s authorship in the public art sphere.

“Kimono blanco (White Kimono)” by Judith Alpi (Chilean) - Oil on canvas / c. 1919 - Museo Nacional de Bellas Artes (Santiago, Chile) #WomenInArt #WomensArt #WomanArtist #WomenArtists #JudithAlpi #Alpi #MuseoNacionalDeBellasArtes #MNBA #ChileanArt #BlueskyArt #ArtText #Japonisme #WomenPaintingWomen