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Tout ce qu'il faut comprendre du conflit qui oppose John #Textor à #Ares et Michele #Kang concernant l'#OL
#Eagle
(L'Équipe 💶 : olplus.fr/Cv119)

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#otd #startrek #deepspacenine #BloodOath #sisko #dax #kiranerys #odo #bashir #obrian #quark #klingon #kor #kang #koloth #thealbino #ds930 #startrek59

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Painted in 1966, this work reflects Liu Kang’s mature synthesis of Western modernism and Southeast Asian subject matter, a hallmark of the Nanyang style he helped define. Having trained in Shanghai and Paris, Liu adapted Post-Impressionist color and structure to local environments, focusing on everyday life rather than monumental themes. 

A horizontal scene unfolds as a dense, immersive flower market where a group of Southeast Asian women, with medium to light-brown skin tones, move quietly among thick clusters of tropical plants and cut blossoms. Their bodies are elongated and softly contoured, outlined in dark, fluid lines. Most wear simplified dresses in muted blues, greens, and warm pinks, with hair tied back or falling long over their shoulders. Several tilt their head downward, eyes cast toward the flowers they hold or examine, creating a shared mood of calm focus. In the foreground, large leaves and white, yellow, coral, and deep red blooms rise to chest height, partially obscuring hands and torsos. At right, a woman in a vivid orange dress bends forward, gently gathering small yellow flowers, while a central figure in pink stands upright, anchoring the composition. Background figures dissolve into cool blue-green haze, their features softened, as if seen through humidity or memory.

This market is more than a place of commerce. It is a shared social space shaped by care, labor, and quiet attention. The women are not individualized portraits but part of a collective rhythm, visually interwoven with the plants they handle. This blending of human and botanical forms suggests interdependence with cultivation as both economic and emotional practice. The softened edges and dreamlike palette evoke memory rather than strict observation, inviting us to feel the stillness, closeness, and sensory richness of color and scent. Liu elevates an ordinary scene into something lyrical and contemplative, where beauty emerges through everyday gestures and communal presence.

Painted in 1966, this work reflects Liu Kang’s mature synthesis of Western modernism and Southeast Asian subject matter, a hallmark of the Nanyang style he helped define. Having trained in Shanghai and Paris, Liu adapted Post-Impressionist color and structure to local environments, focusing on everyday life rather than monumental themes. A horizontal scene unfolds as a dense, immersive flower market where a group of Southeast Asian women, with medium to light-brown skin tones, move quietly among thick clusters of tropical plants and cut blossoms. Their bodies are elongated and softly contoured, outlined in dark, fluid lines. Most wear simplified dresses in muted blues, greens, and warm pinks, with hair tied back or falling long over their shoulders. Several tilt their head downward, eyes cast toward the flowers they hold or examine, creating a shared mood of calm focus. In the foreground, large leaves and white, yellow, coral, and deep red blooms rise to chest height, partially obscuring hands and torsos. At right, a woman in a vivid orange dress bends forward, gently gathering small yellow flowers, while a central figure in pink stands upright, anchoring the composition. Background figures dissolve into cool blue-green haze, their features softened, as if seen through humidity or memory. This market is more than a place of commerce. It is a shared social space shaped by care, labor, and quiet attention. The women are not individualized portraits but part of a collective rhythm, visually interwoven with the plants they handle. This blending of human and botanical forms suggests interdependence with cultivation as both economic and emotional practice. The softened edges and dreamlike palette evoke memory rather than strict observation, inviting us to feel the stillness, closeness, and sensory richness of color and scent. Liu elevates an ordinary scene into something lyrical and contemplative, where beauty emerges through everyday gestures and communal presence.

“花市 (At the Flower Market)” by 刘抗 / Liu Kang (Chinese-born Singaporean) - Oil on canvas / 1966 - National Gallery Singapore #WomenInArt #LiuKang #刘抗 #Kang #NationalGallerySingapore #NanyangStyle #artText #art #arte #asianart #blueskyart #paintingofwomen #SingaporeanArt #SingaporeArt #ChineseArtist

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March of The Villains Day 15: Reverse Flash + Kang = TimeFlash The Conqueror!

#reverseflash #kang #dccomics #marvel #theflash

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"Trust No One But Yourself"

Art for the Marvel Crisis Protocol game

#kang #avengers

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«La France ne doit pas perdre ce match»: McCourt, #Kang et des présidents de Ligue 1 mettent la pression sur le gouvernement Lecornu
(Le Figaro : olplus.fr/Kp0E1)

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Michele #Kang a l’engagement d’Ares de rester présidente de l’OL au moins jusqu’en juin 2027
#Eagle
(Le Progrès : olplus.fr/IK6IL)

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« Égalité, diversité et inclusion par le sport » : Michele #Kang, présidente de l’OL, distinguée par le CIO
(Le Progrès : olplus.fr/JxNyq)

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Timeless #1 sitting on top of the 2023 Avengers run.

Timeless #1 sitting on top of the 2023 Avengers run.

Timeless (2021) 1, #Avengers (2023) 10-36

This is a solid Avengers run spinning out of the Timeless one-shot. I assume it was all planned around #Kang being the villain of the next #Avengers movie. The twist was incredibly predictable, but it was a fun ride that made great use of all the tie-ins. 👍

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Michele #Kang assistera à #OM - #OL au Vélodrome
#OMOL
(O&L : olplus.fr/6eoKZ)

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It would be cool if for #Avengers #Doomsday that the title screen shows up as #Avengers #KangDynasty then switches (as if the timeline changes abruptly) to the #AvengersDoomsday title card instead.

#Disney #MCU #Marvel #MarvelStudios #MarvelCinematicUniverse #Film #Movies #TV #Kang #DrDoom #RDJ

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Kang the Conquerer - Ookla the Mok Cover A cover of a truly goofy song about Kang, aka Nathaniel Richards, aka Immortus, aka Iron Lad, Aka Victor Timely, Aka.....

I've recorded another funny song cover, Kang the Conquerer by @ooklathemok.bsky.social!
soundcloud.com/kingcanuckmu... #marvel #kang #cover

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Preview d'Avengers #36 par @jedmackay.bsky.social, Farid Karami et Federico Blee (@toonfed.bsky.social) chez Marvel #MarvelComics #Comics #Avengers #Kang #FinalIssue www.buzzcomics.net/showpost.php...

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#Textor accuse Michele #Kang et #Ares d’avoir alimenté un "conseil d'administration fantôme" pendant des mois
(RMC Sport : olplus.fr/4hUUa)

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#OL - Eagle Football : #Textor dénonce une alliance #Kang - Ares
(O&L : olplus.fr/cMBe3)

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Marvel Comics The Avengers #23 1965 Kang 1st Appearance CGC 7.5 1st Renslayer Seller: firebat138-3 (100.0% positive feedback) Location: US Condition: Very Good Price: 650.00 USD Shipping cost: Free Buy It Now

Ad: For Sale - Marvel Comics The Avengers #23 1965 Kang 1st Appearance CGC 7.5 1st Renslayer #MarvelComics #TheAvengers #Kang

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Lyon-La #Duchère fait un appel du pied à #Kang et OL #Lyonnes
#Stade
(O&L : olplus.fr/ehnzm)

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Ruler of the 31st century and master of time, Doom the Conqueror.

Artist: deviantart.com/inspector97
#doctordoom #earth20052 #kang #fantasticfour #marvel #fusion

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Throwback Thursday! A Marvel Comics Kang the Conqueror model, painted over 30 years ago.

Throwback Thursday! A Marvel Comics Kang the Conqueror model, painted over 30 years ago.

The 1984 cast mark on the base of the Kang model.

The 1984 cast mark on the base of the Kang model.

THROWBACK THURSDAY!!! Marvel Comics Kang the Conqueror from 1984. I painted this one back in either 84 or 85. Back before I primed my models, or painted bases. It really is wild the paint is still on it!

#throwbackthursday #marvel #marvelcomics #kang #kangtheconqueror #miniaturepainting #nerdlings

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Preview d'Avengers #35 par @jedmackay.bsky.social, Sergio Davila, Aure Jimenez et Federico Blee (@toonfed.bsky.social) chez Marvel #MarvelComics #Comics #Avengers #Kang www.buzzcomics.net/showpost.php...

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Michele #Kang :"Depuis que je me suis engagée à vos côtés pour reconstruire l'#OL, l'intérêt de notre club et de sa communauté sont passés avant tout. Notre unité est notre force et nos voix ne font qu'une pour protéger et faire rayonner l'OL"

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deux millions pour #Textor, pas de salaire pour #Kang ... les enseignements de l'assemblée générale du club
(RMC Sport : olplus.fr/nMfH6)

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Avengers #34 Review - 800th Issue! Kang Conquered?
Avengers #34 Review - 800th Issue! Kang Conquered? YouTube video by The Kovacs Report

Avengers #34 Review - 800th Issue! Kang Conquered?
youtu.be/mWrWIRrUE7w

I | X | FB | Reddit | LOCG |Patreon: @kovacsreport

Jed MacKay
Farid Karami
Brian Michael Bendis
Mark Bagley
@marvelcomicshqs.bsky.social

#marvel #marvelcomics #Avengers #JedMacKay #FaridKarami #kang #bendis

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