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#cuadrodeldía El desayuno, 1754 (Jean-Étienne #Liotard 1702-89) #AltePinakothek Múnich #art Una obra exquisita de este pintor y grabador suizo del Recocó. Viajó y trabajó en toda Europa y hasta Oriente Medio. Culto y prolífico, retrató tanto a los poderosos como a los humildes #FelizViernes

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Column | This artist elevated his subjects — with wooden clogs Jean-Étienne Liotard’s painting in Kansas City provides a portal into private rituals in the Ottoman Empire.

Wonderful #painting by #Liotard.

#SebastianSmee #Turkish #Ottoman

www.washingtonpost.com/entertainmen...

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Jean-Étienne #Liotard (1702-89)
Portrait of #MariaJosephaofSaxony (1731-67), Dauphine of France, who was #BornOnThisDay
1749
Rijksmuseum
#Wettin #Bourbon

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Jean-Étienne #Liotard (1702-89)
Portrait of #MarieAntoinetteofAustria (1755-93), Queen of France, who was #BornOnThisDay
1762
Musée d'art et d'histoire de Genève
#MariaAntoniaofAustria #MarieAntoinette
#Habsburg #Bourbon

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Powder and Presence: Pastel Portraits in the Eighteenth Century - The Holburne Museum This autumn, the Holburne is delighted to unveil Powder and Presence: Pastel Portraits in the Eighteenth Century, a new temporary collection display on the 2nd floor.   In the 1700s, pastel rose...

Promising exhibition of 18th century pastel paintings at the @holburnemuseumbath.bsky.social but at £16.50 a ticket a bit expensive for what is no doubt not a huge exhibition. Hm. Will think about it.
#pastelpainting #Liotard #Bath
holburne.org/events/powde...

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Jean-Etienne #Liotard (1702-89)
Portrait of #WilliamIV (1711-51), Prince of Orange, Stadtholder of the United Provinces of the Netherlands, who was #BornOnThisDay
1755-60
Rijksmuseum
#OrangeNassau

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Jean-Étienne #Liotard (1702-89)
Portrait of #ElisabethChristineofBrunswickWolfenbüttel (1691-1750), Holy Roman Empress, who was #BornOnThisDay
ca. 1740s
Schloss Weimar
#Welf #Habsburg

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Jean-Étienne #Liotard (1702-89)
Portrait of #LouiseÉlisabethofFrance (1727-59), who was #BornOnThisDay
1750-1
Fitzwilliam Museum
#Bourbon #BourbonParma

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Jean-Étienne #Liotard (1702-89)
Portrait of #HenrietteofFrance (1727-52), who was #BornOnThisDay
1749
Palazzina di Caccia di Stupinigi
#Bourbon #MadameHenriette

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Jean Étienne #Liotard (1702-89)
Portrait of #MariaElisabethofAustria (1743-1808), who was #BornOnThisDay
1762
Austrian Embassy, Berlin
#Habsburg

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Jean-Étienne #Liotard (1702-89)
Portrait of #MariaCarolinaofAustria (1752-1814), Queen of Naples and Sicily, who was #BornOnThisDay
1762
#Habsburg #Bourbon

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Jean-Étienne #Liotard (1702-89)
Portrait of #AugustaofGreatBritain (1737-1813), Duchess of Brunswick-Wolfenbüttel, who was #BornOnThisDay
1758
Royal Collection
#Hanover #BrunswickBevern

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Jean-Étienne #Liotard (1702-89)
Portrait of #AugustaofGreatBritain (1737-1813), Duchess of Brunswick-Wolfenbüttel, who was #BornOnThisDay
1754
Royal Collection
#Hanover #BrunswickBevern

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Jean-Étienne #Liotard (1702-89)
Portrait of #SophieofFrance (1734-82), who was #BornOnThisDay
ca. 1750-1
#MadameSophie #Bourbon

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Jean-Étienne #Liotard (1702-89)
Portrait of #CarolineMatildaofGreatBritain (1751-75), Queen of Denmark & Norway, who was #BornOnThisDay
1754
Royal Collection
#Hanover #Oldenburg

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A Master of Pastel Jean-Étienne Liotard: Marie-Anne Françoise Liotard with a Doll, circa 1775, pastel on parchment, 45x50cm. Musée d’art et d’histoire, GenevaAlthough Jean-Étienne Liotard (Swiss, 1702 – 1789) is not …

Speaking of #Liotard and #softpastel, I wrote a blog post about the man and his work a while ago. You might like it
www.sophieploeg.com/blog/a-maste...

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Jean-Étienne #Liotard (1702-89)
Portrait of Prince #FrederickofGreatBritain (1750-65), who was #BornOnThisDay
1754
Royal Collection
#Hanover

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Jean-Étienne #Liotard (1702-89)
Portrait of Holy Roman Emperor #LeopoldII (1747-92), who was #BornOnThisDay
1762
#Habsburg

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The Chocolate Girl (aka La Belle Chocolatière or Das Schokoladenmädchen) is one of the most prominent pastels of the Genevan artist Jean-Étienne Liotard. In fact, many of the artist’s contemporaries classed “The Chocolate Girl” as his masterpiece.

It depicts a young fair-skinned woman, in profile, carrying a dark tray with a porcelain chocolate cup on a "galleried" silver saucer next to a clear glass of water. The cup in which the chocolate is served is a trembleuse, originally used by people with shaking hands to avoid spilling, but in the 18th century strongly associated with drinking chocolate, which was then brewed rather strong and frothy. Around the saucer is some beige material, perhaps food or a napkin.

Theories concerning the girl's pink headdress run from a cap cover to an echo of the colorful regional caps. The girl's apron features a small light brown bodice. 

On February 3, 1745, Italian writer and art collector Francesco Algarotti purchased the painting directly from Liotard in Venice. By February 13, 1751, it was part of the collection of August III of Poland who wrote to his friend Pierre-Jean Mariette:

“I have bought a pastel picture about three feet high by the celebrated Liotard. It shows a young German chambermaid in profile, carrying a tray with a glass of water and a cup of chocolate. The picture is almost devoid of shadows, with a pale background, the light being furnished by two windows reflected in the glass. It is painted in half-tones with imperceptible graduations of light and with a perfect modeling...and although it is a European picture it could appeal to the Chinese who, as you know, are sworn enemies of shadows. With regard to the perfection of the work, it is a Holbein in pastel.”

Though normally described as a "maid", it is believed that the model was a banker's daughter from Vienna: Charlotte Baldauf, later Countess Drietrichstein.

The Chocolate Girl (aka La Belle Chocolatière or Das Schokoladenmädchen) is one of the most prominent pastels of the Genevan artist Jean-Étienne Liotard. In fact, many of the artist’s contemporaries classed “The Chocolate Girl” as his masterpiece. It depicts a young fair-skinned woman, in profile, carrying a dark tray with a porcelain chocolate cup on a "galleried" silver saucer next to a clear glass of water. The cup in which the chocolate is served is a trembleuse, originally used by people with shaking hands to avoid spilling, but in the 18th century strongly associated with drinking chocolate, which was then brewed rather strong and frothy. Around the saucer is some beige material, perhaps food or a napkin. Theories concerning the girl's pink headdress run from a cap cover to an echo of the colorful regional caps. The girl's apron features a small light brown bodice. On February 3, 1745, Italian writer and art collector Francesco Algarotti purchased the painting directly from Liotard in Venice. By February 13, 1751, it was part of the collection of August III of Poland who wrote to his friend Pierre-Jean Mariette: “I have bought a pastel picture about three feet high by the celebrated Liotard. It shows a young German chambermaid in profile, carrying a tray with a glass of water and a cup of chocolate. The picture is almost devoid of shadows, with a pale background, the light being furnished by two windows reflected in the glass. It is painted in half-tones with imperceptible graduations of light and with a perfect modeling...and although it is a European picture it could appeal to the Chinese who, as you know, are sworn enemies of shadows. With regard to the perfection of the work, it is a Holbein in pastel.” Though normally described as a "maid", it is believed that the model was a banker's daughter from Vienna: Charlotte Baldauf, later Countess Drietrichstein.

La Belle Chocolatière by Jean-Étienne Liotard (Swiss) - Pastel on parchment / c. 1743-1744 - Gemäldegalerie Alte Meister (Dresden, Germany) #womeninart #art #chocolate #pastel #artwork #realism #womensart #fineart #pastelpainting #Jean-ÉtienneLiotard #Liotard #SwissArtist #GemäldegalerieAlteMeister

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_ Con i #libri si fanno #viaggi economici (ecologici), nello spazio e nel tempo!
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Jean-Étienne #Liotard, “Ritratto detto di Maria Adelaide di Francia vestita alla turca” del 1753. (Firenze, Galleria degli #Uffizi)

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#Liotard mit seiner illustrativen Pastelloptik Mitte des 18. (!) Jahrhunderts als herausragendes Beispiel dafür, was "unique" bedeuten darf. Fühlte mich sofort an den viel späteren Toulouse erinnert – Stichworte: Fin de Si·è·c·le, Plakat, Werbegrafik. Überragende Vorarbeit!

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Ein Vintage-Druck im Weiß-goldfarbenen Barockrahmen. "Das Schokoladenmädchen von Liotard.
Auf den 2 weiteren Fotos: Publikation 
"Gemäldegalerie Alte Meister Dresden" das Gemälde wird beschrieben, dort hängt das Original.

Ein Vintage-Druck im Weiß-goldfarbenen Barockrahmen. "Das Schokoladenmädchen von Liotard. Auf den 2 weiteren Fotos: Publikation "Gemäldegalerie Alte Meister Dresden" das Gemälde wird beschrieben, dort hängt das Original.

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Guten Morgen Blauer Himmel,
wie wäre es mit Heißer Schokolade?

#DasSchokoladenMädchen
#Liotard
#art

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The latest Abstruse Bimbles! Thanks to @liamgrundy @iainsarjeant #liotard

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