#RADU #MALFATTI
headlines-world.com/advanced-sea...
#DIMOPHORA #FUMIPENNIS
multi-search-tag-explorer.headlines-world.com/advanced-sea...
#NOMENCLATURE D #ACTIVITÉS #FRANÇAISE
allgraph.ro/advanced-sea...
allgraph.ro
Painted as Brazilian artist Anita Malfatti returned to São Paulo after study in Berlin and New York, Tropical sits at a key moment in Brazilian modernism navigating how to be local without surrendering the formal freedom of the avant-garde. A brown-skinned adult woman fills the center of the painting, as if watching something just beyond the frame. Her dark hair is gathered into a low bun while her eyes are large and shadowed, and her lips soft. She wears a simple white V-neck top that catches warm light along the shoulder and neckline. One arm stretches across the foreground, the hand resting near a dense pile of tropical produce including a pineapple, a bunch of bananas, and rounded yellow-orange fruits; a green papaya or gourd sits alongside them. The fruit presses against a woven basket whose grid pattern tilts toward us. Broad banana leaves or palm fronds arc in from both sides, framing her like a curtain. Malfatti’s brushwork stays visible as dark contours break and rejoin, skin tones move through browns and reds, and the background shifts between peach and mossy green. The sitter reads as an individual who is self-possessed, unsmiling, and psychologically present, yet she is surrounded by signs of place like fruit, basketry, and dense foliage. Those emblems can feel celebratory (a generous harvest), but her sidelong gaze complicates any easy narrative. Malfatti reinforces that refusal through structure with the strong diagonal of the arm, the compressed space, and contour lines that keep the figure from dissolving into décor. Color does the rest as warm earth tones pushed against sharp greens and yellows, insisting on sensation over polish. In 1917–18, when her one-woman exhibition in São Paulo drew harsh criticism for being “too modern,” her work became a public argument about who gets to define taste. Seen in that context, Tropical reads as a modern portrait that keeps “Brazil” anchored in the lived presence of a woman at its center.
“Tropical” by Anita Malfatti (Brazilian) - Oil on canvas / 1917 - Pinacoteca do Estado de São Paulo (Brazil) #WomenInArt #WomensArt #WomanArtist #WomenArtists #AnitaMalfatti #Malfatti #arte #PinacotecaDeSaoPaulo #BrazilianArtist #BrazilianModernism #Modernism #art #artText #1910s #WomenPaintingWomen
A Calgary, nell’Olympic Oval canadese, si è chiusa nella notte tra domenica 23 e lunedì 24 novembre la seconda tappa della Coppa del Mondo di pattinaggio velocità su pista lunga. #AndreaGiovannini #FrancescaLollobrigida #Ghiotto #Malfatti #MassStart #news
www.oggisportnotizie.it/2025/11/giov...
MALFATTI ❤️Diese kleinen, köstlichen Spinat-Ricotta-Klößchen sind wahre Seelentröster: unkompliziert in der Zubereitung, sättigend, dabei aber leicht und unglaublich aromatisch.
sparflaemmchen.de/2025/06/17/m...
#malfatti #ricotta #spinat #italiancuisine #preiswerterezepte #italienisch
Leanne #Malfatti is via Tin Eats - Not fast - I make double - every 6 ish months & freeze. I usually mix & leave in fridge to thicken (or overnight) Shortcuts = frozen spinach, dried basil, any cheese -then for sauce - canned tomato +/- mix with jar pasta sauce www.recipetineats.com/malfatti-ita...
#RecipeOfTheDay
#Italian #Malfatti #Dumplings
#KitchenOnTheCliffWithGiovanna
youtu.be/mv39V4fOivI?...
Making #malfatti getting ready for @bestshow4life
