Touch Me (2025) - Projected Figures Addison Heimann's sort-of sex comedy sci-fi TOUCH ME is an allegorical account of circular addictions, needy narcissism & tentacular trauma

"sets its protagonist on a difficult, damaging path to recovery, while also leaving us wondering what, beneath all its alien allegory, has really happened and who has been left behind": Addison Heimann's TOUCH ME (2025) re-screens 7pm tonight at #MOTELX projectedfigures.com/2025/01/29/t...

Dangerous Animals review – why sharks? They’re cinematic! Predators and prey share the same terrain in this psychologically twisted shark thriller from genre filmmaker Sean Byrne.

Where Wolf Creek flows into Shark Ocean: Sean Byrne's DANGEROUS ANIMALS (2025) makes smart, s(l)ick spectacle of serial killing and selachian slaughter. Screens 7pm today at #MOTELX. Review for @lwlies.com lwlies.com/reviews/dang...

Ou verdict of MOTELX 2025 - DMovies Horror specialist Anton Bitel attended the 19th edition of MOTELX, in Lisbon, one of the most diverse and exciting niche festivals in Europe (now with a focus on Portuguese and women filmmakers)

Here is my festival report for @dmovies.bsky.social on a flying three-day visit to this year's #MOTELX dmovies.org/2025/09/14/o...

Her Will Be Done (Que ma Volonté Soit Faite) - DMovies Witch fable from France traces an alienated adolescent woman’s embrace of her mother’s legacy amid parochial patriarchy - from MOTELX, in Lisbon

"traces an alienated adolescent woman’s embrace of her mother’s legacy amid parochial patriarchy": Julia Kowalski’s witchy Franco-Polish fable HER WILL BE DONE (Que Ma Volonté Soit Faite, 2025) reviewed from #MOTELX for @dmovies.bsky.social
dmovies.org/2025/09/14/h...

Redux Redux (2025) - Projected Figures Kevin and Matthew McManus' universe-leaping repeat revenger REDUX REDUX gradually brings its characters home from endless, empty vendetta

"gradually brings its characters home from endless, empty vendetta": Kevin and Matt McManus’ universe-leaping repeat revenger REDUX REDUX (2025) re-screens 11.50pm tonight at #MOTELX projectedfigures.com/2025/03/09/r...

The Last Sacrifice (2024) - Projected Figures Rupert Russell's documentary THE LAST SACRIFICE shows true crime intersecting with folk horror in a real yet mythic space of British culture

"Rupert Russell’s documentary shows true crime intersecting with folk horror in a real yet mythic space of British (agri)culture": THE LAST SACRIFICE (2024) screens 9.30pm tonight at #MOTELX projectedfigures.com/2025/03/07/t...

The Home (2025) Review | FrightFest James DeMonaco's care facility-set horror mystery opens a young man's eyes to the needs of the elderly.

“opens a young man’s eyes to the needs of the elderly”: James DeMonaco’s care facility-set horror mystery THE HOME (2025) screens 9.30pm tonight at #MOTELX. Review for @scifinow.bsky.social www.scifinow.co.uk/reviews/the-...

Zero (2024) - Projected Figures Jean Luc Herbulot's rambunctious, genre-fied city symphony ZERO primes two Americans to play a small yet explosive part in geopolitics

"primes two American strangers to play a small yet explosive part in geopolitics": Jean Luc Herbulot's Dakar-set countdown action thriller ZERO (2024) screens 3.15pm today at #MOTELX projectedfigures.com/2024/10/01/z...

A shadowy figure holds out a heart shaped plush toy

"starts with a happy ending, before testing a young couple’s love with questions of what comes after": Dennis Iliadis’s inverted romance cum game-playing domestic tragicomedy BUZZHEART (2024) reviewed from #MOTELX, for @dmovies.bsky.social
dmovies.org/2025/09/13/b...

The Pianist (A Pianista) - DMovies In Nuno Bernardo’s medley of domestic melodrama, cloning sci-fi and psychothriller, a departed patriarch returns to the scene of the crime - from the 19th edition of MotelX, in Portugal

"In Nuno Bernardo’s medley of domestic melodrama, cloning sci-fi and psychothriller, a departed patriarch returns to the scene of the crime": THE PIANIST (A PIANISTA, 2025) reviewed from #MOTELX for @dmovies.bsky.social
dmovies.org/2025/09/12/t...

Karmadonna - DMovies In Aleksandar Radivojević’s rambunctious Serbian theological satire, a reluctant heroine must violently rebalance the world order for her baby’s advent - From MOTELX, in Portugal

"a reluctant heroine must violently rebalance the world order for her baby’s advent": Aleksandar Radivojevic’s rambunctious Serbian politico-theological satire KARMADONNA (2025) reviewed from #MOTELX for @dmovies.bsky.social
dmovies.org/2025/09/13/k...

Missing Child Videotape - DMovies Ryota Konda’s unsettling J-horror feature debut sends three characters in search of a lost boy and a building on no map - from MOTELX, in Portugal

"sends three characters in search of a lost boy and a building on no map": Ryota Konda’s unsettling J-horror MISSING CHILD VIDEOTAPE (2024) reviewed at #MOTELX for @dmovies.bsky.social
dmovies.org/2025/09/13/m...

Every Heavy Thing (2025) at Fantasia 2025 - Projected Figures Mickey Reece's freaky, funny technothriller EVERY HEAVY THING places an ordinary Joe in the front seat of a misogynist killer's spree

"a funny, jarring, deeply eccentric panorama of an America in transition, not quite ready for the plugged-in future being rapidly thrust upon it": Mickey Reece’s freaky, funny technothriller EVERY HEAVY THING (2025) screens 8.55pm tonight at #MOTELX projectedfigures.com/2025/07/22/e...

Touch Me (2025) - Projected Figures Addison Heimann's sort-of sex comedy sci-fi TOUCH ME is an allegorical account of circular addictions, needy narcissism & tentacular trauma

"Addison Heimann’s sort-of sex comedy sci-fi is an allegorical account of circular addictions, needy narcissism and tentacular trauma": TOUCH ME (2025) screens 11.30pm tonight at #MOTELX projectedfigures.com/2025/01/29/t...

Freaky Tales (2025) - Projected Figures Anna Boden & Ryan Fleck's criss-crossing, multi-narrative mix FREAKY TALES makes '87 Oakland the epicentre of American political struggle

Anna Boden & Ryan Fleck’s criss-crossing, hip-hopping, genre-leaping, retro-rambunctious, multi-narrative mixtape FREAKY TALES "makes ’87 Oakland a microcosm of American political struggle, past and present." Screens 9.25pm tonight at #MOTELX. Love this film! projectedfigures.com/2025/04/16/f...

The Home (Hemmet) (2025) - Projected Figures Mattias J Skoglund’s dementia horror THE HOME sees a mother and her adult son haunted by the insistent return of bad memories

"a mother and her adult son haunted by the insistent return of bad memories": Mattias J Skoglund’s dementia horror HOME (HEMMET, 2025) screens 4.50pm today at #MOTELX projectedfigures.com/2025/03/11/t...

"CRENDICES - Quando o Medo Vem das Crenças", por 4Litro (REALIZAÇÃO: Roberto Assis)
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MOTELX 2025
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Cinema São Jorge (Lisboa)
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Dia 12 de setembro às 21H
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(imagem retirada da página oficial de Facebook dos 4Litro)
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#cinemaportugal #crendices #motelx #4litro

Caught THE ICE TOWER yesterday at #MotelX, and just want to say that in my eyes, Lucile Hadžihalilović can simply do no wrong. Extraordinary, sublime filmmaker and surreal chronicler of adolescence.

Tremors (1990) - Projected Figures Ron Underwood's oater-inflected monster movie TREMORS fully embraces its own icky absurdity, with phallic desires beneath the surface

"fully embraces its own icky absurdity, with phallic desires stirring beneath the surface": Ron Underwood’s oater-inflected monster movie TREMORS (1990) screens 7.10pm this evening at #MOTELX projectedfigures.com/2023/06/05/t...

Bulk review: Ben Wheatley’s mercurial multiverse The British director returns to the lo-fi stylings of his early work with a multiverse sci-fi starring four characters in search of a narrative form.

"a multiverse sci-fi starring four characters in search of a narrative form": Ben Wheatley's self-making, self-referential BULK (2025) shows the workings of its fractured DIY worlds. Re-screens 4.50pm today at #MOTELX. Review for
@sightsoundmag.bsky.social www.bfi.org.uk/sight-and-so...

The Serpent’s Skin (2025) review at Fantasia 2025 Poppers for Scanners: Alice Maio Mackay's latest genre escapade has a young trans woman discovering her inner power and repressed darkness. Our review of The Serpent’s Skin from Fantasia...

Poppers for Scanners: Alice Maio's latest genre escapade THE SERPENT'S SKIN (2025) "has a young trans woman discovering her inner power and repressed darkness." Screenm 2.50pm today at #MOTELX. Review for @scifinow.bsky.social www.scifinow.co.uk/reviews/the-...

Redux Redux (2025) - Projected Figures Kevin and Matthew McManus' universe-leaping repeat revenger REDUX REDUX gradually brings its characters home from endless, empty vendetta

"gradually brings its characters home from endless, empty vendetta": Kevin and Matt McManus’ universe-leaping repeat revenger REDUX REDUX (2025) screens 2pm today at #MOTELX projectedfigures.com/2025/03/09/r...

Stephen King abriu o MotelX com uma caminhada que deixou marcas — Café Mais Geek O MotelX 2025 arrancou com a adaptação intensa de The Long Walk, e a Tixa traz-nos uma reação a quente diretamente do Cinema São Jorge.

O terror começou a caminhar no MotelX 2025 com The Long Walk, a nova adaptação de Stephen King. Vê a reação a quente da Tixa à sessão de abertura! #MotelX #StephenKing #TheLongWalk www.cafemaisgeek.com/artigos/stephen-king-abr...

Bulk review: Ben Wheatley’s mercurial multiverse The British director returns to the lo-fi stylings of his early work with a multiverse sci-fi starring four characters in search of a narrative form.

Four characters in search of a narrative form: Ben Wheatley's mind-blowing multidimensional marvel BULK (2025) screens 9.35pm tonight at #MOTELX. This DIY 'reality quake' is one for all you cinematic psychonauts. Review for @sightsoundmag.bsky.social www.bfi.org.uk/sight-and-so...

Dead Lover (2024) - Projected Figures Grace Glowicki's mannered comic take on Frankenstein DEAD LOVER reveals the drives of sex and gender as something beyond all understanding

"reveals the drives of sex and gender as something beyond all understanding": DEAD LOVER (2024), Grace Glowicki’s camply mannered comic take on the Frankenstein myth, screens today, 3pm at #TIFF, 5pm at #MOTELX projectedfigures.com/2025/02/02/d...

Hallow Road (2025) - Projected Figures Folk(s) horror: Babak Anvari's unnerving road movie HALLOW ROAD sees parents racing to recover their adult daughter from a moral bind

Folk(s) horror: Babak Anvari’s unnerving road movie HALLOW ROAD (2025) sees parents racing to recover their adult daughter from a moral bind. Screens 11.40pm tonight at #MOTELX projectedfigures.com/2025/07/13/h...

Hold The Fort review: Suburban satire | Fantasia William Bagley’s surreal suburban satire finds something monstrous and murderous emerging into a neighbourhood’s surface calm. We review from Fantasia film festival...

"finds something monstrous and murderous emerging into a neighbourhood’s surface calm": William Bagley’s surreal suburban satire HOLD THE FORT (2025) screens 9.10pm today at #MOTELX. Review for @scifinow.bsky.social www.scifinow.co.uk/reviews/hold...

Sign the Petition This petition is purely for the betterment of the ongoing process regarding the rebuilding of the West Colonial Area (including all of College Park). "MotelX Orlando" (919 W Colonial Dr, Orlando, FL 3...

www.change.org/removal_of_m...

As the city tries to uplift the poorer citizens of Orlando, a petition was made so an adult motel can be removed. Families with children live in the subsided apartment complex next door.
#orlando #orlandoflorida #saferorlando #motelx #petition #families

Já faz alguns dias que assisti a The Substance no #MotelX, e ainda continuo pensando nele em algum momento do dia. A sessão foi catártica. Devo aumentar minha nota no Letterboxd, e talvez seja um dos filmes mais impactantes do ano. Demi Moore está insana!