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With a Members' queue with perhaps 200 or more people in it on Friday afternoon we had to give up on the idea of visiting the #MarieAntoinetteStyle exhibition at the V&A on Friday afternoon and had a mooch around the #Theatre & #Performance Galleries instead 🎭 💃 🩰

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She keeps Moët et Chandon /In her pretty cabinet /"Let them eat cake", she says /Just like Marie Antoinette /At anytime an invitation /You can't decline
▶️ #MarieAntoinetteStyle 🫅 #MarieAntoinette 🎟️ #VandAMuseum 💻Review www.theguardian.com/artanddesign... ℹ️ www.vam.ac.uk/exhibitions/...

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I finally got to the V&A yesterday afternoon for their gorgeous Marie Antoinette exhibition, which includes a little section that's relevant for me this month. There's a selection of costumes, shoes & jewellery from the 2006 Sofia Coppola film in the final room.

#FilmFebruary #MarieAntoinetteStyle

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Won’t spoil it all but the #modern section is equally 😍 Please, go see the #MarieAntoinetteStyle exhibition if you can. If not, get your hands on the book. The sheer visual impact of the selected objects coupled with the fate of someone many know & recognise even today was a real experience.

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On that note: #MarieAntoinetteStyle at the V&A was STUNNING. Visuals galore, good texts, really moved me. The skill of the #18thCentury #Artesans who created the objects was tremendous. So many things I have wanted to see with my own eyes for years!

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A delightful time visiting #V&A for #MarieAntoinetteStyle 🌟

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It’s Marie Antoinette Monday! Behold this golden gown, perfect for Christmas Eve & Christmas Day Soirées… @vamuseum #marieantoinettestyle

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We recommend Marie Antoinette Style at the V&A which combines original artifacts from the life of the ill-fated queen, alongside examples of her ongoing influence on fashion and design.
https://www.vam.ac.uk/exhibitions/marie-antoinette

#MarieAntoinette #MarieAntoinetteStyle #VAM #Exhibition

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Preview
'A magnificent visual experience': Baroness Blackstone reviews 'Marie Antoinette Style' Startling, absurd and even touching, the V&A’s exhibition is opulent and imaginatively displayed – but it fails in its attempt to reframe Marie Ant...

"The exhibition is vast including rarely seen personal items, as well as many opulent dresses and wigs, and her tiny shoes"

✨ Baroness Blackstone on the "magnificent visual experience" that awaits visitors at the V&A's 'Marie Antoinette Style' #MarieAntoinetteStyle
bit.ly/4pcCDC8

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The #MarieAntoinetteStyle exhibit @vamuseum.bsky.social was breathtaking
Having just played #ÉlisabethVigéeLeBrun in #PerispherTheater’s production of “Marie Antoinette: The Color of Flesh,” the thoughtfully crafted narrative of this exhibit took me through a range of emotions, from delight to tears

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Next up was Marie Antoinette Style, also at the Victoria & Albert Museum. I will also post more of this divinity in the weeks to come. 🎀 #marieantoinettestyle #victoriaandalbertmuseum

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#marieantoinettestyle #victoriaandalbertmuseum #southkensington #marieantoinette #designicon #exhibitionreview #museumexhibition #whatsonlondon #styleicon #fashion

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Selkie Moon stops by the Marie Antoinette exhibit at Victoria and Albert Museum in London 🎂

Let them eat cake!

📸 by Editor-in-Chief of The Fairy Tale Magazine Kristen Baum DeBeasi 🧚👑

kellyjarviswriter.com

#SelkieMoon #selkies #fairytale #folklore #MarieAntoinette #marieantoinettestyle #london

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This opulent, rococo lady is Thora✨💖✨
.
.
#moth #marieantoinettestyle #rococo #butterfly

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❤️ #marieantoinettestyle at #victoriaandalbertmuseum . Stunning. And sad. Coincidentally I listened to a podcast about her the other day, which debunks a lot of “truths” about her. Go if you get the chance. #london #marieantoinette #frenchrevolution

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Picture shows a black headless mannequin wearing a pink and cream-striped Robe à la Francais, which dates from around 1775. It features an embroidered stomacher, decorated with pink and blue ribbon flowers, and a full crinoline skirt that is also embroidered with small pink flowers and red ribbon trim, and is looped up at the sides, in the style known as 'à la Polonais'. Underneath the dress is a white cotton chemise that is visible around the neckline and at end of the three-quarter sleeves, where white ruffles fall gently down the arms to where the wrists would be.

Picture shows a black headless mannequin wearing a pink and cream-striped Robe à la Francais, which dates from around 1775. It features an embroidered stomacher, decorated with pink and blue ribbon flowers, and a full crinoline skirt that is also embroidered with small pink flowers and red ribbon trim, and is looped up at the sides, in the style known as 'à la Polonais'. Underneath the dress is a white cotton chemise that is visible around the neckline and at end of the three-quarter sleeves, where white ruffles fall gently down the arms to where the wrists would be.

Photo shows a long, cream and peach-coloured striped silk gown, seen from the back on a black, headless mannequin. The gown dates from around 1787 and is in the Robe à l'anglaise style, with long sleeves, a tight bodice and a skirt that is gathered over the hips and has pleats to make it full, as well as a short train that trails on the floor.

Photo shows a long, cream and peach-coloured striped silk gown, seen from the back on a black, headless mannequin. The gown dates from around 1787 and is in the Robe à l'anglaise style, with long sleeves, a tight bodice and a skirt that is gathered over the hips and has pleats to make it full, as well as a short train that trails on the floor.

Picture shows a front view of a floor-length, cream satin gown on a black mannequin. The gown dates from around 1780 and is in the 'Robe à la Francais' style, with a tight bodice, half-length sleeves and a very full skirt - designed to be worn over a crinoline hoop, or panniers. The bodice has a plain scoop neck and fastens down the front with a vertical, central line of concealed hooks, while the skirt is made up of a flat fronted under-skirt, which is then covered by a mantua, or split-front over-skirt. Both skirt parts are embroidered with sprays of pink and yellow flowers and are also trimmed with bands of pale blue ribbon and cream lace.

Picture shows a front view of a floor-length, cream satin gown on a black mannequin. The gown dates from around 1780 and is in the 'Robe à la Francais' style, with a tight bodice, half-length sleeves and a very full skirt - designed to be worn over a crinoline hoop, or panniers. The bodice has a plain scoop neck and fastens down the front with a vertical, central line of concealed hooks, while the skirt is made up of a flat fronted under-skirt, which is then covered by a mantua, or split-front over-skirt. Both skirt parts are embroidered with sprays of pink and yellow flowers and are also trimmed with bands of pale blue ribbon and cream lace.

Image shows an exhibition gallery in the V&A museum, which has a plain cream background and floor, with six white mannequins displayed upon it. From left to right, the mannequins are wearing: a long dark pink gown with filly sleeves by Moschino; a blue and white toile-patterned ensemble made up of a short, belted coat with a full crinoline skirt, over matching blue and white toile thigh-high boots, all by Jeremy Scott for Moschino; a calf-length ruffled dress in shades of beige and pale green, with a ribbon-decorated bodice and heavily-flounced skirt, by Vivienne Westwood; a long floral chiffon gown featuring heavy pleating and a pattern of large pink roses and green leaves on a cream background, by Alessandro Michele for Valentino; and a lemon coloured mini-dress that is shaped like a tiered wedding cake and covered in structured white decorations that are made to look like piped royal icing, by Jeremy Scott for Valentino. On the far right-hand side of the photo, next to the lemon-colured 'cake' dress, we can see half of another mannequin, wearing another 'cake' dress, this time in pale pink. All of the Moschino mannequins are wearing high, Marie Antoinette-style wigs that complement the colour of the outfit they are wearing (dark pink, blue, pale yellow and pale pink, respectively). By contrast, the Westwood and Valentino mannequins are both bald.

Image shows an exhibition gallery in the V&A museum, which has a plain cream background and floor, with six white mannequins displayed upon it. From left to right, the mannequins are wearing: a long dark pink gown with filly sleeves by Moschino; a blue and white toile-patterned ensemble made up of a short, belted coat with a full crinoline skirt, over matching blue and white toile thigh-high boots, all by Jeremy Scott for Moschino; a calf-length ruffled dress in shades of beige and pale green, with a ribbon-decorated bodice and heavily-flounced skirt, by Vivienne Westwood; a long floral chiffon gown featuring heavy pleating and a pattern of large pink roses and green leaves on a cream background, by Alessandro Michele for Valentino; and a lemon coloured mini-dress that is shaped like a tiered wedding cake and covered in structured white decorations that are made to look like piped royal icing, by Jeremy Scott for Valentino. On the far right-hand side of the photo, next to the lemon-colured 'cake' dress, we can see half of another mannequin, wearing another 'cake' dress, this time in pale pink. All of the Moschino mannequins are wearing high, Marie Antoinette-style wigs that complement the colour of the outfit they are wearing (dark pink, blue, pale yellow and pale pink, respectively). By contrast, the Westwood and Valentino mannequins are both bald.

The Marie Antoinette Style exhibition at the V&A is stunning. Lots of original artefacts, plus a fabulous collection of couture designs that have been inspired by her legacy. Definitely worth a visit!
#MarieAntoinette
#MarieAntoinetteStyle
#V&AMuseum
#couture
#fashion
#fashiondesign
#18thcentury

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Some of the most poignant objects were those fabrics w/ signs of wear. Stains, snags, tattered silks & linens— including one of Marie Antoinette’s prison chemises. Beyond the flashy, macaron-hued attention-grabbers, other textiles bring us to the fragility of the past.
#marieantoinettestyle

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Going to miss the V&A exhibition (and therefore also the gift shop)? Get a memento now with the current issue of V&A magazine. 🍰🌸
Order your copy at Newsstand with worldwide delivery --> newsstand.co.uk/.../14054-su....
#marieantoinette #marieantoinettestyle #vandamuseum

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It’s lovely to see the renewed interest in Marie Antoinette with the new exhibition! 😍 Her fashion has long inspired my work, especially with ‘Madame Macaron’. Marie may not have said ‘Let Them Eat Cake’ but who can say no to macarons? 👀

#MarieAntoinette #MarieAntoinetteStyle #Fashion #Exhibition

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Pain Chart Comics No. 620 #crumb #crumbs #crumby #cake #cakes #letthemeatcake #marie #antoinette #marieantoinette #marieantoinettestyle #painchart #comics #humor #cartoon #onepanelcomic #haha #aiartwork

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À première vue ça me paraît relever des communautés ... la Cocof pourrait en interdire la consommation, la VGC l'autoriserait mais la vente, c'est de l'économie, relèverait de la région ... #OnPlaisante Le peuple demande un gouvernement, donnez-lui de la Galette ! #MarieAntoinetteStyle

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Reposted @themerryantoinettes Merry Monday. Be the reason they have to add sections on costumes and glitter in the employee handbook.🍾💅
#merrymonday #holidayseason #marieantoinettestyle #followyournola #slay #partyqueen #letthemthrowcake

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Reposted @themerryantoinettes Merry Monday. Be the reason they have to add sections on costumes and glitter in the employee handbook.🍾💅
#merrymonday #holidayseason #marieantoinettestyle #followyournola #slay #partyqueen #letthemthrowcake

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