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The Sad Fate of Mon Mothma’s Husband Is One of Andor’s Most Striking Lessons **_Spoiler Alert: This article contains potential spoilers for_ Andor _season two._** _A_ _ndor_ ’s second and final season concludes with a montage that offers us brief glimpses of its characters’ ultimate fates. Series namesake Cassian Andor fully embraces his role as a rebel leader as he strides through the Yavin IV compound and leaves for Kafrene, heading directly into the events of 2016’s _Rogue One_. (Not surprisingly, one clever YouTuber has already spliced the _Andor_ and _Rogue One_ scenes together.) Season two standout Kleya Marki, once fearful of traveling to Yavin IV because of her covert (and controversial) work with Luthen Rael, seems to finally accept her new home. Dedra Meero has lost everything; once a rising star in the Imperial Security Bureau, she’s now just another prisoner in an imperial gulag, and in the montage’s grimmest moment, breaks down weeping in the dark. Finally, Bix is back on the agricultural world of Mina-Rau. As she stands in the middle of a golden field, we learn why she left Cassian as she comforts their young child and looks wistfully off into the distance. Accompanied by Brandon Roberts’s evocative score, this sort of montage is perhaps the only way the series could’ve ended, giving us some measure of resolution while still acknowledging that the rebellion, and the war, is far from over. > . . . _Andor_ further muddies the waters by making Perrin—to all external appearances, anyway—a decent and respectable guy. All of the various characters’ scenes are striking, but one moment is particularly haunting. After we see former imperial senator Mon Mothma now sitting amongst the rebels on Yavin IV, possibly contemplating her life choices, we cut to a shot of her husband Perrin, who is soaring through the Coruscant skies in an aerial limo, a distant look on his face as well. Another woman is asleep beside him, though, her head on his shoulder and a bottle of alcohol in her lap. As he passes through the scene, Perrin takes a long drink, his entire demeanor radiating disappointment and regret. It’s a far cry from how Perrin is depicted in the preceding episodes. Whereas his wife is a driven and idealistic senator from the planet of Chandrila (who also happens to be secretly funding the burgeoning Rebellion), Perrin is vacuous, flamboyant, and decadent. He fully enjoys the comfort and privilege afforded by his wife’s wealth and political position and does his best to avoid anything remotely unpleasant. When Mon expresses political concerns, Perrin responds with a pained and frustrated “Must everything be boring and sad?” When he gets chummy with her political opponents, he dismisses her objections, saying “You’re at the boring end of the table. These people are fun.” Perrin increasingly becomes the epitome of an empty-headed pretty boy, and nowhere is that seen more clearly then the toast he gives at their daughter’s extravagant wedding: > My hope is that you learn to reach past this constant cloud of sadness. Pleasure. Gaiety. Amusement. These are the hidden things. The music buried beneath all that noise… Joy… But joy has no wind at its back. Joy will not announce its arrival. You need to listen for it and be mindful of how fleeting and delicate it can be. But search out these treasures. A moment of pleasing sensation, the memory of laughter and good company, the comfort of a fine meal. And for me… For me, right now, it’s the smile that I can’t hide as I see these two young people sharing our greatest tradition. There is some truth in Perrin’s speech. Laughter, good company, a fine meal—these are all certainly worth celebrating. And true joy can, indeed, be fleeting and hidden and must often be sought out. But for all of its truth, Perrin’s speech ultimately reveals his shallowness. It reveals that for him, comfort and pleasure are all that really matter; they’re the only things worth chasing and pursuing in life. Such a pursuit necessarily precludes discomfort, struggle, and hardship, all of which are difficult to avoid if one’s trying to live a life that most would consider good and moral. And if one’s trying to overthrow a galactic tyrant and his fascist forces, then such things will be an absolute necessity. Ironically, Perrin wasn’t always like this. Earlier in the series, we learn that he was the “academy firebrand” in his youth, something of a rabble rouser. But somewhere along the way, that fire, that spirit, that _rebellion_ leeched its way out of Perrin’s spirit, and he surrendered himself to hedonism. Perrin is never depicted as an outright villain. He’s no “space Nazi” like Dedra Meero, Orson Krennic, Lio Partagaz, or Dr. Gorst, nor is he obsessed with cold bureaucratic detail like the tragically single-minded Syril Karn. Indeed, it’s not so hard to imagine how Perrin might have relinquished his firebrand status. As he grew older, perhaps he saw which way the galactic winds were blowing and, reasoning that there’s nothing he can personally do to forestall Imperial oppression, decided to make the best of a bad situation. He simply opted to “reach past this constant cloud of sadness,” as it were, and eat, drink, and be merry as best he could. Or perhaps he just got too used to the comfortable life of a senator’s consort, filled with beautiful people, lavish parties, and a close proximity to power—and who can blame him? But _Andor_ ’s moral vision is quite clear: Perrin’s complacency is damning in its own way. He might not be plotting unrest and slaughter on Ghorman, undermining the democracy of the Imperial senate, instituting terror and totalitarianism, or building an planet-destroying superweapon, but neither is he the sort to care about such “boring and sad” things or speak out against them. Not so long as they don’t interfere with his comfortable life, that is. (Interestingly, a scene was planned in which Perrin confronts Mon and reveals that he did, in fact, know about her rebellious activities and kept silent, anyway—proving his value and trustworthiness if she would have given him a chance. Although the scene was ultimately cut from the script, it certainly would have added some interesting depths to both Perrin’s character and his relationship with Mon.) It’s easy to look at Perrin and Mon and say that we’d unquestionably be like the brave senator. We’d _obviously_ speak out against tyranny and _readily_ sacrifice everything for a just cause. But _Andor_ ’s forceful storytelling and moral clarity implore us to really consider the truth of that. For starters, it’s quite clear that Mon’s sacrifices, like those of Luthen, Kleya, Cassian, and Vel, were both costly and very far from easy. (Luthen gave his life, Kleya lost her father, and both Cassian and Vel lost their lovers.) But _Andor_ further muddies the waters by making Perrin—to all external appearances, anyway—a decent and respectable guy. He’s affable and charming, generous and gregarious. He’s the sort who pays his taxes, donates to good causes, votes the right way, and obviously knows how to throw a great party. In short, he’s the exact kind of person that any society would want more of. And if we also enjoyed his status and privilege, would we _really_ be so quick to throw that all away for a life of hardship, struggle, and near-certain death? _Andor_ ’s closing montage suggests that Perrin still has his wealth and respectability. He’s still wearing fancy clothes, drinking expensive liquor, and riding in a fancy car—maybe on his way to a party or benefit gala for the fallen Imperial “heroes” of Ghorman. He’s even got another glamorous woman by his side. Compared to Mon, who’s now on the run from the Empire in a shabby, rain-soaked Rebel base on a remote, insignificant moon, Perrin has lost nothing. Except his soul, that is. And by the sad, weary look on his face, he knows it, too.

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‘Andor’ Season Two Episodes 1-3 ‘Declassified’ Behind the Scenes Featurette Released _Andor_ is back, with a blockbuster three-episode premiere that takes us from the mountains of Chandrila and towers of Coruscant to the remote jungles and fields where the Rebellion truly takes shape. Alongside _Andor’s_ phenomenal return _Star Wars_ has released an 11-minute documentary titled “ _Andor_ : Season 2 Declassified: Time,” which features interviews with creator Tony Gilroy and the cast who break down Season 2’s first arc. **Spoilers ahead…** Tony Gilroy leads the video speaking about the reception to _Andor_ season one, and how it buoyed the cast and crew of season two during their delayed and complicated production, which was waylaid by the pandemic and SAG-AFTRA strikes. > “The depth of conversation that people are having about season one is unlike anything I’ve ever worked on.” Cassian Andor himself, Diego Luna, spoke about the challenge when making a prequel that is working backwards from an ending as final and definitive for Cassian as _Rogue One._ > “Here we know the ending, therefore it’s about how eloquent you can be in getting there. And I think Tony found a great tool; these time jumps.” The time jump from last season to now already showcased the changes Cassian underwent during his time with Luthen Rael. Cassian has come into himself, and now is able to lead others to the Rebellion, getting ever-closer to the Cassian we see in _Rogue One._ But just like season one, and even shows like _Star Wars Rebels,_ Cassian sees firsthand how far apart many rebels are from coalescing into an organized Rebellion. Andor (Diego Luna) in Lucasfilm’s ANDOR Season 2, exclusively on Disney+. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved. Cassian is trapped in the jungle with two factions of the Maya Pei Brigade, who Saw Gerrera had referred to in Season 1 as “Neo-Republicans,” one of many disparate parts of the revolution that needs to pull together to make a true Rebel Alliance. And we get to see how close they came. After falling apart due to infighting and giving Cassian a chance to escape, we pan up and get to see the jungle they’ve been trapped in is in fact the future rebel base: Yavin 4. Tony Gilroy talked about that reveal and explained we are not done with the planet, nor its role in the Rebellion. > “We’re going to tell the whole story of Yavin, up to Rogue One.” The video transitions to an explanation of Bix, Brasso, and Wilmon, now living and working as undocumented mechanics on the massive rye fields of Mina-Rau. This was another traumatic episode for Bix, haunted by Dr. Gorst and the Empire, who continue to invade into her life and work. Actress Adria Arjona explains that in this season: > “Bix does have her own rebellion, she’s incredibly traumatized from season one. It’s a year later and she’s still having nightmares.” Bix Caleen (Adria Arjona) in Lucasfilm’s ANDOR Season 2, exclusively on Disney+. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved. That is clearly going to continue as a plot point throughout the rest of the season, and is likely compounded by the loss of Brasso, which Diego Luna put in context for us, and how Cassian handles another rebel martyr so close to him: > “Losing Braso comes with a responsibility. He’s not just fighting for Maarva, he’s fighting for Brasso, till the end. Transitioning to opulent Chandrila, we see intercut footage of the actors figuring out their blocking, the construction of the massive sets, and what it took to pull off Mon Mothma’s liberating dance at the end of the episode. Setting the stage for us, Mon Mothma’s actress Genevieve O’Reilly explains Mon and her strained but oddly stable relationship with her family, especially her husband Perrin, played by Alastair Mackenzie. > “You take that family and those fractures and you put it in a wedding scenario, and it just shines a light on it all. You can see the years of this arranged marriage, and the years of compromise live within these two characters.” Perrin Fertha (Alastair Mackenzie) and Mon Mothma (Genevieve O’Reilly) in Lucasfilm’s ANDOR Season 1, exclusively on Disney+. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved. But this wedding was not just a ceremony. For Luthen Rael, (Stellan Skarsgård), it was all appearances, leaving him in the dark during Cassian’s mission, much to his and his assistant Kleya’s (Elizabeth Dulau) chagrin. Skarsgård put it characteristically plainly, saying: > “I’m concerned with the revolution and I don’t do family business.” We also get some information about the setting for this traditional wedding, including the inspiration for the estate, which is based on Scottish and Japanese castles, and meant to be the sort of family keep that has been with Mon’s family for thousands of years. The floor itself reflects the proud Chandrilian place in the galaxy, and centers the planet in a starmap of the galaxy. The flowers are also planned by Mon, and that means they are similar to her embassy, while the clothing takes a more diverse approach from what we saw in those embassy party scenes from season one. This isn’t as stuffy, and there are more people represented. Mothma Estate from Lucasfilm’s ANDOR Season 2, exclusively on Disney+. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved. We also get a look into Mon Mothma’s head, and what she might have been feeling during her ending scene while she is dancing, trying to escape the “prison” of this wedding and the oppressive traditions and expectations that come with it. O’Reilly explained that final shot of Mothma saying that: > “There is something deep and dark in the dance for her, and that was a joy to play that day.” Mon Mothma (Genevieve O’Reilly) in Lucasfilm’s ANDOR Season 2, exclusively on Disney+. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved. We leave the video with a promise of much more to come, and the warning that the next time we see everyone it will have been a year, and the ramifications of this arc will be history by then, leaving us to find out what has transpired since we left our characters. The final footage is accompanied by a new, deep voice from those episodes giving a speech, proclaiming: > “A galaxy of worlds! A galaxy assembled! An Empire!” Mas Amedda as he appears in Star Wars: Revenge of the Sith I for one think this is likely a senate speech, presumably by the Emperor’s Grand Vizier, Mas Amedda, a longtime background _Star Wars_ character who recently appeared in the political thriller novel _Mask of Fear_ by Alexander Freed. That novel set him against Mon Mothma in the Empire’s early years. After almost two decades, we may get to see Mon have her comeuppance against the Emperor’s political hatchetman. _Andor_ is a masterclass in storytelling, from the detailed character work to the sets and costumes, it all comes together to inform the large and branching story. I’m very glad that Lucasfilm has decided to pull back the curtain on the creative process and give us some mini-documentaries for each three-episode arc. It feels similar to what other prestige TV shows do after episodes of their main programs, and helps solidify _Andor_ in its rightful place alongside those more adult dramas, while still remaining incredibly _Star Wars._ ##### Colin Scharff + posts Colin is a lifelong Star Wars fan and researcher who enjoys diving deep into every corner of this weird and wonderful galaxy far, far away. * Colin Scharff https://www.starwarsnewsnet.com/author/colinblaster __ New Details on 'The Mandalorian and Grogu' Update to 'Star Wars' Galaxy's Edge Smuggler's Run * Colin Scharff https://www.starwarsnewsnet.com/author/colinblaster __ 'Star Wars' Celebration Heads to Los Angeles in 2027 * Colin Scharff https://www.starwarsnewsnet.com/author/colinblaster __ 'Star Wars: The Old Republic' New Trailer and Featurette at 'Star Wars' Celebration * Colin Scharff https://www.starwarsnewsnet.com/author/colinblaster __ 'LEGO Star Wars: Rebuild the Galaxy - Pieces of the Past' Coming to Disney Plus September 19

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How Mon Mothma’s Mysterious Homeworld Played Its Role in the Rebel Alliance You might be forgiven, given Mon Mothma’s increased importance to modern _Star Wars_ , for thinking that her homeworld of Chandrila was one of the galaxy far, far away’s most explored locales, up there with the likes of Coruscant, Hoth, Tatooine, Alderaan, and more for their pivotal roles across the Skywalker Saga. But even now, after years of potential study in both the old expanded universe and contemporary canon alike, Chandrila at large is a mystery: and even its role in the Rebel Alliance has largely been rendered symbolic rather than particularly material. _Andor_ ‘s upcoming second season will mark the first time we’ve actually visited Chandrila on-screen in current _Star Wars_ canon, the world’s importance to continuity beyond it being more for its role in the early days of the New Republic rather than the time of the Empire. But even in the EU, Chandrila remained, much like its erstwhile Senator, more of a figurehead of resistance to the Empire, rather than necessarily a truly vital player in the Alliance to Restore the Republic. So what do we know about the planet’s role in the Galactic Civil War in either very of _Star Wars_ story? The answer is ultimately not much, which itself says a lot. ## Chandrila’s Role in _Star Wars_ Canon © Jethro Morales and Joe Caramagna/Marvel Comics In both renditions of its history, Chandrila is a key player in the foundation of the Republic. One of the major worlds in the galactic core, despite its proximity to the heart of what would become galactic civilization, little has been really explored about the world until the time of the mainline _Star Wars_ movies. Even Chandrila’s role in the Clone War is largely left untouched—although we did at least learn recently during Alexander Freed’s novel _Mask of Fear_ that its capital, Hanna City, was targeted by extended orbital bombardment during the conflict, largely resisted by planetary shielding. This mystery continues throughout the rise of the Empire itself. Although Mon Mothma’s public history of opposition to the new Emperor, and her legacy in Padmé Amidala’s Delegation of 2,000 would make her a prime player in the Imperial Senate’s attempts to block overreach of power, it wouldn’t be until Mothma’s own departure from office in the wake of the Imperial military’s massacre on Ghorman, and the formal announcement of the Alliance to Restore the Republic in 2BBY, that Chandrila would become known as a sympathetic world to the Rebel cause. Even then, its direct role in the war remains obscure—the world was simply one among thousands that suffered in the shadow of the Empire, rather than being a particularly focused target. Chandrila was considered an important locale to the Alliance in terms of materiel and safe supply caches, its reputation was largely symbolic due to its connection to Mon Mothma—a symbolism that would in part lead the world, alongside Mon Cala, to be on the list of intended targets for the second Death Star after the Rebel fleet’s destruction over Endor. Instead, Chandrila’s importance in the rebooted _Star Wars_ canon comes with a much clearer role in the wake of the events of _Return of the Jedi_. With Coruscant embroiled in planetary civil war in the wake of the Emperor’s death, it would be Chandrila that would become the capital of the reformed Republic, its first senate being called to quorum in Hanna City, with Mothma as its first Chancellor. In the following year, Chandrila would become an important military and legislative hub for the nascent Republic as military campaigns against the Imperial remnant continued. But an attempted terror attack by brainwashed liberated Imperial prisoners at peace talks between the New Republic and the Empire saw the first attempt to bring an end to the Galactic Civil War crumble, and Chandrila’s position as the heart of the New Republic in jeopardy. Although it would remain the Republic’s capital, even after Coruscant’s liberation and the formal end of the war with the signing of Galactic Concordance, the Republic Senate itself would establish a rotating residency across member worlds, relocating every year until the body’s destruction on Hosnian Prime in 34ABY. ## Chandrila in _Star Wars_ ‘ Expanded Universe © Lucasarts Much more is known about Chandrila’s time during the rise of the Empire in the Expanded Universe (largely through the sheer volume of content), but even then what we did learn of the planet was ultimately a mirror in prelude to what was going to come in rebooted continuity. In the EU, Chandrila was still a largely symbolic representative of resistance to the Empire, but a far more proactive one: although tensions between itself and other worlds involved in the early formalization of the Alliance (namely Corellia and Alderaan) once again largely made Mon Mothma a political figurehead of the organization rather than a particular military force, Chandrila was a key world for Rebel recruitment and supplies throughout the Empire’s rule. It would take the Rebellion’s destruction of the first Death Star to really make Chandrila a particularly targeted world by Imperial effort, however. After Mon Mothma’s replacement as its representative in the Imperial Senate, Canna Omonda, was executed a year after the Battle of Yavin for publicly decrying the Emperor’s dissolution of the governing body, Chandrila—which had already been subject to retaliatory tariffs on luxury agricultural exports by COMPNOR (the Commission for the Preservation of the New Order)—was subject to blockade by the Imperial Navy. Although Rebel forces, lead by Rogue Squadron, managed to liberate the port city of Nayli from ground assault and supply restrictions, Imperial forces in the sector stationed fleets around the nearby worlds of Brentaal IV and Corulag, effectively threatening Chandrila with a larger planetary blockade that effectively kept the planet out of open participation in the Galactic Civil War. It wouldn’t be until after the Battle of Endor (just as would be the case in revised continuity, victory for the Empire would’ve meant a full planetary invasion of Chandrila and its eventual destruction by the second Death Star) and the liberation of Coruscant itself that the blockade would be lifted, allowing Chandrila’s provisional government to formally join the nascent New Republic. ## Chandrilan Society, and a Planet of Politics © Lucasfilm The relative lack of exploration of Chandrila—either from its real lack of focus in current _Star Wars_ canon beyond Mon Mothma herself, or the planet’s blockade in the EU largely leaving it as a primary factor in that rendition of the Galactic Civil War—has left the world’s society likewise only touched on in broad strokes. In many ways, _Star Wars_ ‘ love of single-biome worldbuilding applied to Chandrilan culture in the small ways it was touched upon: because or primary lens on the world was through the existence of Mon Mothma, herself largely only explored as a political leader of the Alliance and eventually the New Republic, what information about Chandrila we learned would become filtered through her. Mon Mothma was into politics? Okay then, Chandrila is now an _entire_ _planet_ of politics, with a cultural reputation for robust debate and interest in civics to match, its people defined by outspoken political candor. That at least might change a little when we visit the world for the first time in _Andor_ season two. Much of the show’s prior, but brief exploration of Chandrilan culture—again framed through the perspective of Mon Mothma’s personal interaction with it—touched on a divide between modern cosmopolitan society and ancient cultural traditions, especially those around arranged marriage. Chandrilan culture, when not expressly about politics, had a similar undertone in the EU: an agricultural world, Chandrila was known for its steadfast nurturing of the planetary ecology, advocating that its natural world could co-exist with the technological advancement of interstellar society. There’s no doubt what we see of Chandrila in _Andor_ will continue to focus on that aspect of the traditional elements Mon Mothma bristles against, moreso than anything else. But beyond being our first time to see the world on-screen, it’ll at least add some much needed texture to a significant place in _Star Wars_ ‘ galaxy. > Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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How Mon Mothma’s Mysterious Homeworld Played Its Role in the Rebel Alliance You might be forgiven, given Mon Mothma’s increased importance to modern _Star Wars_ , for thinking that her homeworld of Chandrila was one of the galaxy far, far away’s most explored locales, up there with the likes of Coruscant, Hoth, Tatooine, Alderaan, and more for their pivotal roles across the Skywalker Saga. But even now, after years of potential study in both the old expanded universe and contemporary canon alike, Chandrila at large is a mystery: and even its role in the Rebel Alliance has largely been rendered symbolic rather than particularly material. _Andor_ ‘s upcoming second season will mark the first time we’ve actually visited Chandrila on-screen in current _Star Wars_ canon, the world’s importance to continuity beyond it being more for its role in the early days of the New Republic rather than the time of the Empire. But even in the EU, Chandrila remained, much like its erstwhile Senator, more of a figurehead of resistance to the Empire, rather than necessarily a truly vital player in the Alliance to Restore the Republic. So what do we know about the planet’s role in the Galactic Civil War in either very of _Star Wars_ story? The answer is ultimately not much, which itself says a lot. ## Chandrila’s Role in _Star Wars_ Canon © Jethro Morales and Joe Caramagna/Marvel Comics In both renditions of its history, Chandrila is a key player in the foundation of the Republic. One of the major worlds in the galactic core, despite its proximity to the heart of what would become galactic civilization, little has been really explored about the world until the time of the mainline _Star Wars_ movies. Even Chandrila’s role in the Clone War is largely left untouched—although we did at least learn recently during Alexander Freed’s novel _Mask of Fear_ that its capital, Hanna City, was targeted by extended orbital bombardment during the conflict, largely resisted by planetary shielding. This mystery continues throughout the rise of the Empire itself. Although Mon Mothma’s public history of opposition to the new Emperor, and her legacy in Padmé Amidala’s Delegation of 2,000 would make her a prime player in the Imperial Senate’s attempts to block overreach of power, it wouldn’t be until Mothma’s own departure from office in the wake of the Imperial military’s massacre on Ghorman, and the formal announcement of the Alliance to Restore the Republic in 2BBY, that Chandrila would become known as a sympathetic world to the Rebel cause. Even then, its direct role in the war remains obscure—the world was simply one among thousands that suffered in the shadow of the Empire, rather than being a particularly focused target. Chandrila was considered an important locale to the Alliance in terms of materiel and safe supply caches, its reputation was largely symbolic due to its connection to Mon Mothma—a symbolism that would in part lead the world, alongside Mon Cala, to be on the list of intended targets for the second Death Star after the Rebel fleet’s destruction over Endor. Instead, Chandrila’s importance in the rebooted _Star Wars_ canon comes with a much clearer role in the wake of the events of _Return of the Jedi_. With Coruscant embroiled in planetary civil war in the wake of the Emperor’s death, it would be Chandrila that would become the capital of the reformed Republic, its first senate being called to quorum in Hanna City, with Mothma as its first Chancellor. In the following year, Chandrila would become an important military and legislative hub for the nascent Republic as military campaigns against the Imperial remnant continued. But an attempted terror attack by brainwashed liberated Imperial prisoners at peace talks between the New Republic and the Empire saw the first attempt to bring an end to the Galactic Civil War crumble, and Chandrila’s position as the heart of the New Republic in jeopardy. Although it would remain the Republic’s capital, even after Coruscant’s liberation and the formal end of the war with the signing of Galactic Concordance, the Republic Senate itself would establish a rotating residency across member worlds, relocating every year until the body’s destruction on Hosnian Prime in 34ABY. ## Chandrila in _Star Wars_ ‘ Expanded Universe © Lucasarts Much more is known about Chandrila’s time during the rise of the Empire in the Expanded Universe (largely through the sheer volume of content), but even then what we did learn of the planet was ultimately a mirror in prelude to what was going to come in rebooted continuity. In the EU, Chandrila was still a largely symbolic representative of resistance to the Empire, but a far more proactive one: although tensions between itself and other worlds involved in the early formalization of the Alliance (namely Corellia and Alderaan) once again largely made Mon Mothma a political figurehead of the organization rather than a particular military force, Chandrila was a key world for Rebel recruitment and supplies throughout the Empire’s rule. It would take the Rebellion’s destruction of the first Death Star to really make Chandrila a particularly targeted world by Imperial effort, however. After Mon Mothma’s replacement as its representative in the Imperial Senate, Canna Omonda, was executed a year after the Battle of Yavin for publicly decrying the Emperor’s dissolution of the governing body, Chandrila—which had already been subject to retaliatory tariffs on luxury agricultural exports by COMPNOR (the Commission for the Preservation of the New Order)—was subject to blockade by the Imperial Navy. Although Rebel forces, lead by Rogue Squadron, managed to liberate the port city of Nayli from ground assault and supply restrictions, Imperial forces in the sector stationed fleets around the nearby worlds of Brentaal IV and Corulag, effectively threatening Chandrila with a larger planetary blockade that effectively kept the planet out of open participation in the Galactic Civil War. It wouldn’t be until after the Battle of Endor (just as would be the case in revised continuity, victory for the Empire would’ve meant a full planetary invasion of Chandrila and its eventual destruction by the second Death Star) and the liberation of Coruscant itself that the blockade would be lifted, allowing Chandrila’s provisional government to formally join the nascent New Republic. ## Chandrilan Society, and a Planet of Politics © Lucasfilm The relative lack of exploration of Chandrila—either from its real lack of focus in current _Star Wars_ canon beyond Mon Mothma herself, or the planet’s blockade in the EU largely leaving it as a primary factor in that rendition of the Galactic Civil War—has left the world’s society likewise only touched on in broad strokes. In many ways, _Star Wars_ ‘ love of single-biome worldbuilding applied to Chandrilan culture in the small ways it was touched upon: because or primary lens on the world was through the existence of Mon Mothma, herself largely only explored as a political leader of the Alliance and eventually the New Republic, what information about Chandrila we learned would become filtered through her. Mon Mothma was into politics? Okay then, Chandrila is now an _entire_ _planet_ of politics, with a cultural reputation for robust debate and interest in civics to match, its people defined by outspoken political candor. That at least might change a little when we visit the world for the first time in _Andor_ season two. Much of the show’s prior, but brief exploration of Chandrilan culture—again framed through the perspective of Mon Mothma’s personal interaction with it—touched on a divide between modern cosmopolitan society and ancient cultural traditions, especially those around arranged marriage. Chandrilan culture, when not expressly about politics, had a similar undertone in the EU: an agricultural world, Chandrila was known for its steadfast nurturing of the planetary ecology, advocating that its natural world could co-exist with the technological advancement of interstellar society. There’s no doubt what we see of Chandrila in _Andor_ will continue to focus on that aspect of the traditional elements Mon Mothma bristles against, moreso than anything else. But beyond being our first time to see the world on-screen, it’ll at least add some much needed texture to a significant place in _Star Wars_ ‘ galaxy. > Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

How Mon Mothma’s Mysterious Homeworld Played Its Role in the Rebel Alliance The planet Chandril...

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