We do #Noirvember every year, (we did a Robert Ryan season last time), so a film noir full of smutty innuendo is right up #TheFilmCrowd (Dark) Alley. I couldn't help but love it.
Yes. This is definitely influenced by SUNSET BOULEVARD.
We should do that one #Noirvember.
Will Neff talks if High and Low (1963) is Noir #WillNeff #MovieNight #WillNeffMovieNight #Noir #HighAndLow #1963 #Kurosawa #FilmNoir #JapaneseFilm #JapanNoir #AkiraKurosawa #twitch #Noirvember
www.twitch.tv/willneff
I swear I didn't somehow look ahead at the schedule and yet the exact movies I randomly found for myself to watch last #Noirvember keep showing up on Noir Alley since then! #ShieldForMurder #NoirAlley #TCMParty
Like I said, #Noirvember was great and I’m having fun this month with #Horrormas so I will keep the momentum setting a theme for each month of 2026.
January will be #FaceTheMusic 📽️🎼 highlighting musicals, music documentaries, biopics, films about dance, fictional bands - all music related films!
No esperaba ver en Kontinental 25 una escena de Detour (Edgar G. Ulmer). De las pocas que finalmente vi el úlimo #Noirvember
Will Neff Talks Noir Love Scenes during Blade Runner Q&A #Noirvember #shorts #FilmNoir #Noir #Bladerunner #bladerunner2049 #NeoNoir #Hardboiled #WillNeff
In #Noirvember I organized an inadvertent Robinson mini-fest when I re-watched a trio of noir classics back to back: DOUBLE INDEMNITY (in which Robinson plays a good guy), KEY LARGO (where he plays a very bad guy), & SCARLETT STREET (is he a tragic guy here? it's complicated...). The man had *range*
Edward G. Robinson as Santa in LARCENY, INC.
Valli looks on while her maid decorates a large Christmas tree in WALK SOFTLY, STRANGER.
Advent Day 10 (12/9): LARCENY, INC. (1942) & WALK SOFTLY, STRANGER (1950). I had high hopes for these but I’m afraid I can’t certify either as bona fide Christmas films. That said, they would certainly be good choices for the #Noirvember to December transition. #AdventWatch #9-10 #Filmsky 📽️
Now that #Noirvember is truly over (sniff) here's all the art I made for @moviejawn.com some of which made it to the site & some that didn't. I printed up 5x8 cards for raffles at NoirCity Philly. 3/3
#FilmNoir
Now that #Noirvember is truly over (sniff) here's all the art I made for @moviejawn.com some of which made it to the site & some that didn't. I printed up 5x8 cards for raffles at NoirCity Philly. 2/3
#FilmNoir
Now that #Noirvember is truly over (sniff) here's all the art I made for @moviejawn.com some of which made it to the site & some that didn't. I printed up 5x8 cards for raffles at NoirCity Philly. 1/3
#FilmNoir
For my Substack, I recapped my 13 new-to-me #Noirvember watches, from 1944’s THE WOMAN IN THE WINDOW to 1977’s THE LATE SHOW: bit.ly/4rHoY8e
Last four watched: Reflection in a Dead Diamond, Good Boy, Kiss the Blood Off My Hands and Larceny.
#LastFourWatched for #LetterboxdFriday. Finished #Noirvember with two films from Indicator's excellent Universal Noir box set. Good Boy and Reflection in a Dead Diamond were great too.
If you're not ready to embrace Christmas and leave #Noirvember in the rear view mirror, #CoverUp (1949, Alfred E. Green) is the perfect seasonal bridge 🎄🎅 A cozy small town murder mystery with noir-ish elements, set at Christmas time. I really enjoy watching this film during the Holiday season.
For free over on Patreon, I broke down the best of my first time #Noirvember watches. Some highlights:
NEW EPISODE!
#noirvember #hardboiled #johnwoo #hongkongcinema #heydidyouseethisone
🧵1/2 : Had a blast talking crime fiction with you during last month’s #Noirvember books tribute. The updated list of featured novels—this year’s thirty, plus last year’s—is attached to the second part of this thread. Happy reading!
Glory to colour films noir for the third little video I edited for #noirvember !
Clips from: Vertigo, House of Bamboo, Desert Fury, Black Widow, The Trap, Leave Her to Heaven and Niagara
Video edited by Virginie Pronovost/ The Wonderful World of Cinema
#filmnoir
Hey #FilmNoir Fans! #Noirvember might be over; but @filmnoiruk.bsky.social are still here!
So don't forget to join us this Saturday in #Bristol for a Gloria Swanson double bill with #SilentFilm Stage Struck (1925) + the new 4K restoration of Sunset Boulevard (1950): ti.to/film-noir-uk...
Llega una de mis épocas del año favoritas después de #Noirvember, la de ver esta gran serie.
Last one!
To celebrate #Noirvember (belatedly), I'm going to share with you my thirty favorite film noir movies (in alphabetical order).
WHITE HEAT (1949; dir. Raoul Walsh)
Ahora sí... Completa las 60 películas del #Noirvember.
Gracias por acompañarme y ya veremos qué locura se nos ocurre el año que viene.
#Noirvember #AlOestedelNoir
LA PERSECUCIÓN (1963) de François Leterrier.
El atractivo del paisaje nevado, ese ambiente claustrofóbico y enfermizo que consigue. Ese blanco que lo satura todo, roto por el negro se las siluetas andantes, a duras penas, por ella... O el color rojo.⬇️
#Noirvember #AlOestedelNoir
LOS HERMANOS DEL HIERRO (1961) de Ismael Rodríguez.
Impresionante... La mezcla de historia de venganza clásica, casi de tragedia griega, con la forma tan vanguardista de rodarla, supone un auténtico deleite para los sentidos... ⬇️
#Noirvember #AlOestedelNoir
EL ÚLTIMO TREN DE GUN HILL (1959) de John Sturges.
Que Sturges maneja los tiempos como pocos no es nada nuevo, pero que además sea capaz de imprimir tanta "acción" a un western psicológico, sin perder un ápice de su drama, es increíble. ⬇️
#Noirvember #AlOestedelNoir
EL DIA DE LOS FORAJIDOS (1959) de André De Toth. Me sigue pareciendo increíble que no se la coloque al nivel de las más grandes. Hay tantas historias dentro de ella. El odio al diferente, los celos y el deseo prohibido, el amor frustrado. Retribución.
#Noirvember #AlOestedelNoir
LA TRAMPA (1959) de Norman Panama.
¡Otro descubrimiento a la saca! No pensaba que Panama, al que conocía solo por las películas de Danny Kaye (junto a Melvin Frank), se marcara un western tan negro. Widmark en una encrucijada... ⬇️
#Noirvember #AlOestedelNoir
BALA SIN NOMBRE (1959) de Jack Arnold.
En tan solo 77 minutos, Arnold nos mete en esa espiral de paranoia, sospechas y violencia en que se convierte el pueblo donde llega el pistolero a sueldo, John Gant.
Y es que destaca sobre todo... ⬇️