#NewYorker100

The New Yorker (@newyorker) For the first time, every cover, article, and issue in The New Yorker’s 100-year history can be enjoyed online. Start exploring. #NewYorker100 https://www.newyorker.com/archive

Arkistojen aarteita.

#NewYorker100

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Lawrence Wright on A. J. Liebling’s “The Great State” For all the humor in his reporting, Liebling recognized Louisiana’s governor as something more than another political buffoon. That insight made the piece a classic.

“For my generation, A. J. Liebling still loomed as a model of incisive journalism with a personal voice.” Lawrence Wright on the writer and his profile of Earl Long, the governor of Louisiana, titled “The Great State.” #NewYorker100 newyorkermag.visitlink.me/RPrMtU

Magazine Archive

‼️Pela primeira vez, todas as capas, artigos e edições dos 100 anos de história da The New Yorker podem ser apreciados online. Comece a explorar.⤵️
↪️ www.newyorker.com/archive
↪️ #NewYorker100.
↪️ @newyorker.com.

Magazine Archive

For the first time, every cover, article, and issue in The New Yorker’s 100-year history can be enjoyed online. Start exploring. #NewYorker100
newyorkermag.visitlink.me/SQ7AVb

Jorie Graham on Elizabeth Bishop’s “At the Fishhouses” The poem confirmed the ascent of a rare new voice—a mesmerizing voice that became indispensable to American verse.

Jorie Graham reflects on Elizabeth Bishop’s “At the Fishhouses,” a poem that showed “how a solitary soul might descend into the heart of life, of matter, and achieve solace and spiritual insight, however momentary.” #NewYorker100
https://newyorkermag.visitlink.me/nuzIkL

For our fourth and final centenary special issue, the artist Malika Favre created “Taking Flight,” the latest adaptation of The New Yorker’s classic Eustace Tilley cover. Read the issue here: https://newyorkermag.visitlink.me/nWkC-7 #NewYorker100

David Grann on St. Clair McKelway’s “Old Eight Eighty” The three-part series, about an elderly counterfeiter, established a template for narratives about small-time grifters.

St. Clair McKelway’s 1949 New Yorker story about an elderly counterfeiter “illuminates the timeless oddities and wonders of the human psyche,” David Grann writes. #NewYorker100

Jennifer Wilson on Susan Orlean’s “Orchid Fever” The writer worried that the story was “too niche, too odd,” the crime of flower theft “too minor.” To think, I had loved it for precisely those qualities.

Susan Orlean’s profile of an orchid poacher, published in this magazine in 1995, inspired Charlie Kaufman’s movie “Adaptation.” Jennifer Wilson reflects on Orlean’s stormy, sensual prose. #NewYorker100

Philip Gourevitch on Gilles Peress’s Photo from September 11th Peress reached the World Trade Center just as the second tower collapsed.

The photographer Gilles Peress reached the World Trade Center just before the second tower collapsed. @pgourevitch.bsky.social reflects on Peress’s photograph of first responders at the scene. “There it is: ashes to ashes, dust to dust, no metaphors.” #NewYorker100

Andrew Marantz on Janet Flanner’s “Führer” Flanner’s tone was cool and ironic, above taking sides. But, in a Profile of Adolf Hitler, refusing to take sides can be a way to miss the story.

“He becomes sick if he sees blood, yet he is unafraid of being killed or killing.” In 1936, Janet Flanner wrote about Adolf Hitler for this magazine. Andrew Marantz reflects on Flanner’s three-part Profile. #NewYorker100

A Century of The New Yorker @nypl.bsky.social @newyorker.com #touristthursday #newyorker100 #nypl #library #magazine #newyorker

🛩📚 Este domingo en #biblioturistas visitamos junto a Ángeles la #BibliotecaPúblicaDeNuevaYork, una de las bibliotecas ➕ importantes del mundo
🗽 Hasta el 21/02/2026 acogerá la exposición 👉 A century of The @newyorker.com 
📸 Envía tus fotos biblioturisteando a bpab.actividades@jccm.es
#NewYorker100

“The Comedian,” by Ottessa Moshfegh He was nothing and nobody, and nobody cared, and he thought that everyone was watching him, that even I was watching him.

“I felt sorry for my father, and I could never laugh at him, even if his jokes were funny, which they rarely were.” Read “The Comedian,” a new short story by Ottessa Moshfegh, from our Centenary Fiction Issue. #NewYorker100

“The Silence,” by Zadie Smith She could sit on a bench in Europe completely unmolested, without a single human being saying a word to her, until the sun fell out of the sky.

“Everywhere reminded her of everywhere else these days, as if the beginning of her life and its forthcoming end were meeting.” Read a new story from Zadie Smith in our centenary Fiction Issue. #NewYorker100

Molly Fischer on Mark Singer’s “Mom Overboard!” The article, which appeared in the Women’s Issue, asks what happens when three women leave élite careers to stay home with their children.

Molly Fischer reflects on “Mom Overboard!,” Mark Singer’s 1996 report on three women who left élite careers to stay home with their children. #NewYorker100

Elif Batuman on Vladimir Nabokov’s “The Perfect Past” A contract with the The New Yorker saw Nabokov through his cash-strapped pre-“Lolita” years—and continued beyond them for three decades.

Eleven chapters of Vladimir Nabokov’s autobiography, “Speak, Memory,” initially appeared, out of order, in The New Yorker. Elif Batuman reflects on the first chapter, “The Perfect Past.” #NewYorker100

Just out: my latest blog on Commentary on the Commute, the fab free @NewYorker cartoon exhibition at Grand Central 🚇🖊️ — featuring legends like Roz Chast, Bob Mankoff, Corey Pandolph & more.
📝 graphicmemoir.co.uk/f/new-yorker...
#NewYorker100

Julian Lucas on Hilton Als’s “The Islander” The reporter’s casually piercing, coolly amused Profile of Derek Walcott introduced me to a man whose poetry I had read and whose behavior I hadn’t expected.

In college, the staff writer Julian Lucas took a break from annotating Derek Walcott’s “Omeros” to read Hilton Als’s profile of its author. “The Islander,” published in 2004, left Lucas “shipwrecked.” #NewYorker100

Mark Singer on John Bainbridge’s “The Super-Americans” As an Oklahoman, I knew too well the Texan behaviors that Bainbridge anatomized.

Mark Singer reflects on John Bainbridge’s Profiles of “Super-Americans”—those who believed in unfettered capitalism, racial segregation, and material ostentation—whom Bainbridge depicted with “wry, anthropological detachment.” #NewYorker100

The Battling Memoirs of The New Yorker A host of accounts by the magazine’s staffers covers a full century of its history, but the trove of recollection is fraught and jumbled.

The New Yorker is now 100 years old. Anthony Lane takes a backward glance at decades of material written about the magazine, published by New Yorker staffers. #NewYorker100

Our Favorite “Only in New York” Spots New Yorker writers muse on sui-generis spots around New York City.

New Yorker writers share some of their favorite local spots. #NewYorker100

The Promise of New York Other cities have better infrastructure, fewer rats, cleaner streets, plentiful public toilets, more elbow room. Yet people continue to flock here.

“No city is more celebratory of the individual. No city depends more, for its soul, and its survival, on the collective.” For our New York-themed centenary issue, Alexandra Schwartz writes an ode to N.Y.C. #NewYorker100

The Promise of New York Other cities have better infrastructure, fewer rats, cleaner streets, plentiful public toilets, more elbow room. Yet people continue to flock here.

“No city is more celebratory of the individual. No city depends more, for its soul, and its survival, on the collective.” For our New York-themed centenary issue, Alexandra Schwartz writes an ode to N.Y.C. #NewYorker100

One Hundred Years of New York Movies Ten lesser known films from the past century have captured the city just as indelibly as modern classics by the likes of Martin Scorsese or Spike Lee.

“New York is a realm of fantasy and myth, obsession and resentment, fear and bewilderment for many who’ve never set foot in it.” Richard Brody shares his favorite films about New York. #NewYorker100

Our Favorite “Only in New York” Spots New Yorker writers muse on sui-generis spots around New York City.

A neighborhood charcuterie spot, a Red Hook record shop hosting jazz and improv nights, a family-owned pen store, and more. Our writers share their favorite places in New York. #NewYorker100

My grandmother LOVES the @newyorker.com. Thinks David Remick hung the moon. Talks about Susan Orleans and @jelaniya.bsky.social like they just came stopped by. As she reads, she marks in pen what my dad and aunt should read next. When she’s done with an issue, she sends it along. #NewYorker100

My 99 year old grandmother with @newyorker.com
On June 7, Patricia L Everett turns 100. #NewYorkerMag also turns 100.

Can you help? SOMEONE here knows someone at the #NewYorker100. Help make a old lady happy & get a NYer card to:
130 Park Bvld., West Cape May, NJ 08204.