Now Spinning: A Japanese King reissue from ‘77 that I picked up 3 weeks ago. Always super happy to find a Blue Note King out in the wild. #jazzsky #jazz #bop #hardbop #piano #jazzpiano #trio #bluenoterecords #bluenote #nowspinning #record #vinyl #japan #recordcollection #nowspinning #oldvinyl

This photo captures a legendary jazz album being displayed in an eclectic collector's space. The Album: "Back to Back: Duke Ellington and Johnny Hodges Play the Blues" Released on Verve Records Iconic cover showing Duke Ellington and Johnny Hodges sitting back-to-back in chairs Both men are impeccably dressed in dark suits The title features bold yellow and blue lettering: "BACK TO BACK" Gold "Verve" seal visible on the cover A Verve III label series release About the Recording: This is a historic collaboration between two titans of jazz: Duke Ellington - legendary composer, pianist, and bandleader, one of the most important figures in jazz history Johnny Hodges - brilliant alto saxophonist who was Ellington's longtime collaborator and soloist The "back-to-back" concept and photography perfectly captures the intimate musical dialogue between these two masters as they explore the blues together. The Setting: Displayed on a turntable ready to be played Behind it: extensive vinyl and CD collection on white shelving Black and white photograph of Einstein on the shelf Small Etruscan horse figurine Phrack challenge coin and various other collectibles and memorabilia Leather-bound books visible on upper shelf as well as art and design volumes Exposed brick wall visible on the left The album is a masterclass in blues playing from two absolute legends of the genre. ALT by Claude

who doesn't love johnny hodges?
who doesn't love duke ellington?
(get out of the room)

#vinyl #OldVinyl #dukeellington #johnnyhodges #jazz

Vinyl Grooveyard | Martin Hodges | Substack Recalling a time when "easy listening" vinyl spun on turntables up and down the country. Click to read Vinyl Grooveyard, by Martin Hodges, a Substack publication. Launched 2 days ago.

Just a couple of posts in at Vinyl Grooveyard. Why not hop on and subscribe for free? #oldvinyl #easylistening

This photo shows a hand holding up a vinyl record album — Chet Baker Quartet: Jazz at Ann Arbor. It was recorded at the Masonic Temple, 327 South Fourth Avenue — just a few blocks from my apartment — on May 9, 1954. The concert was organized by local jazz promoter and disc jockey Ollie McLaughlin, who arranged to have it taped. The cover is clean and elegant — white background with the title in black and red type, and a charming line-drawing illustration of five flapper-style figures dancing in a row. In the background you can see a wonderfully curated space — shelves packed with vinyl records (a Wes Montgomery album is visible), a dark sculptural bust on a pedestal, vintage binoculars, a small wooden mirror, and various other collectibles. It has the feel of a music lover's personal sanctuary. ALT by Claude

2015 reissue of the 1955 release of a mother's day 1954 live recording at masonic temple in ann arbor which was torn down to build the (grotesque) federal building (a.k.a. the new cia building, after john sinclair and pun plamondon bombed the old one which now […]

[Original post on a2mi.social]

This photo shows an Italian jazz vinyl album displayed in a creative workspace. The Album: "i grandi del JAZZ - ORNETTE COLEMAN" (The Greats of Jazz series) Published by Fabbri Editori, an Italian publisher known for their educational jazz series Black cover with vibrant gradient "JAZZ" logo in orange, pink, and blue Features a striking black and white profile photograph of Ornette Coleman playing saxophone Text "di Arrigo Polillo" credits the Italian jazz critic who wrote the accompanying material Track listing visible on the right side includes "Falling Stars," "Seruit," and "Doughnut" About Ornette Coleman: Ornette Coleman (1930-2015) was a revolutionary jazz saxophonist and composer who pioneered "free jazz" in the late 1950s and early 1960s. His unconventional approach to harmony and improvisation fundamentally changed the course of jazz music. The Setting: Organized workspace with white shelving units Cassette tape collection in checkered carrying case visible in background Multiple cups holding pens, markers, and art supplies Framed photographs and personal mementos Calendar and organizational materials A well-curated collector's environment This appears to be from an Italian educational jazz series, making it both a collectible and an informative piece for jazz enthusiasts. The Fabbri Editori series was particularly popular in Italy for introducing jazz legends to audiences. ALT by Claude Sonnet 4.5

uh oh

#aftermidnight #nowplaying #ornette #ornettecoleman #vinyl #jazz #oldvinyl

This photo shows a classic jazz vinyl album being held up in a personal music collection space. The Album: "The Wes Montgomery Trio" on the Riverside Records label Features the legendary jazz guitarist Wes Montgomery The cover shows Montgomery in formal attire (dark suit and tie) playing his guitar Distinctive orange/golden yellow border framing the album Classic jazz photography style with dramatic lighting highlighting Montgomery's profile and instrument The Setting: The album is being displayed in front of an impressive music collection Behind it is a checkered-pattern cassette tape carrying case filled with numerous tapes Shelving contains various media items including records, books, and collectibles Visible decorative items on the upper shelf including framed photos and small ornaments A well-organized collector's space with multiple storage solutions About Wes Montgomery: Wes Montgomery (1923-1968) was one of the most influential jazz guitarists of all time, known for his unique thumb-picking technique and octave playing style. This Riverside Records release represents his work from the early 1960s, a pivotal period in his career. The trio format showcases his innovative approach to jazz guitar in an intimate setting. This appears to be a cherished piece in a dedicated music enthusiast's collection, photographed with care to show both the album and the broader context of the collection. ALT by Claude Sonnet 4.5Cl

1959 was just such a great year for jazz

released in 1960; this is a 1962 mono repress

#nowplaying #wesmontgomery #vinyl #jazz #oldvi

Now Spinning: A pressing w/ alternate label from from ‘69. I’m getting very close to owing all of Jones’ Blue Notes. #jazz #postbop #drum #jazzsky #bluenote #bluenoterecords #vinyl #record #nowspinning #oldvinyl #usedrecords #usedvinyl #recordcollection #oldrecord #lp #vinyladdict

This photo shows a vintage "Merry Christmas" album by Johnny Mathis being held up in a cozy home library. The album cover features the legendary singer in a festive red cardigan sweater, sitting in a snowy setting with a warm, cheerful smile. The title is displayed in bold red and green lettering, perfectly capturing the holiday spirit. The background reveals an floor-to-ceiling bookshelf packed with books. White walls display several framed artworks, including a portrait and other pieces in various sizes. The room has a cultured, intellectual atmosphere with its combination of books, art, and classic vinyl records. The album itself shows its age with visible wear on the cover, including some paint splatters or stains, giving it a well-loved, vintage character. There's a price sticker visible in the upper right corner and a stereo indicator badge in the upper left, typical of records from that era. This looks like a cherished [not really] piece from someone's vinyl collection, being enjoyed during the holiday season. ALT by Claude

i have a dozen or so xmas records on continuous loop for the next couple days, including three by johnny mathis!

this one is a 1967 reissue of the 1958 classic. i picked it up at the used record store up the street for seven bucks.

#nowplaying #OldVinyl #vinyl #vinylrecords

I am holding a vinyl record album cover for "The Journey Within" by the Charles Lloyd Quartet. The album is on Atlantic Records (catalog number 1459) and is labeled as stereo. The album cover features vibrant, psychedelic artwork typical of the late 1960s era, with colorful concentric circles in pink, yellow, green, blue, and other bright colors creating a swirling pattern across a black background. In the center is a circular photograph of the quartet members - four musicians smiling at the camera, with distinctive 1960s style including afros and mustaches. Behind the album cover, you can see a turntable with its clear plastic dust cover open, and the actual vinyl record visible inside with its green and blue Atlantic Records label. The setting is a shelf, with some storage items visible in the background. The album represents an important piece of jazz history - Charles Lloyd was a prominent jazz saxophonist and his quartet was influential in the jazz fusion movement of that era. ALT by Claude

This photo shows another Charles Lloyd Quartet album, this time a live recording titled "The Charles Lloyd Quartet Recorded Live at the Fillmore Auditorium in San Francisco." It's also on Atlantic Records and marked as stereo. The album cover features similarly psychedelic 1960s artwork with vibrant concentric circles and swirling patterns in hot pink, orange, and black. The design forms a heart-like or double-circle shape in the center, which contains a photograph of the quartet performing live on stage - you can see the musicians with their instruments, including what appears to be a drum kit. The album is being held up in front of a record collection, and you can see the "Journey Within" album from the previous photo visible in the background on the shelf, along with numerous other vinyl records stored vertically. There's also what appears to be an album liner notes insert or booklet visible at the top left. The Fillmore Auditorium was an iconic San Francisco venue central to the 1960s counterculture movement, making this a particularly significant live jazz recording from that era. The bold, psychedelic graphic design perfectly captures the aesthetic of the time and the venue's reputation for groundbreaking performances. ALT by Claude

i found these two gems at the record store up the street and, at twelve bucks each, couldn't resist. i listened to these LPs (and dream wever and forest flower) a ton in high school.

#jazz #vinyl #vinylrecords #OldVinyl #charleslloyd
#charleslloydquartet

they […]

[Original post on a2mi.social]

#newvinyl but #oldvinyl - #Silversun - Neo Wave (1998)

Great band from the 90s, this their second album. Great vocalist James Broad was. Big shame he passed in 2020.

#vinyl #vinylcollectionpost

I am holding up a vinyl record album with a bright yellow/orange cover. The album features Count Basie and Neal Hefti dressed in vintage baseball uniforms - one wearing a dark cap and the other wearing a red cap. The text on the cover reads "Basie plays Hefti" (with "EMUS" visible at the top, part of a reissue label). The photo is taken in a home workspace. In the background, there's a white shelving unit containing various items including: • A black sculptural bust on the left • A small framed photograph • Some wooden decorative objects • Multiple books and notebooks arranged vertically • Various photographs and papers • Small toy cameras on the shelf The setting suggests this is a collector's space or creative workspace with an eclectic mix of art objects, books, and memorabilia. The vintage jazz album being displayed is clearly a prized piece from this collection. ALT by Claude

check it out — ten bucks at the used record store up the block! this wasn't there last week.

this is a 1974 EMUS reissue of the 1958 Roulette LP.

#nowplaying

ooh yeah it sounds great!!!!

#jazz #basie #countbasie #CountBasieandHisOrchestra #nealhefti #vinyl #vinylrecords #oldvinyl

My hand is holding up a classic vinyl record album: "Time Out" by The Dave Brubeck Quartet, Columbia Records 1959 stereo release (catalog number CS 8192), one of the most celebrated jazz albums of all time and one of the first jazz albums to sell over a million copies. It features the classic lineup of the quartet: Dave Brubeck on piano, Paul Desmond on alto saxophone, Joe Morello on drums, and Eugene Wright on bass. The track listing visible includes "Strange Meadow Lark," "Three to Get Ready," "Kathy's Waltz," "Everybody's Jumpin'," and "Pick Up Sticks," along with the famous "Take Five" and "Blue Rondo A La Turk." The album is known for its use of unusual time signatures. The cover features a distinctive abstract geometric design with circles, semi-circles, and angular shapes in earth tones — browns, oranges, blues, and beiges — against a dark background. The artwork was created by S. Neil Fujita, a renowned graphic designer who created many memorable Columbia Records album covers during the 1950s and 60s. His modernist design for "Time Out" has become one of the most recognizable album covers in jazz history. The cover was considered a risk at the time, as it did not show a photo of the musicians. ALT by Claude, Google, and me

i'm excited bc i found this absolute classic LP at the record store across the street ...and i bargained a little to get the price down by a third

no skips so far!

#nowplaying #vinyl #vinylrecords #OldVinyl #vinyl #brubeck #davebrubeck #davebrubeckquartet #pauldesmond #desmond #jazz #jazzmusic

Now spinning: One of the Crown Jewels of my collection… A rare, OG 10” mono from 1955. As an added bonus, it’s one of all time fave Blue Notes. #bluenote #record #vinyl #oldvinyl #rarerecord #jazz #bop #bluenoterecords #oldrecords #trumpet #vinylcollectors #vinylporn #nowspinning

i had to play oo-shoo-be-doo-bee twice

#nowplaying #oldvinyl #vinyl #vinylrecords #jazz #dizzygillespie #dizzy

This photo shows someone [that would be me, Claude] holding a jazz album titled "The Champ" on the Savoy Records label (catalog number MG 12047). The album cover features a striking red background with a black and white photograph of a smiling musician [Dizzy Gillespie!] in a suit holding a trumpet, with a golden crown illustration above his head - fitting the "Champ" theme. The album features an impressive lineup of jazz legends, as listed on the cover: Dizzy Gillespie, Milt Jackson, Bill Graham, Joe Carroll, Stuff Smith, Percy Heath, John Coltrane, and Wynton Kelly. This is clearly [clearly!] a significant jazz recording given the caliber of musicians involved. The photo is taken in a home with an extensive [not really] record collection visible in the background - you can see shelves packed with vinyl albums and books. There's also a brick wall visible and some framed artwork. The setting suggests this belongs to a serious [not really!] jazz collector with a substantial [it's limited to six linear feet!] music library.

i'm going through my records looking for ones to trade in or give away, found a mancini soundtrack that does not spark joy ("the great race"), sonny rollins' freedom suite doesn't do it to me, was eyeballing this dizzy gillespie savoy reissue but milt jackson and […]

[Original post on a2mi.social]

This is a photograph of a vinyl record album cover for “The Inflated Tear” by Roland Kirk. The album was released on Atlantic Records (catalog number SC 1502) and features the “New Process CSS Stereo Compatible” labeling at the top. The cover art shows a dramatic photograph of Roland Kirk, the renowned jazz multi-instrumentalist, playing what multiple wind instruments simultaneously - he was famous for his ability to play several saxophones and other wind instruments at once. He’s wearing sunglasses and the image captures him mid-performance with the instruments creating an impressive visual array. The album title “the inflated tear” is displayed in white lowercase letters, while “ROLAND KIRK” appears in large orange/yellow block letters at the top. The overall design has a stark, artistic quality typical of jazz album covers from this era (likely late 1960s). The record is being held by someone’s hand, and you can see a brick wall and some houseplants in the background, suggesting this photo was taken in someone’s home.​​​​​​​​​​​​​​​​

i know i’m always playing the same stuff, miles, rahsaan, i’ll be playing sinatra or charles lloyd in a minute #nowplaying #vinyl #vinylrecords #jazz #oldvinyl #rahsaan #rolandkirk

this is some repackaged early miles with bird , max roach, etc. (notwithstanding the cover photo)

#nowplaying #vinyl #vinylrecords #oldvinyl #miles #milesdavis

Original post on a2mi.social

herbie hancock and ron carter (he went to my high school!) are fabulous on this record

and victor feldman on piano .… what to say ... i don't know if you know me, but you may remember my henry mancini fascination back in covid times, my utter addiction to his interstitial music in blake […]

This photo shows another view of the same home library, now featuring someone [me!] holding up Miles Davis's classic album "Seven Steps to Heaven." The album cover has a distinctive yellow-to-red gradient design with the title in large white letters and a silhouette of Miles Davis playing trumpet. The scene reveals more details of this music lover's [oh go on!] setup: there's a turntable visible in the lower right corner with what appears to be a red vinyl record on it [uh it's black with a red label], and you can see the same extensive bookshelves filled with various volumes. There's also a small sculptural bust visible on one of the shelves, and the colorful LED lights continue to provide ambient lighting throughout the space. "Seven Steps to Heaven" was recorded in 1963 and marked an important transitional period for Miles Davis, featuring both his older quintet with some members and newer musicians who would become part of his second great quintet. The album represents a bridge between his earlier hard bop period and his later more experimental work. The setting suggests someone with serious appreciation for both jazz history and literature [blush!], creating a cozy [super cozy! we worship the cozy gods!] environment perfect [!!!] for listening to classic albums while surrounded by books. [and reading papers on recurrent neural networks]

here's a record i have had for a million years (you can tell bc there's that stupid phallic affectation again that i attached to my scrawl during my late hs and early college years) and played a million times. it's a little scratchy/pop-y but that's ok, even […]

[Original post on a2mi.social]

This photo shows someone [it me!] holding up a vinyl record album in what a home library. The album is "Africa/Brass" by The John Coltrane Quartet, released on the Impulse! record label (you can see the distinctive Impulse! logo in the upper right corner). The album cover features a striking image of John Coltrane playing his saxophone, photographed in dramatic lighting that gives his face and instrument a golden glow against a dark background. Behind the record, you can see extensive bookshelves filled with books, and there are some colorful LED lights creating a festive atmosphere - one shelf has warm yellow lighting, and another has multicolored lights. The setting suggests this is a well-read household with an appreciation for both literature and jazz music. [oh you flatterer you!] "Africa/Brass" was one of Coltrane's significant albums from 1961, representing his exploration of African musical influences and featuring arrangements by Eric Dolphy. It's considered an important work in Coltrane's discography during his period with Impulse! Records.

i was blessed to find this flawlwss vintage coltrane LP in a used record store in alepna michigan

#nowplaying #vinyl #vinylrecords #OldVinyl #jazz #johncoltrane #johncoltranequartet #coltrane

The photo shows someone [that would be me] holding a vinyl record album. The cover features the Charles Lloyd Quartet with the title “Montreux 82” written at the bottom. The design has a mostly white background with bold red text at the top for the artist’s name. In the center is a framed image of Charles Lloyd seated casually, smiling, wearing a knit cap and a sweater. The photo has some drawn or painted artistic embellishments around it, giving it a stylized look. The bottom right corner of the album cover has a price sticker: 05/04/25 – $12.00. At the bottom, the word Musician appears, suggesting the label or series. It looks like a jazz record documenting Charles Lloyd’s performance at the Montreux Jazz Festival in 1982.

i continue to love charles lloyd, in case you were wondering

#nowplaying #vinyl #vinylrecords #OldVinyl #jazz #charleslloyd #charleslloydquartet

Now spinning: an early reissue of this from ‘70 w/ west coast labels. Spacy, funky… Better than “Moon Rappin’”, and I genuinely like that LP. #jazz #souljazz #funky #bluenote #oldvinyl #usedvinyl #vinyl #records #jazzorgan #hammondb3 #bluenoterecords

This photo shows a Charles Lloyd Quartet album titled "Of Course Of Course" on Columbia Records. The album cover features a distinctive design with two identical photographs of Charles Lloyd holding his saxophone, wearing sunglasses and a suit. The photos are arranged side by side, with the text "Of course" and "of course" appearing between them in yellow and pink lettering respectively. The setting appears to be the same collector's space, but this time we can see more of the wall decorations in the background. There are several framed posters on the exposed brick wall, including what appears to be a French exhibition poster ("nuits de la fondation maeght") with a space/cosmic theme featuring dots and lines on a black background, and another poster that seems to feature an Asian woman in traditional dress. There's also a price sticker visible on the album cover showing "$50," suggesting this might be from a record store or collection being sold. Charles Lloyd was an important figure in avant-garde and fusion jazz, and this album appears to be from his innovative period in the late 1960s when he was exploring new directions in jazz music.

i've been kind of fixated on charles lloyd the last year or two, even flew out to new york in june to see him open for branford marsalis at town hall

i started listening to him in the sixties when he was the darling of the hippie set (and i was an upwardly […]

[Original post on a2mi.social]

This photo shows a Count Basie album titled "This Time by Basie! Hits of the 50s & 60s" with arrangements by Quincy Jones. The album cover features a vibrant, collage-style design with the word "BASIE" spelled out in large, colorful block letters using different patterns and textures - some letters appear to be made from newspaper clippings, dots, and various colored sections. The cover lists several classic songs including "Moon River," "What Kind of Fool Am I," "I Left My Heart in San Francisco," "Swingin' Shepherd Blues," "Theme from The Apartment," "Fly Me to the Moon," and others. There's a small photograph of Count Basie himself visible in the lower portion of the cover. The setting continues to be the same cozy library space with floor-to-ceiling bookshelves filled with books. You can also see a distinctive black sculptural bust or head on one of the shelves, which adds an artistic element to the room's decor. This is from Basie's later period when he was recording contemporary popular songs and jazz standards, with the sophisticated arrangements by Quincy Jones giving these familiar tunes the big band treatment.

having established a few months back that among the myriad "one mint julep" covers, the three best are the clovers (the original), ray charles (arr. by quincy jones!), and the persuasions, still, count basie's julep(also arr. by q!) is a delight

apropos of […]

[Original post on a2mi.social]

This photo shows a vinyl album, "The Natch'l Blues" by Taj Mahal, released on Columbia Records. The cover features striking black and white artwork with a circular design containing a stylized mask with flowing, organic elements. The artwork has an earthy, folk-art quality that fits well with Taj Mahal's blues and world music style. The setting is the same cozy library/music room with exposed brick walls and floor-to-ceiling bookshelves packed with books. You can see framed artwork on the walls, including what appears to be some illustrations or prints. There's also a small decorative display with colorful lights visible on one of the shelves, and what looks like a small decorative house silhouette cutout. The room has a warm, intellectual atmosphere that suggests someone with deep interests in both literature and music - a perfect environment for enjoying classic blues albums like this Taj Mahal recording. [Oh ha ha, you flatter me, Claude!]

This photo shows the back cover of the same Taj Mahal "The Natch'l Blues" album from the previous image. The back cover features a sepia-toned photograph of Taj Mahal himself, wearing his characteristic wide-brimmed hat, sunglasses, and what appears to be a patterned shirt or vest. He's photographed in a contemplative pose. The back cover includes the complete track listing for both sides of the album, with songs like "Good Morning Miss Brown," "Corinna," "I Ain't Gonna Let Nobody Steal My Jellroll," and others. You can see it was produced by David Rubinson and released on Columbia Records (Stereo CS 9698). There's detailed liner notes text describing the album and Taj Mahal's musical approach, along with credits for the musicians who performed on the recording. The layout is typical of late 1960s album design, with the photograph taking up most of the space and text information arranged around it. The album is being held in what appears to be the same book-lined room from the previous photos, with bookshelves visible in the background. This gives you a nice view of both the artistic front cover and the informational back cover of this classic blues album.

yeah i love this guy

i did not know al kooper played keyboards on this record

#nowplaying #vinyl #vinylrecords #OldVinyl #tajmahal #blues

This photo shows someone holding a vintage jazz album cover titled "An Evening at Home with The Bird" featuring Charlie Parker. It's part of the "Jazz Immortal Series - Volume One" and is an "Enhanced Stereo" release on the Savoy label (catalog number MG 12132). The album cover has a classic black and white design with a grainy, high-contrast photograph of Charlie Parker playing saxophone. The text is arranged in a stylized layout typical of 1950s-60s jazz album artwork. The setting is a cozy record collection area with exposed brick walls and wooden shelving filled with vinyl records in the background. There's also a turntable visible, and some colorful album covers can be seen on the shelves, including Herbie Hancock's Headhunters. This is clearly a collector's space dedicated to vinyl records, and the Charlie Parker album being displayed suggests an appreciation for bebop jazz and classic recordings from one of the most influential alto saxophonists in jazz history.

they say it's a bootleg recorded in a chicago club in 1950

#nowplaying #vinyl #vinylrecords #OldVinyl #charlieparker
#yardbird #jazz #bebop

This photo shows someone holding a vinyl record of Herbie Hancock – Head Hunters, the landmark 1973 jazz-funk album. The cover art is vibrant and psychedelic: it features a figure with a bright orange and yellow body playing a keyboard, but instead of a human head, the figure has a large, stylized mask shaped like an abstract African-inspired mask with a VU meter in the center. Behind the central figure are members of the band, partially shaded in blue tones, holding instruments. In the background, you can see shelves filled with vinyl records, a stereo system, and various decorative items: a framed photo of Albert Einstein, a black bust sculpture, flowers in a glass vase, and a figurine wearing clothes. Part of a patterned rug is visible on the floor. The photo blends the bold, funky energy of the album art with the cozy, eclectic atmosphere of a personal listening space.

#nowplaying #vinyl #vinylrecords #OldVinyl #herbiehancock #herbie_hancock #headhunters #jazz #funk #jazzfunk

This is a black-and-white polaroid photo of a storefront in Alpena, MI. The shop has a central doorway with large display windows on either side. Each window has an illuminated “OPEN” sign. The window on the left shows partial lettering that reads “NOISE & TOYS” (though the text is faint). The top of the building is decorated with a string of musical note symbols, suggesting that the shop is music-related—possibly a record store. The overall style, framing, and signage give the impression of a small, independent, vintage shop. The sidewalk is visible in front, and some foliage from a tree and a bit of plants at the bottom right edge of the photo add to the streetscape.

this is a very cool record store

#OldVinyl #vinyl #vinylrecords

boogie woogie string along for real

rahsaan’s last recorded album #nowplaying #OldVinyl #vinyl #vinylrecords #vinyl

Roland Kirk, The Inflated Tear

#nowplaying #OldVinyl