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This introspective self-portrait catches Dod Procter at a moment when she was shaping her public image as a modern professional artist. Born Doris “Dod” Shaw in London in 1890, she trained as a teenager at Stanhope and Elizabeth Forbes’s school in Newlyn, then studied in Paris at the progressive Atelier Colarossi, absorbing lessons from Cézanne and Renoir. In the 1920s, she became widely known for her paintings of young women, reducing detail and heightening form to create calm, monumental figures. Her painting “Morning” was famously bought for the national collection, briefly making her a household name. Here, she turns that same clear, unsentimental eye on herself.

The painting shows a young Procter in three-quarter profile, turned to the right so we see the clear outline of her nose, lips, and chin against a deep, almost velvety black background. Her skin is pale with a gentle pink flush across her cheeks and nose, suggesting cool light falling from the left. She has dark brown hair cut in a neat, close bob with a straight fringe and softly rounded shape hugging her head. Her gaze is directed out of frame, thoughtful rather than posed, with her mouth closed and relaxed. Procter wears a light, grey-beige sweater with soft, brushed texture and sleeves that gather subtly at the wrists. Around her neck is a bright, patterned scarf, predominantly crimson with touches of grey, tied in a simple knot so the ends fall down her chest. The contrast between her glowing flesh tones, the muted jumper, and the vivid scarf is crisp, but peaceful.

The bobbed hair, plain sweater, and bold scarf evoke the new independence of interwar women, yet her averted gaze hints at reserve and self-containment rather than showmanship. The work belongs to her mature Newlyn period and shows the poised, androgynous persona that helped her become one of the first women elected to full membership of the Royal Academy, while also anchoring Penlee House’s story of women artists in West Cornwall.

This introspective self-portrait catches Dod Procter at a moment when she was shaping her public image as a modern professional artist. Born Doris “Dod” Shaw in London in 1890, she trained as a teenager at Stanhope and Elizabeth Forbes’s school in Newlyn, then studied in Paris at the progressive Atelier Colarossi, absorbing lessons from Cézanne and Renoir. In the 1920s, she became widely known for her paintings of young women, reducing detail and heightening form to create calm, monumental figures. Her painting “Morning” was famously bought for the national collection, briefly making her a household name. Here, she turns that same clear, unsentimental eye on herself. The painting shows a young Procter in three-quarter profile, turned to the right so we see the clear outline of her nose, lips, and chin against a deep, almost velvety black background. Her skin is pale with a gentle pink flush across her cheeks and nose, suggesting cool light falling from the left. She has dark brown hair cut in a neat, close bob with a straight fringe and softly rounded shape hugging her head. Her gaze is directed out of frame, thoughtful rather than posed, with her mouth closed and relaxed. Procter wears a light, grey-beige sweater with soft, brushed texture and sleeves that gather subtly at the wrists. Around her neck is a bright, patterned scarf, predominantly crimson with touches of grey, tied in a simple knot so the ends fall down her chest. The contrast between her glowing flesh tones, the muted jumper, and the vivid scarf is crisp, but peaceful. The bobbed hair, plain sweater, and bold scarf evoke the new independence of interwar women, yet her averted gaze hints at reserve and self-containment rather than showmanship. The work belongs to her mature Newlyn period and shows the poised, androgynous persona that helped her become one of the first women elected to full membership of the Royal Academy, while also anchoring Penlee House’s story of women artists in West Cornwall.

“Self Portrait” by Dod Procter (British) - Oil on canvas / c. 1920s - Penlee House Gallery & Museum (Penzance, England) #WomenInArt #DodProcter #Procter #PenleeHouse #WomanArtist #WomenArtists #art #artText #artwork #BlueskyArt #BritishArtist #Penlee #1920s #BritishArt #arte #SelfPortrait #WomensArt

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✨ Exciting evening ahead! ✨
Maisy-Sky, Katie S, and Katie H are proudly representing Penlee House at the Cornwall Tourism Awards 2025 tonight 🏆

We’re thrilled to be nominated for Small Tourism Attraction of the Year — fingers crossed! 🤞💛

#CornwallTourismAwards #PenleeHouse #Penzance

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Don’t miss “Flora: 150 Years of Environmental Change in Cornwall,” an incredible exhibition curated by the internationally renowned artist Kurt Jackson! On show at Penlee House until 11 January 2025 🌍🖼️ 🌺

penleehouse.org.uk/exhibition/f...

#KurtJackson #PenleeHouse #ArtInNature #EnvironmentalChange

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