Echoes of the subject: poetic, mathematical, and imaginative interplay in the literary writings of Ada Lovelace and Sofia Kovalevskaya - Subjectivity This paper explores the intricate interplay between mathematics, poetry, and imagination through a close reading of writings by two women mathematicians, Ada Lovelace and Sofia Kovalevskaya. Drawing on Romantic conceptions of the poetic, philosophical accounts of imagination and scientific reverie, and rhythmic and echoic conceptions of subjectivity, the paper argues for a poetics of mathematical thought that resists rigid disciplinary separations. It traces how these women’s literary work mobilizes imaginative registers–analogy, reverie, rhythm, echo, dream–not as metaphors for mathematics, but as vital forms of mathematical invention and expression. The result is a rethinking of what it means to ‘do’ mathematics poetically, not in spite of abstraction, but through and with it–through the reverberations, returns, and recursive patterns that echo through both mathematical and poetic forms.

Echoes of the subject: poetic, mathematical, and imaginative interplay in the literary writings of #AdaLovelace and #SofiaKovalevskaya #Rhythm #Echo #PoeticalScience #MathematicalImagination. Original article by Maria Tamboukou.

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If Zora, Langston, Baldwin, and Du Bois
had a mic today, it would sound like A2.
A modern Renaissance. Same soul. Different generations walking through centuries of struggle, armed with memory, melody, and the fire to reinvigorate grassroots style.

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She once wrote of “poetical science”—a way to perceive the beauty in the abstract.
In other words: to compute was not just to calculate, but to contemplate the universe.
#poeticalscience

Ada Lovelace, Part Two: The Analytical Engine Ridiculous History · Episode

Ada Lovelace, Part Two: The Analytical Engine

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Ada Lovelace, Part One: How Lord Byron’s Daughter Became a Tech Visionary Ridiculous History · Episode

Ada Lovelace, Part One: How Lord Byron’s Daughter Became a Tech Visionary

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Diagram of an algorithm for the Analytical Engine for the computation of Bernoulli numbers, from Sketch of The Analytical Engine Invented by Charles Babbage by Luigi Menabrea with notes by Ada Lovelace.

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This was the first fully-automatic calculating machine. British computing pioneer Charles Babbage (1791-1871) first conceived the idea of an advanced calculating machine to calculate and print mathematical tables in 1812. This machine, conceived by Babbage in 1834, was designed to evaluate any mathematical formula and to have even higher powers of analysis than his original Difference engine of the 1820s. Only part of the machine was completed before his death in 1871. This is a portion of the mill with a printing mechanism. Babbage was also a reformer, mathematician, philosopher, inventor and political economist.

Charles Babbage's Analytical Engine (1834-1871)

Ada Lovelace developed a vision of the capability of computers to go beyond mere calculating or number-crunching. Her mindset of “poetical science” led her to ask deeper questions about the Analytical Engine.

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Augusta Ada King, Countess of Lovelace (née Byron), was an English mathematician and writer, chiefly known for her work on Charles Babbage‘s proposed mechanical general-purpose computer, the Analytical Engine.

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