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SDR

A Study in Chromatic Long-Exposure
The Work
Violet Tide is a masterful intersection of timing and optical filtration. Captured at the edge of the incoming tide, the work utilizes a 20-second long exposure to soften the Atlantic's kinesis into a glass-like surface of deep magenta and indigo. By deploying an FLD (Fluorescent Daylight) filter, the photographer has intentionally shifted the natural twilight spectrum into a surrealist palette, finding an electric vibrancy within the coastal dusk.
Technical Narrative
Executing this vision required a disciplined approach to light management. Shooting at a low angle at 40mm, the composition emphasizes the leading lines of the ridged sand, which serve as conduits for the reflected sky.
• Optics & Filtration: The combination of an FLD filter and a dedicated lens hood allowed for deep color saturation while maintaining critical contrast, preventing stray light from softening the frame's edges.
• Exposure Architecture: Using the Sony a7 III's expanded ISO 50 and an aperture of f/6.3, the photographer achieved a 20-second shutter speed without the need for heavy neutral density stacking, preserving the subtle textures of the receding shoreline.
• Dynamic Range: Presented in both HDR and SDR, the piece showcases a vast tonal range, from the darkest silhouettes of the treeline to the luminous, high-chroma peaks of the cloud formations.
Artist: Warlock Photography
Date: February 2, 2026 | 5:13 PM
Location: Coastal Maine

SDR A Study in Chromatic Long-Exposure The Work Violet Tide is a masterful intersection of timing and optical filtration. Captured at the edge of the incoming tide, the work utilizes a 20-second long exposure to soften the Atlantic's kinesis into a glass-like surface of deep magenta and indigo. By deploying an FLD (Fluorescent Daylight) filter, the photographer has intentionally shifted the natural twilight spectrum into a surrealist palette, finding an electric vibrancy within the coastal dusk. Technical Narrative Executing this vision required a disciplined approach to light management. Shooting at a low angle at 40mm, the composition emphasizes the leading lines of the ridged sand, which serve as conduits for the reflected sky. • Optics & Filtration: The combination of an FLD filter and a dedicated lens hood allowed for deep color saturation while maintaining critical contrast, preventing stray light from softening the frame's edges. • Exposure Architecture: Using the Sony a7 III's expanded ISO 50 and an aperture of f/6.3, the photographer achieved a 20-second shutter speed without the need for heavy neutral density stacking, preserving the subtle textures of the receding shoreline. • Dynamic Range: Presented in both HDR and SDR, the piece showcases a vast tonal range, from the darkest silhouettes of the treeline to the luminous, high-chroma peaks of the cloud formations. Artist: Warlock Photography Date: February 2, 2026 | 5:13 PM Location: Coastal Maine

HDR

A Study in Chromatic Long-Exposure
The Work
Violet Tide is a masterful intersection of timing and optical filtration. Captured at the edge of the incoming tide, the work utilizes a 20-second long exposure to soften the Atlantic's kinesis into a glass-like surface of deep magenta and indigo. By deploying an FLD (Fluorescent Daylight) filter, the photographer has intentionally shifted the natural twilight spectrum into a surrealist palette, finding an electric vibrancy within the coastal dusk.
Technical Narrative
Executing this vision required a disciplined approach to light management. Shooting at a low angle at 40mm, the composition emphasizes the leading lines of the ridged sand, which serve as conduits for the reflected sky.
• Optics & Filtration: The combination of an FLD filter and a dedicated lens hood allowed for deep color saturation while maintaining critical contrast, preventing stray light from softening the frame's edges.
• Exposure Architecture: Using the Sony a7 III's expanded ISO 50 and an aperture of f/6.3, the photographer achieved a 20-second shutter speed without the need for heavy neutral density stacking, preserving the subtle textures of the receding shoreline.
• Dynamic Range: Presented in both HDR and SDR, the piece showcases a vast tonal range, from the darkest silhouettes of the treeline to the luminous, high-chroma peaks of the cloud formations.
Artist: Warlock Photography
Date: February 2, 2026 | 5:13 PM
Location: Coastal Maine

HDR A Study in Chromatic Long-Exposure The Work Violet Tide is a masterful intersection of timing and optical filtration. Captured at the edge of the incoming tide, the work utilizes a 20-second long exposure to soften the Atlantic's kinesis into a glass-like surface of deep magenta and indigo. By deploying an FLD (Fluorescent Daylight) filter, the photographer has intentionally shifted the natural twilight spectrum into a surrealist palette, finding an electric vibrancy within the coastal dusk. Technical Narrative Executing this vision required a disciplined approach to light management. Shooting at a low angle at 40mm, the composition emphasizes the leading lines of the ridged sand, which serve as conduits for the reflected sky. • Optics & Filtration: The combination of an FLD filter and a dedicated lens hood allowed for deep color saturation while maintaining critical contrast, preventing stray light from softening the frame's edges. • Exposure Architecture: Using the Sony a7 III's expanded ISO 50 and an aperture of f/6.3, the photographer achieved a 20-second shutter speed without the need for heavy neutral density stacking, preserving the subtle textures of the receding shoreline. • Dynamic Range: Presented in both HDR and SDR, the piece showcases a vast tonal range, from the darkest silhouettes of the treeline to the luminous, high-chroma peaks of the cloud formations. Artist: Warlock Photography Date: February 2, 2026 | 5:13 PM Location: Coastal Maine

HDR & SDR

“Violet Tide”

Sony a7 III ( ILCE-7M3 )
Sony 28 - 70mm Lens
FLD Filter & Lens Hood
ISO 50 40mm 0ev f/6.3 20s

#WarlockPhotography #PortClyde #Maine #Photography #Photographer #LongExposure #Sonya7III

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Downeasters:
#PortClyde
#TupperIsland
#JusticeRoberts-VigilProtest

tomorrow, Aug 30

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Protest flyer with illustration of ocean kayaker from above. Text reads 

By Land and By SeaVigil

At Port Clyde Landing
On August 30th

Supreme Court Chief Justice Roberts has a summer home on Hupper Island

PROTEST the Courts' complicity in executive abuses by:
• Paddling and rowing in the sea near the Island
• Standing onshore in support

Arrive at 9:30
Water and land protests
from 10:00 to 10:30
Bring signs and/or boats!

Public parking is limited, please carpool if possible

For more information, please email contact@audacitycat.com

Protest flyer with illustration of ocean kayaker from above. Text reads By Land and By SeaVigil At Port Clyde Landing On August 30th Supreme Court Chief Justice Roberts has a summer home on Hupper Island PROTEST the Courts' complicity in executive abuses by: • Paddling and rowing in the sea near the Island • Standing onshore in support Arrive at 9:30 Water and land protests from 10:00 to 10:30 Bring signs and/or boats! Public parking is limited, please carpool if possible For more information, please email contact@audacitycat.com

#PortClyde #Maine #Resist

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Crystal clear or with high night #distortion, this place is a #miracle of beauty. #Maine #PortClyde #DeepCove #photography

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Wonderful to Share Jon Mort 's TIDE UNBOUND and THE THIRD DIMENSION 2025 #PortClyde #OpenStudio with #family and #friends!

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Marshall Point Lighthouse around sunrise in Port Clyde, Maine.

#lighthouse #marshallpint #maine #portclyde #sunrise #atlantic #coast #coastalmaine #forrestgump

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#maine #lowerdeck #elizabethann #portclyde #marshallpoint #lighthouse

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#maine #portclyde #monhegan #elizabethann #laurab #trailingyew #libstercove

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#marshallpoint #runforestrun #gumpwashere #maine #portclyde #mist

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Taste of Maine - small sampling of mid coast. #boothbay #camden #portland #portclyde #maine #travel #photography

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