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A collage of ten original artworks in an Op Art–influenced style. Recurring motifs include concentric rainbow halos, black-and-white geometric grids, and dense parallel linework that creates visual vibration. Several pieces feature anthropomorphic figures: a horned, bestial creature crouching within rainbow rings; two simplified silhouetted humanoids β€” one white, one black β€” facing each other with thought clouds above their heads; and a small top-hatted figure mid-fall amid a colourful triangle mosaic. Other works depict an impossible Rubik's-cube tower, a warped black-and-white oval lattice, overlapping hatched rectangles on cream paper, and a diamond grid of circle motifs in rainbow and greyscale. The palette swings between bold CMYK rainbow saturation and stark monochrome ink.

A collage of ten original artworks in an Op Art–influenced style. Recurring motifs include concentric rainbow halos, black-and-white geometric grids, and dense parallel linework that creates visual vibration. Several pieces feature anthropomorphic figures: a horned, bestial creature crouching within rainbow rings; two simplified silhouetted humanoids β€” one white, one black β€” facing each other with thought clouds above their heads; and a small top-hatted figure mid-fall amid a colourful triangle mosaic. Other works depict an impossible Rubik's-cube tower, a warped black-and-white oval lattice, overlapping hatched rectangles on cream paper, and a diamond grid of circle motifs in rainbow and greyscale. The palette swings between bold CMYK rainbow saturation and stark monochrome ink.

Started to feel disingenuous not mentioning Bridget Riley's influence on a particular branch of my artwork which is rearing up recently (or alternatively I'd just been going through an exploratory process similar to hers).
britishart.yale.edu/sites/defaul...

#PrimaerosArt

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Four-panel Op Art visualization mapping digit sequences to nested concentric circles on a 0–9 clockface grid. Each panel encodes a different number β€” a repeating decimal of 1s, a counting sequence, Ο€ (pi), and e (Euler's number) β€” as layered rings that shrink radially by a configurable rate (92–96%). The resulting black-and-white compositions produce hypnotic, Bridget Riley-esque spiral illusions: uniform digits (top-left) yield evenly-spaced concentric bands, while transcendental numbers (bottom row) generate irregular, swirling asymmetry. Metadata below each canvas lists circle count, nesting depth, and the parsed digit sequence. Interface controls allow input editing, shrink-rate adjustment, and image export.

Four-panel Op Art visualization mapping digit sequences to nested concentric circles on a 0–9 clockface grid. Each panel encodes a different number β€” a repeating decimal of 1s, a counting sequence, Ο€ (pi), and e (Euler's number) β€” as layered rings that shrink radially by a configurable rate (92–96%). The resulting black-and-white compositions produce hypnotic, Bridget Riley-esque spiral illusions: uniform digits (top-left) yield evenly-spaced concentric bands, while transcendental numbers (bottom row) generate irregular, swirling asymmetry. Metadata below each canvas lists circle count, nesting depth, and the parsed digit sequence. Interface controls allow input editing, shrink-rate adjustment, and image export.

like fingerprints

#PrimaerosArt

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Illustrated artwork showing two characters against a geometric background of colourful and grey triangular patterns. A small figure in a black, white and grey abstract space suit is upside-down in the upper left, wearing a round helmet and appearing curious at something on the lower right. Below and to the right, a large black creature resembling a werewolf stands upright on two legs, facing the falling figure with a menacing gaze. The background is divided diagonally: one half filled with vibrant multicoloured triangles in red, blue, yellow, green, pink, and purple and the other half rendered in muted grey tones of the same triangular pattern.

Illustrated artwork showing two characters against a geometric background of colourful and grey triangular patterns. A small figure in a black, white and grey abstract space suit is upside-down in the upper left, wearing a round helmet and appearing curious at something on the lower right. Below and to the right, a large black creature resembling a werewolf stands upright on two legs, facing the falling figure with a menacing gaze. The background is divided diagonally: one half filled with vibrant multicoloured triangles in red, blue, yellow, green, pink, and purple and the other half rendered in muted grey tones of the same triangular pattern.

γ€Ž An Eidonaut Greets A Neighbour Over The Aisthological Fence 』

πŸ”ΌπŸ”»β—€οΈπŸ‘¨β€πŸš€πŸΊβ–ΆοΈπŸ”ΊπŸ”½

#PrimaerosArt

I watched Iron Lung yesterday (loved it) then rewatched Event Horizon afterward.

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Preview
HERBS by nightPhaser and eyes

#PrimaerosArt

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Graphic artwork titled "ANHEDONICS" in bold red and black block letters centered across the image. The composition is divided into four quadrants with contrasting colors and patterns: upper-left features red-and-white vertical stripes; upper-right is solid deep purple; lower-left is solid teal green; lower-right has black-and-white vertical stripes. Two large diagonal shapes bisect the image β€” a black triangle radiating thin white lines from the upper-left, and a red triangle radiating thin white lines from the lower-right. Scattered throughout are six small illustrations of fried eggs with orange yolks, appearing on the black triangle, the green quadrant, the purple quadrant, and along the right edge. The overall aesthetic is bold, flat, and graphic, with a zine or screen-print quality.

Graphic artwork titled "ANHEDONICS" in bold red and black block letters centered across the image. The composition is divided into four quadrants with contrasting colors and patterns: upper-left features red-and-white vertical stripes; upper-right is solid deep purple; lower-left is solid teal green; lower-right has black-and-white vertical stripes. Two large diagonal shapes bisect the image β€” a black triangle radiating thin white lines from the upper-left, and a red triangle radiating thin white lines from the lower-right. Scattered throughout are six small illustrations of fried eggs with orange yolks, appearing on the black triangle, the green quadrant, the purple quadrant, and along the right edge. The overall aesthetic is bold, flat, and graphic, with a zine or screen-print quality.

#Skookbetching
#PrimaerosArt

πŸŒ†πŸ³πŸ’πŸ™οΈ

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Illustration of an anthropomorphic fox character in a dynamic pose, rendered in a bold ink-and-marker style. The fox has bright orange and white fur, blue eyes, pointed ears with white inner tufts, and a fluffy tail. It appears to be climbing or emerging through a torn black shape that divides the composition. The background is split between a rich green on the left and a vibrant purple with a subtle swirling rose pattern on the right. The black form has jagged, torn-paper-like edges and features small details like antennae or whiskers protruding from it. The artwork uses strong outlines and confident brushwork, with a signature scrawled in the bottom right corner.

Illustration of an anthropomorphic fox character in a dynamic pose, rendered in a bold ink-and-marker style. The fox has bright orange and white fur, blue eyes, pointed ears with white inner tufts, and a fluffy tail. It appears to be climbing or emerging through a torn black shape that divides the composition. The background is split between a rich green on the left and a vibrant purple with a subtle swirling rose pattern on the right. The black form has jagged, torn-paper-like edges and features small details like antennae or whiskers protruding from it. The artwork uses strong outlines and confident brushwork, with a signature scrawled in the bottom right corner.

#Skookbetching
#PrimaerosArt

πŸ€πŸ•β€πŸ¦ΊπŸ‡

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A horizontally oriented mixed-media artwork in which massive, heavily textured black tree branches with dense cross-hatched ink detail sweep dynamically across the entire composition. The background is divided into irregular, puzzle-like color fields of vivid watercolor-textured hues: red (upper left), orange (lower left), yellow (upper center), green (lower center), magenta/hot pink (upper right), and lavender purple (lower right). Scattered throughout the branches are six small white figures with animal heads β€” resembling stylized cats or wolf-like creatures β€” depicted in expressive, humanoid poses: some appear to leap, crouch, run, or hang. Their bodies are rendered in black-and-white ink. In the upper left quadrant, a blue square inset functions as a vignette within the composition, showing a large white bird β€” likely a heron or egret β€” in dramatic downward flight against a blue sky, with a small black bird visible nearby. The overall composition suggests movement, wildness, and a mythic or folkloric atmosphere.

A horizontally oriented mixed-media artwork in which massive, heavily textured black tree branches with dense cross-hatched ink detail sweep dynamically across the entire composition. The background is divided into irregular, puzzle-like color fields of vivid watercolor-textured hues: red (upper left), orange (lower left), yellow (upper center), green (lower center), magenta/hot pink (upper right), and lavender purple (lower right). Scattered throughout the branches are six small white figures with animal heads β€” resembling stylized cats or wolf-like creatures β€” depicted in expressive, humanoid poses: some appear to leap, crouch, run, or hang. Their bodies are rendered in black-and-white ink. In the upper left quadrant, a blue square inset functions as a vignette within the composition, showing a large white bird β€” likely a heron or egret β€” in dramatic downward flight against a blue sky, with a small black bird visible nearby. The overall composition suggests movement, wildness, and a mythic or folkloric atmosphere.

Sea To Shining Sea

πŸŒŠπŸ„β€β™‚οΈπŸ–οΈπŸš

#PrimaerosArt

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A vertically oriented hexagonal illustration set against a vivid hot pink, watercolor-textured background. The hexagon is divided into three distinct decorative sections. The upper third is filled with dense, swirling paisley and wave forms in black, silver-gray, and white, edged with fine tooth-like detail lines. The middle third features a bold geometric composition β€” two mirrored triangles forming an hourglass or X shape in black and white β€” over which a loose, organic pink liquid or paint splash is superimposed, creating a contrast between rigid geometry and fluid motion. The lower third displays a symmetrical, mandala-like pattern of elongated teardrop and oval shapes radiating outward in black and white, set against a finely hatched chevron-patterned silver-gray ground. The overall effect is a layered, collage-style piece blending geometric, organic, and decorative elements.

A vertically oriented hexagonal illustration set against a vivid hot pink, watercolor-textured background. The hexagon is divided into three distinct decorative sections. The upper third is filled with dense, swirling paisley and wave forms in black, silver-gray, and white, edged with fine tooth-like detail lines. The middle third features a bold geometric composition β€” two mirrored triangles forming an hourglass or X shape in black and white β€” over which a loose, organic pink liquid or paint splash is superimposed, creating a contrast between rigid geometry and fluid motion. The lower third displays a symmetrical, mandala-like pattern of elongated teardrop and oval shapes radiating outward in black and white, set against a finely hatched chevron-patterned silver-gray ground. The overall effect is a layered, collage-style piece blending geometric, organic, and decorative elements.

Isometric Hexahedral Encasement of Cerise Annulus

🧊πŸ“₯β­•πŸ“€

#PrimaerosArt

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#Skookbetching
#PrimaerosArt

πŸ’™πŸ‘πŸ‘–πŸŒ­

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#Skookbetching
#PrimaerosArt

❣️🍳

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#PrimaerosArt

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#Skookbetching
#PrimaerosArt

πŸ›ŒπŸ’­πŸ”΄βš«οΈβšͺ️

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#PrimaerosArt #WIP

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γ€Ž In The Rain With Traffic Under The Bridge He Said He Loved You Too 』

#PrimaerosArt

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paper, ink, water, computer
(the hardest part is picking one to settle on)
(unless...)

#PrimaerosArt

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#Skookbetching
#PrimaerosArt

🟦πŸŸ₯🟩πŸͺ’🧊πŸŸͺ🟧🟨

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#Skookbetching
#PrimaerosArt

πŸŠβ€β™‚οΈβ˜ οΈπŸ§«πŸŸ’

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I'll also have 【Caution:Fandom】 stickers, 4" Γ— 4" on glossy photo paper,
available RM5 each, or RM20 for 5 pieces.
#PrimaerosArt #FuRuM #FuRuM2025

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I'll have a few copies of 【Inktember 2024】,
an artzine collecting 20+ illustrations by a queeird furry artist,
available for RM30 each.
#PrimaerosArt #FuRuM #FuRuM2025

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I'll have a bunch of these 【Skookbetch Cards】 4" Γ— 6" on thick matte paper,
way more designs than in the photo, you're welcome to browse,
available for RM5 each.
#PrimaerosArt #FuRuM #FuRuM2025

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Selamat siang!
I'll be attending FURUM in Kuala Lumpur this weekend (12–15 December).
Hosting a dinner with guests, drawing pictures, selling zines and artcards, maybe driving people around, definitely dancing my old bones off.
Do say Hi, and touch me (or something).
#PrimaerosArt #FuRuM #FuRuM2025

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#Skookbetching
#PrimaerosArt

πŸπŸ³οΈβ€πŸŒˆπŸ«‚

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#Skookbetching
#PrimaerosArt

πŸ•ΊπŸ§‘πŸ₯€πŸ•ΊπŸ€πŸ₯ƒπŸ•ΊπŸ–€πŸ₯›

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"The Farm Foreman Absorbed In Admiring His Prince"
(2017)

Hussein is a character in Willy Bear Beach by Artdecade.

#PrimaerosArt #WillyBearBeach

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A full ten years ago, I was commissioned to design the front and back cover for a grooooovy Sci-Fi novel.

It feels pretty bad nobody has wanted to work with me on anything similar ever since.

#PrimaerosArt

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#Skookbetching #PrimaerosArt

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#PrimaerosArt

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In other worlds, in other timelines, people would want to work with me to make things like these.

But I don't live in that world, in that time, so I can only pretend, even if I have to use these vile machines to do it.

#PrimaerosArt #Toyetics

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#Skookbetching
#PrimaerosArt

πŸ‘οΈπŸ‘οΈπŸ©ΈπŸ˜Œ

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#Skookbetching
#PrimaerosArt

πŸ¦΅πŸ¦΅πŸ“¦πŸΊ

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