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An elegant contemporary vase by Jemez artist Carol Vigil, showcasing a warm reddish-brown clay body. The vessel has a wide, rounded base that tapers into a slender neck with a distinctive slanted, hand-poured style rim. The surface is meticulously decorated with a dense, repeating pattern of four-petaled floral shapes in a light tan slip. On the front of the neck, a prominent circular medallion breaks the pattern, featuring sharp geometric lines and hatchwork traditional to Jemez pottery. The vase is set against a neutral, off-white fabric background.

An elegant contemporary vase by Jemez artist Carol Vigil, showcasing a warm reddish-brown clay body. The vessel has a wide, rounded base that tapers into a slender neck with a distinctive slanted, hand-poured style rim. The surface is meticulously decorated with a dense, repeating pattern of four-petaled floral shapes in a light tan slip. On the front of the neck, a prominent circular medallion breaks the pattern, featuring sharp geometric lines and hatchwork traditional to Jemez pottery. The vase is set against a neutral, off-white fabric background.

This elegant vase by Carol Vigil embodies the rich pottery traditions of Jemez Pueblo while showcasing her unique contemporary vision.

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#JemezPueblo #NativeAmericanPottery #SouthwesternArt #AuthenticNativeArt #PuebloPottery #HandcraftedCeramics #CollectorsArt

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Contemporary Jemez Pueblo storyteller figure by Emily Fragua Tsosie, hand-sculpted pottery depicting a central storyteller, open-mouthed, seated and surrounded by animals such as a bird, fish, rabbit, bear, and cat, showcasing traditional Pueblo storytelling motifs.

Contemporary Jemez Pueblo storyteller figure by Emily Fragua Tsosie, hand-sculpted pottery depicting a central storyteller, open-mouthed, seated and surrounded by animals such as a bird, fish, rabbit, bear, and cat, showcasing traditional Pueblo storytelling motifs.

This contemporary Jemez storyteller by Emily Fragua Tsosie beautifully carries forward a cherished Pueblo tradition.

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#JemezPueblo #storytellerfigure #nativeamericanart #indigenousart #pueblopottery #collectorsart #SouthwestArt #contemporarynativeart

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Showcasing an Incredible Collection Native American Pottery, Stunning Turquoise Jewelry, Storytellers, Kachinas, Baskets, Weavings, Sculpture, and More!

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#nativeamerican #pueblopottery #southwest #pottery #weavings #baskets #jewelry #vases #necklaces #earrings #braclets

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Today, we feature this Acoma Contemporary Jar by Andy Juanico. Andy is a Native American artist from Acoma Pueblo, recognized for his distinctive pottery that reflects creativity, tradition, and personal expression.

#nativeamericanart #pueblopottery #AcomaPottery #indigenousartist #ArtCollectors

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A Pueblo woman with medium-brown skin sits low to the ground at the right side of the canvas, wrapped in a deep blue mantle that covers her head, shoulders, and most of her body. She turns toward us, long dark hair slipping across her forehead and cheek, framing a narrow, angular face modeled in warm browns and rose tones. Her brown eyes look out with a calm, steady, almost tired concentration, and her mouth is closed and unsmiling, giving her an introspective, self-contained presence. She cradles a glossy blackware pot in both hands at her knees, its rounded lip catching the light. Near her feet, sits a larger, gleaming black jar and a smaller buff-colored jar painted with looping, dark geometric designs. White-socked shoes peek out from under the mantle on a tan floor. Behind her, a hanging textile fills the background with bold red, cream, and black diamond and zigzag patterns, turning the space into a shallow stage where the woman, the pots, and the woven design are held in quiet, balanced tension.

Painted in Taos in 1917, the year Balink first came to New Mexico, “Pueblo Pottery” turns a still life of vessels into a portrait of cultural continuity … and of the colonial gaze that tried to contain it. The sitter is not identified, yet her centered dignity and the careful rendering of blackware and painted clay acknowledge Pueblo women whose skill, labor, and knowledge shaped these traditions, even as such works were increasingly displayed and sold to tourists and collectors. Balink, a Dutch-born artist trained at the Royal Academy in Amsterdam, was reshaping his academic style under the intense light and color of the Southwest. 

His cool blues and earthy reds frame the woman as both a specific individual and an emblem of Pueblo artistry. The painting reveals how Euro-American painters helped popularize Pueblo art, often for outside audiences, while Indigenous women continued to sustain and innovate the ceramic practices at its heart.

A Pueblo woman with medium-brown skin sits low to the ground at the right side of the canvas, wrapped in a deep blue mantle that covers her head, shoulders, and most of her body. She turns toward us, long dark hair slipping across her forehead and cheek, framing a narrow, angular face modeled in warm browns and rose tones. Her brown eyes look out with a calm, steady, almost tired concentration, and her mouth is closed and unsmiling, giving her an introspective, self-contained presence. She cradles a glossy blackware pot in both hands at her knees, its rounded lip catching the light. Near her feet, sits a larger, gleaming black jar and a smaller buff-colored jar painted with looping, dark geometric designs. White-socked shoes peek out from under the mantle on a tan floor. Behind her, a hanging textile fills the background with bold red, cream, and black diamond and zigzag patterns, turning the space into a shallow stage where the woman, the pots, and the woven design are held in quiet, balanced tension. Painted in Taos in 1917, the year Balink first came to New Mexico, “Pueblo Pottery” turns a still life of vessels into a portrait of cultural continuity … and of the colonial gaze that tried to contain it. The sitter is not identified, yet her centered dignity and the careful rendering of blackware and painted clay acknowledge Pueblo women whose skill, labor, and knowledge shaped these traditions, even as such works were increasingly displayed and sold to tourists and collectors. Balink, a Dutch-born artist trained at the Royal Academy in Amsterdam, was reshaping his academic style under the intense light and color of the Southwest. His cool blues and earthy reds frame the woman as both a specific individual and an emblem of Pueblo artistry. The painting reveals how Euro-American painters helped popularize Pueblo art, often for outside audiences, while Indigenous women continued to sustain and innovate the ceramic practices at its heart.

“Pueblo Pottery” by Henry C. Balink (Dutch-American) - Oil on canvas / 1917 - New Mexico Museum of Art (Santa Fe) #WomenInArt #art #artText #artwork #HenryCBalink #Balink #BlueskyArt #NM #NewMexicoMuseumOfArt #SantaFeArt #SouthwestArt #NativeAmericanArt #PuebloPottery #PortraitofaWoman #HenryBalink

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Maria Martinez of San Ildefonso Pueblo revived and perfected the black-on-black pottery technique, becoming one of the most famous Native artists in history and inspiring generations of Pueblo potters. #MariaMartinez #PuebloPottery 🧵9/14

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story teller bowl by Corinne Garcia of Acoma Pueblo, NM. Collecting art that brings joy to your life and others is what art is all about, I couldn't keep from purchasing this years ago its so full of charm. #acoma #corinnegarcia #pueblopottery #pottery #art

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A simple piece of red clay pottery is painted with black designs. It is shaped like a bird, with an indentation in the "tail" for a pipe stem. The center is concave to hold a pipe bowl.

A simple piece of red clay pottery is painted with black designs. It is shaped like a bird, with an indentation in the "tail" for a pipe stem. The center is concave to hold a pipe bowl.

I found a Hopi pipe rest shaped like a bird at Clocktower Thrift in Falls Church, and I'm in love. #pueblopottery #art

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What I’m reading, Pueblo Stories and Storytellers
My mother got this ceramic figure in New Mexico in the 80s or 90s and I just got it from her a few weeks ago. The next weekend I found this book (same yard sale as the cookbook) and now have some more context.
#books #pueblopottery #cochitipottery

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