なぜBABYMETALは海外で決して異端ではなかったのか?
彼らのグローバルな魅力は構造にあります — リフ、ドロップ、そして言語を超えた声。
#BABYMETAL #QuietThunderReviews
quietthunder.hatenablog.com/entry/hr-hm/...
BABYMETALはなぜ海外で“異端”ではなく受容されたのか。
欧州メタル文法、EDM的身体性、声の非言語性――三層構造から翻訳可能性を読む。
#BABYMETAL #QuietThunderReviews
garaosyou.hatenablog.com/entry/hr-hm/...
From First Love (1999) to Hatsukoi (2018) — where memory continues to breathe in transparent light. A quiet winter reflection on Hikaru Utada’s enduring voice.
#HikaruUtada #Hatsukoi #QuietThunderReviews
#WinterSoundSeries #AlbumReview
quietthunder.hatenablog.com/entry/music/...
Some sounds return like a faint light in a quiet room. Akira Takasaki’s Tusk of Jaguar— analog warmth, restraint, and a touch of aishu that lingers between memory and silence.
#TuskOfJaguar #QuietThunderReviews #AkiraTakasaki
quietthunder.hatenablog.com/entry/hr-hm/...
I’ve written a new English review on Ryuichi Sakamoto’s async—
an album where noise fades, memory begins, and silence becomes a final instrument.
A quiet space for anyone who listens deeply.
#RyuichiSakamoto #async #QuietThunderReviews
Review:
quietthunder.hatenablog.com/entry/music/...
I wrote about Juice=Juice’s “More! Mi Amore” MV —
a work shaped by light, stillness, and the quiet tension between movement and silence.
A small cinematic world, held gently in three minutes.
#JuiceJuice #MoreMiAmore #JPOP #QuietThunderReviews
quietthunder.hatenablog.com/entry/j-pop/...