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Látom van új #Rónai #Orbán melegpornó...

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Médiatörténeti pillanat jöhet: Orbán Viktor hosszú interjút adhat az ATV-nek

Médiatörténeti pillanat jöhet: Orbán Viktor hosszú interjút adhat az ATV-nek

Mondjuk jó gondolatok, megemlítve aggályokat és kockázatokat, de ja, egy újabb #Orbán #propaganda attrakciónak egy újabb média felületen kibaszottul semmi értelme... és hát #Rónai Egon ezt sajna előre borítékolja nekünk. 🤷‍♂️ 🔗 media1.hu/2025/07/23/o...

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Láttad már #Rónai Egon őszes mellszőrét élőben?! #ATV #EgyenesBeszéd Megmondom frankón, én sem akartam, de jött szembe... 😶 🤦‍♂️ Miafaszez... most vették le a defibrillátorról?! 🤣

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József Rippl-Rónai is considered by many as the first painter who introduced modern artistic movements into Hungarian art. In 1886, he obtained a grant which enabled him to move to Paris where he met the Nabis (group of French artists active in Paris from 1888 to 1900 and were key in the transition from Impressionism to Modernism) as well as sculptor Aristide Maillol with whom he became friends. 

This portrait is one of the artist's most famous works, showcasing his unique style while living in Paris and mastery of capturing the complexities of the "modern woman" during the late 19th century. It depicts the artist Madame Mazet as the embodiment of cosmopolitan "fin de siecle" (end of the century) woman. The painter intends her to be an ambiguous figure; while she appears to be in a mood of mourning, her facial expression is enigmatic, hinting at something possibly frivolous and flirtatious, even a touch of "femme fatale."

József Rippl-Rónai is considered by many as the first painter who introduced modern artistic movements into Hungarian art. In 1886, he obtained a grant which enabled him to move to Paris where he met the Nabis (group of French artists active in Paris from 1888 to 1900 and were key in the transition from Impressionism to Modernism) as well as sculptor Aristide Maillol with whom he became friends. This portrait is one of the artist's most famous works, showcasing his unique style while living in Paris and mastery of capturing the complexities of the "modern woman" during the late 19th century. It depicts the artist Madame Mazet as the embodiment of cosmopolitan "fin de siecle" (end of the century) woman. The painter intends her to be an ambiguous figure; while she appears to be in a mood of mourning, her facial expression is enigmatic, hinting at something possibly frivolous and flirtatious, even a touch of "femme fatale."

Lady in a Black Veil (Madame Mazet) by József Rippl-Rónai (Hungarian) - Oil on canvas / 1896 - Hungarian National Gallery (Budapest) #womeninart #art #portrait #artwork #fineart #oilpainting #portraitofawoman #hungarianartist #womensart #JózsefRippl-Rónai #Rónai #FinDeSiècle #femmefatale #ArtNouveau

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