長浜広奈が映画祭ナビゲーターとして新たな挑戦！SSFF & ASIA 2026 人気十代タレントの長浜広奈が映画祭ナビゲーターに就任。ショートフィルムの魅力を伝える新たな役割に挑みます。

長浜広奈が映画祭ナビゲーターとして新たな挑戦！SSFF & ASIA 2026 #超十代 #長浜広奈 #SSFF

人気十代タレントの長浜広奈が映画祭ナビゲーターに就任。ショートフィルムの魅力を伝える新たな役割に挑みます。

音と短編映画の祭典、J-WAVEが新たにアワード開催！ ショートショートフィルムフェスティバルが、J-WAVEと共に音の重要性を評価する「J-WAVE SOUND OF CINEMAアワード」を実施します。審査員も募集中！

音と短編映画の祭典、J-WAVEが新たにアワード開催！ #J-WAVE #映画祭 #SSFF #&_ASIA

ショートショートフィルムフェスティバルが、J-WAVEと共に音の重要性を評価する「J-WAVE SOUND OF CINEMAアワード」を実施します。審査員も募集中！

ショートフィルム祭で「J-WAVE SOUND OF CINEMAアワード」を実施！サウンドの力を評価 「ショートショート フィルムフェスティバル & アジア」で、音楽や音の役割を評価するアワードが今年も実施される。リスナー審査員を募集！

ショートフィルム祭で「J-WAVE SOUND OF CINEMAアワード」を実施！サウンドの力を評価 #J-WAVE #ショートフィルム #SSFF

「ショートショート フィルムフェスティバル & アジア」で、音楽や音の役割を評価するアワードが今年も実施される。リスナー審査員を募集！

AI Reshapes Filmmaking: Key Takeaways from the SSFF & ASIA International Conference The Short Shorts Film Festival & Asia (SSFF & ASIA), an Academy Award®-qualifying event and one of Asia’s largest international short film festivals. The Short Shorts FilmFestival & Asia (SSFF &ASIA), an AcademyAward®-qualifying and one of Asia’s largest international short film festivals, this year, put the focus squarely on the hottest issue in filmmaking: artificial intelligence. At their last event, they gathered industry leaders to discuss the revolutionary impact of artificial intelligence and what it means for people who want to work in movies. Let's dive in. Credit: Short Shorts Film Festival * * * ### ## AI Film Submissions Skyrocket at SSFF & ASIA The SSFF & ASIA conference kicked off with news that AI is officially becoming a force in cinema, and we're seeing it in festival submissions. Executive Director Seigo Tono highlighted the surge in AI-powered projects among the festival's roughly 5,000 submissions. * **2024:** Only about **2%** (112 films) featured AI. * **2025:** That number jumped to an estimated **6%** (275 films). ## AI Is Your Next Creative Partner The panel titled “The Evolution of Creativity & Collaboration Brought by AI” was a deep dive into how filmmakers are actually using AI as a co-pilot, not just a tool. They want to find ways to collaborate with AI to get their visions out of their imaginations and onto the screen. So who is doing it and how are they using it? Japanese filmmaker Takeshi Kushida (_Last Dream_) captured this idea beautifully, calling AI a “dialogue partner that draws out humanity’s memories through words—something that goes beyond being a mere tool.” And director Hiroki Yamaguchi (_GRANDMALEVIT_) agreed, noting that while AI currently serves as an assistant for visualizing ideas, he sees a future where it becomes a “true co-creator.” Even with complex new tech involved, the fundamentals of filmmaking remain. C Composer and filmmaker Marcel Barsotti (Germany), whose AI film Imperial required layering over 30,000 prompts, brought everyone back to earth: “No matter what technology we use, the core of cinema remains the story.” Co-screenwriter Gundula Barsotti-Bastadded that, while the fundamentals of writing do not change, AI production introduces a new kind of labor: “At the beginning, there is no big difference between real and AI films, but once prompting starts, you have to rewrite over and over because the prompts never come out as you want.”While AI feels brand new, this isn't the first time technology has changed the way we create art. French media executive Alexandre Michelin offered a crucial historical perspective: while some worry AI is a cultural threat, “looking back at the history of art, new technologies have always reinvented creativity.” If there was one message that echoed throughout the entire conference, it was this simple idea: “AI Does Not Take Away Creativity; It Expands It.” Tetsuya Bessho, Founder/President of SSFF & ASIA, wrapped up the event by reaffirming his organization’s mission: “Our mission is to continue celebrating the power of storytelling, no matter what era of technological innovation we are in.” - YouTube youtu.be ## The Global View: Six Filmmakers on the Reality of AI in Production Panelists from around the world shared the current state of AI adoption and the challenges emerging in their respective regions. Javid Sobhani, programmer for the Tehran International Short Film Festival (Iran), stressed that AI’s role cannot be reduced to a single label: “I can’t call it just a tool, and I can’t romanticize it as a co-creator either,” noting instead that in constrained environments AI becomes “a shield” that can even function like aproducer or co-writer. Senegalese filmmaker Hussein Dembel Sow echoed this view from another context, emphasizing AI’s potential for leapfrogging production barriers: “Where I come from, we are happy because it will help us build new industry,” adding that without AI, large-scale VFX-driven genres such as fantasy or science fiction would remain out of reach. Douglas Montgomery, former strategic advisor at Warner Bros. (USA), highlighted the expanding possibilities and future outlook enabled by AI, saying that “AI is not perfect and does not replace humans, but it is getting better every day,” and predicting that animationproduction timelines will likely be shortened not by smallmargins but “by a factor of two to five going forward.” On the other hand, Mexican director Oscar Parres pointed out that Mexico is still in an early stage of adoption and that institutional frameworks lag behind creators: “They told me AI is not creative or copyright—it’s just a tool,” insisting that education and ethical awareness will be essential as technology spreads. In addition, Shin Chul, Festival Director of the Bucheon International Fantastic Film Festival (Korea), warned that“every morning a new game-changer AI tool appears,” and expressed concern that a drift toward “full auto-creation” could be frightening, risking the loss of a filmmaker’s intent—yet he also emphasized the democratizing upside, arguing that AI allows young creators to start from “the same starting point as James Cameron,” shifting the competition toward originality.“ ## Looking Ahead The entire event was buzzing with energy, marked by high attendance and a collective excitement for what's next. Storytelling always shifts alongside technology, and there’s a real sense of anticipation for a new era of filmmaking—one where humans and AI truly create together. Let us know your point of view in the comments.

youtu.be/JHqohS2YX_E?...

The legacy of Burger Becky continues

[military salute]

#ssff #derek #3dodoom #doom #update #burgerbecky #rebeccaheineman #stopskeletonsfromfighting

youtu.be/yxF1_wg2d_Q?...

in honor of the late Rebecca Heineman, may we remember one of her past struggles; the develoment of 3DO Doom as told by @stopskeletons.bsky.social

#rebeccaheineman #rip #ssff #doom #doom3do #3do

SSFF & ASIA's Autumn Screening Puts Global Women Filmmakers in the Spotlight An exciting event is on the horizon for short film enthusiasts and filmmakers! The **Short Shorts Film Festival & Asia (SSFF & ASIA)**, one of the largest and most prestigious short film festivals in Asia, is gearing up for its "Screening in Autumn" event, and this year, there's a special focus on celebrating and uplifting the voices of women in cinema. This is a fantastic opportunity to not only see some of the best short films from around the globe but also to engage directly with the creators behind them. Let's dive in. - YouTubewww.youtube.com * * * ## A Spotlight on Women’s Empowerment In a powerful collaboration with the **Tokyo International Film Festival's "Women’s Empowerment" initiative** , SSFF & ASIA is bringing five talented female filmmakers from Brazil, New Zealand, India, Indonesia, and Taiwan to Tokyo. The invitation of these five guests was made possible through the Japan Cultural Expo 2.0 project. Attendees will have the unique chance to watch their films and participate in in-person Q&A sessions with the directors. This is an invaluable opportunity to gain insights into their creative processes, the filmmaking landscape in their respective countries, and their experiences as women in the industry. For those who can't make it to Tokyo, the films will be available for online streaming worldwide from **October 27th to November 10th** via the SSFF & ASIA 2025 Screening in Autumn ONLINE GRAND THEATER. Here’s a look at the featured filmmakers and their compelling works: ### “My Mother is a Cow” by Moara Passoni (Brazil) In the wetlands of Brazil, 12-year-old Mia is left in her aunt's care and yearns for her mother's affection. As a deadly jaguar threatens the family, love and connection emerge in unexpected ways. * **Genre:** Drama * **Running Time:** 15:00 * Learn More ### “I See You” by Briar March (New Zealand) Winner of the SSFF & ASIA 2025 Audience Award, this film delves into a world where parents can choose to have the "perfect" baby. A young mother struggles to love and accept her daughter for who she is. * **Genre:** Drama * **Running Time:** 17:09 * Learn More ### “Holy Curse” by Snigdha Kapoor (India/United States) During a family trip to India, 11-year-old Radha confronts their gender identity amidst manipulative orthodox rituals intended to "cure" them of an alleged ancestral curse. * **Genre:** Drama * **Running Time:** 15:48 * Learn More ### “Under The Whether” by Putri Sarah Amelia (Indonesia) Susi, a 50-year-old woman, feels a strange change in her body but finds it difficult to communicate with her daughter. She forms a bond with her daughter's cat, but things take a turn when the cat's behavior begins to mirror her daughter's. * **Genre:** Drama * **Running Time:** 20:00 * Learn More ### “A Brighter Summer Day for the Lady Avengers” by Birdy Wei-Ting Hung (Taiwan/United States) Shot on 16mm film, this experimental piece is set in 1980s Taiwan and explores a teenage girl's sexual awakening intertwined with her celluloid fantasies on a hot summer day. * **Genre:** Experimental * **Running Time:** 12:00 * Learn More SSFF & ASIA's Autumn Screening Credti: SSFF & ASIA ## More Festival Highlights Beyond the "Women in Motion" program, the festival is packed with incredible content. You can catch over 30 "Best of the Best" short films, including the **SSFF & ASIA 2025 Grand Prix – George Lucas Award winner, "Pantyhose"**. The lineup also features winners from the Live Action, Animation, and Non-Fiction categories, all of which are strong contenders for the 2026 Academy Awards®. For the first time, the festival is introducing a **One-Day Pass** , allowing you to dive into as many as 12 films in a single day. This is perfect for those who want to fully immerse themselves in the short film experience. Another can't-miss screening is the Japanese premiere of **“How to Open the Door”** , produced by and starring Korean actor Kim Nam-gil (_The Fiery Priest_). ## How to Attend The festival kicks off on **Wednesday, October 22nd** , with screenings at various venues in Tokyo. For the global audience, the **Online Grand Theatre** will be streaming a selection of films from **October 22nd to October 27th.** For more information on the full lineup and schedule, visit the official website. This is more than just a film festival; it's a celebration of diverse voices and a chance to connect with the next generation of filmmakers. Don't miss out!

Source: youtu.be/hGh3Krz7UyQ?...

#ssff #garbo #burgerbecky

BEYOND THE GAZE: JULE CAMPBELL’S SWIMSUIT ISSUE taught me a lot about the founding editor of the Sports Illustrated Swimsuit Issue. Her daughter-in-law directed a loving look at all Jule did to empower her models & how poorly she was treated. A heartbreaking gut punch of an ending #SSFF 4.5*

Through pictures, a single archival video & animated re-enactments ANY OTHER WAY: THE JACKIE SHANE STORY tells the story of a trans singer who disappeared right as her star was rising (she refused to do Ed Sullivan because they wouldn’t let her wear makeup/be herself). Great music doc #SSFF 4*

I loved spending time with Cloud, Abby, Dexter & all the other campers in WE CAN BE HEROES. The three different aspect ratios were a clever way to differentiate between worlds but the LARPing scenes were way too long. The kids were much more interesting than the slow half-written "plot" #SSFF 3.5*

MAKE ME A PIZZA might have been the worst (or maybe the best?) way to end the #SSFF Late Night block. This weird ass movie nails the vibe it's going for and puts a whole new spin on the concept of food porn. 1*

TO HELL WITH YOU takes an everyday, run of the mill exorcism and turns it into a hilarious battle of wits between a demon and an angel. There's some great acting in this little debate about the afterlife and has a surprising, over the top ending. #SSFF 4.5*

GENDER REVEAL starts & ends with some weird fourth wall breaking narration. But regardless, it was worth it for the craziness of what turns out to be the worst gender reveal party ever. Lots of funny awkwardness ("You're the THEY!" plus all those cupcakes) before things take a dark turn #SSFF 3.5*

HIVEMIND is a cute short about the complexities of the life of a teenager using a simple online game to represent acceptance & loneliness. Decent effects for a student film #SSFF 3.5*

WHITCH is a funny short about summoning evil with an elderly actress (Rosemary Hochschild) who goes balls to the wall and carries the film. The ending wasn’t surprising but the journey was still a fun late night ride #SSFF 3.5*

HAPPY THANKSGIVING takes a clever idea (an indigenous man gets told “Happy Thanksgiving” one too many times) adds a catchy song from the 60s (Little Eva’s Let’s Turkey Trot) & creates a messy little action/revenge film. Shot on film, the digital transfer looked kinda bad on the big screen #SSFF 2.5*

RAT! is a queer comedy thriller about a music journalist getting on the wrong side of some popular singer’s fans. There are some decent jump scares but its plot is weird and hard to follow. Some striking images though #SSFF 3.5*

SWEATY LARRY is a silly short about teens summoning a brand new bathroom spirit (think Bloody Mary but nastier) at a sleepover via the most ridiculous method ever. Just found out the original title was “Urine Trouble” and I'm kinda pissed that they changed it #SSFF 2.5*

DID YOU REMEMBER THE CAT? is a fun absurd horror comedy short with decent monster effects (except for its voice which was very hard to understand). The writing and acting were lackluster; nice idea but disappointing execution to start off the #SSFF Late Night block... 2.5*

A ROUND OF APPLAUSE FOR DEATH is 5 minutes long & yet only features 11 words of dialogue repeated throughout, “Dream. Murder. Murder Party. Death. A round of applause for death” with some disturbing animations appearing for each word/phrase. Gets sort of glitchy & repetitive in the end… #SSFF 1*

Based on the title, I half-expected MINE! to be about seagulls (thanks Pixar). Instead it was a cute story about metaphorical miners and electricity rats. The style was intriguing but this animation block was wearing me down... #SSFF 2*

RIVERCOBBLE is an acid trip of an animated short featuring a wizard in space. It’s one of only eight #SSFF films not on IMDb or Letterboxd & the only information I can find online about the director, Burls & Bramble, makes me think they're musicians who are getting into animation... 1*

IN BETWEEN CITY utilizes a unique animation technique telling stories with stamps. I was confused (and impressed) how they acheived some of the effects #SSFF 3*

FIELD RECORDING is a Chinook animated short that tried to cram 10 mins of narration into 2 mins of animation. I wrote down the line "Everything rots, it's just a matter of when" but hell if I remember how that related to the story... Very forgettable #SSFF 1*

JESUS 2 is a grotesque absurd animated short film that is one of the most insanely idiotic things I have ever watched. I feel dumber for having seen it. I award it 0.5*, and may God have mercy on my soul. #SSFF

PARADISE MAN (II) uses stock footage & a weird computer(?) voice narrating an extended essay about depression that feels like something Adult Swim would air at 3:20am. The animation was interesting (that hazy "snow" always moving through everything) but I felt #SSFF Animation getting worse... 1.5*

I loved the nighttime animation effect in THE EATING OF AN ORANGE but its surreal/absurd “story” was a bit too weird for me. I’ll probably never look at an orange the same way ever again (h/t Georgia O’Keefe) #SSFF 2*

ON WEARY WINGS GO BY started a disappointing animation block at #SSFF as an avant garde mix of time-lapse photography & stop-motion animation with beautiful ceramic pieces. The effect looked amazing with falling/accumulating snow but the film felt too artsy. Did have a moving ending though 3*

SLICE OF LIFE: THE AMERICAN DREAM. IN FORMER PIZZA HUTS. is 7 docs in 1—the history of Pizza Hut & 6 other businesses located in that iconic building (a church, karaoke bar, upscale seafood restaurant, etc.) This could have been great with a different structure. Still fun (esp that PH nerd) #SSFF 4*