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#SamWilkes played solo bass along w/ a v cool recording he made after hearing a cassette w/ music by his great grandfather on one side played through 4-track so that a tape of retirement party on the other side played simultaneously in reverse. An excerpt:

#jazzsky #jazz #MusicHallofWilliamsburg

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Saw #SamWilkes (bass)
w/ #BennyBock (keys), #CraigWeintraub (drums) & #WillGraefe (guitar) at Music Hall of Williamsburg tonight

#jazzsky #jazz #livejazz #Williamsburg #Brooklyn

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James Krivchenia, Sam Wilkes & Joshua Abrams - Bracelets For Unicorns, by James Krivchenia from the album Performing Belief


🇺🇦 #NowPlaying on #BBC6Music's #GillesPeterson

Joshua Abrams, James Krivchenia, Sam Wilkes:
🎵 Bracelets for Unicorns

#6music #JoshuaAbrams #JamesKrivchenia #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song/Cover on #Bandcamp:

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BOA, by Sam Gendel & Sam Wilkes from the album Music for Saxofone and Bass Guitar


🇺🇦 #NowPlaying on #BBC6Music's #The6MixWithMaryAnneHobbs

Sam Gendel & Sam Wilkes:
🎵 BOA

#6music #SamGendel #SamWilkes

▶️ Song/Cover on #Bandcamp:

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Uhlmann Johnson Wilkes, by Gregory Uhlmann, Josh Johnson, Sam Wilkes 11 track album

Get lost in a little calm.

I feel like this album is a continuous gift, did not know it was so recent (2025)

@intlanthem.bsky.social #GregoryUhlmann #JoshJohnson #SamWilkes

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Corsair Total Blue, Sam Wilkes · Total Blue · Song · 2024


🇺🇦 #NowPlaying on #BBC6Music's #6MusicsArtistsOfTheYear2025

Total Blue & Sam Wilkes:
🎵 Corsair

#6music #TotalBlue #SamWilkes

▶️ Song on #Spotify:

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🇺🇦 #NowPlaying on #BBC6Music's #DreamTime

Sam Wilkes, Johnson, Ulhman:
🎵 Unsure

#6music #SamWilkes #Johnson #Ulhman

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

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Run Sam Wilkes, Sam Gendel, Christian Euman · WILKES · Song · 2018


🇺🇦 #NowPlaying on BBC #Radio3's #RoundMidnight

Sam Wilkes & Sam Gendel:
🎵 Run (feat. Sam Gendel)

#BBCRadio3 #SamWilkes #SamGendel


▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify
▶️ Track on #Spotify:

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Dr. T, by Sam Wilkes & Jacob Mann from the album Perform the Compositions of Sam Wilkes & Jacob Mann


🇺🇦 #NowPlaying on #BBC6Music's #FocusBeats

Sam Wilkes & Jacob Mann:
🎵 Dr T

#6music #SamWilkes #JacobMann

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song/Cover on #Bandcamp:

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Arpy Gregory Uhlmann, Josh Johnson, Sam Wilkes · Uhlmann Johnson Wilkes · Song · 2025


🇺🇦 #NowPlaying on BBC #Radio3's #NightTracks

Gregory Uhlmann, Josh Johnson & Sam Wilkes:
🎵 Arpy

#BBCRadio3 #GregoryUhlmann #JoshJohnson #SamWilkes


▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify
▶️ Track on #Spotify:

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SamWilkes - ‘I Know I’m Not Wrong’ single cover. Record label and title in a circle is the iris of an eye formed by two curved white lines against a light beige background.

SamWilkes - ‘I Know I’m Not Wrong’ single cover. Record label and title in a circle is the iris of an eye formed by two curved white lines against a light beige background.

'LA-based jazz bassist returns to the laidback indie rock mode of his 2023 album Driving for this lo-fi Fleetwood Mac cover on Psychic Hotline’s singles clubs.'

#SamWilkes - ‘I Know I’m Not Wrong’ is a Quietus Track of the Month for August 2025

buff.ly/7zI1l4p

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The Fool on the Hill, by Gregory Uhlmann, Josh Johnson, Sam Wilkes from the album Uhlmann Johnson Wilkes


🇺🇦 #NowPlaying on #KEXP's #JazzTheatre

Gregory Uhlmann, Josh Johnson , Sam Wilkes:
🎵 The Fool on the Hill

#GregoryUhlmann #JoshJohnson #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song/Cover on #Bandcamp:

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& of course looking up Sam Wilkes, he has something released on #InternationalAnthem.

#SamWilkes #CraigWeinrib #DylanDay #StandingInTheDoorway

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The mood: Is it Understanding? Acceptance? Gratitude?
I like the title, because it does feel like crossing a threshold...

#SamWilkes #CraigWeinrib #DylanDay #StandingInTheDoorway

Heard via #KEXP #PrometheusBrown

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Standing In The Doorway, by Sam Wilkes, Craig Weinrib, and Dylan Day from the album Sam Wilkes, Craig Weinrib, and Dylan Day

Something about this piece of music it really pulled me in. It's very easy to listen to, but I find it very thoughtful and... deep?

I am trying to sort out the mood... whatever the mood, I like it because I like how this song makes me feel.

#SamWilkes #CraigWeinrib #DylanDay #StandingInTheDoorway

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Standing In The Doorway, by Sam Wilkes, Craig Weinrib, and Dylan Day from the album Sam Wilkes, Craig Weinrib, and Dylan Day


🇺🇦 #NowPlaying on #KEXP's #AfternoonShow

Sam Wilkes, Craig Weinrib and Dylan Day:
🎵 Standing in the Doorway

#SamWilkes #CraigWeinribandDylanDay

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song/Cover on #Bandcamp:

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I SING HIGH, by Sam Gendel & Sam Wilkes from the album Music for Saxofone and Bass Guitar More Songs


🇺🇦 #NowPlaying on #BBC6Music's #FocusBeats

Sam Gendel & Sam Wilkes:
🎵 I SING HIGH

#6music #SamGendel #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song/Cover on #Bandcamp:

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From an Aug 2021 New Yorker piece on Sam Gendel & Sam Wilkes: "The track, “BOA,” was taken from an odd little album by Sam Gendel and Sam Wilkes, which has been steadily finding listeners since its release, in 2018. The album is called “Music for Saxofone & Bass Guitar,” and it has a cover that looks, accurately, like the result of a quick session on Microsoft Word. The sound is echoey, sometimes chattery, reflecting the circumstances of the album’s production: the seven tracks are excerpts from a series of ad-hoc performances at two Los Angeles restaurants, one in Laurel Canyon and one on Sunset Boulevard, in Silver Lake. There is a long and proud history of fake live albums, like James Brown’s volcanic “Sex Machine,” from 1970, which was partly recorded in a studio, with applause dubbed in later. “Music for Saxofone & Bass Guitar” is in some ways the inverse of “Sex Machine”: it sounds like a breezy studio album but was actually recorded live, with all the applause edited out. What remains is a bit like the “beat tapes” that hip-hop producers sometimes make—a carefully compiled collection of excellent grooves. One track begins with the hum of conversation and someone saying, shruggingly, “We could do that.” The musicians are playing “Greetings to Idris,” by Pharoah Sanders, who loved to start with a warm melody and push outward, overblowing his saxophone to create an openhearted sort of chaos. Gendel and Wilkes’s version is softer and more unassuming than the original, because the duo’s music tends to be spacey, in both senses: emptied out, and slightly dazed. Instead of building toward a climax, they use pedals to loop their favorite sounds, and to supply moving clouds of reverb, which accompany them on their journeys."

From an Aug 2021 New Yorker piece on Sam Gendel & Sam Wilkes: "The track, “BOA,” was taken from an odd little album by Sam Gendel and Sam Wilkes, which has been steadily finding listeners since its release, in 2018. The album is called “Music for Saxofone & Bass Guitar,” and it has a cover that looks, accurately, like the result of a quick session on Microsoft Word. The sound is echoey, sometimes chattery, reflecting the circumstances of the album’s production: the seven tracks are excerpts from a series of ad-hoc performances at two Los Angeles restaurants, one in Laurel Canyon and one on Sunset Boulevard, in Silver Lake. There is a long and proud history of fake live albums, like James Brown’s volcanic “Sex Machine,” from 1970, which was partly recorded in a studio, with applause dubbed in later. “Music for Saxofone & Bass Guitar” is in some ways the inverse of “Sex Machine”: it sounds like a breezy studio album but was actually recorded live, with all the applause edited out. What remains is a bit like the “beat tapes” that hip-hop producers sometimes make—a carefully compiled collection of excellent grooves. One track begins with the hum of conversation and someone saying, shruggingly, “We could do that.” The musicians are playing “Greetings to Idris,” by Pharoah Sanders, who loved to start with a warm melody and push outward, overblowing his saxophone to create an openhearted sort of chaos. Gendel and Wilkes’s version is softer and more unassuming than the original, because the duo’s music tends to be spacey, in both senses: emptied out, and slightly dazed. Instead of building toward a climax, they use pedals to loop their favorite sounds, and to supply moving clouds of reverb, which accompany them on their journeys."

. . .
#jazzsky #JazzSunday #SamWilkes #SamGendel #PharoahSanders #TheNewYorker

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GREETINGS TO IDRIS, by Sam Gendel & Sam Wilkes from the album Music for Saxofone and Bass Guitar

Happy Sunday #SundayJazz

#JazzSky #JazzSunday #ambientjazz #PharoahSanders

Sone soothing Sunday Jazz: a cover of Pharoah Sanders' "Greeting to Idris" (Muhammad)

Sam Gendel & Sam Wilkes: Music for Saxofone & Bass Guitar (2018)

#SamGendel (alto sax & electronics), #SamWilkes (bass & electronics)

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Arpy, by Gregory Uhlmann, Josh Johnson, Sam Wilkes from the album Uhlmann Johnson Wilkes


🇺🇦 #NowPlaying on #BBC6Music's #ThePeoplesPartyWithAFRODEUTSCHE

Gregory Uhlmann, Josh Johnson & Sam Wilkes:
🎵 Arpy

#6music #GregoryUhlmann #JoshJohnson #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song on #Bandcamp:

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Sam Wilkes, a celebrated bassist, collaborated with Craig Weinrib & Dylan Day on an eponymous album showcasing their collective improvisational jazz prowess. Expect intricate interplay and captivating soundscapes.
#SamWilkes https://open.spotify.com/album/3QQyertIsTgPCYlJYak92J

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中村佳穂とサム・ウィルクスが京都で滞在制作、せっかくなので100名限定ライブ開催
https://natalie.mu/music/news/626554

#中村佳穂 #SamWilkes

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Sam Wilkes Too Young To Go Steady

I am now listening to Too Young To Go Steady by Sam Wilkes

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BOA Sam Gendel, Sam Wilkes · Music for Saxofone & Bass Guitar · Song · 2018


🇺🇦 #NowPlaying on BBC #Radio3's #UltimateCalm

Sam Gendel & Sam Wilkes:
🎵 BOA

#BBCRadio3 #SamGendel #SamWilkes


▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify
▶️ Track on #Spotify:

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Frica, by Gregory Uhlmann, Josh Johnson, Sam Wilkes from the album Uhlmann Johnson Wilkes


🇺🇦 #NowPlaying on #BBC6Music's #ThePeoplesPartyWithAFRODEUTSCHE

Gregory Uhlmann, Josh Johnson & Sam Wilkes:
🎵 Frica

#6music #GregoryUhlmann #JoshJohnson #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song on #Bandcamp:

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vinyl record seated on wall shelf entitled "The Doober" by Sam Gendel & Sam Wilkes

vinyl record seated on wall shelf entitled "The Doober" by Sam Gendel & Sam Wilkes

#vinyl #jazz #samgendel #samwilkes #saxofoneandbass #clowncore

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Arpy, by Gregory Uhlmann, Josh Johnson, Sam Wilkes from the album Uhlmann Johnson Wilkes


🇺🇦 #NowPlaying on #BBC6Music's #DreamTime

Gregory Uhlmann, Josh Johnson, Sam Wilkes:
🎵 Arpy

#6music #GregoryUhlmann #JoshJohnson #SamWilkes

▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify

▶️ Song on #Bandcamp:

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James Krivchenia, Sam Wilkes & Joshua Abrams - Bracelets For Unicorns, by James Krivchenia from the album Performing Belief


🇺🇦 #NowPlaying on #BBC6Music's #NewMusicFix

James Krivchenia, Joshua Abrams & Sam Wilkes:
🎵 Bracelets For Unicorns

#6music #JamesKrivchenia #JoshuaAbrams #SamWilkes
#newRelease - 🆕 single

▶️ 🆕🪄 Automagic 📻 playlist: 👉 New releases played on #Radio6Music 👈

▶️ Song on #Bandcamp:

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Arpy Gregory Uhlmann, Josh Johnson, Sam Wilkes · Marvis · Song · 2025

Morning run soundtrack 🏃🏼
Can't wait for the full album on @intlanthem.bsky.social!
#gregoryuhlmann #joshjohnson #samwilkes

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Arpy Gregory Uhlmann, Josh Johnson, Sam Wilkes · Marvis · Song · 2025


🇺🇦 #NowPlaying on BBC #Radio3's #NightTracks

Gregory Uhlmann, Josh Johnson & Sam Wilkes:
🎵 Arpy

#BBCRadio3 #GregoryUhlmann #JoshJohnson #SamWilkes


▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify
▶️ Track on #Spotify:

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