Props to EM peeps! #ShakeRace, #ShakeAss17 plenary http://bit.ly/2p1eyTF & SQ on race http://bit.ly/2qZNGlH #medievaltwitter #MoreVoices
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If u understudy for a speaker can it go on ur CV? Serious q for @monicaMedHist! Note understudy intros @ #ShakeAss17 https://www.youtube.com/watch?v=4f8_sOAucWw&t=249s
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And now #ShakeAss17 #QUEER NATURES plenary (audio-recording) is online! MDiGangi JCampana VNardizzi KRaber LShannon https://www.youtube.com/watch?v=YVgx9-6wTOE&spfreload=5
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Thoughtfully curated session & important convos: COLOR OF MEMBERSHIP plenary at #ShakeAss17 #ShaxFutures17. Take note #medievaltwitter! twitter.com/JonathanHsy/status/85222...
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#ShakeAss17 COLOR OF MEMBERSHIP plenary online (audio)! @MichaelWitmore DBritton JHoward ALittle JMacDonald JSingh https://www.youtube.com/watch?v=4f8_sOAucWw
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When your flight's arrival time becomes your departure time ... #shakeass17
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Reject limiting Eurocentric definitions of drama: Molette to question on whether early modern Turkish theatre counts #shakerace #shakeass17
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Molette: during the Black Arts Mvmt you knew you had an artistic community for whom financial success wasn't the goal #shakeass17 #shakerace
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Molette: often a playwright is told a play needs to be "commercial" i.e. it needs to attract upper mid-class wypipo #shakerace #shakeass17
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Molette: for whom does the playwright write? Is it an audience that can charge $40+ per ticket? #shakerace #shakeass17
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Molette: realism is a recent & Eurocentric issue, one that did not apply in Shakespeare's historical moment #shakeass17 #shakerace
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Molette: Rites & Reason Theatre @BrownUniversity already had practices for encouraging audience call & response, etc. #shakerace #shakeass17
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Molette: Ohio State production asked for more dialogue to instruct audiences on how to do call & response. #shakerace #shakeass17
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Molette reminds us that "the fourth wall" is a Eurocentric concept not shared by all audiences in much of the world #shakerace #shakeass17
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The Molettes encourage productions to use masks; in the US, some companies lack black actors for the roles. #shakeass17 #ShakeRace
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Molette on emergence of director's vision in Eurocentric theatre taking precedence over playwright's #shakerace #shakeass17
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Nat'l Theatre Co of Ghana's Fortunes of the Moor. They travel between productions to learn the stories of diff places #shakeass17 #shakerace
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Molette discusses differences in audience knowledge & budgets for Fortunes of the Moor in US & W African productions #shakerace #shakeass17
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To repeat a joke: let's stage a 100% PERICLES cyber conference via #shakeass17 & #MAA2017 cross tweets #medievaltwitter #gowerpower #atlonto
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I love how #MAA2017 & #shakeass17 ppl are sometimes responding to each other's tweets as if we're in same place #mutualstalking #👀 #atlonto
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Just catching up w various tweets. #ShakeRace & #ShaxFutures17 @ #ShakeAss17 = LIT 🔥🔥🔥🔥#Medieval Studies, take note! #medievaltwitter #maa17
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A big thank you to @ProfKFH, Patricia Cahill, & everyone in the seminar for a wonderful session #ShakeRace #shakeass17
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Q. In terms of methodology, what is the salience of intersectionality & gender in our work #shakeass17 #shakerace
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Deconstructing the myth of the "innocent white woman" is noted as a theme in the papers #shakeass17 #ShakeRace
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I love this conference: Get Out was just connected to our seminar conversation on Shakespeare & Black America #shakeass17 #shakerace
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I am a bit battered from yesterday's marathon of sitting in airports & on planes, so looking forward to #Shakeass17 Yoga on Saturday
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Waiting for my #shakeass17 plane, listening to @FolgerLibrary podcast on Shakespeare & racial segregation in 1930sDC https://overcast.fm/+GB8xP0HIY
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