Advertisement · 728 × 90
#
Hashtag
#Soyer
Advertisement · 728 × 90
GLOBAL Visibility aéPiot - by aePiot.ro
GLOBAL Visibility aéPiot - by aePiot.ro
@globalvisibility.bsky.social
1 week ago
MultiSearch Tag Explorer MultiSearch Tag Explorer - Explore tags and search results by aéPiot - aéPiot: Independent SEMANTIC Web 4.0 Infrastructure (Est. 2009). High-density Functional Semantic Connectivity with 100/100 Trust...

#MAJ #SANDMARK #LIEFWENDAL
semantic-search.allgraph.ro/advanced-sea...
#ELIZABETH #EMMA #SOYER
advanced-search.headlines-world.com/advanced-sea...
#CWPAN #DANHEDDOG
semantic-search.aepiot.com/advanced-sea...
headlines-world.com

0 0 0 0
Michael
Michael
@mdstamper.bsky.social
1 month ago
A tall, narrow oil painting presents a young teen dancer standing barefoot against a cool gray-blue backdrop. She has long brown hair, with a red-orange flower tucked on the side, and her face tilts downward in quiet concentration rather than performance. Her green dress, cut very short above the knees, is patterned with pale diagonal streaks that read like light skimming fabric as it shifts. The brushwork is brisk and textured because the dress is built from layered strokes, while her features are simplified but expressive, with the eyes cast down and the mouth set neutrally, as if she is counting beats internally. Her hands rest on her hips, elbows angled out, giving her posture a rehearsal-room certainty. One leg crosses in front of the other, knees soft, creating a dancer’s poise … ready to pivot, step, or turn. Behind her, a dark, soft-edged shadow rises along the right side, echoing her outline and making her figure feel tactile and present. Dating this work to circa the 1960s fits the sitter’s abbreviated, mod-like silhouette and the painting’s economy of an image that feels like a captured moment rather than a staged tableau. Russian-born American artist Moses Soyer (Моисей Абрамович Сойер) often returned to dancers not as spectacle, but as people in the in-between like when practicing, waiting, or preparing. Here, the bright green acts like a spotlight you can wear or, perhaps, youth rendered as color, while the lowered gaze resists the idea of being “on display.” The crossed feet and planted hands suggest both confidence and effort like a body learning its own power through discipline. In that sense, the painting reads as a portrait of becoming or of a girl using movement to claim space, not for an audience, but for herself.

A tall, narrow oil painting presents a young teen dancer standing barefoot against a cool gray-blue backdrop. She has long brown hair, with a red-orange flower tucked on the side, and her face tilts downward in quiet concentration rather than performance. Her green dress, cut very short above the knees, is patterned with pale diagonal streaks that read like light skimming fabric as it shifts. The brushwork is brisk and textured because the dress is built from layered strokes, while her features are simplified but expressive, with the eyes cast down and the mouth set neutrally, as if she is counting beats internally. Her hands rest on her hips, elbows angled out, giving her posture a rehearsal-room certainty. One leg crosses in front of the other, knees soft, creating a dancer’s poise … ready to pivot, step, or turn. Behind her, a dark, soft-edged shadow rises along the right side, echoing her outline and making her figure feel tactile and present. Dating this work to circa the 1960s fits the sitter’s abbreviated, mod-like silhouette and the painting’s economy of an image that feels like a captured moment rather than a staged tableau. Russian-born American artist Moses Soyer (Моисей Абрамович Сойер) often returned to dancers not as spectacle, but as people in the in-between like when practicing, waiting, or preparing. Here, the bright green acts like a spotlight you can wear or, perhaps, youth rendered as color, while the lowered gaze resists the idea of being “on display.” The crossed feet and planted hands suggest both confidence and effort like a body learning its own power through discipline. In that sense, the painting reads as a portrait of becoming or of a girl using movement to claim space, not for an audience, but for herself.

“Girl in Green Dancing Dress” by Moses Soyer (Russian-American) - Oil on masonite / c. 1960s - Rose Art Museum (Waltham, Massachusetts) #WomenInArt #MosesSoyer #МоисейСойер #Soyer #SocialRealism #artText #dancer #arte #BlueskyArt #art #BrandeisUniversity #RoseArtMuseum #PortraitofaGirl #DanceArt

50 7 1 0
@sayno2.bsky.social
9 months ago

Yerel demokrasiye ve ana muhalefete yönelik saldırılar #Türkiye'de hız kesmeden devam ediyor - şimdi de CHP'nin kalesi #İzmir'e karşı, dün eski Belediye Başkanı #Soyer dahil 150'den fazla gözaltı oldu.

0 0 0 0
Nacho Sánchez Amor
Nacho Sánchez Amor
@nachosamor.bsky.social
9 months ago
Post image

Solidarity with #İmamoğlu from many colleagues of @socialistsanddemocrats.eu including our president @iratxegarper.bsky.social

Attacks on local democracy & main opposition go unabated in #Türkiye - now also against CHP stronghold #Izmir, with >150 detentions yesterday incl. former Mayor #Soyer.

1 0 0 1