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#MyArt #DigitalArt #SpanishArtist #Art #TTRPGArt #CharacterDesign

Estamos con una campaña nueva de D&D 3.5

Estoy experimentando un poco con mi semi-celestial y su madre. Tengo entendido que los de 5ta son más fae con plantas? Son lindos, pero quería algo con plumas xd

La madre es una Firre.

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last year commission for my friend Moshy, still pretty proud of how this one looks
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#art #furry #furryart #drawing #dibujo #sketch #ink #digitalart #spanishartist

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Two women sit on a deep window ledge, shown in profile against a dreamlike view of Córdoba, Spain. At right, a dark-haired young woman in working-class dress folds her legs beneath her and raises a tarot card for the other to see. At left, her companion leans back with a long, elegant neck, heavy-lidded eyes, and a face turned inward with melancholy. Their bodies are close, but their moods do not meet. The fortune-teller seems alert, almost sly. The other woman appears distant, absorbed by private sorrow. 

Spanish artist Julio Romero de Torres stages them with velvety skin, dark hair, and sculptural stillness, setting their figures against a city assembled like emotional theater. In the middle distance, another tiny drama unfolds: a woman seems to reach toward a man as if trying to stop him, while farther back a red-shawled figure lingers in a doorway. The whole scene feels paused between prophecy and aftermath.

Romero de Torres was already a celebrated painter by 1920, known for images of women that fused Andalusian identity, symbolism, desire, and unease. Here, he turns card-reading into a meditation on love’s imbalance. The cards are not light entertainment, but are a warning. The museum’s interpretation links the painting to sadness, indifference, and dangers of loving a married man, with the secondary scene acting almost like a cinematic flash of the story behind the sitter’s stress.

The layered storytelling matters. the picture is not simply about “fortune” but about emotional knowledge, especially the kind women are left to carry, intuit, and survive. Romero de Torres often used paired women to suggest dualities like sacred and profane, innocence and experience, or hope and resignation. In this work, the contrast is quieter and more human: one woman reads signs, the other lives their consequences. The invented yet recognizable Córdoba behind them turns private heartbreak into civic myth, making female feeling the true monument at the center of the canvas.

Two women sit on a deep window ledge, shown in profile against a dreamlike view of Córdoba, Spain. At right, a dark-haired young woman in working-class dress folds her legs beneath her and raises a tarot card for the other to see. At left, her companion leans back with a long, elegant neck, heavy-lidded eyes, and a face turned inward with melancholy. Their bodies are close, but their moods do not meet. The fortune-teller seems alert, almost sly. The other woman appears distant, absorbed by private sorrow. Spanish artist Julio Romero de Torres stages them with velvety skin, dark hair, and sculptural stillness, setting their figures against a city assembled like emotional theater. In the middle distance, another tiny drama unfolds: a woman seems to reach toward a man as if trying to stop him, while farther back a red-shawled figure lingers in a doorway. The whole scene feels paused between prophecy and aftermath. Romero de Torres was already a celebrated painter by 1920, known for images of women that fused Andalusian identity, symbolism, desire, and unease. Here, he turns card-reading into a meditation on love’s imbalance. The cards are not light entertainment, but are a warning. The museum’s interpretation links the painting to sadness, indifference, and dangers of loving a married man, with the secondary scene acting almost like a cinematic flash of the story behind the sitter’s stress. The layered storytelling matters. the picture is not simply about “fortune” but about emotional knowledge, especially the kind women are left to carry, intuit, and survive. Romero de Torres often used paired women to suggest dualities like sacred and profane, innocence and experience, or hope and resignation. In this work, the contrast is quieter and more human: one woman reads signs, the other lives their consequences. The invented yet recognizable Córdoba behind them turns private heartbreak into civic myth, making female feeling the true monument at the center of the canvas.

“La Buenaventura (The Fortune-telling)" by Julio Romero de Torres (Spanish) - Oil on canvas / 1920 - Museo Carmen Thyssen Málaga (Málaga, Spain) #WomenInArt #JulioRomeroDeTorres #RomeroDeTorres #MuseoCarmenThyssenMalaga #arte #BlueskyArt #artText #spanishartist #SpanishArt #FortuneTelling #1920sArt

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posting these bad boys together too
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#art #furry #furryart #drawing #dibujo #digitalart #spanishartist #commsopen #commissionsopen

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coffee to go!

Fullrender bust Commission for chaffeeni on discord
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#art #furry #furryart #drawing #dibujo #digitalart #digitalpainting #spanishartist

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Intenté hacer una ilustración de Kelsier, me gustó mucho El Imperio Final, aún tengo que empezarme El Pozo de la Ascensión.

Lean Nacidos de la Bruma.

#art #spanishartist #umamusume #mistborn

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#picasso #pablopicasso #art #portraitdefemme #c1945 #painting #modernart #spanishartist #spain #cubism

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Fleeting Time Dali Poster from The ARTpublika Shop on branded background | Design by Liz Publika

Fleeting Time Dali Poster from The ARTpublika Shop on branded background | Design by Liz Publika

Our original Fleeting Time Dali Poster is pretty rad, so get one today!

Only a The ARTpublika Shop. Link in bio.

#Dali #Spanishartist #artsky #decor #wallposter #surrealist #ARTpublika

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Fullrender bust for DartDaOwl over discord
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #commsopen #commissionsopen #spanishartist #owl #demon

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fullrender commission for @robadragon.bsky.social [chromatic aberration version]
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #blackhole #mantledbeast #space #spanishartist

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fullrender commission for @robadragon.bsky.social
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #blackhole #mantledbeast #space #spanishartist

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Este me ha costado especialmente.

Lo usé para practicar todo: sombreado, poses, fondos, efectos... bueno, así ha quedado.

Me gustan mucho Johnny y Gold Ship.

#art #spanishartist #umamusume #umamusume #jjba #steelballrun

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#juangris #painting #art #cubism #modernism #modernart #cubistart #spain #spanishartist #belatedbirthday

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Dibujo entintado de un hada entre flores. El hada está de perfil y se tapa un poco la cara con la mano para que no le dé el sol.

Dibujo entintado de un hada entre flores. El hada está de perfil y se tapa un poco la cara con la mano para que no le dé el sol.

Dibujinchi que hice ayer en el trabajo, no sé si lo voy a terminar

#art #spanishartist #fairy #iruuk

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Hace tiempo que no subo algún dibujo.

He intentado practicar sombreado y brillo con este. Es mi primer intento y no espero tampoco que haya salido genial, pero bueno, seguiré practicando.

#art #spanishartist #oc

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Fullrender bust for Raziel over discord
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#art #furry #furryart #drawing #dibujo #digitalart #spanishartist #commsopen #commissionsopen

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Phone wallpaper commission for @martin633x.bsky.social
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #comic #ink #spanishartist

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reposting some of my fave sumi-e comms so far :]
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#art #furry #furryart #sketch #sketchbook #ink #drawing #dibujo #digitalart #spanishartist

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Banner for fursonafy in the watercolor style!
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#art #furry #furryart #drawing #dibujo #ink #digitalart #commsopen #commissionsopen #spanishartist

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Reto de Pinterest coloreado con lápices de colores y rotuladores. En el centro una chica con el pelo castaño y mechas rubias y dos moños, un top de leopardo, una chaqueta rosa d pelo y una mini falda vaquera. De izquierda en el sentido de las agujas del reloj: un conejo, dos rosas, el signo de Escorpio, cerezas, 1, una Gameboy advance. El nombre de Ainara a la derecha y doodles de corazones alrededor sobre un fondo amarillo

Reto de Pinterest coloreado con lápices de colores y rotuladores. En el centro una chica con el pelo castaño y mechas rubias y dos moños, un top de leopardo, una chaqueta rosa d pelo y una mini falda vaquera. De izquierda en el sentido de las agujas del reloj: un conejo, dos rosas, el signo de Escorpio, cerezas, 1, una Gameboy advance. El nombre de Ainara a la derecha y doodles de corazones alrededor sobre un fondo amarillo

Este es el resultado del reto de Pinterest, me parece chulísimo en cuanto a creación de ocs y salir un poco del artblock o zona de confort

#iruuk #spanishartist #art #retopinterest #traditionalart

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Blackhole

another experimental commission for @robadragon.bsky.social
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #commsopen #commissionsopen #blackhole #mantledbeast #spanishartist

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Painted around 1913, when Spanish artist Gonzalo Bilbao Martínez was in his mature, widely celebrated period, this painting frames flamenco as lived, private culture rather than staged entertainment. A young woman dances indoors, her body arcing into a bold curve as one arm lifts high and the other gathers her shawl at the waist. Her skin is light-to-medium under warm, artificial light. Her dark hair is dressed with bright red carnations. She wears a wide, dark Cordovan hat tipped at an angle, a short necklace, and a pale fringed shawl (mantón) that ripples across her shoulders and down her torso. Below, a tiered skirt in soft rose tones swings around her legs, edged with lighter ruffles while a white boot peeks out as she steps forward. Behind her, a seated woman accompanies on guitar, her face in shadow, wearing a red blouse and a blue skirt. The setting is humble and domestic with white crockery on a small shelf, an earthenware vessel near the floor, and a small religious image on the wall. A dark shadow to the dancer’s side possibly suggests another figure just out of view like an unseen witness to this intimate performance.

The room lacks the showy décor of tourist-oriented cafés; instead, everyday objects and the close proximity between dancer and guitarist evoke a gathering you’re invited into, not a spectacle you buy a ticket for. Bilbao’s lighting does important storytelling as it “spotlights” the dancer’s face and torso, carving her movement from the gray wall, while vivid accents (carnations and violet shadows in the ruffles) heighten the sensuous energy of the moment. In early 20th-century Spain, debates about “modernity” sometimes dismissed traditions like flamenco as backward. Bilbao (Sevillian by birth and deeply attached to Andalusian life) answers by making its beauty undeniable. The result is both portrait and defense depicting a woman’s artistry, rendered as dignity, joy, and force in motion.

Painted around 1913, when Spanish artist Gonzalo Bilbao Martínez was in his mature, widely celebrated period, this painting frames flamenco as lived, private culture rather than staged entertainment. A young woman dances indoors, her body arcing into a bold curve as one arm lifts high and the other gathers her shawl at the waist. Her skin is light-to-medium under warm, artificial light. Her dark hair is dressed with bright red carnations. She wears a wide, dark Cordovan hat tipped at an angle, a short necklace, and a pale fringed shawl (mantón) that ripples across her shoulders and down her torso. Below, a tiered skirt in soft rose tones swings around her legs, edged with lighter ruffles while a white boot peeks out as she steps forward. Behind her, a seated woman accompanies on guitar, her face in shadow, wearing a red blouse and a blue skirt. The setting is humble and domestic with white crockery on a small shelf, an earthenware vessel near the floor, and a small religious image on the wall. A dark shadow to the dancer’s side possibly suggests another figure just out of view like an unseen witness to this intimate performance. The room lacks the showy décor of tourist-oriented cafés; instead, everyday objects and the close proximity between dancer and guitarist evoke a gathering you’re invited into, not a spectacle you buy a ticket for. Bilbao’s lighting does important storytelling as it “spotlights” the dancer’s face and torso, carving her movement from the gray wall, while vivid accents (carnations and violet shadows in the ruffles) heighten the sensuous energy of the moment. In early 20th-century Spain, debates about “modernity” sometimes dismissed traditions like flamenco as backward. Bilbao (Sevillian by birth and deeply attached to Andalusian life) answers by making its beauty undeniable. The result is both portrait and defense depicting a woman’s artistry, rendered as dignity, joy, and force in motion.

“Una bailaora” (A Flamenco Dancer) by Gonzalo Bilbao Martínez (Spanish) - Oil on canvas / c. 1913 - Museo Carmen Thyssen Málaga (Málaga, Spain) #WomenInArt #art #artText #GonzaloBilbaoMartinez #GonzaloBilbaoMartínez #Arte #MuseoCarmenThyssenMalaga #SpanishArt #SpanishArtist #MuseoCarmenThyssenMálaga

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and the black and white version of the comm too cause it slaps
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #spanishartist #blackhole #space #commission #commsopen

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Experimental sumi-e Commission for @robadragon.bsky.social
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#art #furry #furryart #drawing #dibujo #sketch #ink #digitalart #commission #commsopen #spanishartist

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Preview
XAWARO XAWARO, Latino heavy metal band from Minneapolis/St Paul Minnesota

Follow us youtube.com/@xawaro?si=1...

#spanishrock #spanishband #spain #spanishsinger #spanishartist #metalsinger #metalvoice #lovedeathnflies #metalheads #musica #metal #damnified #album #release #liveshow #onstage #rock #coverbands #rockenespa #music #musicianlife #hardrock #punk #heavymetal #mn

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Bust commission for Dragon over Discord
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#art #furry #furryart #dragon #digitalart #spanishartist #commsopen #commissionsopen #arte

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#art #fineart #artstream #artreview #artdiscussion #artcritique #arttalk #patricksaunders #patricksaundersfinearts #realistart #MuseumTourTuesday #spanishpainting #spanishart #spanishartist #joaquinsorolla #hispanicsociety #visionofspain

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#danieleldibujo #águilas #aguilas #murcia #spanishartist #pintura #óleo #artwork #art #arte #retrato #portret #portraitart #figurativeart #artefigurativo #storytelling #artenarrativo #soledad #melancolia #beauty #belleza #aestetic #chico #boy #lindo #cute #adorable #cutequeer #jawline #sideprofile

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I doodled this originally for doing a fullrender piece of my sona-
But as always I can't help myself to the wonders of red/black/white instead
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#art #furry #furryart #drawing #dibujo #sketch #digitalart #spanishartist

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pieddepoule_selale
L’École Buissonnière (Haciendo Novillos) [Truancy (Playing Hooky)], 1962
Remedios Varo (Spanish, 1908-1963)

@pieddepoule_selale #spanishartist #playinghooky #1962art #lecolebuissonnière #remediosvaro

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