Panel one: Anita and Toye walk towards the executive elevator, as cubicles with disingenuous appearances of their coworkers on ther computer. Toye: Can you Believe it!? On our Break!? Cutting Time just To get back To that red Herring of A Research Topic! The new Director has lost his mind! Fungus!? He’s just money Laundering At this Point. Panel two: a close up of a n elevator control panel displays the floor that both researchers are heading: the director’s floor. System: Preparing: Express Elevator to Director Floor. Thank You for your patience. Panel three : Toye looks up at Anita breaking her silence. Anita: Toye, Don’t have A fit. As long He doesn’t Prevent the Practical Cases.. Toye: Ugh I Know. “HumorHim”. panel fourth: Toye’s face is the focus as she doubles down on her contempt for the director. Toye : I just can’t stand him Wasting the research Department Time for Conspiracies! Resources Going to a Snipe hunt! Panel five: in one point perspective we have a hallway that stretches into darkness, as the light of the open door to the director shines. On the walls are paintings of each director for generations , bust of their heads and unpleasant office chairs occupy the void. Anita: Don’t worry Toye. No matter What comes Ahead, we will Hold true to the creed Of the research department: “through Adversity, we shall grasp Innovation.”
Panel one: a landscape of the chairman in shadow while facing Anita and Toye. He is a man of lean stature, wearing a dark suit and tie, his hand resting under cheek. He is draped in shadow while behind him is a large window only showing a bright light to establish how high he resides in the company building. The director: we have some things to address, ladies. Panel two is a landscape shot, appearing behind him. Shadows creep toward Anita and Toye. The director: did you enjoy the film? the film was named Gepetto, right? I knew the director, he was always lacking nuance to his vision. I consider the literary works of Thurman but who am I to say. Panel four: the director lifts his hand and wags his finger in a circle. The director: when you’re from the Burroughs of New Amster, you can’t help but be straight forward. Panel five: Extreme closeup as he points directly at the viewer. The director: the strive to have your own agency in a land that oppresses you, well I can admire that. Which is -