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Let’s Explore the Autêntica Sans Typeface, a Display Font That Refuses to Be Ordinary weandthecolor.com/autentica-sa...

#font #typeface #design #graphicdesign

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MultiSearch Tag Explorer MultiSearch Tag Explorer - Explore tags and search results by aéPiot - aéPiot: Independent SEMANTIC Web 4.0 Infrastructure (Est. 2009). High-density Functional Semantic Connectivity with 100/100 Trust...

#THE #GLENN #BECK #PROGRAM
multi-search-tag-explorer.allgraph.ro/advanced-sea...
145451 #RUMINA
aepiot.ro/advanced-sea...
#TYPEFACE
multi-search-tag-explorer.aepiot.ro/advanced-sea...
headlines-world.com

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Connect the dots font

Connect the dots font

Connect the dots font. Readable by human action. #font #typeface #experiment #sketch

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Jackie's Pen is a handwritten script font by Studio Madly, inspired by the flowing cursive penmanship of older generations. weandthecolor.com/jackies-pen-...

#font #typeface #design #graphicdesign

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Video

Traktor is a also a variable font #typeface #type #typography #graphicdesign #typedesign #design #posterdesign #editorial #displaytype #grafik #coding #kinetictype #animation #animatedtype

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The Corbert Text Font Family by The Northern Block Sets a New Standard for Geometric Type at Small Sizes weandthecolor.com/the-corbert-...

#font #fonts #typeface #design #graphicdesign

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Singapore's vehicle registration plates still appear to use a typeface adopted from the UK's "Mandatory" - Charles Wright lettering? @doublearrow64.bsky.social @showmeasign.online #typeface #typography #lettering

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The Sunom Resub Typeface Is the Medieval Blackletter Gothic Font That Redraws the Rules of Dark Typography weandthecolor.com/the-sunom-re...

#font #typeface

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Preview
Ugly Gerry - Wikipedia

Today in #typeface thoughts

en.wikipedia.org/wiki/Ugly_Ge...

#gerrymander #gerrymandering #font #script #democracy or whatever

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DUNE movie image of an orange setting star full screen circle behind two small dark characters dressed in armour leather like clothing at the bottom. the male holds a short sword or long dagger aloft, while his long billowing clothing blows to the side, alongside him a female looks up at the dagger he holds aloft, she too has a dagger resting in her opposite hand. The caption reads IS THIS A DAGGER Which I See Before Me

DUNE movie image of an orange setting star full screen circle behind two small dark characters dressed in armour leather like clothing at the bottom. the male holds a short sword or long dagger aloft, while his long billowing clothing blows to the side, alongside him a female looks up at the dagger he holds aloft, she too has a dagger resting in her opposite hand. The caption reads IS THIS A DAGGER Which I See Before Me

Is this a dagger…

#Dune #Macbeth #Film #typeface #font #PosterArt

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TAN The Reverie Font by TanType weandthecolor.com/tan-the-reve...

#font #typeface

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The La Siesta typeface is a handwritten font duo by Struvictory.art weandthecolor.com/la-siesta-ty...
#font #fonts #typeface #typography #design #graphicdesign

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The Regals Serif Font by Sam Parrett of Set Sail Studios weandthecolor.com/the-regals-s...

#font #typeface

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Something interesting is happening in type design right now — not in terms of volume, but quality. The first months of 2026 have been quiet, and that's actually the point. The releases worth talking about are few, but they're sharp. Each one has a clear idea behind it, not just a new addition to the catalogue.
That matters more than it might seem. With AI-generated visuals everywhere, typography is increasingly one of the only things that can still signal real intent. A generic font blends in. A well-considered one carries meaning — cultural, aesthetic, historical — in ways that are hard to fake. The six families here all get that. And they each make their argument with real conviction.
This is a personal selection covering January through March 2026. What makes these typefaces technically interesting, where they fit in the broader conversation around type, and why they feel like the right ideas at the right time.

Something interesting is happening in type design right now — not in terms of volume, but quality. The first months of 2026 have been quiet, and that's actually the point. The releases worth talking about are few, but they're sharp. Each one has a clear idea behind it, not just a new addition to the catalogue. That matters more than it might seem. With AI-generated visuals everywhere, typography is increasingly one of the only things that can still signal real intent. A generic font blends in. A well-considered one carries meaning — cultural, aesthetic, historical — in ways that are hard to fake. The six families here all get that. And they each make their argument with real conviction. This is a personal selection covering January through March 2026. What makes these typefaces technically interesting, where they fit in the broader conversation around type, and why they feel like the right ideas at the right time.

The Coolest New Typefaces of Early 2026: weandthecolor.com/the-coolest-...

#font #typeface #fonts #typefaces #design #graphicdesign

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Serif typography is facing a familiar problem. Many modern revivals either stick too closely to historical models or modernize them so much that they lose their personality. In both cases, editorial designers often end up with typefaces that almost work, but not quite.

Willy Caslon, designed by Juan Bruce and the Latinotype team, takes a different path. Instead of forcing a choice between tradition and modernity, it reinterprets the English Caslon tradition in a way that feels relevant for today’s reading habits.

The result is a serif family that fits the real needs of editorial design. It carries a clear voice, supports comfortable long-form reading, holds its presence on screens, and still feels like a thoughtful design decision rather than just another revival.

Serif typography is facing a familiar problem. Many modern revivals either stick too closely to historical models or modernize them so much that they lose their personality. In both cases, editorial designers often end up with typefaces that almost work, but not quite. Willy Caslon, designed by Juan Bruce and the Latinotype team, takes a different path. Instead of forcing a choice between tradition and modernity, it reinterprets the English Caslon tradition in a way that feels relevant for today’s reading habits. The result is a serif family that fits the real needs of editorial design. It carries a clear voice, supports comfortable long-form reading, holds its presence on screens, and still feels like a thoughtful design decision rather than just another revival.

Willy Caslon Font Family by Latinotype weandthecolor.com/willy-caslon...

#font #typeface #design #graphicdesign

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Freefont: Amble
»Die Seele des Ganzen lebt in den Details« Zitat: Mies Van der Rohe

Freefont: Amble »Die Seele des Ganzen lebt in den Details« Zitat: Mies Van der Rohe

Freefont: Amble
»Die Seele des Ganzen lebt in den Details« Zitat: Mies Van der Rohe
#font #freefont #type #typeface
Blogartikel und Link zum Download: https://www.grafikundgestaltung.com/freefont-amble/

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New! 🌸 Traktor is a humanist mixed serif typeface. Its for packaging to editorial and book related projects. Trial fonts available on -> www.r-vtype.com #typeface #type #typography #graphicdesign #typedesign #design #posterdesign #editorial #displaytype #grafik #animation #letters

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We're Not Gonna Talk About Fonts [FULL] 05/03/25
We're Not Gonna Talk About Fonts [FULL] 05/03/25 YouTube video by Chad The Bird

The font/typeface used in the "you wouldn't steal a car" anti-piracy commercials was pirated.

www.youtube.com/watch?v=5ft2...

#copyright #typeface #fonts #chadthebird

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The Roman Edition – Serif Font by SilverStag Type Foundry weandthecolor.com/sltf-the-rom...

#font #typeface

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I made a typeface that creates typos. So now you can blaem your typos on me. It uses swap rules to turn words like "duck" into "fuck" and "would" to "woudl".

https://www.lindmarker.se/projects/accident-gortesk/

#typography #typeface #design

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*A personalized stamp I designed for identifying my work. The concept behind the #design was inspired by the circular embossed seals used by galleries & institutions to signify an "authorized" work. 📷

#photography #graphicdesign #logo #EastCoastKin #vintage #font #typography #typeface #distressed

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Sorah Font by Megflags: The Raw Display Typeface You Need
weandthecolor.com/sorah-font-b...

The Sorah font by Megflags embraces imperfection as a design statement.

#font #typeface

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New project coming to Overlap Type soon from Aasawari Kulkarni.

#typedesign #graphicdesign #pixelfont #typeface #fonts

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Filming is a commanding condensed display #typeface built for impact. Designed by Rajesh Rajput.

Full family for just $18.

#type #designsky #fonts

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Medkight Font by TimelessType
weandthecolor.com/medkight-fon...

Typography has a unique power to make people pause mid-scroll.

#font #typeface #typography #design #graphicdesign

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Gotta represent!

#design #graphicdesign #Helvetica #SwissStyle #typeface #graphics #ARTpublika

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The Bárur Typeface Is the Organic Display Serif That Makes Headlines Move weandthecolor.com/the-barur-ty...

Designed by Sarah Schroeder of Mindt® Studio, Bárur is an expressive display serif that rejects neutrality in favor of movement and rhythm.

#font #typeface

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TRT Burn Font Family by TrueType: A New Condensed Sans-Serif Typeface weandthecolor.com/trt-burn-fon...

The TRT Burn font family is a modern condensed sans-serif by TrueType that stands out in a crowded typography landscape.

#font #typeface

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Dickens Font Family by Fenotype weandthecolor.com/dickens-font...

The Dickens typeface family arrives with unusual timing and relevance.

#font #typeface

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