photo from a film showing a woman’s face turning impassively towards us while in the background a blurred man looks towards her

#TheCapitol #TheBestFilmsYouveNeverSeen (though this is one of my top 10 faves) In the Mood for Love, 2000. Exquisite and immensely evocative, and a remarkable capture of David Seamon’s 1980 concept of “space ballet” and how “place attachment” ruptures when relationships change.