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#PostProcess #TonalShift

This is a really fun challenge!

I was going for an ink illustration with a water spill…

Back and forth multiple times in photoshop and Snapseed then a crop on a vignette.

#ECK #EastCoastKin #ClassicMono

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Black and white converted image of stark and rocky gorge. The horizon is a broken line of distant mountains.

Black and white converted image of stark and rocky gorge. The horizon is a broken line of distant mountains.

#PostProcess #TonalShift #EastCoastKin #ClassicMono My dad took this 35mm slide shot 65 years ago. Inadequate storage left the original colors badly compromised. I converted to #blackandwhite and tweaked the clarity. It used to be gorgeous in color.

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Blue hour at colourful canyon with full moon

Blue hour at colourful canyon with full moon

#postprocess #tonalshift #ECK
original 📷 by @rjrock.bsky.social

by chance, I discovered this account / challenge.

edit colours with Snapseed and added 🌕 on my XiaomiHyperOS Pad 5

well, perhaps a bit of too much 🤭 but winter is back here & all covered in white

hope you enjoy it 🙏🏻

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I really enjoyed this postprocess challenge
worked with Dxo Filmpack

I really enjoyed this postprocess challenge worked with Dxo Filmpack

a nice exercise
#eck #postprocess #tonalshift

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Black and white photo of the Grand Canyon.

Black and white photo of the Grand Canyon.

This is my take on the #PostProcess challenge of the photo by @rjrock.bsky.social.
My aim was to highlight the horizintal lines of this geological marvel.

I used the editing tools in the foto app of my iPhone 16pro.
#TonalShift #ECK

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First I have set the image back to a B&W and after that I have play around with the different opportunities in Snapseed on my Samsung S 25 Ultra. I hope to get advices what I can do better. Saw some incredible images from all the others !!

First I have set the image back to a B&W and after that I have play around with the different opportunities in Snapseed on my Samsung S 25 Ultra. I hope to get advices what I can do better. Saw some incredible images from all the others !!

@rjrock.bsky.social have a new challenge for the #ECK #PostProcess #TonalShift, first of all I don't really know if i have it understand it good. I am totally not handy with editing. In this case I have used Snapseed. More in Alt. I am open for any advice and what I can do better.

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Crop, contrast and saturation. Lightroom.
White balance adjusted for white fluorescent light. Curve correction for a histogram with too much black.

Crop, contrast and saturation. Lightroom. White balance adjusted for white fluorescent light. Curve correction for a histogram with too much black.

My classic version of the photo (sorry, I'm a very classic photographer) at the #PostPocess #TonalShift challenge.

Credits: @rjrock.bsky.social
Details in alt.
#EastCoastKin #ECK

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a view into the craggy depths of the grand canyon, from above

a view into the craggy depths of the grand canyon, from above

#PostProcess #TonalShift

I prefer vertical framing - so i did a crop in photoshop then lowered exposure and bumped up contrast... then transferred over to Snapseed for a vintage cross process bw with a faded dreamy feel... Thank you Rock & Jason 🥰

#ECK #EastCoastKin #ClassicMono

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Two deer in the woods. think that they're twins . 
They look exactly alike, and are always together.

Two deer in the woods. think that they're twins . They look exactly alike, and are always together.

Saw them again yesterday in the woods...
They're twins; they look exactly alike and are always together.
#TonalShift #Photography #ArtinNature #Nature
#Wildlife #WildlifePhotography #Deer #Woods #ECK

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Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me to look as though it was shot in warm daylight.

The image was processed in Darktable using my “daytime” style that I am working on. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I did some work in the Local Contrast module, and then added a graduated density filter weighted towards orange and lowered its opacity a little.

Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me to look as though it was shot in warm daylight. The image was processed in Darktable using my “daytime” style that I am working on. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I did some work in the Local Contrast module, and then added a graduated density filter weighted towards orange and lowered its opacity a little.

Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me to look as though it was shot in the evening light.

The image was processed in Darktable using my “evening” style that I am working on. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I did some work in the Local Contrast module, and then added a graduated density filter weighted towards blue and lowered its opacity a little.

Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me to look as though it was shot in the evening light. The image was processed in Darktable using my “evening” style that I am working on. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I did some work in the Local Contrast module, and then added a graduated density filter weighted towards blue and lowered its opacity a little.

Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me in my current “go-to” black and white processing.

The image was processed in Darktable. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Calibration, Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I also did some work in the Local Contrast and Tone Equaliser modules.

Photo of The Grand Canyon taken by @rjrock.bsky.social and processed by me in my current “go-to” black and white processing. The image was processed in Darktable. I increased the exposure because I’ve found subsequent steps tend to darken it a little, then I did some work in Darktable’s Colour Calibration, Colour Balance RGB, Colour Zones, Filmic, and Velvia modules. I also did some work in the Local Contrast and Tone Equaliser modules.

#EastCoastKin #ECK #PostProcess #TonalShift challenge.

Photo taken by @rjrock.bsky.social and sliders semi-randomly thrown around in Darktable by me.

Brief process in threaded post (because I can’t keep to 300 characters!) and a slightly more detailed process in each image’s alt text.

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The Grand Canyon at dusk, converted to black and white and then edited into a tritone image of red, orange, and gold.

The Grand Canyon at dusk, converted to black and white and then edited into a tritone image of red, orange, and gold.

Thanks to @rjrock.bsky.social for sharing the original photo for this processing challenge. This was my first time using Photoshop. As a scifi fan, I played with the Tritone settings, aiming for something that would remind me of an illustration of an alien landscape. #ECK #PostProcess #TonalShift

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A color photo of a mountain range, provided by the host of a brand new photography challenge that begins today. Future compositions will be provided every two weeks by the hosts. The photos are changed in appearance by the poster who explains what they did in the post.

A color photo of a mountain range, provided by the host of a brand new photography challenge that begins today. Future compositions will be provided every two weeks by the hosts. The photos are changed in appearance by the poster who explains what they did in the post.

#PostProcess
#ECK
#TonalShift

1st try at this new challenge. 😅

First, I sharped the image for improved visibility. Next, I reduced the light balance to maintain focus on the mountains. I then enhanced the contrast between the sky & landscape as I felt the mtns. were too dark.
@rjrock.bsky.social

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Please #play (featuring Gus the #Weimaraner) for #animalarttuesday

#postprocess #tonalshift #photography #dog #portrait #eastcoastkin

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"A dramatic landscape photograph processed to resemble the surface of Mars. Layered red and pink canyon walls recede into a hazy amber horizon beneath a flat salmon-colored sky with a faint glow on the left horizon. Originally a Grand Canyon image shot at dusk with HDR processing and noise reduction applied in camera. Color graded in Lightroom with white balance pushed to 8500K, HSL panel used to shift blues and purples toward warm reds, and a split tone curve adding warm amber highlights against cool violet shadows. Sky replaced and graded in Photoshop using a hue/saturation adjustment to shift the original lavender sky to dusty salmon. Atmospheric haze added with an overlay blend mode layer painted along the horizon. Shadow tones shifted from cool purple toward warm brown using a luminosity mask and color balance adjustment targeting only the darkest tones. Graduated fog and atmospheric compression applied in Nik Color Efex. Distant cliffs softened with selective Gaussian blur painted through a mask to simulate Martian atmospheric haze and push depth. Foreground rocks removed with a tight crop to eliminate the most Earth-like elements. Titled Candor Chasma after a real side canyon of Valles Marineris — one of the largest canyon systems in the solar system, stretching 4,000 kilometers across Mars."

"A dramatic landscape photograph processed to resemble the surface of Mars. Layered red and pink canyon walls recede into a hazy amber horizon beneath a flat salmon-colored sky with a faint glow on the left horizon. Originally a Grand Canyon image shot at dusk with HDR processing and noise reduction applied in camera. Color graded in Lightroom with white balance pushed to 8500K, HSL panel used to shift blues and purples toward warm reds, and a split tone curve adding warm amber highlights against cool violet shadows. Sky replaced and graded in Photoshop using a hue/saturation adjustment to shift the original lavender sky to dusty salmon. Atmospheric haze added with an overlay blend mode layer painted along the horizon. Shadow tones shifted from cool purple toward warm brown using a luminosity mask and color balance adjustment targeting only the darkest tones. Graduated fog and atmospheric compression applied in Nik Color Efex. Distant cliffs softened with selective Gaussian blur painted through a mask to simulate Martian atmospheric haze and push depth. Foreground rocks removed with a tight crop to eliminate the most Earth-like elements. Titled Candor Chasma after a real side canyon of Valles Marineris — one of the largest canyon systems in the solar system, stretching 4,000 kilometers across Mars."

"Candor Chasma, Mars"

Or the Grand Canyon after a few hours in LR, PS and Nik Collection — depending on your level of candor.

Layered geology, dusty atmosphere, a sky that needed a lot of convincing. Inspired by #ECK members amazing edits.

#EastCoastKin #Photography #PostProcess #TonalShift

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The Martian

The landscape already had a Martian look to it, so I decided to up the rust and try to make sure the atmosphere fit too. I don't think I got quite there but it still turned out great.

#ECK #PostProcess #TonalShift

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Black and white photo abstract of photo that was altered in challenge to show post process and tonal shift. I shifted too far into abstract and made the image unrecognizable.

Black and white photo abstract of photo that was altered in challenge to show post process and tonal shift. I shifted too far into abstract and made the image unrecognizable.

This isn't my image it was supplied by @rjrock.bsky.social for the new challenge to alter the provided image. Remove color and proceed with your own choices.

I use Google photos and sketchbook app. I sharpened and saturated image.

#PostProcess #EastCoastKin #TonalShift #BlackAndWhitePhotography

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Post image

This isn't my image it was supplied by @rjrock.bsky.social for the new challenge to alter the provided image. Remove color and proceed with your own choices.

I use Google photos and sketchbook app. I sharpened and saturated image.

#PostProcess #EastCoastKin #TonalShift #BlackAndWhitePhotography

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First attempt with eck challenge 

I edited @rjrock.bsky.social foto for the #postprocess #tonalshift challenge.

I played with P.s...Snapseed. Little composition edit … the colours felt warm…stayed with them.

First attempt with eck challenge I edited @rjrock.bsky.social foto for the #postprocess #tonalshift challenge. I played with P.s...Snapseed. Little composition edit … the colours felt warm…stayed with them.

edited @rjrock.bsky.social foto for the
#postprocess #tonalshift challenge.

played with Ps…Snapseed. fun.

#eck

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I learned how color filters effect black and white using lens filters; after monochrome I used the tone curve to highlight or diminish the B&W RGB .

I learned how color filters effect black and white using lens filters; after monochrome I used the tone curve to highlight or diminish the B&W RGB .

Thanks ,@rjrock.bsky.social for a great challenge !
I went B&W feeling this was a standout image. Used Adobe LR to convert to mono FIRST, lightened the greens, moved the blues to yellow,and color graded. Converted your .dng to.tiff and added a tiny border. Much Fun !
#ECK #PostProcess #TonalShift

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“Just Missed the Cut for the Stargate Sequence in ‘2001: A Space Odyssey’”
#photography
#eastcoastkin
#ArtYear
#PhotographersofBluesky
#AlphabetChallenge
#WeekMforMovies
#PostProcess
#TonalShift

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This is a processing challenge using an image made by
@rjrock.bsky.social
. The challenge is to remove the color. The rest is up to us. I used Photoshop to turn it into a night scene.

@jaycee-visionlogic.eurosky.social

#PostProcess
#TonalShift
#EastCoastKin
#ECK

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"GRAND CANYON, U.S.A."

Original Photo: @rjrock.bsky.social

Photo Edit: @james-rowan-photo.bsky.social

#PostProcess #TonalShift #EastCoastKin #ECK #landscape #ClassicMono

*I first edited in color b4 converting into B&W. W/O color, the depth goes away, so I edited for shape & surface texture.

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The steps I took.
Edited in Lightroom.
After stripping all colour, I increased the overall contrast, deepened the blacks and softened the whites. I also increased the clarity/texture a little.
Then finally cropped to focus the attention on one of the scars from the torn open earth.

This mono photograph presents an expansive, high-angle vista of the Grand Canyon, capturing its immense geological complexity through a dramatic interplay of light and shadow. The absence of colour emphasises the raw textures of the rock and the staggering scale of the erosion. In the upper third, a pale, clear sky meets a relatively flat horizon line, where the furthest rim of the canyon displays distinct, horizontal sedimentary layers. These bands of rock appear as lighter stripes against the deeper tones of the lower formations, suggesting the ancient history of the region.The midground is dominated by massive, pyramid-like buttes and stepped ridges that descend into the canyon's depths. The light source, appearing to come from the upper left, catches the western faces of these formations, highlighting their rugged, craggy surfaces and vertical fissures. This side-lighting creates sharp contrasts with the eastern slopes, which are cast in deep, velvety blacks and dark grays. The canyon floor is a labyrinth of winding chasms and smaller ravines that disappear into a profound, shadowy abyss near the centre-right. In the foreground, a dark, rocky precipice looms, its surface etched with fine cracks and rough outcroppings. This immediate foreground provides a sense of vertiginous depth, making the viewer feel as though they are standing on the very edge. The overall composition is a study in natural geometry—diagonal lines of the sloping walls intersect with the horizontal bands of the strata, creating a rhythmic, almost architectural quality. The fine detail captured in the rock faces conveys a sense of timelessness and the relentless power of natural forces over millions of years.

The steps I took. Edited in Lightroom. After stripping all colour, I increased the overall contrast, deepened the blacks and softened the whites. I also increased the clarity/texture a little. Then finally cropped to focus the attention on one of the scars from the torn open earth. This mono photograph presents an expansive, high-angle vista of the Grand Canyon, capturing its immense geological complexity through a dramatic interplay of light and shadow. The absence of colour emphasises the raw textures of the rock and the staggering scale of the erosion. In the upper third, a pale, clear sky meets a relatively flat horizon line, where the furthest rim of the canyon displays distinct, horizontal sedimentary layers. These bands of rock appear as lighter stripes against the deeper tones of the lower formations, suggesting the ancient history of the region.The midground is dominated by massive, pyramid-like buttes and stepped ridges that descend into the canyon's depths. The light source, appearing to come from the upper left, catches the western faces of these formations, highlighting their rugged, craggy surfaces and vertical fissures. This side-lighting creates sharp contrasts with the eastern slopes, which are cast in deep, velvety blacks and dark grays. The canyon floor is a labyrinth of winding chasms and smaller ravines that disappear into a profound, shadowy abyss near the centre-right. In the foreground, a dark, rocky precipice looms, its surface etched with fine cracks and rough outcroppings. This immediate foreground provides a sense of vertiginous depth, making the viewer feel as though they are standing on the very edge. The overall composition is a study in natural geometry—diagonal lines of the sloping walls intersect with the horizontal bands of the strata, creating a rhythmic, almost architectural quality. The fine detail captured in the rock faces conveys a sense of timelessness and the relentless power of natural forces over millions of years.

'Grand Canyon'

My submission for this week's #PostProcess theme of #TonalShift

Original image in comments, credit @rjrock.bsky.social

The steps I took are in alt-text.

Sparty 🙏🏼🖤🤍

#EastCoastKin #ECK #Photography #ClassicMono #ArtChallenges #ArtYear #Art #PhotographersofBluesky #MountainMonday

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Motor boat creates a wake on dark water under hazy full moon.

Motor boat creates a wake on dark water under hazy full moon.

#PostProcess #EastCoastKin #TonalShift #BlackAndWhitePhotography

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Here goes my first attempt for #PostProcess #tonalshift on photo by @rjrock.bsky.social

Edited in Photoshop Express on phone. Used RGB filter to isolate certain colours, then increased saturation

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Fabulously creative edit my friend! ☺️👌🏼

New photo challenge with #EastCoastKin
Everything processed in Snapseed. I thought this small section of the Grand Canyon image, that was provided to start with (thanks!), looked like Martian cave housing with balconies . ☺️
#ECK #PostProcess #TonalShift

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Beautifully creative edit! ☺️👌🏼

#ECK #PostProcess #TonalShift

Hello @rjrock.bsky.social ! Thank you all for this new and exciting challenge! I decided to stay in color. I use Snapseed if needed. I cropped the photo and lightened it up. I wanted the layers and the colors in the rocks to stand out.

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Awesome editing!! ☺️👌🏼

#ECK #PostProcess #TonalShift
#ClassicMono @rjrock.bsky.social 🙋‍♀️😊

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Super creative Robert my friend!! ☺️👌🏼

#ECK #PostProcess #TonalShift

Snapseed made me play. And then I love me some confessional and conceptual photography sometimes.

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