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TIME TRAVEL FOR BEGINNERS
Every crumb of starlight sails
across the universe,

the journey of a million years
to end inside our eyes.

Except I was looking at you, 
canvas coverall cinched at the waist,

as you undressed me with photons, 
wrapped me in stories,

painted with x-rays, 
until everything glowed

with backstory-the names of trees, 
the name of an extinguished star,

still visible, ghost in the sky, 
climbing a staircase of optic nerve

into an afterlife of sight.
Hand on my hand you pointed to the past:

the sun, an 8-minute time machine, 
the moon, one second old,

and the incredible now, 
unfolding like a cone,

megaphone of memory stretched to the sky and balanced on the tip was us,

a luminous shout
of life at the speed of light.

TIME TRAVEL FOR BEGINNERS Every crumb of starlight sails across the universe, the journey of a million years to end inside our eyes. Except I was looking at you, canvas coverall cinched at the waist, as you undressed me with photons, wrapped me in stories, painted with x-rays, until everything glowed with backstory-the names of trees, the name of an extinguished star, still visible, ghost in the sky, climbing a staircase of optic nerve into an afterlife of sight. Hand on my hand you pointed to the past: the sun, an 8-minute time machine, the moon, one second old, and the incredible now, unfolding like a cone, megaphone of memory stretched to the sky and balanced on the tip was us, a luminous shout of life at the speed of light.

In a blink, this moment reaches the moon.
When we pack up the hammock, it floats

in the acid clouds of Venus.
Which means that somewhere, there is a spot,

past the gaps in Saturn's rings, 
beyond the storms of Jupiter,

outside the curved embrace of the Milky Way, 
at least one place in the universe,

where you could turn around and see us, 
back when we were still in love.

In a blink, this moment reaches the moon. When we pack up the hammock, it floats in the acid clouds of Venus. Which means that somewhere, there is a spot, past the gaps in Saturn's rings, beyond the storms of Jupiter, outside the curved embrace of the Milky Way, at least one place in the universe, where you could turn around and see us, back when we were still in love.

everything glowed/
with backstory

from the poem
Time Travel for Beginners
by Ardon Shorr

2023 Rattle Poetry Prize winner

#TwoPageTuesday #poetry
@rattlepoetry.bsky.social

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#TwoPageTuesday #TensionTuesday #Scriptsky
Two tense pages from HOW TO BE A BETTER HITMAN

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#TwoPageTuesday #Scriptsky

A day late, but here are the first two pages from A STRANGE KIND OF CREATURE.

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#TwoPageTuesday #Scriptsky

From my current WIP, "Something Like Six Months"

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#TwoPageTuesday to hopefully get my ass in gear to finish this supernatural horror feature about a True Crime Girlie in way over her head. #Scriptsky

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#TwoPageTuesday

Here are two pages from GEMINI. I don't post about this one too much. Nic (my lead) is the daughter of the sheriff and a wannabe teen detective. She thinks there's a serial killer living in their town.

#Scriptsky

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A #TwoPageTuesday break from editing the cut of the last one and brainstorming ideas for the next one.

From my #greylist script EXITS about a kid who gets in a lot of trouble and finds out his Federal Judge of a father has some secrets

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#TwoPageTuesday

I should be working on polishing scripts/pitches for tomorrow, but instead I'm just going to waste time on all the drama of a ficticious small town where one day airplanes all crash out of the sky ✈️

#Scriptsky

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It's #TwoPageTuesday?! Well...fuck me sideways!

Here are two pages from my drama pilot, The Cheshire Estate.
#scriptsky #scriptchat

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It’s apparently #TwoPageTuesday

Here you go #scriptsky. Two from my action comedy pilot.

WHENCE: Within the borders of a small town consistently plagued by supernatural monsters, heroes are nominated until an unlikely ragtag trio is forced to take up the mantle of protecting their fellow citizens.

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Anyone up for #TwoPageTuesday? ✌️ #Scriptsky

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Two more servings of weirdness from REDNECKS AND GREEN MEN: a pop-up rave happens in ground zero as all our idiots forces arrive just in time to make it all as dumb as possible.

(think "E.T." meets "IT'S A MAD MAD MAD MAD WORLD")

#TwoPageTuesday? ✌️ #Scriptsky

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Summer's coming. Stay out of the water. 🦈 #TwoPageTuesday #scriptsky

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Always. #TwoPageTuesday #scriptsky

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Anyone up for #TwoPageTuesday? ✌️ #Scriptsky

My current WIP titled "Adair". it's a TV pilot for native family crime drama set in rural Oklahoma.

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INT. GYM - DAY

Rachel's feet THUMP on the treadmill belt. Sweat pours down her face and neck, drenches her clothes.

4.97... 4.98... 4.99...5.0 MILES on the display.

Rachel hits the button and the belt slows to walking pace. She towels off, hits the STOP button.

The gym is empty.

She checks her phone, a message from Amund.

AMUND (TEXT)

Everything okay?

She smiles as she types her reply.

RAChel (TEXT)

Yes. Feel much better. Heading back.

She tosses the towel aside, heads to the locker room.

INT. OFFICE - DAY

Quinn types away at his computer when his desk phone rings.

He lets it ring a few times before begrudgingly picking up.

OFFICER QUINN

Quinn speaking.

DARLA (O.S.)

Hey, it's Darla. I got your car, but not your man.

Quinn sits up.

DARLA (O.S.)

Vehicle was spotted outside the I-90 interchange. Suspect driving was a twenty-four-year-old white male, Justin Herbert. He's got a few possession charges under his belt, but get this: claims some guy gave him the car and paid him to drive it as far north as he could.

OFFICER QUINN

Shit... thanks, Darla. I've got to go.

INT. GYM - DAY Rachel's feet THUMP on the treadmill belt. Sweat pours down her face and neck, drenches her clothes. 4.97... 4.98... 4.99...5.0 MILES on the display. Rachel hits the button and the belt slows to walking pace. She towels off, hits the STOP button. The gym is empty. She checks her phone, a message from Amund. AMUND (TEXT) Everything okay? She smiles as she types her reply. RAChel (TEXT) Yes. Feel much better. Heading back. She tosses the towel aside, heads to the locker room. INT. OFFICE - DAY Quinn types away at his computer when his desk phone rings. He lets it ring a few times before begrudgingly picking up. OFFICER QUINN Quinn speaking. DARLA (O.S.) Hey, it's Darla. I got your car, but not your man. Quinn sits up. DARLA (O.S.) Vehicle was spotted outside the I-90 interchange. Suspect driving was a twenty-four-year-old white male, Justin Herbert. He's got a few possession charges under his belt, but get this: claims some guy gave him the car and paid him to drive it as far north as he could. OFFICER QUINN Shit... thanks, Darla. I've got to go.

He hangs up and dials in a panic.

EXT. PARKING LOT - DAY

The crunch of a disposable water bottle as Rachel drinks.

She pushes through the gym doors into the morning sunshine, downs half the bottle as she crosses the parking lot.

Her car is parked under the trees for shade, the police cruiser on the opposite side of the lot near a dumpster.

She pulls the bottle away and wipes her mouth, reaches into her purse for the keys when someone yanks her backward.

Her bottle skitters to the ground, glug-glugging onto the pavement as NICK (40s) wraps his arm around her neck.

BZZZZZ.

BZZZZZ.

Her phone vibrates in her purse.

NICK

Thought you were so fucking smart, didn't you?

Rachel's feet kick hard.

Her nails dig into Nick's forearm, tries to pry herself free.

He tightens his stranglehold as Rachel struggles, her windpipe caught in the crook of his muscular arm.

INT. POliCE CRUISER

POV through the officer's window, Nick silently drags Rachel into the trees.

The crackle of radio chatter fills the interior. 

The officer's blood slowly drips onto the center console from the deep gash in his neck.

EXT. WOODED AREA

Rachel's feet kick at the weeds and garbage caught in the small wooden area next to the gym parking lot.

Safely out of sight from prying eyes.

He hangs up and dials in a panic. EXT. PARKING LOT - DAY The crunch of a disposable water bottle as Rachel drinks. She pushes through the gym doors into the morning sunshine, downs half the bottle as she crosses the parking lot. Her car is parked under the trees for shade, the police cruiser on the opposite side of the lot near a dumpster. She pulls the bottle away and wipes her mouth, reaches into her purse for the keys when someone yanks her backward. Her bottle skitters to the ground, glug-glugging onto the pavement as NICK (40s) wraps his arm around her neck. BZZZZZ. BZZZZZ. Her phone vibrates in her purse. NICK Thought you were so fucking smart, didn't you? Rachel's feet kick hard. Her nails dig into Nick's forearm, tries to pry herself free. He tightens his stranglehold as Rachel struggles, her windpipe caught in the crook of his muscular arm. INT. POliCE CRUISER POV through the officer's window, Nick silently drags Rachel into the trees. The crackle of radio chatter fills the interior. The officer's blood slowly drips onto the center console from the deep gash in his neck. EXT. WOODED AREA Rachel's feet kick at the weeds and garbage caught in the small wooden area next to the gym parking lot. Safely out of sight from prying eyes.

Anyone up for #TwoPageTuesday? ✌️ #Scriptsky

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Just made it! #TwopageTuesday #TerrorTuesday #screenwriters #scriptsky #horror

CAN YOU STAY LATE (Feature): Trapped in a corporate office after hours, a burned-out receptionist must survive a deadly zombie outbreak and battle her toxic coworkers as she fights her way down sixteen floors.

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Page 1 draft of CONTAINED HORROR

Page 1 draft of CONTAINED HORROR

Page 2 draft of CONTAINED HORROR

Page 2 draft of CONTAINED HORROR

CONTAINED HORROR
A disgraced, former teen star evades arrest by slipping into the home of an enigmatic writer-director only to learn he has a "to-die-for" role for her in his next project along with an unsound fixation on the girl she used to be.
Sunset Blvd X Heretic

#TwoPageTuesday #Scriptsky

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INT. OFFICE - NIGHT

A cramped cubicle farm. Nothing but the sound of buzzing computers until--

CRASH!

A broom clatters to the floor.

OLIVIA (O.C.)

SHIT!

OLIVIA GERING (30s, F) crouches under an office desk, covers her mouth. Dressed in head to toe black, backpack tucked between her legs.

She's too smart to be pulling something like this, but too angry to talk herself out of it now.

She pushes back her sleeve, checks the time.

The glowing EXIT sign is the only light until--

CLICK!

The door opens and a flashlight beam slices across the room.

Cubicles.

Monitors.

A lone beach babe calendar.

The SECURITY GUARD holding the flashlight chuckles.

He lowers the light, just misses Olivia in her hiding spot.

She curls up, tries to make herself smaller...

The Security Guard's boots stop in front of Olivia's hiding spot, the light falling on the floor in front of her at the fallen broom.

SECURITY GUARD

Of course.

He picks the broom up and leans it back against the wall.

He takes two steps before it falls back to the ground.

He rolls his eyes and pulls a radio from his pocket.

INT. OFFICE - NIGHT A cramped cubicle farm. Nothing but the sound of buzzing computers until-- CRASH! A broom clatters to the floor. OLIVIA (O.C.) SHIT! OLIVIA GERING (30s, F) crouches under an office desk, covers her mouth. Dressed in head to toe black, backpack tucked between her legs. She's too smart to be pulling something like this, but too angry to talk herself out of it now. She pushes back her sleeve, checks the time. The glowing EXIT sign is the only light until-- CLICK! The door opens and a flashlight beam slices across the room. Cubicles. Monitors. A lone beach babe calendar. The SECURITY GUARD holding the flashlight chuckles. He lowers the light, just misses Olivia in her hiding spot. She curls up, tries to make herself smaller... The Security Guard's boots stop in front of Olivia's hiding spot, the light falling on the floor in front of her at the fallen broom. SECURITY GUARD Of course. He picks the broom up and leans it back against the wall. He takes two steps before it falls back to the ground. He rolls his eyes and pulls a radio from his pocket.

SECURITY GUARD (CONT'D)

Level four, looks like it was a fucking broom. Yeah, all clear. "Smart cameras" my ass... you want a coffee?

He saunters back into the hallway and disappears.

Olivia peeks out from her hiding spot, makes a run for it.

INT. STUDIO - NIGHT - FLASHBACK

Black eggcrate line the walls of the recording studio.

A desk with control boards and expensive microphones sits beside a support pillar decorated with American flags and a prominent DON'T TREAD ON ME flag.

The door opens and Olivia slinks in, black mask pulled up to conceal her face from the nose down.

ZIP!

She opens her backpack and pulls out two canisters of lighter fluid. She pops the lids off, looms over the control board and recording equipment.

One last, deep breath and.... SQUEEZE!

Olivia douses everything with lighter fluid.

Liquid drips off the microphones and down the mixing boards.

Soaks the carpet.

She tosses the empties aside, grabs another pair of lighter fluid canisters and sprays the walls.

The black eggcrate panels hold the liquid like a sponge.

Olivia tosses the last empty containers to the ground.

She digs in her backpack, pauses to look up at the bubble in the ceiling-- the security camera watches from above.

She pulls a RED spray paint cannister from her backpack.

Shake, shake, hissssss--

Olivia steps away from the wall to reveal her handiwork:

ROT IN HELL MURDERER.

SECURITY GUARD (CONT'D) Level four, looks like it was a fucking broom. Yeah, all clear. "Smart cameras" my ass... you want a coffee? He saunters back into the hallway and disappears. Olivia peeks out from her hiding spot, makes a run for it. INT. STUDIO - NIGHT - FLASHBACK Black eggcrate line the walls of the recording studio. A desk with control boards and expensive microphones sits beside a support pillar decorated with American flags and a prominent DON'T TREAD ON ME flag. The door opens and Olivia slinks in, black mask pulled up to conceal her face from the nose down. ZIP! She opens her backpack and pulls out two canisters of lighter fluid. She pops the lids off, looms over the control board and recording equipment. One last, deep breath and.... SQUEEZE! Olivia douses everything with lighter fluid. Liquid drips off the microphones and down the mixing boards. Soaks the carpet. She tosses the empties aside, grabs another pair of lighter fluid canisters and sprays the walls. The black eggcrate panels hold the liquid like a sponge. Olivia tosses the last empty containers to the ground. She digs in her backpack, pauses to look up at the bubble in the ceiling-- the security camera watches from above. She pulls a RED spray paint cannister from her backpack. Shake, shake, hissssss-- Olivia steps away from the wall to reveal her handiwork: ROT IN HELL MURDERER.

New opening pages, for anyone who's read this one.

Made some big changes, but I think it's getting closer to firing on all cylinders now. #TwoPageTuesday #Scriptsky

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Modified version of the Mary Kate and Ashley Olsen movie IT TAKES TWO with the text IT TAKES #TWO PAGE TUESDAY with #Scriptsky at the bottom.

Modified version of the Mary Kate and Ashley Olsen movie IT TAKES TWO with the text IT TAKES #TWO PAGE TUESDAY with #Scriptsky at the bottom.

Who needs AI when I've got these sick Cava skills, right? 😎

It's #TwoPageTuesday so what you got, #Scriptsky?

p.s. shout out to all the other MKAO fans πŸ™Œ

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#TwoPageTuesday #Scriptsky+

From my stunt sequel to Big Trouble In Little China:

JACK BURTON: MONSTER HUNTER

A group of classic movie monsters (Frankenstein, The Wolfman, The Mummy, and the Invisible Man) enlist Jack Burton to rescue Dracula from a supernatural army bent on conquering the world

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It's #TwoPageTuesday

These are from "PAAN", my Scifi reimagining of - you guessed it - Peter Pan

The colony ship Keystone has arrived at its destination - only to be met by mean alien baddies.

Keystone isn't prepared, and things quickly go south...

#Scriptsky #Filmsky #Screenwriting

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