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Ripster Revivals #21 Ripster Revivals # 21: An Apology Actually, two apologies. First to frantic regular readers who have been wondering why this column has no...

Check out the Ripster Revivals column from our dear friend & guest Mike Ripley. Since 2014, Mike has continued the #albertcampion series (by #margeryallingham). The final book in the series, Mr Campion’s Christmas, appeared in 2024. wwwshotsmagcouk.blogspot.com/2026/02/rips...

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Stark, almost savage digital portrait of a man's head tilted and turned towards the viewer. His mouth is open in a snarl or scowl, lips pulled back to show his teeth, although they are in deep shadow — but not enough to conceal pointed canines. 

He has a long face, hawkish nose, and high smooth forehead with receding hairline, and might be good-looking if not for the haggard expression. Horn-rimmed spectacles cover deep-set eyes hidden in dark hollows, and there's a hint of a coat's high collar. 

The image is drawn in thick, rough lines like charcoal or chalk, reduced to shades of blood red, black, grey, and off-white. The head is backlit with a white area like the mouth of a cave behind it, while the face itself is rendered in shades of very dark red, black, grey for the teeth, and white reflections like moonlight on one side of the upper forehead and nose. The background of the picture around the white is mostly filled with blood red strokes on a dark grey ground

Stark, almost savage digital portrait of a man's head tilted and turned towards the viewer. His mouth is open in a snarl or scowl, lips pulled back to show his teeth, although they are in deep shadow — but not enough to conceal pointed canines. He has a long face, hawkish nose, and high smooth forehead with receding hairline, and might be good-looking if not for the haggard expression. Horn-rimmed spectacles cover deep-set eyes hidden in dark hollows, and there's a hint of a coat's high collar. The image is drawn in thick, rough lines like charcoal or chalk, reduced to shades of blood red, black, grey, and off-white. The head is backlit with a white area like the mouth of a cave behind it, while the face itself is rendered in shades of very dark red, black, grey for the teeth, and white reflections like moonlight on one side of the upper forehead and nose. The background of the picture around the white is mostly filled with blood red strokes on a dark grey ground

#ArtAdventCalendar Day21 The world of fanfic is strange and wonderful, and someday you may be inspired to draw Peter Davison as a werewolf. (No, it's not THAT kind of fic. In the #AlbertCampion novels, an alleged witch curses him. A friend of mine wrote a fun "what if the curse worked?" AU.)

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A quote from Flowers for the Judge, Death of a Ghost, and The Case of the Late Pig Outrage, combining as it does shock, anger, reproach, and helplessness, is perhaps the most unmanageable, the most demoralizing of all the emotions.

“Outrage, combining as it does shock, anger, reproach, and helplessness, is perhaps the most unmanageable, the most demoralizing of all the emotions.”

www.goodreads.com/quotes/89157...

This is one of those quotes that always hits me. So true.

#MargeryAllingham #AlbertCampion

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A quote from Flowers for the Judge, Death of a Ghost, and The Case of the Late Pig THE main thing to remember in autobiography, I have always thought, is not to let any damned modesty creep in to spoil the story. This adventure is mine,...

www.goodreads.com/quotes/89658...

-- The Case of the Late Pig

Always enjoyed this. Such a beginning!

Campion, you utter doofus. :D #MargeryAllingham #AlbertCampion

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Episode 93: Mr. Campion's Christmas Carolyn Daughters and Sarah Harrison discuss Mr. Campion's Christmas with author and special guest, author Mike Ripley.

NEW EPISODE! We interview Mike Ripley, author of Mr. Campion’s Christmas—the 12th and final book in his continuation of Margery Allingham’s Albert Campion series. 👉 teatonicandtoxin.com/podcast/mr-c... #mystery #GoldenAge #MargeryAllingham #AlbertCampion

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Magersfontein Lugg and Albert Campion both standing in a church yard.

Magersfontein Lugg and Albert Campion both standing in a church yard.

“Very determined of you” murmured Mr. Campion affably. “Where was it?” “On the tree, of course” she said. “If you're interested I'll tell you about it, but if you're not I'll save it for some other time.” ~ Sweet Danger (1933), Margery Allingham.
#BookWormSat #MagersfonteinLugg
#AlbertCampion

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