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New AMOA Video Enhances Safety Protocols for Air Medical Operations The Air Medical Operators Association has released a new video focusing on safety in air medical operations, providing vital guidance for first responders.

New AMOA Video Enhances Safety Protocols for Air Medical Operations #United_States #Alexandria #Air_Medical_Operators #Safety_Video #AMOA

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meet the RedPlum Games team at Amusement Expo LVCC!

meet the RedPlum Games team at Amusement Expo LVCC!

meet the RedPlum Games team at Amusement Expo LVCC!

meet the RedPlum Games team at Amusement Expo LVCC!

meet the RedPlum Games team at Amusement Expo LVCC!

meet the RedPlum Games team at Amusement Expo LVCC!

We are Live Now at LVCC.

We’re ready to talk about how our skill-based gaming cabinets and game room analytics solutions can elevate your gaming and convenience store business.

📍 at Booth #2561

Visit us at redplumgames.com

#lvcc2026 #Amoa #gamingexpo #RedPlumGames #lvcc #Aama #kiosk #SkillGaming

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A young woman’s face fills this square panel, centered against a field of saturated red that is scraped, streaked, and left to drip like wet dye. Her skin is painted a cool, porcelain pale with bluish shadows as thin, dark lines run down her forehead and cheeks like fine cracks or rain trails. She looks straight out at us with heavy-lidded, dark eyes and sharply arched brows, her expression steady and unreadable. Her lips are a deep carmine red. Her dark hair frames her face and is dotted with small, thick clusters of white, lavender, and blue blossoms pressed into the paint. Below her chin, pale shapes (like a high collar or maybe hands) rise into the frame, while translucent washes and gravity-pulled drips spill downward. To the left, a simple green ring floats on the red ground like a stamped mark.

Chinese American artist Hung Liu (劉虹) built her practice from the friction between images that look authoritative as archival portraits or propaganda-era photographs and the ways memory refuses to stay fixed. She often begins with a found photograph of an anonymous woman and then “unfinishes” it with drips, stains, and veils of wash to make time visible, turning certainty into something felt. The title’s “red wash” can be taken two ways: red as luck and celebration or red as the color of revolution and violence. Is the background halo or warning ... or both. The spare green ring interrupts the field like a seal or target, hinting at what has been erased or left unsaid.

Created in 2014, when Liu was widely known for her “weeping realism,” the work also echoes her passage between worlds. Trained in Socialist Realism in China and reshaping her language after emigrating to the United States in 1984, she used portraiture to ask who is granted dignity in the art world. 

The blossoms threaded through the hair feel like offerings, but they sit on a surface that keeps slipping. To me, "Red Wash Edition" reads as a steady gaze inside a world that won’t stop dissolving.

A young woman’s face fills this square panel, centered against a field of saturated red that is scraped, streaked, and left to drip like wet dye. Her skin is painted a cool, porcelain pale with bluish shadows as thin, dark lines run down her forehead and cheeks like fine cracks or rain trails. She looks straight out at us with heavy-lidded, dark eyes and sharply arched brows, her expression steady and unreadable. Her lips are a deep carmine red. Her dark hair frames her face and is dotted with small, thick clusters of white, lavender, and blue blossoms pressed into the paint. Below her chin, pale shapes (like a high collar or maybe hands) rise into the frame, while translucent washes and gravity-pulled drips spill downward. To the left, a simple green ring floats on the red ground like a stamped mark. Chinese American artist Hung Liu (劉虹) built her practice from the friction between images that look authoritative as archival portraits or propaganda-era photographs and the ways memory refuses to stay fixed. She often begins with a found photograph of an anonymous woman and then “unfinishes” it with drips, stains, and veils of wash to make time visible, turning certainty into something felt. The title’s “red wash” can be taken two ways: red as luck and celebration or red as the color of revolution and violence. Is the background halo or warning ... or both. The spare green ring interrupts the field like a seal or target, hinting at what has been erased or left unsaid. Created in 2014, when Liu was widely known for her “weeping realism,” the work also echoes her passage between worlds. Trained in Socialist Realism in China and reshaping her language after emigrating to the United States in 1984, she used portraiture to ask who is granted dignity in the art world. The blossoms threaded through the hair feel like offerings, but they sit on a surface that keeps slipping. To me, "Red Wash Edition" reads as a steady gaze inside a world that won’t stop dissolving.

"Red Wash Edition" by 劉虹 Hung Liu (Chinese American) - Mixed media on panel / 2014 - Art Museum of the Americas (Washington, DC) #WomenInArt #art #artText #BlueskyArt #HungLiu #劉虹 #Liu #BlueskyArt #WomensArt #WomanArtist #WomenArtists #ChineseArtist #ChineseAmericanArt #AMOA #ArtMuseumoftheAmericas

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Switzerland has been the centre of the music universe this week, no not Eurovision - Amoa of course. Second song of the week from this indie pop chanteuse.

www.mp3hugger.com/2025/05/amoa...

#amoa #indiepop

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Vulnerability and strength in equal measure in this Blondie evoking anthem from Amoa.

www.mp3hugger.com/2025/05/amoa...

#amoa #punkpop

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No queremos pasar la oportunidad de felicitar a #ampudia a su #amoa y a su cole por este premio. Enhorabuena #educaciónpública #educaciónambiental #compromiso #valores #palencia

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