😍 The previz edit of BTS — The Comeback Live
📷 Guy Harding, ACE, and Jason Yue
▶️ avid.co/qxca50WF4Z2
#bts #btsisback #netflix #previz #arirang #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
🎞️ The FULL editing timeline of "Sinners"
📷 Editor Michael P. Shawver
▶️ avid.co/qxca50WF4Z2
#sinners #timelinetuesday #timeline #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
🎞️ Hoppers — editing timeline
📷 Axel Geddes, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes
▶️ avid.co/qxca50WF4Z2
#timeline #hoppers #animation #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
F1 The Movie editor Stephen Mirrione explains how strong storyboards guided the race design and helped shape the storytelling
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #timeline #f1 #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab #filmmaking
🎞️ #TimelineTuesday — One Piece SE02E02
📷 Editor Eric Litman, ACE
▶️ avid.co/qxca50WF4Z2
#netflix #timeline #onepiece #postproduction #editor #mediacomposer #avidcollab #avidmediacomposer #avid #editing
🎬 Congrats to "KPop Demon Hunters" for winning the Oscar for Best Animated Feature!
▶️ avid.com/media-composer
#timelinetuesday #oscars #kpopdemonhunters #animation #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
Oscar-winning re‑recording mixer Juan Peralta layered crowd reactions, engine shifts, and racing details to create a fully immersive, high-energy soundscape
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #sounddesign #daw #protools #avid #avidcollab #filmmaking #oscars
👏 Congratulations to the Oscar-winning sound team of F1: The Movie
🔊 Al Nelson, Gareth John, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta
▶️ avid.com/f1
#oscars #avidcollab #f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #filmmaking
Meet Axel Geddes, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, and Ayesha Johannes—the editing team behind "Hoppers"
▶️ theroughcutpod.com/hoppers
#hoppers #podcast #timeline #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
🎬 Congratulations to Oscar-winning editor Andy Jurgensen for his outstanding work on "One Battle After Another"!
▶️ avid.co/qxca50WF4Z2
#oscars #onebattleafteranother #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
Re-recording mixer Gary Rizzo says F1: The Movie was a masterclass in collaboration, experimentation, and authentic sound
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
☠️ One Piece is back! Explore the editing timeline of SE02E02
📷 Editor Eric Litman, ACE
▶️ avid.co/qxca50WF4Z2
#onepiece #timeline #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab #netflix
🎞️ #TimelineTuesday — Ted S02E01
📷 Tom Costantino, ACE
▶️ avid.co/qxca50WF4Z2
#timeline #ted #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
🎞️ Editor Guy Harding, ACE, breaks down his timeline for the previz edit of the 2026 Super Bowl Halftime Show
▶️ avid.co/qxca50WF4Z2
#mediacomposer #badbunny #superbowl #avid #previz #avidcollab #editing #postproduction #halftimeshow #timelinetuesday
With F1’s footage and sounds, re‑recording mixer Juan Peralta helped turn the car sequences into a cinematic, high-octane experience
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
🎞️ Ted is back! Check out the editing timeline of S02E01
📷 Tom Costantino, ACE
▶️ avid.co/qxca50WF4Z2
#ted #peacock #timeline #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
Editor Stephen Mirrione on using multi-camera setups and repeated laps to view F1 The Movie from 9 angles at once
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #timeline #f1 #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab #filmmaking #oscars
Gary Rizzo crafted each F1 race in the movie with authentic cars, radio chatter, and over 500 music tracks for a true-to-life sound
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
🎞️ Congrats to ACE Eddie Award winner Mark Strand, ACE, editor of The Pitt! Check out these timelines for episodes 101 and 112
▶️ avid.co/qxca50WF4Z2
#acefilmeditors #eddiewards #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab
The start of Silverstone in F1: The Movie comes alive with crowd and effects, mixed to perfection by re‑recording mixer Juan Peralta
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
In F1 The Movie, editor Stephen Mirrione keeps racing edits surgically precise while letting dialogue break continuity
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #timeline #f1 #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab #filmmaking #oscars
Every day on F1: The Movie was a new puzzle for Gary Rizzo—blending technology, artistry, and pure joy into an unforgettable experience
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
Re-recording mixer Juan Peralta blends every car-by, dialogue, and music in F1: The Movie to create a thrilling sound
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
Editor Nigel Williams teams up once more with showrunner Lisa McGee on "How to Get to Heaven From Belfast"
▶️ theroughcutpod.com/how-to-get-to-heaven-from-belfast
#howtogettoheavenfrombelfast #theroughcut #podcast #editing #editor #postproduction #mediacomposer #avid #avidcollab
F1 The Movie editor Stephen Mirrione reveals how dozens of cameras were used to capture a crucial car upgrade that drives the story
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #timeline #f1 #avidmediacomposer #editing #editor #postproduction #mediacomposer #avid #avidcollab #filmmaking #oscars
🏈 Super Bowl Halftime Show — Previz edit
📷 Editor Guy Harding, ACE, and assistant editor Jason Yue
▶️ avid.co/qxca50WF4Z2
#superbowl #badbunny #previz #halftimeshow #editing #timelinetuesday #postproduction #mediacomposer #avid #avidcollab
Re-recording mixer Gary Rizzo explains how F1: The Movie uses layered Atmos objects to immerse viewers in the full thrill of the race
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
Re-recording mixer Juan Peralta breaks down F1: The Movie’s crowds, cars, and swooshes to create the film’s thrilling effects track
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #f1 #mix #audiopost #postproduction #sounddesign #daw #avidprotools #protools #avid #avidcollab #filmmaking #oscars
🏆 GRAMMY winner Justin Gray reminds creators to focus on storytelling, craft, and making music that truly means something
▶️ avid.co/oe5o50WF50a
#grammys #immersivemusic #musicproduction #daw #avidprotools #protools #avid #avidcollab
Day one at Silverstone revealed thrilling race shots, shaped by quick storyboards and rough cuts by F1 The Movie editor Stephen Mirrione
FULL VIDEO ▶️ avid.co/nEMk50Y4VNe
#f1themovie #timeline #f1 #editing #editor #postproduction #mediacomposer #avid #avidcollab #filmmaking #oscars
