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Engraved score showing a post-tonally-inflected blues intro with the title “Blues for Frank” above.

Engraved score showing a post-tonally-inflected blues intro with the title “Blues for Frank” above.

Today’s #proofofbeinghuman: engraved the intro to #bluesforfrank, the last movement of #tombeau. After a few adjustments thanks to @megan-hill.bsky.social, it’s humming!

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Physical score showing three attempts to begin the final movement of Tombeau: Blues for Frank

Physical score showing three attempts to begin the final movement of Tombeau: Blues for Frank

Tonight’s #proofofbeinghuman:

Third time’s the charm 🤷‍♂️
#tombeau #bluesforfrank

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Musical score depicting the minor, relative, major, and parallel, major blue scales, as realized on tonic, subdominant, and dominant tonal areas. The whole thing is in the shape of a pyramid. Below, it are smaller reproductions of that pyramid showing the subsets of the blue scale in each major section of this movement.

Musical score depicting the minor, relative, major, and parallel, major blue scales, as realized on tonic, subdominant, and dominant tonal areas. The whole thing is in the shape of a pyramid. Below, it are smaller reproductions of that pyramid showing the subsets of the blue scale in each major section of this movement.

Today’s #proofofbeinghuman: a “blues pyramid” and the subsets that will form each section of #tombeau’s last movement, #bluesforfrank.

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A handwritten musical sketch entitled “Blues for Frank“ several versions of the blue scale written out

A handwritten musical sketch entitled “Blues for Frank“ several versions of the blue scale written out

Today, I began the last movement of #tombeau, entitled #bluesforfrank. I began writing this suite in after my uncle’s sudden death last year. He was an amateur blues musician, and so I felt it was fitting to end this work—a deep dive into composing with hexachords—by using the blues scale.

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