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Form telling me my painting has a chance of getting into the prestigious Mall Gallery in London, it has been chosen out of thousands of entrants, so fingers crossed it will get into the exhibition.

Form telling me my painting has a chance of getting into the prestigious Mall Gallery in London, it has been chosen out of thousands of entrants, so fingers crossed it will get into the exhibition.

Urban Decay, my oil painting that I entered of a decaying window and dying poppy, with the paint peeling off of the window and wall underneath.

Urban Decay, my oil painting that I entered of a decaying window and dying poppy, with the paint peeling off of the window and wall underneath.

#Blueskart #womensart #hastingsartist #oilpainting #Urbana So my painting has got a chance of being in my favourite London gallery The Mall, it's off to the gallery on the 18th April to be judged whether it's worthy, nail biting stuff, just pleased it got picked!.

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American artist Jeff Donaldson’s title invokes Shango, a ruler of the Oyo empire and a major Yoruba spiritual figure associated with thunder, lightning, power, and justice. The three strong women represent his wives: Oshun, Oba, and Oya who fought beside him. Donaldson reimagines them in the language of Black pride and liberation in 1969. They are not distant mythic figures, but modern, self-possessed women whose beauty, dignity, and readiness suggest spiritual authority as well as political power. They connect Yoruba memory to Black self-determination during the Black Arts Movement, making the painting a vision of women as protectors, cultural anchors, and agents of resistance.

The three Black women stand close together, like a shared monument. Their skin is modeled in deep browns, amber, copper, and gold, and the watercolor surface flickers with warm oranges, reds, and yellows, making the whole composition feel radiant and heat-filled. All three wear natural Afro hairstyles that expand their silhouettes with pride and presence. The woman at left turns her face outward in profile, wearing a pink-orange dress, an ankh pendant, and a belt of bullets slung low across her hips. A long firearm hangs vertically beside her shoulder. The central figure wears white, a necklace of large beads, and a cross pendant. The woman in profile at right, in a yellow dress with patterned trim, holds an open fan. Donaldson presents them not as passive muses but as dignified, alert, and formidable women.

Painted just after Donaldson helped found AfriCOBRA in Chicago, the work reflects his commitment to a proudly Black, community-centered aesthetic that celebrated beauty, power, and African diasporic connection. Rather than placing women at the margins of revolution, he centers them as intellectual, spiritual, and political equals. The glowing palette intensifies the sense that these women feel iconic and almost sanctified like a vision of Black resilience and sovereignty.

American artist Jeff Donaldson’s title invokes Shango, a ruler of the Oyo empire and a major Yoruba spiritual figure associated with thunder, lightning, power, and justice. The three strong women represent his wives: Oshun, Oba, and Oya who fought beside him. Donaldson reimagines them in the language of Black pride and liberation in 1969. They are not distant mythic figures, but modern, self-possessed women whose beauty, dignity, and readiness suggest spiritual authority as well as political power. They connect Yoruba memory to Black self-determination during the Black Arts Movement, making the painting a vision of women as protectors, cultural anchors, and agents of resistance. The three Black women stand close together, like a shared monument. Their skin is modeled in deep browns, amber, copper, and gold, and the watercolor surface flickers with warm oranges, reds, and yellows, making the whole composition feel radiant and heat-filled. All three wear natural Afro hairstyles that expand their silhouettes with pride and presence. The woman at left turns her face outward in profile, wearing a pink-orange dress, an ankh pendant, and a belt of bullets slung low across her hips. A long firearm hangs vertically beside her shoulder. The central figure wears white, a necklace of large beads, and a cross pendant. The woman in profile at right, in a yellow dress with patterned trim, holds an open fan. Donaldson presents them not as passive muses but as dignified, alert, and formidable women. Painted just after Donaldson helped found AfriCOBRA in Chicago, the work reflects his commitment to a proudly Black, community-centered aesthetic that celebrated beauty, power, and African diasporic connection. Rather than placing women at the margins of revolution, he centers them as intellectual, spiritual, and political equals. The glowing palette intensifies the sense that these women feel iconic and almost sanctified like a vision of Black resilience and sovereignty.

“Wives of Shango” by Jeff Donaldson (American) - Watercolor with mixed media on paper / 1969 - Brooklyn Museum (New York) #WomenInArt #1960sArt #artText #art #JeffDonaldson #Donaldson #Yoruba #BrooklynMuseum #BlackArtsMovement #BlueskArt #BlackArtist #BlackArt #AfricanAmericanArtist #AfriCOBRA

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Say hello to my new painting page 🎨

#bluesky #blueskart

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11x14 pastel and acrylic painting on paper of portrait of American photographer Lee Miller.

11x14 pastel and acrylic painting on paper of portrait of American photographer Lee Miller.

"Portrait Of Lee Miller." Acrylic and pastel. #art #artsky #painting #painter #blueskart

Born in Poughkeepsie, NY in 1907, Miller was a student of Man Ray, a war correspondent for Vogue, and one of the greatest photographers of the 20th century.

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#Blueskart 🤣😂🤣😂🤣

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11x14 pastel and acrylic painting on paper of portrait of Chinese artist Ai Weiwei.

11x14 pastel and acrylic painting on paper of portrait of Chinese artist Ai Weiwei.

"Portrait Of Ai Weiwei." Pastel and acrylic on paper. #art #artsky #painting #artist #blueskart

Born in 1957, Ai Weiwei is a Chinese artist and activist known for his brazen criticism of the Chinese government. He is currently living in exile.

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Played around with black paper and metallic watercolor…got some fun results. Also added some white gel pen for little extra drama.

#watercolor #originalart #blueskyartshow #artwork #dailyart #flowerart #artwork #myart #havingfun #artshow #blueskart

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A marker, ink, paint pen and digital drawing of the tarot card The Magician, as an orange octopus in a black top hat and gold riveted goggles, holding a glowing round bottle and a cane/swagger stick with gold top and tip.
The Magician card includes the symbols of the minor arcana. Our little octopus only has three visible: pentacles (in the right lens of the goggles), cups (the bottle with glowing contents) and staffs (the cane). What you don’t know is that the can has a sword concealed inside, so all four are technically represented.
The border and lettering were done digitally, as was the pentacle, a little cleanup, and extra shading on the top hat.
I drew the octopus in 2023, and made it into a card 6/5/25.

A marker, ink, paint pen and digital drawing of the tarot card The Magician, as an orange octopus in a black top hat and gold riveted goggles, holding a glowing round bottle and a cane/swagger stick with gold top and tip. The Magician card includes the symbols of the minor arcana. Our little octopus only has three visible: pentacles (in the right lens of the goggles), cups (the bottle with glowing contents) and staffs (the cane). What you don’t know is that the can has a sword concealed inside, so all four are technically represented. The border and lettering were done digitally, as was the pentacle, a little cleanup, and extra shading on the top hat. I drew the octopus in 2023, and made it into a card 6/5/25.

Just messing around with this little choom I found in a random sketchbook. #blueskart #art #tarotcard #themagician

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11x17 pastel portrait of Søren Kierkegaard in psychedelic colors.

11x17 pastel portrait of Søren Kierkegaard in psychedelic colors.

"Søren Kierkegaard." 11x17 pastel on paper. #art #artsky #painting #blueskart #philosophy

I guess I sort of made him look like the keyboardist of a 60s psychedelic band. 😃

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When they come for your slice of pizza you must do all you can so as not be left with crumbs of regret

#digitalart #art #blueskart #doodles #basicthings

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A quick one tonight for 'sweet' and 'sustain'.
#januarty #januarty2025 #januarty2025day24 #januarty2025sustain @artpromptcal #digitalart #procreateapp #Blueskart whitneyyoh #Sweet

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A blue alien in an orange jumpsuit and large orange eyes like an insect, standing in front of his tiny spacecraft in the Sonoran desert with his fingerless mitts on his hips and a fed up expression on his face. His caption reads “I didn’t come all this way just to entertain you with a funny caption”.

A blue alien in an orange jumpsuit and large orange eyes like an insect, standing in front of his tiny spacecraft in the Sonoran desert with his fingerless mitts on his hips and a fed up expression on his face. His caption reads “I didn’t come all this way just to entertain you with a funny caption”.

This may be low effort for me, but it’s still effort.
#art #artistsupport #bskyart #blueskart #artsky

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Joe Birdsong (halfmoonjoe) with stream stickers and flames

Joe Birdsong (halfmoonjoe) with stream stickers and flames

hmjChaos, or the average @halfmoonjoe.com stream

#blueskart ? #hmj

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